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Rosa Salvatore Collection

Discover the captivating world of Baroque artist Salvator Rosa (1615-1673

Background imageRosa Salvatore Collection: Landscape with Water. Creator: Manner of Salvator Rosa  (1615-1673) 

Landscape with Water. Creator: Manner of Salvator Rosa  (1615-1673) 
Landscape with Water, unknown date

Background imageRosa Salvatore Collection: Ships in a Gale. Creator: Unknown

Ships in a Gale. Creator: Unknown
Ships in a Gale, Unknown date. Manner of Salvator Rosa

Background imageRosa Salvatore Collection: Shepherd Playing the Pipe. Creator: Unknown

Shepherd Playing the Pipe. Creator: Unknown
Shepherd Playing the Pipe, Unknown date. Manner of Salvator Rosa

Background imageRosa Salvatore Collection: Harbour Scene. Creator: School of Salvator Rosa

Harbour Scene. Creator: School of Salvator Rosa
Harbour Scene, Unknown date

Background imageRosa Salvatore Collection: Glaucus and Scylla, c1661. Creator: Salvator Rosa

Glaucus and Scylla, c1661. Creator: Salvator Rosa
Glaucus and Scylla, c1661

Background imageRosa Salvatore Collection: Figurine: Three Soldiers, between circa 1656 and circa 1657. Creator: Salvator Rosa

Figurine: Three Soldiers, between circa 1656 and circa 1657. Creator: Salvator Rosa
Figurine: Three Soldiers, between circa 1656 and circa 1657. From Figurine

Background imageRosa Salvatore Collection: Figurine: Turbaned Man Bending Back with Raised Arms, between circa 1656 and circa 1657

Figurine: Turbaned Man Bending Back with Raised Arms, between circa 1656 and circa 1657. Creator: Salvator Rosa
Figurine: Turbaned Man Bending Back with Raised Arms, between circa 1656 and circa 1657. From Figurine

Background imageRosa Salvatore Collection: Figurine: Seated Female Nude, in Solitude, between circa 1656 and circa 1657. Creator: Salvator Rosa

Figurine: Seated Female Nude, in Solitude, between circa 1656 and circa 1657. Creator: Salvator Rosa
Figurine: Seated Female Nude, in Solitude, between circa 1656 and circa 1657. From Figurine

Background imageRosa Salvatore Collection: Jason and the Dragon, between circa 1663 and circa 1664. Creator: Salvator Rosa

Jason and the Dragon, between circa 1663 and circa 1664. Creator: Salvator Rosa
Jason and the Dragon, between circa 1663 and circa 1664

Background imageRosa Salvatore Collection: Landscape with Armed Men, c1640. Creator: Salvator Rosa

Landscape with Armed Men, c1640. Creator: Salvator Rosa
Landscape with Armed Men, c1640

Background imageRosa Salvatore Collection: Landscape with Armed Men, c1640. Creator: Salvator Rosa

Landscape with Armed Men, c1640. Creator: Salvator Rosa
Landscape with Armed Men, c1640

Background imageRosa Salvatore Collection: The Founding of Thebes, 1661. Creator: Salvator Rosa

The Founding of Thebes, 1661. Creator: Salvator Rosa
The Founding of Thebes, 1661. The goddess Pallas Athena orders Cadmus to sow the dragon's teeth; an army of warriors emerges from the ground

Background imageRosa Salvatore Collection: Jonah Preaching to the People of Niniveh, 1661. Creator: Salvator Rosa

Jonah Preaching to the People of Niniveh, 1661. Creator: Salvator Rosa
Jonah Preaching to the People of Niniveh, 1661

Background imageRosa Salvatore Collection: Diogenes Throwing away his Drinking Cup, 1651. Creator: Salvator Rosa

Diogenes Throwing away his Drinking Cup, 1651. Creator: Salvator Rosa
Diogenes Throwing away his Drinking Cup, 1651. The Greek philosopher went to drink from a pool using a cup. He saw a child drinking from his hands,

Background imageRosa Salvatore Collection: Democritus in Meditation on the Ending of all Things, 1650-1651. Creator: Salvator Rosa

Democritus in Meditation on the Ending of all Things, 1650-1651. Creator: Salvator Rosa
Democritus in Meditation on the Ending of all Things, 1650-1651

Background imageRosa Salvatore Collection: The Rescue of the Infant Oedipus, 1663. Creator: Salvator Rosa

The Rescue of the Infant Oedipus, 1663. Creator: Salvator Rosa
The Rescue of the Infant Oedipus, 1663

Background imageRosa Salvatore Collection: Diogenes Casting away his Bowl, 1662. Creator: Salvator Rosa

Diogenes Casting away his Bowl, 1662. Creator: Salvator Rosa
Diogenes Casting away his Bowl, 1662

Background imageRosa Salvatore Collection: Alexander in the Studio of Apelles, c. 1662. Creator: Salvator Rosa

Alexander in the Studio of Apelles, c. 1662. Creator: Salvator Rosa
Alexander in the Studio of Apelles, c. 1662

Background imageRosa Salvatore Collection: The Crucifixion of Polycrates, c. 1662. Creator: Salvator Rosa

The Crucifixion of Polycrates, c. 1662. Creator: Salvator Rosa
The Crucifixion of Polycrates, c. 1662

Background imageRosa Salvatore Collection: Jason and the Dragon, c. 1663/1664. Creator: Salvator Rosa

Jason and the Dragon, c. 1663/1664. Creator: Salvator Rosa
Jason and the Dragon, c. 1663/1664

Background imageRosa Salvatore Collection: Shepherd in a Landscape, c. 1660/1661. Creator: Salvator Rosa

Shepherd in a Landscape, c. 1660/1661. Creator: Salvator Rosa
Shepherd in a Landscape, c. 1660/1661

Background imageRosa Salvatore Collection: The Academy of Plato. Creator: Salvator Rosa

The Academy of Plato. Creator: Salvator Rosa
The Academy of Plato

Background imageRosa Salvatore Collection: Democritus in Meditation, 1662. Creator: Salvator Rosa

Democritus in Meditation, 1662. Creator: Salvator Rosa
Democritus in Meditation, 1662

Background imageRosa Salvatore Collection: Diogenes Casting Away His Bowl, 1615-1673. Creator: Salvator Rosa

Diogenes Casting Away His Bowl, 1615-1673. Creator: Salvator Rosa
Diogenes Casting Away His Bowl, 1615-1673

Background imageRosa Salvatore Collection: Soldiers Refeshing Themselves, n.d. Creator: Unknown

Soldiers Refeshing Themselves, n.d. Creator: Unknown
Soldiers Refeshing Themselves, n.d. Possibly after John Hamilton Mortimer, or after Salvator Rosa

Background imageRosa Salvatore Collection: Capriccio Derived from Salvator Rosa's 'Figurine', late 18th century. Creator: Unknown

Capriccio Derived from Salvator Rosa's "Figurine", late 18th century. Creator: Unknown
Capriccio Derived from Salvator Rosa's "Figurine", late 18th century

Background imageRosa Salvatore Collection: Untitled (Caricature), n.d. Creators: Salvator Rosa, Jusepe de Ribera

Untitled (Caricature), n.d. Creators: Salvator Rosa, Jusepe de Ribera
Untitled (Caricature), n.d

Background imageRosa Salvatore Collection: Democritus and Protagoras, 1778. Creator: William Pether

Democritus and Protagoras, 1778. Creator: William Pether
Democritus and Protagoras, 1778

Background imageRosa Salvatore Collection: Figure with Staff Pointing, n.d. Creator: Unknown

Figure with Staff Pointing, n.d. Creator: Unknown
Figure with Staff Pointing, n.d

Background imageRosa Salvatore Collection: Odysseus and Nausicaa, c1655. Creator: Salvator Rosa

Odysseus and Nausicaa, c1655. Creator: Salvator Rosa
Odysseus and Nausicaa, c1655

Background imageRosa Salvatore Collection: Odysseus and Nausicaa, c1655. Creator: Salvator Rosa

Odysseus and Nausicaa, c1655. Creator: Salvator Rosa
Odysseus and Nausicaa, c1655

Background imageRosa Salvatore Collection: Landscape with an 'Arco Naturale', 1630-1673. Creator: Salvator Rosa

Landscape with an "Arco Naturale", 1630-1673. Creator: Salvator Rosa
Landscape with an "Arco Naturale", 1630-1673

Background imageRosa Salvatore Collection: Polycrates Crucifixion, c. 1664. Creator: Salvator Rosa

Polycrates Crucifixion, c. 1664. Creator: Salvator Rosa
Polycrates Crucifixion, c. 1664

Background imageRosa Salvatore Collection: Polycrates and the Fisherman, c. 1664. Creator: Salvator Rosa

Polycrates and the Fisherman, c. 1664. Creator: Salvator Rosa
Polycrates and the Fisherman, c. 1664

Background imageRosa Salvatore Collection: Plate 4: two fishermen on the bank of a stream at right, a waterfall at center, fro

Plate 4: two fishermen on the bank of a stream at right, a waterfall at center, from Landscapes in the manner of Salvator Rosa (Die Landschaften in Sal. Rosa s), ca. 1700-25

Background imageRosa Salvatore Collection: Plate 2: a hunter aiming with his gun, kneeling next to a large rock at right, a ma

Plate 2: a hunter aiming with his gun, kneeling next to a large rock at right, a male figure with three chamois on a rock at left

Background imageRosa Salvatore Collection: Plate 1: a peasant checking the hoof of his mule by a stream, from Landscapes in t

Plate 1: a peasant checking the hoof of his mule by a stream, from Landscapes in the manner of Salvator Rosa (Die Landschaften in Sal. Rosa s), ca. 1700-25

Background imageRosa Salvatore Collection: Plate 6: two male figures standing on a rock at right, a waterfall at center with a

Plate 6: two male figures standing on a rock at right, a waterfall at center with another male figure on its left bank, from Landscapes in the manner of Salvator Rosa (Die Landschaften in Sal)

Background imageRosa Salvatore Collection: Plate 5: female figure on horseback and a male figure with a dog standing in a stre

Plate 5: female figure on horseback and a male figure with a dog standing in a stream, pointing to a waterfall at left in the background

Background imageRosa Salvatore Collection: The Prodigal Son, 1797. Creator: Gainsborough Dupont

The Prodigal Son, 1797. Creator: Gainsborough Dupont
The Prodigal Son, 1797. Attributed to Gainsborough Dupont. Previously attributed to Thomas Gainsborough. After: Salvatore Rosa


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Discover the captivating world of Baroque artist Salvator Rosa (1615-1673). Known for his dramatic landscapes, Rosa's works transport us to a time of mythological tales and natural wonders. In "Odysseus and Nausicaa" (c. 1655), the encounter between the legendary hero and the Phaeacian princess unfolds amidst a serene seascape. Contrastingly, "Polycrates Crucifixion" (c. 1664) portrays the tragic story of the tyrant's downfall, with the towering cliffs and roaring waterfall serving as a backdrop to the gruesome scene. Rosa's landscapes, filled with rugged terrain, wild animals, and intriguing characters, invite us to explore the beauty and complexity of nature and human emotion. Comparatively, Gainsborough Dupont's "The Prodigal Son" (1797) offers a stark contrast to Rosa's works. While both artists excel in depicting human experiences, Dupont's neoclassical style emphasizes refinement and elegance, as seen in the poised figures and idyllic setting. Plate 1: A humble peasant checks his mule's hoof by a tranquil stream, setting the stage for the exploration of the natural world. Plate 2: A determined hunter focuses on his quarry, his stillness contrasting with the dynamic forces of nature. Plate 4: Two fishermen contemplate their catch by the waterfall, their reflections mirroring the cascading waters. Plate 5: A noblewoman on horseback and her companion with a dog stand in a pastoral scene, embodying the grace and beauty of the countryside. Plate 6: Two figures find solace on a rocky outcrop, as the powerful waterfall rages below, reminding us of the raw, untamed forces of nature. Through his masterful use of light, shadow, and emotion, Salvator Rosa's landscapes continue to captivate and inspire, offering a glimpse into the rich tapestry of Baroque art.