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Relief Collection (page 6)

"Unveiling the Stories: A Journey through Time and Culture" Step into a world where history intertwines with art, where tales unfold before your eyes

Background imageRelief Collection: Central nave portal of the narthex, tympanum depicting Christ Enthroned

Central nave portal of the narthex, tympanum depicting Christ Enthroned, c.1125 (photo) (detail of 105648)
PWI105649 Central nave portal of the narthex, tympanum depicting Christ Enthroned, c.1125 (photo) (detail of 105648); Basilica of Sainte-Marie-Madeleine, Vezelay

Background imageRelief Collection: Two putti, one playing the harp and singing, the other playing the portative organ

Two putti, one playing the harp and singing, the other playing the portative organ
BEN85130 Two putti, one playing the harp and singing, the other playing the portative organ, from the frieze of musical angels in the Chapel of Isotta degli Atti, by Agostino di Duccio (1418-81)

Background imageRelief Collection: Siege of Londonderry, Ireland. The Protestant population was under siege by forces of James II for

Siege of Londonderry, Ireland. The Protestant population was under siege by forces of James II for 105 days
527979 Siege of Londonderry, Ireland. The Protestant population was under siege by forces of James II for 105 days and suffered disease

Background imageRelief Collection: Julius Caesar invading Britain

Julius Caesar invading Britain
3118345 Julius Caesar invading Britain; (add.info.: Marble relief depicting Julius Caesar invading Britain by John Deare (1759-1798) a British neo-classical sculptor

Background imageRelief Collection: Cast of palace doorway from Persepolis

Cast of palace doorway from Persepolis
3329567 Cast of palace doorway from Persepolis; (add.info.: Cast of palace doorway from Persepolis, Iran, circa 470-450 BC)

Background imageRelief Collection: The Last Judgement: detail of reliefs from the top of the hexagonal pulpit designed by Giovanni

The Last Judgement: detail of reliefs from the top of the hexagonal pulpit designed by Giovanni Pisano (1245-1329)
BEN85042 The Last Judgement: detail of reliefs from the top of the hexagonal pulpit designed by Giovanni Pisano (1245-1329), c.1297 (marble) (detail of 77020); Sant'Andrea, Pistoia

Background imageRelief Collection: Statue of Juno, from the nymphaeum, c.1554-58 (marble)

Statue of Juno, from the nymphaeum, c.1554-58 (marble)
KAB143765 Statue of Juno, from the nymphaeum, c.1554-58 (marble); Maser, Treviso, Veneto, Italy; © Dario Grimaldi.

Background imageRelief Collection: Corner-Counter Relief, 1913-14

Corner-Counter Relief, 1913-14
2656925 Corner-Counter Relief, 1913-14 by Tatlin, Vladimir Evgrafovich (1885-1953); Russian State Archive of Literature and Art, Moscow.

Background imageRelief Collection: Inmates of All Saints Workhouse, Hertford, England, grinding corn in Herbert's patent mill to

Inmates of All Saints Workhouse, Hertford, England, grinding corn in Herbert's patent mill to produce flour for use
527876 Inmates of All Saints Workhouse, Hertford, England, grinding corn in Herbert's patent mill to produce flour for use in the workhouse

Background imageRelief Collection: Detail from the facade of San Pietro, depicting the calling of Andrew

Detail from the facade of San Pietro, depicting the calling of Andrew and Simon Peter to become apostles
TRD102486 Detail from the facade of San Pietro, depicting the calling of Andrew and Simon Peter to become apostles, 12th century (stone); Spoleto, Umbria, Italy; Merilyn Thorold.

Background imageRelief Collection: Central nave portal of the narthex, with tympanum depicting Christ Enthroned c.1125 (photo)

Central nave portal of the narthex, with tympanum depicting Christ Enthroned c.1125 (photo) (for detail see 105649)
PWI105648 Central nave portal of the narthex, with tympanum depicting Christ Enthroned c.1125 (photo) (for detail see 105649); Basilica of Sainte-Marie-Madeleine, Vezelay

Background imageRelief Collection: The birth of the Buddha, 100-200AD, schist, from ancient Gandhara, Pakistan

The birth of the Buddha, 100-200AD, schist, from ancient Gandhara, Pakistan, Victoria & Albert museum, London, England
930373 The birth of the Buddha, 100-200AD, schist, from ancient Gandhara, Pakistan, Victoria & Albert museum, London, England; Victoria & Albert Museum, London, UK; Photo © Stefano Baldini.

Background imageRelief Collection: Carving of the Triumph of Virtue over Evil, from Ambronay Abbey

Carving of the Triumph of Virtue over Evil, from Ambronay Abbey, by the School of the Palace of Charlemagne, French
BEN119185 Carving of the Triumph of Virtue over Evil, from Ambronay Abbey, by the School of the Palace of Charlemagne, French, 9th century AD (ivory); 10.5x33 cm; Museo Nazionale del Bargello

Background imageRelief Collection: Poor in North France fed from German field kitchen, between c1914 and c1915

Poor in North France fed from German field kitchen, between c1914 and c1915. Creator: Bain News Service
Poor in North France fed from German field kitchen, between c1914 and c1915. Crowd of mostly women and children outside a brick building in northern France during World War I.

Background imageRelief Collection: 'Saved', by F. W. Topham, in the exhibition of the Society of Painters in Water Colours, 1864

"Saved", by F. W. Topham, in the exhibition of the Society of Painters in Water Colours, 1864. Engraving. 'We must sympathise with the terror through which these humble Irish folk have

Background imageRelief Collection: The tomb of James Ward, Esq., R.A., Kensal-green Cemetery, 1864. Creator: Unknown

The tomb of James Ward, Esq., R.A., Kensal-green Cemetery, 1864. Creator: Unknown
The tomb of James Ward, Esq., R.A., Kensal-green Cemetery, [London], 1864. Monument consisting of '...a monumental headstone, in a coved recess of which has been sculptured by Mr. J. H

Background imageRelief Collection: Awaiting relief, Paris, between c1914 and c1915. Creator: Bain News Service

Awaiting relief, Paris, between c1914 and c1915. Creator: Bain News Service
Awaiting relief, Paris, between c1914 and c1915. French people, mostly women, waiting in line for relief at the beginning of World War I, Paris, France.

Background imageRelief Collection: The Farnese Tazza, view of the obverse depicting an allegorical scene set in Egypt (sardonyx)

The Farnese Tazza, view of the obverse depicting an allegorical scene set in Egypt (sardonyx) (for reverse see 108067)
BEN108066 The Farnese Tazza, view of the obverse depicting an allegorical scene set in Egypt (sardonyx) (for reverse see 108067); d:23.4 cm; Museo Archeologico Nazionale, Naples, Campania

Background imageRelief Collection: Achaemenid rock relief of King Darius I (reg.521-486 BC) commemorating his victory over Gaumata

Achaemenid rock relief of King Darius I (reg.521-486 BC) commemorating his victory over Gaumata the Smerdis
BAL112362 Achaemenid rock relief of King Darius I (reg.521-486 BC) commemorating his victory over Gaumata the Smerdis and nine other rebel kings, 520-519 BC (photo); Bisitun

Background imageRelief Collection: The Battle of the Greeks and the Amazons, part of the frieze from the Mausoleum of Halicarnassus

The Battle of the Greeks and the Amazons, part of the frieze from the Mausoleum of Halicarnassus, c.350 BC (marble)
BAL85702 The Battle of the Greeks and the Amazons, part of the frieze from the Mausoleum of Halicarnassus, c.350 BC (marble); British Museum, London, UK.

Background imageRelief Collection: Salzburg, Austria. Coat of arms in stone

Salzburg, Austria. Coat of arms in stone

Background imageRelief Collection: Le Recit (Noyon, mars 1917), 1917. Creator: Francois Flameng

Le Recit (Noyon, mars 1917), 1917. Creator: Francois Flameng
Le Recit (Noyon, mars 1917), 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]

Background imageRelief Collection: Fragment with Lions Rampant from a Choir Screen or Ambo, c.1100. Creator: Unknown

Fragment with Lions Rampant from a Choir Screen or Ambo, c.1100. Creator: Unknown
Fragment with Lions Rampant from a Choir Screen or Ambo, c.1100

Background imageRelief Collection: Relief Fragment Depicting Imenet, Ptah and Amenhotep I, New Kingdom (1569-1081 BCE)

Relief Fragment Depicting Imenet, Ptah and Amenhotep I, New Kingdom (1569-1081 BCE). Creator: Unknown
Relief Fragment Depicting Imenet, Ptah and Amenhotep I, New Kingdom (1569-1081 BCE)

Background imageRelief Collection: Round-Topped Stela (image 1 of 3), between c.1391 and c.1353 B.C.. Creator: Unknown

Round-Topped Stela (image 1 of 3), between c.1391 and c.1353 B.C.. Creator: Unknown
Round-Topped Stela (image 1 of 3), between c.1391 and c.1353 B.C

Background imageRelief Collection: Artist's Trial Piece (image 2 of 2), between c.570 and c.525 B.C.. Creator: Unknown

Artist's Trial Piece (image 2 of 2), between c.570 and c.525 B.C.. Creator: Unknown
Artist's Trial Piece (image 2 of 2), between c.570 and c.525 B.C

Background imageRelief Collection: Artist's Trial Piece (image 1 of 2), between c.570 and c.525 B.C.. Creator: Unknown

Artist's Trial Piece (image 1 of 2), between c.570 and c.525 B.C.. Creator: Unknown
Artist's Trial Piece (image 1 of 2), between c.570 and c.525 B.C

Background imageRelief Collection: Pair of Votive Tablets with a Buddhist Deity, 18th-19th century. Creator: Unknown

Pair of Votive Tablets with a Buddhist Deity, 18th-19th century. Creator: Unknown
Pair of Votive Tablets with a Buddhist Deity, 18th-19th century

Background imageRelief Collection: Cosmic Form of the Bodhisattva Avalokiteshvara, 17th century. Creator: Unknown

Cosmic Form of the Bodhisattva Avalokiteshvara, 17th century. Creator: Unknown
Cosmic Form of the Bodhisattva Avalokiteshvara, 17th century

Background imageRelief Collection: Herzegovinian Refugees at Ragusa, from a sketch by our special artist, 1876. Creator: Unknown

Herzegovinian Refugees at Ragusa, from a sketch by our special artist, 1876. Creator: Unknown
Herzegovinian Refugees at Ragusa, from a sketch by our special artist, 1876. In the interview which Baron Rodich had, a fortnight ago, at Ragusa [Dubrovnik], with the principal insurgent leaders

Background imageRelief Collection: Distributing Charitable Funds to the Herzegovinian Refugees at Ragusa...1876. Creator: Unknown

Distributing Charitable Funds to the Herzegovinian Refugees at Ragusa...1876. Creator: Unknown
Distributing Charitable Funds to the Herzegovinian Refugees at Ragusa [Dubrovnik], from a sketch by our special artist, 1876

Background imageRelief Collection: Operations in Flanders; Belgian troops pay honour to the flag of a French regiment... 1917

Operations in Flanders; Belgian troops pay honour to the flag of a French regiment... 1917. Creator: Unknown
Operations in Flanders; Belgian troops pay honour to the flag of a French regiment which has come to relieve them, 1917. From "L'Album de la Guerre 1914-1919

Background imageRelief Collection: Model of a Battlefield; On the eve of the attack of June 7, 1917...1917 Creator: Unknown

Model of a Battlefield; On the eve of the attack of June 7, 1917...1917 Creator: Unknown
Model of a Battlefield; On the eve of the attack of June 7, 1917, on the German side of Wytschaete-Messines, Australians of the Plumer army study a huge map in relief, made in cement

Background imageRelief Collection: Relief Fragment of Two Divine Figures, Third Intermediate Period (1081-711 BCE). Creator: Unknown

Relief Fragment of Two Divine Figures, Third Intermediate Period (1081-711 BCE). Creator: Unknown
Relief Fragment of Two Divine Figures, Third Intermediate Period (1081-711 BCE)

Background imageRelief Collection: Votive Stele with Relief of the Apis Bull(?) and a Lotus, Greco 30th Dynasty-end of Ptolemaic

Votive Stele with Relief of the Apis Bull(?) and a Lotus, Greco 30th Dynasty-end of Ptolemaic Period Creator: Unknown
Votive Stele with Relief of the Apis Bull(?) and a Lotus, Greco 30th Dynasty-end of Ptolemaic Period

Background imageRelief Collection: Relief with Portrait and Cartouches of Nectanebo II, between c.360 and c.343 B.C.. Creator: Unknown

Relief with Portrait and Cartouches of Nectanebo II, between c.360 and c.343 B.C.. Creator: Unknown
Relief with Portrait and Cartouches of Nectanebo II, between c.360 and c.343 B.C

Background imageRelief Collection: Relief Fragment, 5th Dynasty Old Kingdom, 2513-2506 BCE. Creator: Unknown

Relief Fragment, 5th Dynasty Old Kingdom, 2513-2506 BCE. Creator: Unknown
Relief Fragment, 5th Dynasty Old Kingdom, 2513-2506 BCE

Background imageRelief Collection: Sur le Sol Americain; Le salut de Joffre a la Fayette, 1917. Creator: Unknown

Sur le Sol Americain; Le salut de Joffre a la Fayette, 1917. Creator: Unknown
Sur le Sol Americain; Le salut de Joffre a la Fayette, 1917. First World War: On American soil (the Joffre-Viviani Mission); Joffre salutes (the statue of) Lafayette (in Prospect Park, New York)

Background imageRelief Collection: The Death of Abel, 1853. Creator: Giovanni Dupré

The Death of Abel, 1853. Creator: Giovanni Dupré
The Death of Abel, 1853

Background imageRelief Collection: Saint Blaise, c.1600. Creator: Stefano Maderno

Saint Blaise, c.1600. Creator: Stefano Maderno
Saint Blaise, c.1600

Background imageRelief Collection: The Buddhist Goddesses Tara and Chunda, 9th century. Creator: Unknown

The Buddhist Goddesses Tara and Chunda, 9th century. Creator: Unknown
The Buddhist Goddesses Tara and Chunda, 9th century

Background imageRelief Collection: Votive Figure, 7th century. Creator: Unknown

Votive Figure, 7th century. Creator: Unknown
Votive Figure, 7th century

Background imageRelief Collection: Plaque with The Flagellation of Christ, c.1560. Creator: Workshop of Guglielmo della Porta

Plaque with The Flagellation of Christ, c.1560. Creator: Workshop of Guglielmo della Porta
Plaque with The Flagellation of Christ, c.1560

Background imageRelief Collection: The Beheading of Saint Paul, Originally modelled 1643-1647; this example before 1753

The Beheading of Saint Paul, Originally modelled 1643-1647; this example before 1753. Creator: Vincenzo Foggini
The Beheading of Saint Paul, Originally modelled 1643-1647; this example before 1753

Background imageRelief Collection: Votive Tablet with Ganesha, Lord of Obstacles, c.18th century. Creator: Unknown

Votive Tablet with Ganesha, Lord of Obstacles, c.18th century. Creator: Unknown
Votive Tablet with Ganesha, Lord of Obstacles, c.18th century

Background imageRelief Collection: La Sortie, 1855. Creator: Honore Daumier

La Sortie, 1855. Creator: Honore Daumier
La Sortie, 1855. La Sortie. - Decidement l'inventeur qui a le plus mon admiration, c'est ce lui qui a invente l'air!'. The exit

Background imageRelief Collection: Appuyez fort, ça fait rentrer la bosse... 1838. Creator: Honore Daumier

Appuyez fort, ça fait rentrer la bosse... 1838. Creator: Honore Daumier
Appuyez fort, ca fait rentrer la bosse... 1838. Appuyez fort, ca fait rentrer la bosse - (L'enfant) Oh! la...oh!...la la la...la...C'est ca appuyez toujours il n'y a rien de meilleur

Background imageRelief Collection: Scene from the Arch of Titus, c.1791. Creator: Jean Guillaume Moitte

Scene from the Arch of Titus, c.1791. Creator: Jean Guillaume Moitte
Scene from the Arch of Titus, c.1791



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"Unveiling the Stories: A Journey through Time and Culture" Step into a world where history intertwines with art, where tales unfold before your eyes. From the treacherous voyage of HMS Erebus and HMS Terror in 1845 to the captivating Egyptian art depicting Akhenaten, Nefertiti, and three; each piece offers a glimpse into moments of relief. As Captain Francis Crozier sailed through uncharted waters aboard HMS Terror, his weary crew found solace in their shared mission - seeking respite amidst icy depths. In Indonesia's Bali, a stone relief immortalizes Rama and Sita's triumph over adversity, reminding us that even in times of darkness, hope can be found. Traveling westward to Ireland's County Clare stands Sheela-na-Gig on a church wall – an enigmatic symbol embodying both fertility and protection. Meanwhile, the Code of Hammurabi reveals ancient Babylonian society's pursuit for justice as Ahura Mazda watches over all with benevolence. Witness the first rays of dawn illuminating Borobudur in Central Java; here stands Buddha statue adorned with Dharmachakra Mudra hand position – an embodiment of enlightenment offering spiritual release. The relief map unveils United Kingdom and Eire’s diverse landscapes from rolling hills to rugged coastlines while Cork’s 1633 Map invites exploration into Ireland’s rich tapestry. Marvel at Pergamon Altar's grandeur as Athena battles against giant Alcyoneus – an allegory for overcoming obstacles that plague humanity throughout time. Roman art captures youthful innocence frozen in marble as Boy with Horse whispers stories untold. In these reliefs lies not just artistic beauty but also narratives etched by human hands across continents and eras. They remind us that amidst chaos or tranquility, we seek solace in stories told through intricate carvings or delicate strokes—relief becomes our sanctuary from the world's burdens.