Rembrandt Harmensz Van Rijn Collection (page 8)

Philosopher with an Hourglass, 1620-74. Creator: Jan Lievens
Philosopher with an Hourglass, 1620-74. Formerly attributed to Rembrandt

Portrait of a Man, after Rembrandt, 1633. Creator: Jan Georg van Vliet
Portrait of a Man, after Rembrandt, 1633. After Rembrandt

A Man Grieving, 1634. Creator: Jan Georg van Vliet
A Man Grieving, 1634. After Rembrandt

Laughing Man in a Gorget, 1620-40. Creator: Jan Georg van Vliet
Laughing Man in a Gorget, 1620-40. After Rembrandt

The Rat Catcher, second half 18th century. Creator: James Bretherton
The Rat Catcher, second half 18th century. After Rembrandt

The Rest on the Flight into Egypt: A Night Piece (reverse copy), late 18th-mid-19th century. After Rembrandt

Beggar Leaning on a Stick (reverse copy), 1851. Creator: F Bradshaw
Beggar Leaning on a Stick (reverse copy), 1851. After Rembrandt

Beggar Leaning on a Stick. n. d. Creator: David Deuchar
Beggar Leaning on a Stick.n.d

Beardless Man in Fur Cloak and Cap: Bust, second half 18th century. After Rembrandt

The Flight into Egypt: Small Plate. n. d. Creator: Claude Henri Watelet
The Flight into Egypt: Small Plate.n.d. After Rembrandt

Rembrandt and his Wife (copy), 1786-1844. Creator: Ignace Joseph de Claussin
Rembrandt and his Wife (copy), 1786-1844

Landscape with a Haybarn and a Flock of Sheep (copy), 1750-1810. Creator: William Baillie
Landscape with a Haybarn and a Flock of Sheep (copy), 1750-1810. After Rembrandt

The Three Trees, after Rembrandt, 1758. Creator: William Baillie
The Three Trees, after Rembrandt, 1758. After Rembrandt

An Old Man in Profile, 1761. Creator: William Baillie
An Old Man in Profile, 1761. After Rembrandt

Old Man with a Long Beard, 1761. Creator: William Baillie
Old Man with a Long Beard, 1761. After Rembrandt

Christ on the Mount of Olives, late 18th-early 19th century. Creator: Vivant Denon
Christ on the Mount of Olives, late 18th-early 19th century. After Rembrandt

Tobias Returning Sight to His Father, 1755. Creator: Antoine de Marcenay Ghuy
Tobias Returning Sight to His Father, 1755. After Rembrandt

A Jewish Rabbi, by Rembrandt, in the National Gallery, 1844. Creator: Unknown
A Jewish Rabbi, by Rembrandt, in the National Gallery, 1844. After A Bearded Man in a Cap, painting by Rembrandt Harmensz van Rijn in the National Gallery in London

L Atelier de Rembrandt, tableau de J. Gilbert (Rembrandts Studio, a painting by J. Gilbert), from " L Univers Illustre, " p. 395, November 14, 1861

The Holy Family, 1783. Creator: Vivant Denon
The Holy Family, 1783

Rembrandts Mill, 1823. Creator: Charles Turner
Rembrandts Mill, 1823

Christ Appearing to the Apostles, 1656. 1656. Creator: Rembrandt Harmensz van Rijn
Christ Appearing to the Apostles, 1656

The Raising of Lazarus: The Larger Plate, ca. 1632. ca. 1632
The Raising of Lazarus: The Larger Plate, ca. 1632

Christ Crucified between the Two Thieves: The Three Crosses, 1653. 1653
Christ Crucified between the Two Thieves: The Three Crosses, 1653

Old Man with Beard, Fur Cap, and Velvet Cloak, ca. 1631. ca. 1631
Old Man with Beard, Fur Cap, and Velvet Cloak, ca. 1631

Beggar Seated Warming His Hands at a Chafing Dish, ca. 1630. ca. 1630
Beggar Seated Warming His Hands at a Chafing Dish, ca. 1630

The Persian, 1632. 1632. Creator: Rembrandt Harmensz van Rijn
The Persian, 1632

Old Beggar Woman with a Gourd, ca. 1629. ca. 1629. Creator: Rembrandt Harmensz van Rijn
Old Beggar Woman with a Gourd, ca. 1629

The Artists Mother with Her Hand on Her Chest, 18th century. 18th century
The Artists Mother with Her Hand on Her Chest, 18th century

Jan Asselijn, Painter (Krabbetje), ca. 1647. ca. 1647. Creator
Jan Asselijn, Painter (Krabbetje), ca. 1647

Self-Portrait Leaning on a Stone Sill, 1639. 1639. Creator: Rembrandt Harmensz van Rijn
Self-Portrait Leaning on a Stone Sill, 1639

Self-Portrait Etching at a Window, 1648. 1648. Creator: Rembrandt Harmensz van Rijn
Self-Portrait Etching at a Window, 1648

Jan Lutma, 1656. 1656. Creator: Rembrandt Harmensz van Rijn
Jan Lutma, 1656

Beggar Man and Beggar Woman Conversing, 1630. 1630. Creator: Rembrandt Harmensz van Rijn
Beggar Man and Beggar Woman Conversing, 1630

Man Crying Out, Three-Quarters Left: Bust, ca. 1629. ca. 1629
Man Crying Out, Three-Quarters Left: Bust, ca. 1629

Self-Portrait in a Fur Cap: Bust, 18th century. 18th century. Creator: Unknown
Self-Portrait in a Fur Cap: Bust, 18th century

The Artists Mother: Head and Bust, Three-Quarters Right, 1628. 1628
The Artists Mother: Head and Bust, Three-Quarters Right, 1628

Group of Farm Buildings, ca. 1648-52. Creator: Rembrandt Harmensz van Rijn
Group of Farm Buildings, ca. 1648-52

The Meeting of Jacob And Rachel at the Well, 1640-49. Creator
The Meeting of Jacob And Rachel at the Well, 1640-49

Nathan Admonishing David, 1650-55. Creator: Rembrandt Harmensz van Rijn
Nathan Admonishing David, 1650-55

Seated Man Wearing a Flat Cap, 1635-40. Creator: Rembrandt Harmensz van Rijn
Seated Man Wearing a Flat Cap, 1635-40

Two Cottages, ca. 1636. Creator: Rembrandt Harmensz van Rijn
Two Cottages, ca. 1636

Flora, ca. 1654. Creator: Rembrandt Harmensz van Rijn
Flora, ca. 1654. Based in part on a portrait of the artists deceased wife, Saskia

Portrait of a Man, ca. 1655-60. Creator: Rembrandt Harmensz van Rijn
Portrait of a Man, ca. 1655-60

Head of Christ. Creator: Unknown
Head of Christ. Either by Rembrandt or by one of his most gifted followers. (Dutch, 1650s)

Man in a Red Cloak. Creator: Unknown
Man in a Red Cloak. (Dutch, 1650s or early 1660s)

Christ and the Woman of Samaria. Creator: Unknown
Christ and the Woman of Samaria. Considered to be by a Rembrandt pupil of the mid-1650s, with improvements made by the master himself

Herman Doomer (ca. 1595-1650), 1640. Creator: Rembrandt Harmensz van Rijn
Herman Doomer (ca. 1595-1650), 1640

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Rembrandt Harmensz van Rijn, a renowned Dutch painter of the 17th century, left an indelible mark on the art world with his exceptional talent and masterful brushstrokes. His works continue to captivate audiences even today. One of his most famous paintings, "The Return of the Prodigal Son, " created in 1668, showcases Rembrandt's ability to convey deep emotions through his subjects. The painting depicts a poignant scene from the biblical parable, where a father welcomes back his wayward son with open arms. In "Aristotle with a Bust of Homer" (1653), Rembrandt pays homage to two great thinkers. The painting shows Aristotle contemplating a bust of Homer, symbolizing the connection between philosophy and literature. "Portrait of Aechje Claesdr" (1634) is an exquisite example of Rembrandt's skill in capturing human likeness. This portrait portrays Aechje Claesdr with remarkable detail and sensitivity. "The Night Watch" (1642) stands as one of Rembrandt's most iconic works. This grand-scale group portrait showcases members of Amsterdam's civic guard in dynamic poses and dramatic lighting, highlighting Rembrandt's mastery in creating depth and atmosphere. In "The Anatomy Lesson of Dr Nicolaes Tulp" (1632), Rembrandt demonstrates his fascination with anatomy by depicting Dr Nicolaes Tulp conducting an anatomical dissection. The painting not only captures scientific accuracy but also reveals Rembrandt's ability to infuse life into every figure portrayed. While known for his portraits and historical scenes, Rembrandt also excelled at landscapes. "Landscape with two cottages" (c1650-1655) exemplifies this aspect of his work, showcasing serene countryside scenery bathed in soft light. Rembrandt was not limited to traditional subject matters; he also explored more intimate themes.