Rough Collection (page 16)

The Rough-legged Buzzard-Eagle (chromolitho)
3643943 The Rough-legged Buzzard-Eagle (chromolitho) by Lydon, Alexander Francis (1836-1917); Private Collection; (add.info.: The Rough-legged Buzzard-Eagle)

Rough Waves, two-panel folding screen, c. 1704-9 (ink, color, and gold leaf on paper)
3472191 Rough Waves, two-panel folding screen, c.1704-9 (ink, color, and gold leaf on paper) by Korin, Ogata (1658-1716); 146.5 x165.4 cm; Metropolitan Museum of Art, New York, USA; Japanese

Design for the Naval Pillar, 1800 (coloured etching)
3244692 Design for the Naval Pillar, 1800 (coloured etching) by Gillray, James (1757-1815); National Museum of the Royal Navy, Portsmouth, Hampshire, UK; (add.info.: Coloured etching)

The lifeboat Amiral-Barrera going to the aid of asticken vessel off the Ile de Sein, Brittany (colour litho)
2795954 The lifeboat Amiral-Barrera going to the aid of asticken vessel off the Ile de Sein, Brittany (colour litho) by French School

"Cease, strange Vanir, cease your rough play"(colour litho)
2813710 " Cease, strange Vanir, cease your rough play" (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info.: " Cease, strange Vanir)

Woolly Mammoth (w / c on paper)
741665 Woolly Mammoth (w/c on paper) by Griset, Ernest Henry (1844-1907); Bromley Museum, Orpington, UK; Photo eHeini Schneebeli; English, out of copyright

An escaped jaguar at large on a ship (colour litho)
2779564 An escaped jaguar at large on a ship (colour litho) by French School, (20th century); Private Collection; (add.info.: An escaped jaguar at large on a ship)

Castle Douglas, Loch Leven, 1849 (w / c on paper)
694619 Castle Douglas, Loch Leven, 1849 (w/c on paper) by Stanfield, William Clarkson (1793-1867); 27.9x17.2 cm; University of Liverpool Art Gallery & Collections, UK; eVictoria Gallery & Museum

The Arrival of Prince William Henry to New York, c. 1781 (hand-coloured engraving)
497588 The Arrival of Prince William Henry to New York, c.1781 (hand-coloured engraving) by Leizel, Balthasar Friedrich (18th century); 47.9x38.2 cm; Gilder Lehrman Collection, New York

The Dover Lifeboat, (oil on canvas)
659050 The Dover Lifeboat, (oil on canvas) by Weber, Theodore (1838-1907); 85x135 cm; Private Collection; (add.info.: The Dover Lifeboat. Theodor Alexander Weber (1838-1907). Oil on canvas

Taurus The Bull, Christmas Card (chromolitho)
731078 Taurus The Bull, Christmas Card (chromolitho) by English School, (19th century); Private Collection; (add.info.: Taurus The Bull)

Rough Shooting in Windsor Great Park (w / c on paper)
2601795 Rough Shooting in Windsor Great Park (w/c on paper) by Collingwood Smith, William (1815-87); Private Collection; Bourne Gallery, Reigate, Surrey; English, out of copyright

Eastern Point Light, Gloucester Harbour, 1888 (oil on canvas)
PEM216835 Eastern Point Light, Gloucester Harbour, 1888 (oil on canvas) by Drew, Clement (c.1807-1889); Peabody Essex Museum, Salem, Massachusetts, USA; ePeabody Essex Museum; American

A trading brig running out of Tynemouth (pencil, w / c & heightening on paper)
CH407796 A trading brig running out of Tynemouth (pencil, w/c & heightening on paper) by Carmichael, John Wilson (1800-68); 43.2x63.5 cm; Private Collection; Photo eChristies Images; English

A barge running out of harbour, a frigate riding on her anchor beyond (oil on canvas)
CH408860 A barge running out of harbour, a frigate riding on her anchor beyond (oil on canvas) by James, David (1834-97); Private Collection; Photo eChristies Images; English, out of copyright

The Wave, 1917 (oil on canvas)
XYC111991 The Wave, 1917 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 50.8x76.2 cm; Yale Center for British Art, Paul Mellon Fund, USA; English, out of copyright

The longships lighthouse of Lands End, Cornwall, from Volume I of
STC240764 The longships lighthouse of Lands End, Cornwall, from Volume I of A Voyage around Great Britain Undertaken between the Years 1814 and 1825, published 1814 (aquatint) by Daniell

Fisherman putting out to Sea, c. 1810 (w / c with pen & ink on paper)
XYC281172 Fisherman putting out to Sea, c.1810 (w/c with pen & ink on paper) by Atkinson, John Augustus (1775-1831); 26.7x36.5 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

A tent saloon, c. 1890 (b / w photo)
PNP249371 A tent saloon, c.1890 (b/w photo) by American Photographer, (19th century); Private Collection; Peter Newark American Pictures; American, out of copyright

Landscape with a Waterfall and Castle, c. 1670 (oil on canvas)
DAY235431 Landscape with a Waterfall and Castle, c.1670 (oil on canvas) by Ruisdael, Jacob Isaaksz. or Isaacksz. van (1628/9-82); 70.5x55.2 cm; The Dayton Art Institute, Dayton, Ohio

Granville, Sea Effect, 1936 (w / c on paper)
XIR232854 Granville, Sea Effect, 1936 (w/c on paper) by Antral, Louis Robert (1895-1939); Musee d Art Moderne de la Ville de Paris, Paris, France; French, out of copyright

The Warship Hollandia in Full Sail (oil on canvas)
LMG157860 The Warship Hollandia in Full Sail (oil on canvas) by Backhuysen, Ludolf, I (1630-1708); 68.6x95.2 cm; Leeds Museums and Galleries (Lotherton Hall)

Saved (oil on canvas)
REA197357 Saved (oil on canvas) by Miles, Thomas Rose (1844-1916); 91.4x71.2 cm; Private Collection; eRoyal Exchange Art Gallery at Cork Street, London; English, out of copyright

Merchant Ships of 1640, from Le Journal de la Decoration (colour litho)
CHT192346 Merchant Ships of 1640, from Le Journal de la Decoration (colour litho) by Nance, Robert Morton (fl.1895-1909); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; British

Genoa Sea, 1891 (oil on canvas)
5862552 Genoa Sea, 1891 (oil on canvas) by Nomellini, Plinio (1866-1943); 70x81 cm; Private Collection; Luisa Ricciarini; Italian, out of copyright

Practical points to watch when dressing a window (b / w photo)
6007708 Practical points to watch when dressing a window (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Practical points to watch when dressing a window)

Studies for Michelangelo in his studio, 19th century (black lead on paper)
5938253 Studies for Michelangelo in his studio, 19th century (black lead on paper) by Delacroix, (Ferdinand Victor) Eugene (1798-1863) (attr)

Studies for Michelangelo in his studio, 19th century (black lead on paper)
5938249 Studies for Michelangelo in his studio, 19th century (black lead on paper) by Delacroix, (Ferdinand Victor) Eugene (1798-1863) (attr)

Seascape, 1894 (oil on wood)
5058823 Seascape, 1894 (oil on wood) by Achenbach, Andreas (1815-1910); 39.1 x 49.8 cm; Kunstmuseum, Basel, Switzerland; (add.info)

Sketches of a Cricket-Match at Mandalay, Burmah (engraving)
1595043 Sketches of a Cricket-Match at Mandalay, Burmah (engraving) by English School, (19th century); Private Collection; (add.info.: Sketches of a Cricket-Match at Mandalay, Burmah)

Cornwall Landing, Hudson River, 1851 (oil on canvas)
3949667 Cornwall Landing, Hudson River, 1851 (oil on canvas) by Coates, Edmund C. (1816-1871); 64.1x76.5 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Boats in a Gale off Ostend, Belgium, 1875 (oil on canvas)
3743993 Boats in a Gale off Ostend, Belgium, 1875 (oil on canvas) by Hayes, Edwin (1820-1904); 76.2x127 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Two rough sketches, a crouching woman with a standing figure beside her
1219185 Two rough sketches, a crouching woman with a standing figure beside her and another figure group (red chalk on paper) by Poussin, Nicolas (1594-1665); 17.7x14.7 cm; Fitzwilliam Museum

The Leipsic Dog Show (engraving)
1615991 The Leipsic Dog Show (engraving) by English School, (19th century); Private Collection; (add.info.: The Leipsic Dog Show)

The Nip off Cape Cornelius Grinnell, Force Bay, illustration from
931442 The Nip off Cape Cornelius Grinnell, Force Bay, illustration from The second Grinnell Expedition in Search of Sir John Franklin

Quai de la Ferraille, 19th Century (b / w engraving)
909608 Quai de la Ferraille, 19th Century (b/w engraving) by Lix, Frederic Theodore (1830-97); Private Collection; (add.info.: Illustration from Toute la Lyre)

The Shipwreck, 1832 (w / c on paper)
REA197367 The Shipwreck, 1832 (w/c on paper) by Gudin, Jean Antoine Theodore (1802-80); 23x38 cm; Private Collection; eRoyal Exchange Art Gallery at Cork Street, London; French, out of copyright

Dale, Pembrokeshire, July 1866 (w / c on paper)
Ma199036 Dale, Pembrokeshire, July 1866 (w/c on paper) by Cole, George Vicat (1833-93); 38x59 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Swallow, A Tale of the Great Trek (litho)
1063697 Swallow, A Tale of the Great Trek (litho) by Hatherell, William (1855-1928) (after); Private Collection; (add.info.: Swallow, A Tale of the Great Trek)

Life at Thul Chotiali, Southern Afghanistan (engraving)
1054852 Life at Thul Chotiali, Southern Afghanistan (engraving) by Ralston, William (1848-1911) (after); Private Collection; (add.info.: Life at Thul Chotiali, Southern Afghanistan)

La Vague (oil on canvas)
1109357 La Vague (oil on canvas) by Courbet, Gustave (1819-77); 43.4x64.9 cm; Southampton City Art Gallery, Hampshire, UK; eSouthhampton City Art Gallery; French, out of copyright

Eat the World
fegari

POSEIDO BLUE HAIRS
Paolo Lazzarotti

Passengers come aboard in basket owing to sea being too rough for use of companion ladder. Rough sea at Port Elizabeth. SS Llandovery Castle. 16th April 1928

Gales at Brighton. A beautiful milky wave at Brighton, the pier can be seen in the background. Waves pounding the beach. 2nd May 1954

Kens Pipeline Bar in Fairbanks Alaska USA December 1977

Lifeboatmen of Sheringham, Norfolk stand by during operational flights over the North Sea to rescue airmen who may have dropped into the sea on their way out to or returning from missions abroad

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"Capturing the Essence of Rough: A Journey Through Art and Nature" Immerse yourself in a world where roughness becomes an artistic masterpiece. From Albrecht Durer's Rhinoceros, with its intricate details etched on paper, to William Heath Robinson's Ultra-Marine, depicting a whimsical contraption amidst chaos - these works transport us into realms where rough edges hold captivating stories. In Il ya Repin's The Cossacks Reply to the Sultan, we witness the defiance of warriors against adversity, their rugged spirit shining through every stroke. JMW Turner's Whitby takes us on a stormy voyage across turbulent seas; his brushstrokes mirror nature's raw power as waves crash against jagged cliffs. Grace Darling rows alongside her father in an act of bravery amidst treacherous waters - their determination cutting through the rough tides. Grand Haven South Pier Lighthouse stands tall at sunrise over Lake Michigan, symbolizing resilience and guidance even in harsh conditions. The British submarine HMS E6 reminds us of the courage displayed during WW1; its steel exterior braving tumultuous depths for a greater cause. Meanwhile, Kraken attacking ships during storms unleashes our primal fear of untamed forces lurking beneath calm surfaces. Skerryvore Lighthouse guards Scotland's west coast with unwavering strength against relentless winds and crashing waves. The Ship in stormy sea from The Rime of the Ancient Mariner transports us into Coleridge’s haunting tale where sailors face dire consequences for defying nature’s laws. Captain Berry’s dachshunds romp freely within a park – their playful energy contrasting with surrounding wildness. Butter Making showcases how even mundane tasks can reveal hidden beauty when observed closely enough – rough textures transformed into golden delights before our eyes. Through art and nature alike, we discover that there is profound beauty within life’s roughest moments.