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Relationship Collection (page 2)

"Exploring the Complexities of Relationships Through Art" Love, forgiveness

Background imageRelationship Collection: Locks hang at Gorky park in Minsk

Locks hang at Gorky park in Minsk, Belarus March 30, 2018. REUTERS/Vasily Fedosenko

Background imageRelationship Collection: John Stuart Mill (litho)

John Stuart Mill (litho)
8631722 John Stuart Mill (litho) by Furniss, Harry (1854-1925) (after); Private Collection; (add.info.: John Stuart Mill. Illustration for an article by Harry Furniss for the Windsor Magazine in 1904)

Background imageRelationship Collection: Charles Lamb (litho)

Charles Lamb (litho)
8631719 Charles Lamb (litho) by Furniss, Harry (1854-1925) (after); Private Collection; (add.info.: Charles Lamb. Illustration for an article by Harry Furniss for the Windsor Magazine in 1904)

Background imageRelationship Collection: Napoleon (litho)

Napoleon (litho)
8631713 Napoleon (litho) by Furniss, Harry (1854-1925) (after); Private Collection; (add.info.: Napoleon. Illustration for an article by Harry Furniss for the Windsor Magazine in 1904 on "Some)

Illustration depicting a young woman weeping for an unattainable love, 1892 (engraving)
5616411 Illustration depicting a young woman weeping for an unattainable love, 1892 (engraving); Universal History Archive/UIG.

Background imageRelationship Collection: Chicks by a Basket, 1908 (oil on canvas)

Chicks by a Basket, 1908 (oil on canvas)
658470 Chicks by a Basket, 1908 (oil on canvas) by Hunt, Edgar (1876-1953); 25.4x30.5 cm; Private Collection; (add.info.: Chicks by a Basket. Edgar Hunt (1876-1953). Oil on canvas. Dated 1908

Background imageRelationship Collection: Goats by a Rabbit Hutch, 1919 (oil on canvas)

Goats by a Rabbit Hutch, 1919 (oil on canvas)
658262 Goats by a Rabbit Hutch, 1919 (oil on canvas) by Hunt, Edgar (1876-1953); 35.5x46 cm; Private Collection; (add.info.: Goats by a Rabbit Hutch. Edgar Hunt (1876-1953). Oil on canvas

Lord Randolph Churchill (litho)
8631718 Lord Randolph Churchill (litho) by Furniss, Harry (1854-1925) (after); Private Collection; (add.info.: Lord Randolph Churchill)

Background imageRelationship Collection: Owen Farrel, the Irish Dwarf (litho)

Owen Farrel, the Irish Dwarf (litho)
8631716 Owen Farrel, the Irish Dwarf (litho) by Furniss, Harry (1854-1925) (after); Private Collection; (add.info.: Owen Farrel, the Irish Dwarf)

Background imageRelationship Collection: I'm getting to know a thing or two (colour litho)

I'm getting to know a thing or two (colour litho)
8656585 I'm getting to know a thing or two (colour litho) by English School, (20th century); Private Collection; (add.info)

Background imageRelationship Collection: 8623053

8623053

Background imageRelationship Collection: Old man being brought home from an asylum to die. His daughter, wife, and doctor are with him

Old man being brought home from an asylum to die. His daughter, wife, and doctor are with him
2604790 Old man being brought home from an asylum to die. His daughter, wife, and doctor are with him. Illustration by Frank Dadd, London

Background imageRelationship Collection: Tom and Maggie Tulliver being run down by machinery from Dolcote Mill that has broken away in

Tom and Maggie Tulliver being run down by machinery from Dolcote Mill that has broken away in the flood
536965 Tom and Maggie Tulliver being run down by machinery from Dolcote Mill that has broken away in the flood, They die in a close embrace

Background imageRelationship Collection: Map showing the relation of the Median and second Babylonian (Chaldaean) Empires, 1936

Map showing the relation of the Median and second Babylonian (Chaldaean) Empires, 1936
7125140 Map showing the relation of the Median and second Babylonian (Chaldaean) Empires, 1936; (add.info.: Map showing the relation of the Median and second Babylonian (Chaldaean) Empires

Background imageRelationship Collection: A diagrammatic summary of current ideas of the relationship of human races, 1936

A diagrammatic summary of current ideas of the relationship of human races, 1936
7125139 A diagrammatic summary of current ideas of the relationship of human races, 1936; (add.info.: A diagrammatic summary of current ideas of the relationship of human races)

Background imageRelationship Collection: Romance, 1910 (Watercolour on silk)

Romance, 1910 (Watercolour on silk)
7212832 Romance, 1910 (Watercolour on silk) by Rutherston, Albert Daniel (1881-1953); 54x72.4 cm; The Maas Gallery, London, UK; (add.info.: signed and dated [19]10.); Photo © The Maas Gallery

Background imageRelationship Collection: Tom saying goodbye to his father at the inn

Tom saying goodbye to his father at the inn
2604881 Tom saying goodbye to his father at the inn; (add.info.: Tom saying goodbye to his father at the inn in Leicester before catching the coach for Rugby School)

Background imageRelationship Collection: Captain Dobbin seeing off onlookers, 1850

Captain Dobbin seeing off onlookers, 1850
3478399 Captain Dobbin seeing off onlookers, 1850; (add.info.: Illustration depicts Captain Dobbin seeing off onlookers who are fascinated by Joseph Sedley's drunken courtship of Becky Sharp in)

Background imageRelationship Collection: The Origin of Painting, 1831 (oil on canvas)

The Origin of Painting, 1831 (oil on canvas)
8718778 The Origin of Painting, 1831 (oil on canvas) by Eddelien, Heinrich (1802-52); Statens Museum for Kunst, Copenhagen

Background imageRelationship Collection: Anne Hathaway's Cottage, 1945 (oil on canvas laid down on board)

Anne Hathaway's Cottage, 1945 (oil on canvas laid down on board)
828449 Anne Hathaway's Cottage, 1945 (oil on canvas laid down on board) by Bennett, Frank Moss (1874-1953); 25.4x35.5 cm; Private Collection; (add.info.: Anne Hathaway's Cottage)

Background imageRelationship Collection: Late but Welcome, 1948 (oil on canvas)

Late but Welcome, 1948 (oil on canvas)
658364 Late but Welcome, 1948 (oil on canvas) by Bennett, Frank Moss (1874-1953); 59.6x75 cm; Private Collection; (add.info.: Late but Welcome. Frank Moss Bennett (1874-1953). Oil on canvas

Background imageRelationship Collection: Doves, 1918 (oil on canvas)

Doves, 1918 (oil on canvas)
658261 Doves, 1918 (oil on canvas) by Hunt, Edgar (1876-1953); 16.5x24 cm; Private Collection; (add.info.: Doves. Edgar Hunt (1876-1953). Oil on canvas. Signed and dated 1918

Background imageRelationship Collection: Ruth embracing her mother-in-law. Bible 2 Ruth 1.14. Wood engraving 1873

Ruth embracing her mother-in-law. Bible 2 Ruth 1.14. Wood engraving 1873
535934 Ruth embracing her mother-in-law. Bible 2 Ruth 1.14. Wood engraving 1873.; (add.info.: Ruth embracing her mother-in-law. Bible 2 Ruth 1.14. Wood engraving 1873.); Universal History Archive/UIG.

Background imageRelationship Collection: Before the marriage, c. 1900 (oil on canvas)

Before the marriage, c. 1900 (oil on canvas)
BAL364941 Before the marriage, c. 1900 (oil on canvas) by Tselebrovski, Pyotr Ivanovich (1859-1921); Regional Museum of History and Art, Murom; (add.info.: A young woman kneels)

Background imageRelationship Collection: Table showing the relationship of the principal Elizabethan courtiers (colour litho)

Table showing the relationship of the principal Elizabethan courtiers (colour litho)
8641344 Table showing the relationship of the principal Elizabethan courtiers (colour litho) by English School, (19th century); Private Collection; (add.info)

Background imageRelationship Collection: The Soiree, 1905 (watercolour, gouache and pencil on cream paper laid down on pape)

The Soiree, 1905 (watercolour, gouache and pencil on cream paper laid down on pape)
985263 The Soiree, 1905 (watercolour, gouache and pencil on cream paper laid down on pape) by Shinn, Everett (1876-1953); 45x60.4 cm; Private Collection; (add.info.: The Soiree)

Background imageRelationship Collection: A Soldier's Conquests, (oil on canvas)

A Soldier's Conquests, (oil on canvas)
989395 A Soldier's Conquests, (oil on canvas) by Waite, James Clarke (fl.1863-85); 92.1x114.9 cm; Private Collection; (add.info.: A Soldier's Conquests. James Clarke Waite (1832-1920)

Background imageRelationship Collection: Illustration depicting a Renaissance anatomical drawing (16th century; German)

Illustration depicting a Renaissance anatomical drawing (16th century; German)
5311488 Illustration depicting a Renaissance anatomical drawing (16th century; German. From Margarita Philosophica; 1503 by Reisch. Shows the ventricles and their relationship to the intellect)

Background imageRelationship Collection: Quote Boyfriend Smile

Quote Boyfriend Smile
Orara Studio

Background imageRelationship Collection: Quote Best Friend Offensive

Quote Best Friend Offensive
Orara Studio

Background imageRelationship Collection: Quote Best Friend Family

Quote Best Friend Family
Orara Studio

Background imageRelationship Collection: Quote Best Friend Bad

Quote Best Friend Bad
Orara Studio

Background imageRelationship Collection: Yoreh III

Yoreh III
Tal Paz-Fridman

Background imageRelationship Collection: Nelson's nieces - Miss Bolton and Charlotte Nelson, afterwards Lady Hood, 1802 (pen, ink)

Nelson's nieces - Miss Bolton and Charlotte Nelson, afterwards Lady Hood, 1802 (pen, ink)
7339865 Nelson's nieces - Miss Bolton and Charlotte Nelson, afterwards Lady Hood, 1802 (pen, ink) by Baxter, Thomas (1782-1821); 9.6x13.7 cm; National Maritime Museum, London

Background imageRelationship Collection: Adoring young man holds a hank of wool, 1889 (engraving)

Adoring young man holds a hank of wool, 1889 (engraving)
2602712 Adoring young man holds a hank of wool, 1889 (engraving); (add.info.: Adoring young man holds a hank of wool for his sweetheart to wind into a ball)

Background imageRelationship Collection: Woman knitting as she sits talking to patient in bed covered with a shell patchwork quilt

Woman knitting as she sits talking to patient in bed covered with a shell patchwork quilt
2602705 Woman knitting as she sits talking to patient in bed covered with a shell patchwork quilt; (add.info.: Woman knitting as she sits talking to patient in bed covered with a shell patchwork)

Background imageRelationship Collection: Travelling salesman

Travelling salesman
2602703 Travelling salesman; (add.info.: Travelling salesman showing strong check material made of hemp to a housewife. Once a speciality of Wigan)

Background imageRelationship Collection: A new song (engraving)

A new song (engraving)
8631473 A new song (engraving) by European Photographer, (19th century); Private Collection; (add.info.: A new song, man and woman at the piano. Illustration from Black and White)

Background imageRelationship Collection: Sir E Landseer (litho)

Sir E Landseer (litho)
8631717 Sir E Landseer (litho) by Furniss, Harry (1854-1925) (after); Private Collection; (add.info.: Sir E Landseer. Illustration for an article by Harry Furniss for the Windsor Magazine in 1904)

Background imageRelationship Collection: At the Piano, (oil on canvas)

At the Piano, (oil on canvas)
651477 At the Piano, (oil on canvas) by Priechenfried, Alois Heinrich (1867-1953); 75x100 cm; Private Collection; (add.info.: At the Piano. Alois Heinrich Priechenfried (1867-1953). Oil on canvas

Background imageRelationship Collection: A couple walking through the streets of London

A couple walking through the streets of London
5616199 A couple walking through the streets of London; (add.info.: Illustration depicting a couple walking through the streets of London at night. Dated 19th Century)

Background imageRelationship Collection: Victim of Stroke with his doctor, lawyer, wife and child around his bed. Illustration for the novel

Victim of Stroke with his doctor, lawyer, wife and child around his bed. Illustration for the novel
2603099 Victim of Stroke with his doctor, lawyer, wife and child around his bed. Illustration for the novel ''Armdale'' by Wilkie Collins from ''The Cornhill

Background imageRelationship Collection: Woman using a treadle-powered sewing machine, watched by her small son. Engraving, London, 1890

Woman using a treadle-powered sewing machine, watched by her small son. Engraving, London, 1890
2602839 Woman using a treadle-powered sewing machine, watched by her small son. Engraving, London, 1890.; (add.info.: Woman using a treadle-powered sewing machine, watched by her small son)

Background imageRelationship Collection: Pursuit of love, 1885

Pursuit of love, 1885
3479303 Pursuit of love, 1885; (add.info.: The latest invention put to work in the pursuit of love. The latest St. Valentine greeting. Dated 14th February 1885.); Universal History Archive/UIG.

Background imageRelationship Collection: Mr. Tulliver ordering Tom to write a bitter condemnation of lawyer Wakem in the front of

Mr. Tulliver ordering Tom to write a bitter condemnation of lawyer Wakem in the front of the family Bible
536956 Mr. Tulliver ordering Tom to write a bitter condemnation of lawyer Wakem in the front of the family Bible. By Walter James Allen (active 1859-1891)

Background imageRelationship Collection: Grims Dyke, Map shewing position in relation to the existing roads (litho)

Grims Dyke, Map shewing position in relation to the existing roads (litho)
8661960 Grims Dyke, Map shewing position in relation to the existing roads (litho) by English School, (20th century); Private Collection; (add.info.: Grims Dyke)

Background imageRelationship Collection: Cover illustration for The Kensington Fine Art Association's Picture Album (engraving)

Cover illustration for The Kensington Fine Art Association's Picture Album (engraving)
8646746 Cover illustration for The Kensington Fine Art Association's Picture Album (engraving) by Cruikshank, George (1792-1878) (after); Private Collection; (add.info)

Background imageRelationship Collection: Valentine and Orson (colour litho)

Valentine and Orson (colour litho)
8646673 Valentine and Orson (colour litho) by Haslewood, Constance (fl.1890); Private Collection; (add.info.: Valentine and Orson)



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"Exploring the Complexities of Relationships Through Art" Love, forgiveness, and redemption are beautifully depicted in Rembrandt's masterpiece "The Return of the Prodigal Son. " This timeless painting reminds us that no matter how far we stray, our relationships have the power to heal and bring us back home. In 1696, Theosophy Chakras delved into the spiritual aspects of relationships. It explored how our energy centers align with others, emphasizing the importance of harmony and balance for a fulfilling connection. Leon-Maxime Faivre's "Two Mothers" captures the profound bond between a mother and child. It showcases unconditional love and nurturance that transcends all boundaries. "The King of Ashantis Palace at Kumasi" offers a glimpse into cultural relationships. This photograph from 1874 depicts African royalty, highlighting their rich heritage and intricate social dynamics. Edvard Munch's "The Vampire II" portrays an intense relationship filled with desire but also hints at its destructive nature. It serves as a reminder to be cautious about toxic connections that drain our vitality. Alciati's "The Kiss" conveys passion and intimacy shared by two lovers. In this tender moment frozen in time, we witness the power of physical affection to strengthen emotional bonds. Munch's iconic artwork titled "The Kiss" further explores love but through his unique expressionist lens. The vibrant colors evoke raw emotions while capturing both tenderness and intensity simultaneously. "Fante Soldiers serving with the British against the Ashanti, " illustrates alliances formed during times of conflict. These historical relationships shed light on camaraderie forged amidst adversity for a common cause. "Lovers, " an image shrouded in mystery, invites interpretation as it symbolizes various forms of romantic connections throughout history – passionate affairs or enduring partnerships - reminding us that love takes many shapes. Nature itself teaches us about symbiotic relationships like those found between fly agaric fungi and trees; a reminder that interconnectedness and mutual support are vital for growth and survival.