Remarque Collection

REMARQUE: ALL QUIET, 1929. Illustration by Charles Keeping, from a 1966 edition of All Quiet on the Western Front by Erich Maria Remarque

Erich Maria Remarque (1898-1970)
Photograph of Erich Maria Remarque (1898-1970), author of All Quiet on the Western Front, taken circa. 1929

Catalogue de L Exposition de Auguste Lepere: Return from the Fields (Auguste Lepere: Retour des champs), 1908. Auguste Louis Lepere (French, 1849-1918)

Suite de Paysages Landscape Plate 7 Remarque
Suite de Paysages: Landscape, Plate 7, Remarque, Poppies, 1892-1893. Charles Marie Dulac (French, 1865-1898), Printed by Monrocq Freres, Paris

Suite de Paysages Landscape Plate 6 Remarque
Suite de Paysages: Landscape, Plate 6, Remarque, Lilies, 1892-1893. Charles Marie Dulac (French, 1865-1898), Printer: Lemercier, Imprimeur Lemercier. Color lithograph

Suite de Paysages Landscape Plate 5 Remarque
Suite de Paysages: Landscape, Plate 5, Remarque, Three Stalks of Wheat, 1892-1893. Charles Marie Dulac (French, 1865-1898), Printer: Belfond, Imprimeur Belfond (per colophon). Color lithograph

Suite de Paysages Landscape Plate 4 Remarque
Suite de Paysages: Landscape, Plate 4, Remarque, Snake, 1892-1893. Charles Marie Dulac (French, 1865-1898), Printer: Lemercier, Imprimeur Lemercier (per colophon). Color lithograph

Suite de Paysages Landscape Plate 8 Remarque
Suite de Paysages: Landscape, Plate 8, Remarque, Pansies, 1892-1893. Charles Marie Dulac (French, 1865-1898), Printed by Monrocq Freres, Paris. Color lithograph

Suite de Paysages Landscape Plate 3 Remarque
Suite de Paysages: Landscape, Plate 3, Remarque, Bat, 1892-1893. Charles Marie Dulac (French, 1865-1898), Printed by Monrocq Freres, Paris. Color lithograph

Suite de Paysages Landscape Plate 2 Remarque
Suite de Paysages: Landscape, Plate 2, Remarque, Starflowers, 1892-1893. Charles Marie Dulac (French, 1865-1898), Printer: Bellefond (per colophon). Color lithograph

Suite de Paysages Landscape Plate 1 Remarque
Suite de Paysages: Landscape, Plate 1, Remarque, A Fish, 1892-1893. Charles Marie Dulac (French, 1865-1898), Printer: Distribue. Color lithograph

DIETRICH & REMARQUE, 1940. Actress Marlene Dietrich with novelist Erich Maria Remarque, arriving at the Hollywood premiere of Pinocchio. Photograph, 1940

birds eye view of Black Hawk Point, a frontier community in Colorado; includes remarque showing a Native American by Charles Shober, circa 1862, US, USA, America

Man at the door of an inn, Marie Lambertine Coclers, 1776-1815

Four children playing with toy boat on the beach in shallow seawater, Carel Lodewijk Dake, 1888-1892

Birds Eye View Of Black Hawk Point, A Frontier Community In Colorado; Includes Remarque Showing A Native American By Charles Shober, Circa 1862, Us, USA, America

Front jacket cover, 1929, for the first U. S. edition of Erich Maria Remarques novel All Quiet on the Western Front
REMARQUE: ALL QUIET, 1929. Front jacket cover, 1929, for the first U.S. edition of Erich Maria Remarques novel All Quiet on the Western Front

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"REMARQUE: A Journey Through Landscapes and Words" Step into the world of Erich Maria Remarque, a renowned German author whose novel "All Quiet on the Western Front" captivated readers in 1929. This illustration by Charles Keeping, featured in a 1966 edition of the book, brings to life the hauntingly beautiful landscapes that served as a backdrop for Remarque's poignant storytelling. As we delve into Remarque's life and works, we discover his deep connection with nature. The "Catalogue de L'Exposition de Auguste Lepere" showcases his passion for landscapes through various plates. From Plate 1 to Plate 8 of the "Suite de Paysages Landscape, " each piece captures a different facet of nature's allure. Plate 1 takes us on an enchanting journey through rolling hills and vibrant meadows. Plate 2 invites us to wander amidst towering trees, their branches reaching towards the heavens. With Plate 3, we find ourselves immersed in tranquil waters reflecting golden hues of sunlight. Moving forward, Plate 4 reveals rugged mountains standing tall against an azure sky while Plate 5 transports us to vast fields adorned with colorful wildflowers. In contrast, Plate 6 presents a serene countryside scene where time seems to stand still. The landscape depicted in Plate 7 evokes feelings of solitude as we witness a lone figure traversing an empty road under moody skies. Finally, with Plate 8, our journey concludes among picturesque valleys bathed in soft twilight glow. Through these captivating illustrations and Remarque's masterful wordsmithery from his late-1920s era writings emerge vivid images that resonate deeply within our souls. His ability to intertwine human emotions with natural surroundings creates an immersive experience like no other. Join us as we explore Erich Maria Remarque's remarkable world – one where landscapes serve not only as mere backdrops but as integral characters in the narrative.