Richard Gibson Collection

Portrait of Elizabeth Morrison, Lady Capell of Hadham, c. 1650. Creator: Richard Gibson (British)
Portrait of Elizabeth Morrison, Lady Capell of Hadham, c. 1650

R. Gibson, (1803-1889), 1830. Creator: Unknown
R. Gibson, (1803-1889), 1830. Richard Gibson Reeve (1803-1889) British artist and engraver. From " Biographical Illustrations", by Alfred Howard. [Thomas Tegg, R. Griffin and Co. J

The Chase of the Roebuck, 1834, (1936). Creators: Henry Thomas Alken, Richard Gibson Reeve
The Chase of the Roebuck, 1834, (1936). From Original Drawings by Walter Parry Hodges of hunting scenes in Dorset. Hunters and hounds pursue a roebuck. Aquatint engraving

Interior view of the west ante-room in Carlton House, Westminster, London, 1818. Artist
Interior view of the west ante-room in Carlton House, Westminster, London, 1818

Interior view of the Rose Satin Drawing Room in Carlton House, Westminster, London, 1818

Interior view of the lower vestibule in Carlton House, Westminster, London, 1819

St Pancras New Church on the Euston Road, London, c1822. Artist: T Kearnan
St Pancras New Church on the Euston Road, London, c1822. View showing street sellers, pedestrians and horse-drawn vehicles

Banquet for Queen Victoria at the Guildhall, London, 1837. Artist: RG Reeve
Banquet for Queen Victoria at the Guildhall, London, 1837. Interior view of the Guildhall during a royal banquet for Queen Victoria, with guests seated at tables

92nd Highlanders (An Illustrious Stranger in Sight), 1839-1845 (1909). Artist: Richard Gibson Reeve
92nd Highlanders (An Illustrious Stranger in Sight), 1839-1845 (1909). After C. B. Newhouse. From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

The Battle of Waterloo, June 18, 1815, 1817 (1909). Artist: Richard Gibson Reeve
The Battle of Waterloo, June 18, 1815, 1817 (1909). After William Heath (1794-1840). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

A production shot in exteriors for The Go-Between (1971)
Marcus (Richard Gibson) and Leo (Dominic Guard) in a fight scene from The Go-Between (1971)

William III 1650-1702 Prince Orange Portrait
William III (1650-1702), Prince of Orange, Portrait of William III (1650-1702), Prince of Orange. Bust, facing right, facing. Based on an original by Peter Lely from ca. 1677

Portrait Elizabeth Morrison Lady Capell Hadham
Portrait of Elizabeth Morrison, Lady Capell of Hadham, c. 1650. Richard Gibson (British, c. 1615-1690). Watercolor on vellum in a silver gilt frame; framed: 8.5 x 6.7 cm (3 3/8 x 2 5/8 in.); unframed

Maria Stuart, 1662-95, later wife of Willem III, as a child, attributed to Richard Gibson, 1665 - 1675, Portrait miniature

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Richard Gibson was a British artist known for his diverse range of works, including portraits, landscapes, and historical scenes. One of his notable pieces is the portrait of Elizabeth Morrison, Lady Capell of Hadham, created around 1650. This exquisite painting showcases Gibson's talent in capturing the beauty and elegance of his subjects. In addition to portraiture, Gibson also collaborated with other artists on various projects. In 1830, he worked alongside an unknown creator to produce a piece titled "R. Gibson. " The details surrounding this artwork remain mysterious but highlight Gibson's versatility as an artist. Gibson's collaboration extended beyond paintings as well. He joined forces with Henry Thomas Alken in 1834 to create "The Chase of the Roebuck, " a captivating depiction that immerses viewers into the excitement and thrill of hunting. Another collaborative effort by Richard Gibson Reeve and Richard Gibson was seen in their work titled "Goodwood Grand Stand: Preparing to Start" from 1836. This painting captures the anticipation and energy before a horse race at Goodwood Racecourse. Gibson also showcased his skills in architectural artistry through interior views such as those depicted in Carlton House in Westminster, London during the early 19th century. These detailed renderings provide insight into the grandeur and opulence that characterized these spaces. Furthermore, Richard Gibson Reeve collaborated with T Kearnan on a stunning portrayal of St Pancras New Church on Euston Road in London circa 1822. Their combined efforts resulted in a visually striking representation that highlights both artists' attention to detail and mastery over perspective. One particularly noteworthy creation by RG Reeve is "Banquet for Queen Victoria at the Guildhall" from 1837—an impressive artwork depicting an extravagant feast held in honor of Queen Victoria herself. This piece demonstrates Reeve's ability to capture not only people but also significant events throughout history.