Revelation Collection (page 7)

Outside the tomb of Tutankhamun, Valley of the Kings, Egypt, 1922. Artist: Harry Burton
Outside the tomb of Tutankhamun, Valley of the Kings, Egypt, 1922. Lord Carnavon (1866-1923), his daughter Lady Evelyn Herbert

A chariot being removed from Tutankhamuns tomb, Valley of the Kings, Egypt, 1920s
The body of a gilt chariot being removed from Tutankhamuns tomb, Valley of the Kings, Egypt, 1920s. The discovery of Tutankhamuns tomb in the Valley of the Kings in 1922 by British archaeologist

Tutankhamuns tomb, Valley of the Kings, Egypt, November, 1922. Artist: Harry Burton
Tutankhamuns tomb, Valley of the Kings, Egypt, November, 1922. View of the antechamber of the tomb looking south. The discovery of Tutankhamuns tomb in 1922 by British archaeologist Howard Carter

Mannequin or bust of Tutankhamun being carried from his tomb, Valley of the Kings, Egypt, 1922. The discovery of Tutankhamuns tomb in the Valley of the Kings in 1922 by British archaeologist Howard

The Vision of Saint John. Artist: El Greco, Dominico (1541-1614)
The Vision of Saint John. Found in the collection of Metropolitan Museum of Art, New York

The Annunciation, 1434-1436. Artist: Jan van Eyck
The Annunciation, 1434-1436. The painting is part of the Mellon Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

The Annunciation, c1449-1454. Artist: Alesso Baldovinetti
The Annunciation, c1449-1454. The painting is part of the Kress Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

The Annunciation, c1435-1440. Artist: Filippo Lippi
The Annunciation, c1435-1440. The painting is part of the Kress Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

The Woman Clothed with the Sun and the Seven-Headed Dragon, 1498 (1906). Artist: Albrecht Durer
The Woman Clothed with the Sun and the Seven-Headed Dragon, 1498 (1906). Scene from the Apocalypse. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und

St John Devouring the Book, 1498 (1906). Artist: Albrecht Durer
St John Devouring the Book, 1498 (1906). Scene from the Apocalypse. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt

The Four Avenging Angels, 1498 (1906). Artist: Albrecht Durer
The Four Avenging Angels, 1498 (1906). Scene from the Apocalypse. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]

The Vision of the Seven Candlesticks, 1498 (1906). Artist: Albrecht Durer
The Vision of the Seven Candlesticks, 1498 (1906). Scene from the Apocalypse. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig

Annunciation of the Virgin Mary, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Annunciation of the Virgin Mary, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

The Annunciation, c1445, (1958). A print from The Fitzwilliam Museum an Illustrated Survey, Trianon Press, 1958

The Annunciation, 1333 (1870). Artist: J Petot
The Annunciation, 1333 (1870). Found in the collection of the Galleria degli Uffizi, Florence. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

Golden shrine in the antechamber of Tutankhamuns tomb, Egypt, 1933-1934. Embossed with scenes representing incidents in the lives of the departed Pharaoh and his queen

One of the twin supports of a ceremonial couch found in Tutankhamuns tomb, Egypt, 1933-1934. The discovery of Tutankhamuns tomb in 1922 by British archaeologist Howard Carter (1874-1939)

The first glimpse of Tutankhamuns tomb, Egypt, 1933-1934. The sight that met the eyes of Lord Carnarvon and Howard Carter when they broke down the sealed doorway which divided the ante-chamber of

Hole made by robbers to gain admission to Tutankhamuns tomb, Egypt, 1933-1934. The discovery of Tutankhamuns tomb in 1922 by British archaeologist Howard Carter (1874-1939)

Wooden statue of Tutankhamun, Egypt, 1933-1934. Statue of Tutankhamun, one of two that stood outside the sealed up entrance to his sepulchral chamber

Position of the tomb of Tutankhamun in the Valley of Kings, Egypt, 1933-1934. The discovery of Tutankhamuns tomb in 1922 by British archaeologist Howard Carter (1874-1939)

Alabaster vases, Tutankhamuns tomb, Egypt, 1933-1934. The discovery of Tutankhamuns tomb in 1922 by British archaeologist Howard Carter (1874-1939)

Painted clothes chest, which lies at the foot of Tutankhamens statue, Egypt, 1933-1934. The discovery of Tutankhamuns tomb in 1922 by British archaeologist Howard Carter (1874-1939)

The angel holding the keys of the abyss, 1498, (1936). Artist: Albrecht Durer
The angel holding the keys of the abyss, 1498, (1936). Scene from the Apocalypse, The angel holding the keys of the abyss and a big chain, enchains the dragon for a thousand years

St Michael Battling with the Dragon, 1498, (1936). Artist: Albrecht Durer
St Michael Battling with the Dragon, 1498, (1936). A scene from the Apocalypse or The Revelations of St. John the Divine. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt

St John devouring the Book, 1498, (1936). Artist: Albrecht Durer
St John devouring the Book, 1498, (1936). A scene from the Apocalypse or The Revelations of St. John the Divine. Found in the collection of the Bibliotheque Nationale, Paris, France

The Four Vengeful Angels, 1498, (1936). Artist: Albrecht Durer
The Four Vengeful Angels, 1498, (1936). A scene from the Apocalypse or The Revelations of St. John the Divine. Found in the collection of the Bibliotheque Nationale, Paris, France

The Opening of the Seventh Seal, The Seven Angels with the trumpets, 1498, (1936). Artist: Albrecht Durer
The Opening of the Seventh Seal, The Seven Angels with the trumpets, 1498, (1936). A scene from the Apocalypse or The Revelations of St. John the Divine

The Opening of the Fifth and Sixth Seals, 1498, (1936). Artist: Albrecht Durer
The Opening of the Fifth and Sixth Seals, 1498, (1936). A scene from the Apocalypse or The Revelations of St. John the Divine. Found in the collection of the Bibliotheque Nationale, Paris, France

The Four Angels holding the winds, 1498, (1936). Artist: Albrecht Durer
The Four Angels holding the winds, 1498, (1936). A scene from the Apocalypse or The Revelations of St. John the Divine. Found in the collection of the Bibliotheque Nationale, Paris, France

The Four Horsemen of the Apocalypse, 1926. Artist: Peter von Cornelius
The Four Horsemen of the Apocalypse, 1926. From An Outline of Christianity, The Story of Our Civilisation, volume 1: The Birth of Christianity, edited by RG Parsons and AS Peake

The Annunciation, 1926. Artist: Arthur Hacker
The Annunciation, 1926. From An Outline of Christianity, The Story of Our Civilisation, volume 1: The Birth of Christianity, edited by RG Parsons and AS Peake

The Seven-Headed Beast and the Beast with Lamb`s Horns, 1498 (1906). Artist: Albrecht Durer
The Seven-Headed Beast and the Beast with Lamb`s Horns, 1498 (1906). Scene from the Apocalypse. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und

St John in Patmos, 1903. Artist: Hans von Kulmbach
St John in Patmos, 1903. Plate taken from The Burlington Magazine, number VII, volume III (September/October 1903)

St Johns Vision of Christ and the Seven Candlesticks (From The Apocalypse), c. 1497. Found in the collection of the Russian State Library, Moscow

The Annunciation, 1560s. Artist: Orazio Samacchini
The Annunciation, 1560s. Found in the collection of the State Art Museum, Tula, Russia

The Annunciate Virgin and Archangel Gabriel, 1490. Artist: Sandro Botticelli
The Annunciate Virgin and Archangel Gabriel, 1490. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

The Annunciation, early 1490s. Artist: Filippino Lippi
The Annunciation, early 1490s. Found in the collection of the State Hermitage, St Petersburg

The Annunciation, c1470-c1480. Artist: German Master
The Annunciation, c1470-c1480. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

The Conversion of Saul of Tarsus, 1926. Artist: Frederic Shields
The Conversion of Saul of Tarsus, 1926. From An Outline of Christianity, The Story of Our Civilisation, volume 1: The Birth of Christianity, edited by RG Parsons and AS Peake

Madonna of the Annunciation, c1304-1344. Artist: Simone Martini
Madonna of the Annunciation, c1304-1344. Panel of diptych, located in the collection at, State Hermitage Muesum, St Petersburg

Annunciation, c1470-1472. Artist: Francesco di Giorgio Martini
Annunciation, c1470-1472. The painting comes from the church of San Domenico, Siena

The Annunciation and Two Saints, (detail), 1333. Artist: Simone Martini
The Annunciation and Two Saints, (detail), 1333. From the collection of the Galleria degli Uffizi, Florence

The Annunciation, c1485. Artist: Sandro Botticelli
The Annunciation, c1485. From the collection of the The Metropolitan Museum of Art, New York

The Annunciation, 16th century. Museu Nacional de Soares dos Reis, Portugal

Seven Angels with Seven Vials, 14th-15th century. Artist: Master Bertram of Hamburg
Seven Angels with Seven Vials, 14th-15th century. Revelations 15 v5--8, Panel 38 of the Altarpiece of the Apocalypse. German, at Victoria and Albert Museum

The Seven Letters to the Seven Churches, 14th-15th century. Artist: Master Bertram of Hamburg
The Seven Letters to the Seven Churches, 14th-15th century. Revelations Chap 2-3. Panel 3 from Altarpiece of the Apocalypse. German work of master Betram. Victoria and Albert Museum

The Lamb of Mount Zion, 14th-15th century. Artist: Master Bertram of Hamburg
The Lamb of Mount Zion, 14th-15th century. Panel 34 from the altarpiece of the Apocalypse, Master Bertram of Hamburg, Revelations 14 v.1-4. German

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"Revelation: Unveiling the Mysteries of Life and Beyond" In the depths of a wintry night, amidst the timeless tale penned by Charles Dickens, we find ourselves immersed in a scene from "A Christmas Carol. " The artist's brush strokes capture the essence as Ebenezer Scrooge confronts his past, present, and future, and is through this transformative journey that he experiences a profound revelation about his own humanity. As our eyes wander further into the realm of revelations, we stumble upon Gustave Doré's wood engraving depicting Death on a pale horse. This chilling vision draws inspiration from Revelation 6:8, reminding us that even in death there lies an undeniable truth – an ultimate revelation awaiting each soul. But not all they are shrouded in darkness; some emerge from innocence itself. A naked little girl gazes intently into her reflection within a mirror. In her innocent curiosity lies the potential for self-discovery and personal growth—a tender revelation that will shape her perception of herself and others. Gustave Doré returns to grace our visual narrative with "The Last Judgment, " where divine justice unfolds before our eyes. This masterpiece serves as both warning and reassurance—an awe-inspiring depiction of final reckoning and eternal truths revealed to those who have traversed life's winding path. Turning our attention to ancient texts, we encounter chronological charts mapping out Daniel's visions alongside John's prophetic insights found within the Book of Revelation. These intricate illustrations guide us through apocalyptic landscapes while unraveling prophecies—each stroke revealing glimpses into mankind's destiny. Romanesque art transports us back to Moissac Abbey in France during the twelfth century—a time when religious symbolism thrived. Here at its tympanum, richly carved scenes depict biblical narratives intertwined with revelations about faith—a testament to human devotion seeking spiritual enlightenment. Yet not all revelations come from sacred sources.