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Robert Campin Collection

Robert Campin, also known as the Master of Flemalle, was a renowned Netherlandish painter during the 15th century

Background imageRobert Campin Collection: Madonna and Child, c1430-1450. Creator: Unknown

Madonna and Child, c1430-1450. Creator: Unknown
Madonna and Child, c1430-1450

Background imageRobert Campin Collection: Madonna and Child with Saints in the Enclosed Garden, c. 1440 / 1460. Creator: Anon

Madonna and Child with Saints in the Enclosed Garden, c. 1440 / 1460. Creator: Anon
Madonna and Child with Saints in the Enclosed Garden, c. 1440/1460

Background imageRobert Campin Collection: Man in Prayer, ca. 1430-35. Creator: Workshop of Robert Campin

Man in Prayer, ca. 1430-35. Creator: Workshop of Robert Campin
Man in Prayer, ca. 1430-35

Background imageRobert Campin Collection: John the Baptist, c. 1410. Creator: Robert Campin (Netherlandish, 1375 / 79-1444)

John the Baptist, c. 1410. Creator: Robert Campin (Netherlandish, 1375 / 79-1444)
John the Baptist, c. 1410. According to tradition, John the Baptist wears a hair shirt under a white cloth, associated with newly baptized Christians

Background imageRobert Campin Collection: Ala De Retablo (Santa Barbara), 1438, (c1934). Artist: Robert Campin

Ala De Retablo (Santa Barbara), 1438, (c1934). Artist: Robert Campin
Ala De Retablo (Santa Barbara), 1438, (c1934). Right panel of the Werl Triptych, painted by Robert Campin (sometimes called Master of Flemalle). Santa Barbara lived when Christianity was illegal

Background imageRobert Campin Collection: St. John the Baptist and the Franciscan master Henry of Werl, 1438, (c1934). Artist: Robert Campin

St. John the Baptist and the Franciscan master Henry of Werl, 1438, (c1934). Artist: Robert Campin
St. John the Baptist and the Franciscan master Henry of Werl, 1438, (c1934). Left panel of the Werl Triptych was painted by Robert Campin (sometimes called Master of Flemalle)

Background imageRobert Campin Collection: An Altar-Piece by The Maitre de Flemalle, 1907

An Altar-Piece by The Maitre de Flemalle, 1907
An Altar-Piece by The Maitre de Flemalle. A Flemish altar-piece depicting the nativity, 1907

Background imageRobert Campin Collection: St Veronica, mid 15th century (1958)

St Veronica, mid 15th century (1958). According to Christian legend, Veronica encountered Jesus on the Via Dolorosa and paused to wipe the sweat from his face with her veil

Background imageRobert Campin Collection: Pieta, 1927

Pieta, 1927. A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

Background imageRobert Campin Collection: The Virgin and Child before a Firescreen, 1440. Artist: Robert Campin

The Virgin and Child before a Firescreen, 1440. Artist: Robert Campin
The Virgin and Child before a Firescreen, 1440. The Virgin is depicted seated on a wooden bench in front of a large wicker firescreen, the shape of which is suggestive of a halo

Background imageRobert Campin Collection: Madonna and Child before a Fireplace, 1430s. Artist: Robert Campin

Madonna and Child before a Fireplace, 1430s. Artist: Robert Campin
Madonna and Child before a Fireplace, 1430s. In this painting, the right panel of a diptych, Mary is depicted as an ordinary Netherlandish woman seated in front of the hearth

Background imageRobert Campin Collection: St Joseph, c1425. Artist: Robert Campin

St Joseph, c1425. Artist: Robert Campin
St Joseph, c1425. St Joseph portrayed as a medieval carpenter from the Merode Altarpiece. From the collection of the Metropolitan Museum of Art, New York, USA

Background imageRobert Campin Collection: The Trinity, 14th century. Artist: Robert Campin

The Trinity, 14th century. Artist: Robert Campin
The Trinity, 14th century. The Father, Son and the Holy Ghost, represented by the dove on Christs shoulder. Left wing of a triptych. From the Hermitage Museum, St Petersburg, Russia

Background imageRobert Campin Collection: John Baptist 1410 Robert Campin Netherlandish

John Baptist 1410 Robert Campin Netherlandish
John the Baptist, c. 1410. Robert Campin (Netherlandish, 1375/79-1444). Oil on oak panel; framed: 25 x 20 x 3 cm (9 13/16 x 7 7/8 x 1 3/16 in.); unframed: 17.3 x 11.6 cm (6 13/16 x 4 9/16 in.)

Background imageRobert Campin Collection: Flagellation ca 1400 Oil egg gold plywood transferred

Flagellation ca 1400 Oil egg gold plywood transferred
Artokoloro

Background imageRobert Campin Collection: Crucifixion ca 1400 Oil egg gold plywood transferred

Crucifixion ca 1400 Oil egg gold plywood transferred
Artokoloro


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Robert Campin, also known as the Master of Flemalle, was a renowned Netherlandish painter during the 15th century. His works showcased his exceptional talent and mastery in capturing religious subjects with great attention to detail. One of his notable creations is the "Madonna and Child with Saints in the Enclosed Garden, " which was painted between 1440 and 1460 by an anonymous artist influenced by Campin's style. This captivating piece portrays the Virgin Mary holding baby Jesus surrounded by saints within a serene garden setting. Another remarkable artwork attributed to Campin is the "Man in Prayer, " created around 1430-35 by his workshop. This painting depicts a devout man deep in prayer, showcasing Campin's ability to capture human emotion and spirituality. Campin's own hand can be seen in "John the Baptist, " painted circa 1410. In this work, he skillfully renders John as a young man wearing animal skins while holding a staff, emphasizing his role as a prophet. In addition to religious themes, Campin also ventured into other subjects like portraits. One such example is "Ala De Retablo (Santa Barbara), " completed in 1438 but reproduced later in c1934. This exquisite piece showcases Santa Barbara standing gracefully amidst intricate details that reflect Campin's meticulous craftsmanship. Another portrait attributed to him is "St. John the Baptist and the Franciscan master Henry of Werl. " Painted around 1438 but reproduced later on, it captures St. John alongside Henry of Werl dressed in their respective traditional attire. Campin's influence extended beyond his lifetime; even modern artists recognized his genius through works like "An Altar-Piece" from The Maitre de Flemalle series created in 1907 or mid-15th-century-inspired pieces such as "St Veronica" from 1958 and "Pieta" from 1927.