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Relief Etching Collection

"Exploring the Beauty of Relief Etching: A Glimpse into William Blake's Artistic World" Relief etching

Background imageRelief Etching Collection: The Lamb, 1789 (hand-coloured relief-etching, watercolour)

The Lamb, 1789 (hand-coloured relief-etching, watercolour)
985824 The Lamb, 1789 (hand-coloured relief-etching, watercolour) by Blake, William (1757-1827); 19.8x12.8 cm; Private Collection; (add.info.: The Lamb. Plate 7 from Songs of Innocence)

Background imageRelief Etching Collection: My Old Mother-in-Law is Always Ready to Scold without Any Reason, n.d. Creator: Manuel Manilla

My Old Mother-in-Law is Always Ready to Scold without Any Reason, n.d. Creator: Manuel Manilla
My Old Mother-in-Law is Always Ready to Scold without Any Reason, n.d

Background imageRelief Etching Collection: The Horrible Calavera of the Flooding of Guanajuato, 1900/10

The Horrible Calavera of the Flooding of Guanajuato, 1900/10. Creators: Manuel Manilla, José Guadalupe Posada
The Horrible Calavera of the Flooding of Guanajuato, 1900/10

Background imageRelief Etching Collection: Calavera Tapatia, n.d. Creators: Manuel Manilla, José Guadalupe Posada

Calavera Tapatia, n.d. Creators: Manuel Manilla, José Guadalupe Posada
Calavera Tapatia, n.d

Background imageRelief Etching Collection: La Calavera de D. Juan Tenorio (The Calavera of D. Juan Tenorio), n.d. Creator: Manuel Manilla

La Calavera de D. Juan Tenorio (The Calavera of D. Juan Tenorio), n.d. Creator: Manuel Manilla
La Calavera de D. Juan Tenorio (The Calavera of D. Juan Tenorio), n.d

Background imageRelief Etching Collection: Laments of a Helpless Orphan, n.d. Creator: Manuel Manilla

Laments of a Helpless Orphan, n.d. Creator: Manuel Manilla
Laments of a Helpless Orphan, n.d

Background imageRelief Etching Collection: Sad and Lamentable Cry of a Poor Little Orphan, n.d. Creator: Manuel Manilla

Sad and Lamentable Cry of a Poor Little Orphan, n.d. Creator: Manuel Manilla
Sad and Lamentable Cry of a Poor Little Orphan, n.d

Background imageRelief Etching Collection: I Am Don Juan Tenorio, n.d. Creator: Manuel Manilla

I Am Don Juan Tenorio, n.d. Creator: Manuel Manilla
I Am Don Juan Tenorio, n.d

Background imageRelief Etching Collection: Glorious Success of Ponciano Díaz and His Brave Charros in the Bull Rings of Madrid, 1889

Glorious Success of Ponciano Díaz and His Brave Charros in the Bull Rings of Madrid, 1889. Creator: Manuel Manilla
Glorious Success of Ponciano Diaz and His Brave Charros in the Bull Rings of Madrid, 1889

Background imageRelief Etching Collection: Electric Light Arrives, 1900. Creator: Manuel Manilla

Electric Light Arrives, 1900. Creator: Manuel Manilla
Electric Light Arrives, 1900

Background imageRelief Etching Collection: Now My Old Mother-in-Law... n.d. Creator: Manuel Manilla

Now My Old Mother-in-Law... n.d. Creator: Manuel Manilla
Now My Old Mother-in-Law... n.d

Background imageRelief Etching Collection: The Popular Songbook, n.d. Creator: Manuel Manilla

The Popular Songbook, n.d. Creator: Manuel Manilla
The Popular Songbook, n.d

Background imageRelief Etching Collection: Flood of Calaveras!, n.d. Creator: Manuel Manilla

Flood of Calaveras!, n.d. Creator: Manuel Manilla
Flood of Calaveras!, n.d

Background imageRelief Etching Collection: Quarrel between Mother-in-law and Son-in-law, n.d. Creator: Manuel Manilla

Quarrel between Mother-in-law and Son-in-law, n.d. Creator: Manuel Manilla
Quarrel between Mother-in-law and Son-in-law, n.d

Background imageRelief Etching Collection: Noisy Assembly of Calavera Dandies and Old Drunks and Laborers and Garbanzo-Sellers, n.d

Noisy Assembly of Calavera Dandies and Old Drunks and Laborers and Garbanzo-Sellers, n.d. Creator: Manuel Manilla
Noisy Assembly of Calavera Dandies and Old Drunks and Laborers and Garbanzo-Sellers, n.d

Background imageRelief Etching Collection: La Calavera de D. Juan Tenorio (The Calavera of D. Juan Tenorio), n.d. Creator: Manuel Manilla

La Calavera de D. Juan Tenorio (The Calavera of D. Juan Tenorio), n.d. Creator: Manuel Manilla
La Calavera de D. Juan Tenorio (The Calavera of D. Juan Tenorio), n.d

Background imageRelief Etching Collection: El cancionero popular, num. 21 (The Popular Songbook, No. 21), n.d

El cancionero popular, num. 21 (The Popular Songbook, No. 21), n.d. Creators: Manuel Manilla, José Guadalupe Posada
El cancionero popular, num. 21 (The Popular Songbook, No. 21), n.d

Background imageRelief Etching Collection: Glorious Remembrance of September 16th, n.d. Creators: Manuel Manilla, José Guadalupe Posada

Glorious Remembrance of September 16th, n.d. Creators: Manuel Manilla, José Guadalupe Posada
Glorious Remembrance of September 16th, n.d

Background imageRelief Etching Collection: Circus Game, n.d. Creator: Manuel Manilla

Circus Game, n.d. Creator: Manuel Manilla
Circus Game, n.d

Background imageRelief Etching Collection: El cancionero popular, hoja num. 19 (The Popular Songbook, Sheet No. 19), n.d

El cancionero popular, hoja num. 19 (The Popular Songbook, Sheet No. 19), n.d. Creator: Manuel Manilla
El cancionero popular, hoja num. 19 (The Popular Songbook, Sheet No. 19), n.d

Background imageRelief Etching Collection: Lamentos que dirique (Laments That Direct), n.d. Creator: Manuel Manilla

Lamentos que dirique (Laments That Direct), n.d. Creator: Manuel Manilla
Lamentos que dirique (Laments That Direct), n.d

Background imageRelief Etching Collection: El novio de mil mujeres les da dinero y placeres (The Boyfriend of a Thousand Women... n.d)

El novio de mil mujeres les da dinero y placeres (The Boyfriend of a Thousand Women... n.d. Creator: Manuel Manilla)
El novio de mil mujeres les da dinero y placeres (The Boyfriend of a Thousand Women Gives Them Money and Pleasure), n.d

Background imageRelief Etching Collection: Pleito de la suegra con su yerno (Fight of the Mother-in-Law With Her Son-in-Law), n.d

Pleito de la suegra con su yerno (Fight of the Mother-in-Law With Her Son-in-Law), n.d. Creator: Manuel Manilla
Pleito de la suegra con su yerno (Fight of the Mother-in-Law With Her Son-in-Law), n.d

Background imageRelief Etching Collection: Con las suegras, poco y bueno (With the Mother-in-Laws, Little and Good), n.d

Con las suegras, poco y bueno (With the Mother-in-Laws, Little and Good), n.d. Creator: Manuel Manilla
Con las suegras, poco y bueno (With the Mother-in-Laws, Little and Good), n.d

Background imageRelief Etching Collection: El cancionero popular, hoja num. 4 (The Popular Songbook, Sheet No. 4), n.d. Creator: Manuel Manilla

El cancionero popular, hoja num. 4 (The Popular Songbook, Sheet No. 4), n.d. Creator: Manuel Manilla
El cancionero popular, hoja num. 4 (The Popular Songbook, Sheet No. 4), n.d

Background imageRelief Etching Collection: Madame, Your Little Rabbit... n.d. Creator: Manuel Manilla

Madame, Your Little Rabbit... n.d. Creator: Manuel Manilla
Madame, Your Little Rabbit... n.d

Background imageRelief Etching Collection: Calavera Tapatia, n.d. Creator: Manuel Manilla

Calavera Tapatia, n.d. Creator: Manuel Manilla
Calavera Tapatia, n.d

Background imageRelief Etching Collection: Holy Thursday, 1789 (hand-coloured relief-etching, watercolour)

Holy Thursday, 1789 (hand-coloured relief-etching, watercolour)
985823 Holy Thursday, 1789 (hand-coloured relief-etching, watercolour) by Blake, William (1757-1827); 19.8x12.8 cm; Private Collection; (add.info.: Holy Thursday. Plate 8 from Songs of Innocence)

Background imageRelief Etching Collection: Spring, 1789 (hand-coloured relief-etching, watercolour)

Spring, 1789 (hand-coloured relief-etching, watercolour)
985826 Spring, 1789 (hand-coloured relief-etching, watercolour) by Blake, William (1757-1827); 19.8x12.8. cm; Private Collection; (add.info.: Spring. Plate 24 from Songs of Innocence)

Background imageRelief Etching Collection: Night, 1789 (hand-coloured relief-etching, watercolour)

Night, 1789 (hand-coloured relief-etching, watercolour)
985825 Night, 1789 (hand-coloured relief-etching, watercolour) by Blake, William (1757-1827); 19.8x12.8 cm; Private Collection; (add.info.: Night. Plate 21 from Songs of Innocence)

Background imageRelief Etching Collection: The Divine Image, 1789 (hand-coloured relief-etching, watercolour)

The Divine Image, 1789 (hand-coloured relief-etching, watercolour)
985822 The Divine Image, 1789 (hand-coloured relief-etching, watercolour) by Blake, William (1757-1827); 19.8x12.8 cm; Private Collection; (add.info.: The Divine Image)

Background imageRelief Etching Collection: Infant Joy, 1789 (hand-coloured relief-etching, watercolour)

Infant Joy, 1789 (hand-coloured relief-etching, watercolour)
985821 Infant Joy, 1789 (hand-coloured relief-etching, watercolour) by Blake, William (1757-1827); 19.8x12.8 cm; Private Collection; (add.info.: Infant Joy. Plate 26 from Songs of Innocence)

Background imageRelief Etching Collection: On Homers Poetry (and) On Virgil, 1822. Creator: William Blake

On Homers Poetry (and) On Virgil, 1822. Creator: William Blake
On Homers Poetry (and) On Virgil, 1822

Background imageRelief Etching Collection: The Chaining of Orc, 1812. Creator: William Blake

The Chaining of Orc, 1812. Creator: William Blake
The Chaining of Orc, 1812

Background imageRelief Etching Collection: Songs of Innocence and of Experience: A Poison Tree, ca. 1825. Creator: William Blake

Songs of Innocence and of Experience: A Poison Tree, ca. 1825. Creator: William Blake
Songs of Innocence and of Experience: A Poison Tree, ca. 1825

Background imageRelief Etching Collection: Songs of Innocence and of Experience: To Tirzah, ca. 1825. Creator: William Blake

Songs of Innocence and of Experience: To Tirzah, ca. 1825. Creator: William Blake
Songs of Innocence and of Experience: To Tirzah, ca. 1825

Background imageRelief Etching Collection: Songs of Experience: Introduction: Hear the voice of the Bard, ca. 1825

Songs of Experience: Introduction: Hear the voice of the Bard, ca. 1825

Background imageRelief Etching Collection: Songs of Innocence and of Experience: Spring (second plate): Little Girl, ca. 1825

Songs of Innocence and of Experience: Spring (second plate): Little Girl, ca. 1825

Background imageRelief Etching Collection: Songs of Innocence and of Experience: Cradle Song (second plate): Wept for me... ca

Songs of Innocence and of Experience: Cradle Song (second plate): Wept for me... ca
Songs of Innocence and of Experience: Cradle Song (second plate): Wept for me for thee for all, ca. 1825

Background imageRelief Etching Collection: Songs of Innocence and of Experience: The Chimney Sweeper, ca. 1825

Songs of Innocence and of Experience: The Chimney Sweeper, ca. 1825

Background imageRelief Etching Collection: Songs of Innocence and of Experience: The Lamb, ca. 1825. Creator: William Blake

Songs of Innocence and of Experience: The Lamb, ca. 1825. Creator: William Blake
Songs of Innocence and of Experience: The Lamb, ca. 1825

Background imageRelief Etching Collection: Songs of Innocence and of Experience: The Ecchoing Green (second plate), ca. 1825

Songs of Innocence and of Experience: The Ecchoing Green (second plate), ca. 1825


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"Exploring the Beauty of Relief Etching: A Glimpse into William Blake's Artistic World" Relief etching, a technique that combines the intricacy of etching with the vibrant colors of watercolor, has been masterfully employed by renowned artist William Blake in his iconic works. From "The Lamb" to "Spring, " these hand-colored relief-etchings bring to life Blake's imaginative visions. In "Holy Thursday, " we witness a poignant scene as children gather for a religious procession, their innocence and vulnerability beautifully captured through delicate lines and subtle hues. Similarly, "Night" enchants us with its mysterious atmosphere, where shadows dance amidst ethereal landscapes. Blake's profound spirituality shines through in pieces like "The Divine Image. " Here, he explores themes of compassion and empathy while showcasing his technical prowess in relief etching. Meanwhile, "Infant Joy" celebrates the purest form of love between mother and child—a tender moment immortalized on paper. Moving beyond his Songs of Innocence collection, Blake delves into darker realms with works such as "On Homers Poetry (and) On Virgil. " These thought-provoking pieces challenge societal norms and invite viewers to question established beliefs. "The Chaining of Orc" is another striking example where Blake merges mythology with political commentary. Through relief etching, he depicts the struggle against oppression—an enduring theme throughout his body of work. Songs from both Innocence and Experience come alive in vivid detail through this unique technique. In "A Poison Tree, " emotions run deep as anger festers within; while in "To Tirzah, " beauty emerges from pain—a testament to human resilience. Introducing us to his poetic world is the powerful piece titled "Introduction: Hear the voice of Bard. " This intricate composition draws us into an enchanting narrative filled with symbolism and allegory—Blake's signature style brought forth by relief etching. Finally, we encounter "Spring (second plate).