Romanticist Collection (page 9)

Stretch d for a work of eternity... plate 22 from
XYC256908 Stretch d for a work of eternity... plate 22 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c on paper) by Blake

A View of Longleat, c. 1810 (oil on panel)
450229 A View of Longleat, c.1810 (oil on panel) by Barker, Thomas (1769-1847); 13x19 cm; The Holburne Museum, Bath, UK; (add.info.: Longleat is an English stately home)

Gloucestershire Girl keeping Sheep (oil on canvas)
450171 Gloucestershire Girl keeping Sheep (oil on canvas) by Barker, Thomas (1769-1847); 30.8x62.6 cm; The Holburne Museum, Bath, UK; eHolburne Museum; British, out of copyright

Four naked men emerging from their elements: flames, sky, sea and green earth
XYC309884 Four naked men emerging from their elements: flames, sky, sea and green earth, plate 22 from The First Book of Urizen, 1794 (relief etching with w/c) by Blake

The First Book of Urizen, plate 19, Stretch d for a work of eternity
XYC309860 The First Book of Urizen, plate 19, Stretch d for a work of eternity.. 1794 (relief etching with w/c) by Blake, William (1757-1827); 30.2x24.4 cm; Yale Center for British Art

Lake Thun (w / c on paper)
AGN270262 Lake Thun (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eAgnew s, London; English, out of copyright

The Chimney Sweeper, plate 45 from Songs of Experience
XYC309864 The Chimney Sweeper, plate 45 from Songs of Experience, 1794 (relief etching with w/c) by Blake, William (1757-1827); 18.4x12.1 cm; Yale Center for British Art, Paul Mellon Collection

Waterfall in a wood, set design for a production of Undine, (w / c on paper)
XPH309222 Waterfall in a wood, set design for a production of Undine, (w/c on paper) by Schinkel, Karl Friedrich (1781-1841); Staatliche Museen, Berlin, Germany; (add.info.: Wasserfall im Wald)

View of Rhodes (w / c on paper)
TOL166104 View of Rhodes (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 12.4x18.7 cm; Private Collection; (add.info.: largest of the Dodecanese group; ); English, out of copyright

The Incoming Tide, 1885 (oil on paper)
2830982 The Incoming Tide, 1885 (oil on paper) by Hayes, Frederick William (1848-1919); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Given by Mrs F. W

Classical Landscape, 1828 (oil on canvas)
2830949 Classical Landscape, 1828 (oil on canvas) by Muller, William James (1812-45); 40x52.5 cm; Bristol Museum and Art Gallery, UK; eBristol Museums

The Steam Packet Propeller entering Portishead Harbour, 1850 (oil on canvas)
2830920 The Steam Packet Propeller entering Portishead Harbour, 1850 (oil on canvas) by Jackson, Samuel Phillips (1830-1904); Bristol Museum and Art Gallery, UK; eBristol Museums

Loading the Sleigh, 1858 (oil on panel)
3736715 Loading the Sleigh, 1858 (oil on panel) by Schelfhout, Andreas (1787-1870); 31x42.5 cm; Private Collection; (add.info.: De Slee Laden); eLawrence Steigrad Fine Arts, New York; Dutch

Marbles at Verona: Base of a Pilaster on the Facade of Sant Anastasia, Verona
3550646 Marbles at Verona: Base of a Pilaster on the Facade of Sant Anastasia, Verona, June 1869 (w/c & bodycolour over graphite on paper, some lines ruled) by Ruskin

The Entrance to the Harbour of Marseilles, c. 1838 (w / c with touches of gouache
2972704 The Entrance to the Harbour of Marseilles, c.1838 (w/c with touches of gouache, over traces of graphite, and scraping, on off-white wove paper) by Callow

Sir Lancelot Approaching the Castle of Astolat (gouache and pen & ink
2971897 Sir Lancelot Approaching the Castle of Astolat (gouache and pen & ink, heightened with lead white on paper) by Dore, Gustave (1832-83); 42x31.7 cm; The Art Institute of Chicago, IL

Scottish landscape, 1873 (black crayon and brush and brown and grey wash
2971747 Scottish landscape, 1873 (black crayon and brush and brown and grey wash, with touches of pen and black ink, on cream laid paper, laid down on cream board) by Dore

The Tempest, c. 1821-23 (w / c, gouache & touches of scraping on paper)
2971551 The Tempest, c.1821-23 (w/c, gouache & touches of scraping on paper) by Gericault, Theodore (1791-1824); 23.7x21 cm; The Art Institute of Chicago, IL

View of Saleve, near Geneva, 1834 (oil on paper, mounted to canvas)
2968203 View of Saleve, near Geneva, 1834 (oil on paper, mounted to canvas) by Rousseau, Theodore (1812-67); 39x62 cm; The Art Institute of Chicago, IL, USA; Through prior gift of Henry Morgen

Mount Athos Carved as a Monument to Alexander the Great, 1796 (oil on canvas)
2968192 Mount Athos Carved as a Monument to Alexander the Great, 1796 (oil on canvas) by Valenciennes, Pierre Henri de (1750-1819); 41.9x91.4 cm; The Art Institute of Chicago, IL

View of Flamborough Head, c. 1810 (oil on canvas)
2831223 View of Flamborough Head, c.1810 (oil on canvas) by Ibbetson, Julius Caesar (1759-1817); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of John Bowden

The Avon and Severn from Clifton Down, 1847-48 (oil on canvas)
2831183 The Avon and Severn from Clifton Down, 1847-48 (oil on canvas) by Niemann, Edmund John (1813-76); 75.3x133.3 cm; Bristol Museum and Art Gallery, UK; eBristol Museums

The Cutting-Out of the French Corvette La Chevrette, 1802 (oil on canvas)
2829660 The Cutting-Out of the French Corvette La Chevrette, 1802 (oil on canvas) by Loutherbourg, Philip James (Jacques) de (1740-1812); Bristol Museum and Art Gallery, UK; eBristol Museums

The Destruction of Pompeii, c. 1835 (oil on canvas)
2829654 The Destruction of Pompeii, c.1835 (oil on canvas) by Poole, Paul Falconer (1807-79); 107.5x154 cm; Bristol Museum and Art Gallery, UK; eBristol Museums

The Acropolis, Athens, 1843 (oil on canvas)
2829565 The Acropolis, Athens, 1843 (oil on canvas) by Muller, William James (1812-45); 97.7x163.8 cm; Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Purchased

The Lake of Wallenstadt, 1841 (oil on canvas)
2829487 The Lake of Wallenstadt, 1841 (oil on canvas) by Fripp, George Arthur (1813-96); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Given by H.Russell Thomas

Landscape with Church, c. 1839 (oil on panel)
2829404 Landscape with Church, c.1839 (oil on panel) by Muller, William James (1812-45); 23x41 cm; Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Given by Lady Weston

Avenue of Sphinxes, Moonlight, Thebes, 1841 (oil on canvas)
2829376 Avenue of Sphinxes, Moonlight, Thebes, 1841 (oil on canvas) by Muller, William James (1812-45); 92.7x163.8 cm; Bristol Museum and Art Gallery

View on the Avon at Hotwells, c. 1840 (oil on canvas)
2829282 View on the Avon at Hotwells, c.1840 (oil on canvas) by Jackson, Samuel (1794-1868); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Purchased, 1903.; English

Elegant Figures in a Woodland Glade, c. 1860-80 (oil on panel)
2831010 Elegant Figures in a Woodland Glade, c.1860-80 (oil on panel) by Monticelli, Adolphe Joseph Thomas (1824-86); 26x40.3 cm; Bristol Museum and Art Gallery, UK; eBristol Museums

The Avon, looking towards Portishead, 1840 (oil on panel, mahogany)
2830906 The Avon, looking towards Portishead, 1840 (oil on panel, mahogany) by Horlor, Joseph (1809-87); Bristol Museum and Art Gallery, UK; eBristol Museums

Blaise Castle House, 1825 (pencil & w / c on paper)
2832500 Blaise Castle House, 1825 (pencil & w/c on paper) by Jackson, Samuel (1794-1868); Bristol Museum and Art Gallery, UK; eBristol Museums

Bristol from Clifton Wood (pencil & w / c on paper)
2831238 Bristol from Clifton Wood (pencil & w/c on paper) by Holmes, George (1776-1852); Bristol Museum and Art Gallery, UK; eBristol Museums

A Sketching Party in Leigh Woods, c. 1830 (pencil, w / c & bodycolour on paper)
2831213 A Sketching Party in Leigh Woods, c.1830 (pencil, w/c & bodycolour on paper) by Jackson, Samuel (1794-1868); Bristol Museum and Art Gallery, UK; eBristol Museums

Panten Bruck, 1781 (pen & brown ink with brown wash on paper)
2607297 Panten Bruck, 1781 (pen & brown ink with brown wash on paper) by Towne, Francis (1740-1816); 28.5x46.5 cm; Leeds Museums and Galleries (Leeds Art Gallery)

On the Alert, 1880 (oil on canvas)
2634254 On the Alert, 1880 (oil on canvas) by Roe, Clarence (1850-1909); 76.5x51.1 cm; Leeds Museums and Art Galleries (Abbey House Museum)

Recto: The Glacier des Bossons, Chamonix, June 1849 (pen and wash in sepia ink
1218050 Recto: The Glacier des Bossons, Chamonix, June 1849 (pen and wash in sepia ink, and bodycolour, over graphite on wove paper) by Ruskin, John (1819-1900); Ashmolean Museum

Jerusalem, 1865 (oil on canvas)
1217942 Jerusalem, 1865 (oil on canvas) by Lear, Edward (1812-88); 81x161.6 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Yellow Twilight, c. 1830 (pen and Indian ink and wash, with watercolour and bodycolour
1217940 Yellow Twilight, c.1830 (pen and Indian ink and wash, with watercolour and bodycolour and gum arabic, on off-white paper) by Palmer, Samuel (1805-81); 16.4x27.4 cm; Ashmolean Museum

Christ Church College, Oxford, 1832 - 1833 (watercolour
1217914 Christ Church College, Oxford, 1832 - 1833 (watercolour and bodycolour over graphite with scratching out) by Turner, Joseph Mallord William (1775-1851); 29.5x41.7 cm; Ashmolean Museum

A View of a Garden, seen from within a Roman Vault, 1802 - 1824 (oil on canvas)
1217889 A View of a Garden, seen from within a Roman Vault, 1802 - 1824 (oil on canvas) by Granet, Francois-Marius (1775-1849); 47.3x60.9 cm; Ashmolean Museum, University of Oxford

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"Exploring the Romanticist Movement: A Journey through Art and Emotion" Step into the world of Romanticism, where emotions run wild and nature takes center stage. Dedham Lock and Mill, 1820, a captivating oil on canvas by John Constable, transports us to a serene riverside scene, evoking feelings of tranquility and nostalgia. In contrast, Mount Vesuvius in Eruption, 1817, William Turner's watercolor on paper masterpiece captures the raw power of nature as fire engulfs the sky. The vibrant hues ignite our senses with awe and wonder. Moving forward in time to explore photography's role in Romanticism, we encounter View of a folly in Roundhay Park. This albumen print showcases the beauty found within man-made structures amidst lush greenery—a testament to human creativity harmonizing with nature. The Young Martyr by Paul Delaroche tells a tragic tale through his skillful brushstrokes. Painted in 1855 with oils on canvas, this artwork portrays an innocent figure surrounded by darkness—an embodiment of sacrifice for one's beliefs. Blake's engraving I Want. I Want. From For the Sexes: The Gates of Paradise (1793) delves into desire and longing. Its intricate details depict humanity yearning for fulfillment beyond material possessions—a timeless theme that resonates even today. Caspar David Friedrich's Monk by the Sea (1808-10) invites contemplation as we witness a solitary figure standing before an expansive ocean landscape—symbolic of mankind's insignificance against nature’s vastness. The Wanderer above the Sea of Fog (1818), painted by Caspar David Friedrich once again mesmerizes viewers with its enigmatic portrayal. Here we see a lone figure gazing out at an ethereal mist-covered landscape—inviting introspection about life's mysteries. William Blake returns with The Ancient of Days - Urizen measuring out the material world, a captivating depiction of divine creation.