Rigour Collection

Letters L and M: rabbit and swift, c.1920 (print)
DUV4205975 Letters L and M: rabbit and swift, c.1920 (print); 15.5x24.5 cm; (add.info.: image from "The alphabet of Mimi" Illustrations by J. M. Porta. 8 pages.); Photo © Duvallon.

Villagers burning Themselves to avoid the Pindharis, 1815 (litho)
8660965 Villagers burning Themselves to avoid the Pindharis, 1815 (litho) by Burton, H. M. (20th Century) (after); Private Collection; (add.info.: Villagers burning Themselves to avoid the Pindharis)

A Sea Fight off Texel (colour litho)
8661442 A Sea Fight off Texel (colour litho) by Isabey, Eugene (1803-86) (after); Private Collection; (add.info.: A Sea Fight off Texel)

The Capture of the Five Kings (litho)
8661285 The Capture of the Five Kings (litho) by Tissot, James Jacques Joseph (1836-1902) (after); Private Collection; (add.info.: The Capture of the Five Kings)

Franti is hunting of the class by his master, 19th century (print)
FGL5483001 Franti is hunting of the class by his master, 19th century (print); (add.info.: illustration of the novel 'Cuore' by Edmondo de Amicis (1846-1908) (1866)

Letter M: Swift, c.1920 (print)
DUV4205987 Letter M: Swift, c.1920 (print); 15.5x24.5 cm; (add.info.: image from "The alphabet of Mimi" Illustrations by J. M. Porta. 8 pages.); Photo © Duvallon.

Pieter Haringh the Younger, 1655 (Etching)
7393394 Pieter Haringh the Younger, 1655 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 19, 9 x 14, 7 cm; Fondation Glenat, Grenoble, France; (add.info.: Pieter Haaringh (1609-1685)

Portrait of Andrea Frizier, (painting)
7129959 Portrait of Andrea Frizier, (painting) by Tintoretto, Jacopo Robusti (1518-94); Palazzo Pitti, Florence, Italy; (add.info.: Portrait of Andrea Frizier, Grand Chancellor of Venice, Tintoretto)

Portrait of Faustina Bertoldi, 1920, (oil on cardboard)
7129235 Portrait of Faustina Bertoldi, 1920, (oil on cardboard) by DeAngelis, Deiva (1885-1925); Galleria Comunale d'Arte Moderna e Contemporanea, Rome

Napoleon, early 19th century, (marble)
7129770 Napoleon, early 19th century, (marble) by Unknown Artist, (19th century); Museo Napoleonico, Rome, Italy; (add.info.: Napoleon, early 19th century, unknown artist, marble, museo napoleonico)

Self portrait, Luca Giordano, 17th century (oil on canvas)
7129943 Self portrait, Luca Giordano, 17th century (oil on canvas) by Giordano, Luca (1634-1705); Pio Monte della Misericordia, Naples, Italy; (add.info.: Pio Monte della Misericordia, Naples)

Napoleon, early 19th century, (marble)
7129768 Napoleon, early 19th century, (marble) by Houdon, Jean-Antoine (1741-1828); Museo Napoleonico, Rome, Italy; (add.info.: Napoleon, early 19th century, Jean Antoine Houdon, marble)

Jupiters bird admonishing an assembly of animals. 1811 (etching)
7235864 Jupiters bird admonishing an assembly of animals. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: Jupiters bird, the eagle, admonishing a lion, fox, greyhound and rooster)

V as Vertu
6523626 V as Vertu by Hermann-Paul, Rene George (1874-1940); Private Collection; (add.info.: in " Alphabet for big children. H. Simonis Empis, publisher, 1898)

D as Discipline
6523608 D as Discipline by Hermann-Paul, Rene George (1874-1940); Private Collection; (add.info.: in " Alphabet for big children. H. Simonis Empis, publisher, 1898)

A portage in Hoarfrost River, from Narrative of the Arctic Land Expedition to
TRV227727 A portage in Hoarfrost River, from Narrative of the Arctic Land Expedition to the Mouth of the Great Fish River engraved by Edward Finden (1791-1857) published 1836 (engraving) (b/w photo)

The spy child: A child throws himself at his father
PCT4824100 The spy child: A child throws himself at his fathers feet in anger to ask for forgiveness (strong water, 1899) by Marie

AVELLANEDA, Nicol᳠(1837-1885). Argentinian politician
AVELLANEDA, Nicol᳠ (1837-1885). Argentinian politician. President of the Republic from 1874 to 1880. Oil

ASCASUBI, Hilario (1807-1875). Argentinian poet. Oil. SPAIN. CATALONIA. Barcelona. Biblioteca de Catalunya (National Library of Catalonia)

Vendee Rising
Carrier suppresses the counter-revolution in the Vendee (Bretagne) with ruthless rigour : royalists beg for mercy, but in vain. Date: 1793

All Professionally Made to Order for Quick Shipping

"Rigour: A Glimpse into the Artistic Mastery of Centuries Past" Step into the world of art and witness the embodiment through masterpieces that have stood the test of time. Pieter Haringh the Younger's 1655 etching captures a moment frozen in history, showcasing meticulous attention to detail and precision. In contrast, Andrea Frizier's portrait invites us to marvel at his skillful brushstrokes, each stroke carefully placed to bring life to his subject. The oil on cardboard painting by Faustina Bertoldi in 1920 exudes an air of discipline as every hue and shade is thoughtfully chosen, creating a harmonious composition. Even sculptures like Napoleon carved from marble during the early 19th century demonstrate rigour in their creation. Each chisel mark meticulously shaping his features with unwavering dedication. Luca Giordano's self-portrait painted on canvas in the 17th century showcases not only technical prowess but also an artist's introspection and commitment to capturing their essence. This masterpiece exemplifies rigour both in technique and self-expression. Jupiters bird admonishing an assembly of animals depicted in an 1811 etching reminds us that even within fantastical scenes, artists employ rigorous techniques to convey their narratives effectively. The intricate lines reveal hours spent perfecting each detail. The letters V as Vertu and D as Discipline symbolize two pillars essential for achieving artistic greatness - virtuous creativity guided by disciplined execution. These principles were prevalent throughout the 19th century (XIX), where artists embraced rigour as they pushed boundaries and explored new artistic frontiers. Lastly, "A portage in Hoarfrost River" from Narrative of Arctic Land Expedition takes us beyond traditional art forms into visual storytelling. Rigorous documentation becomes paramount here; every stroke or line must accurately depict nature's harshness while conveying human resilience.