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Reinassance Collection

EDITORS COMMENTSThe Renaissance, a period of profound cultural and artistic rebirth, captivated Europe from the 14th to the 17th century

Background imageReinassance Collection: Christ as the man in sorrows, 1525, (fresco)

Christ as the man in sorrows, 1525, (fresco)
7129015 Christ as the man in sorrows, 1525, (fresco) by Sarto, Andrea del (1486-1530); Galleria dell'Accademia, Florence, Tuscany, Italy; (add.info.: Christ as the man in sorrows)

Background imageReinassance Collection: Madonna enthroned with Child, surrounded by saints and figures, 1575 (painting)

Madonna enthroned with Child, surrounded by saints and figures, 1575 (painting)
7129047 Madonna enthroned with Child, surrounded by saints and figures, 1575 (painting) by Allori, Alessandro (1535-1607); Galleria dell'Accademia, Florence, Tuscany

Background imageReinassance Collection: Sultan Mehmed II, 1480 (oil on canvas)

Sultan Mehmed II, 1480 (oil on canvas)
7146831 Sultan Mehmed II, 1480 (oil on canvas) by Bellini, Gentile (c.1429-1507); Victoria & Albert Museum, London, UK; (add.info.: Sultan Mehmed II (1432-1481), 1480, by Gentile Bellini

Background imageReinassance Collection: Duomo di San Martino cathedral in Lucca, Tuscany region, Italy, Europe

Duomo di San Martino cathedral in Lucca, Tuscany region, Italy, Europe

Background imageReinassance Collection: Peter extracting the coin from the fish, Santa Maria del Carmine, 1428 (fresco)

Peter extracting the coin from the fish, Santa Maria del Carmine, 1428 (fresco)
3598989 Peter extracting the coin from the fish, Santa Maria del Carmine, 1428 (fresco) by Masaccio, Tommaso (1401-28); (add.info.: by Tommaso Masaccio); Photo © Raffaello Bencini

Background imageReinassance Collection: Della Rovere emblem, 1508, Raphael

Della Rovere emblem, 1508, Raphael
868145 Della Rovere emblem, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums, Rome

Background imageReinassance Collection: Adoration of the Shepherds, c. 1510 (oil on wood)

Adoration of the Shepherds, c. 1510 (oil on wood)
XOS5887448 Adoration of the Shepherds, c

Background imageReinassance Collection: Pythagoras and Euclid, 1437 (marble tile)

Pythagoras and Euclid, 1437 (marble tile)
7260238 Pythagoras and Euclid, 1437 (marble tile) by Della Robbia, Luca (1400-82); 83x69 cm; Museo dell Opera del Duomo, Florence, Tuscany, Italy; Photo © Raffaello Bencini

Background imageReinassance Collection: Flower and petal drawing - 'Paintiings of flora of the Roman States' by Pietro Andrea Matthioli (or Mattioli)

Flower and petal drawing - "Paintiings of flora of the Roman States" by Pietro Andrea Matthioli (or Mattioli)
BL5394718 Flower and petal drawing - "Paintiings of flora of the Roman States" by Pietro Andrea Matthioli (or Mattioli, Matthiole, Matthiolus) (1501-1578)

Background imageReinassance Collection: Fresco - Saint Onophrius the Hermit, 14th-15th century (fresco)

Fresco - Saint Onophrius the Hermit, 14th-15th century (fresco)
RTG8834015 Fresco - Saint Onophrius the Hermit, 14th-15th century (fresco) by Italian School, (14th-15th century); Museo Della Cattedrale Di San Sabino, Bari

Background imageReinassance Collection: Group of faithful fresco, 14th century (fresco)

Group of faithful fresco, 14th century (fresco)
RTG8834020 Group of faithful fresco, 14th century (fresco) by Italian School, (14th century); Museo Della Cattedrale Di San Sabino, Bari, Italy; (add.info.: Apse basin of St)

Background imageReinassance Collection: Hans Holbein the Younger, German artist (litho)

Hans Holbein the Younger, German artist (litho)
LLM8675872 Hans Holbein the Younger, German artist (litho) by European School, (20th century); Private Collection; (add.info.: Hans Holbein the Younger (c1497-1543), German artist

Background imageReinassance Collection: Leonardo da Vinci, Italian Renaissance polymath (litho)

Leonardo da Vinci, Italian Renaissance polymath (litho)
LLM8675865 Leonardo da Vinci, Italian Renaissance polymath (litho) by European School, (20th century); Private Collection; (add.info.: Leonardo da Vinci (1452-1519), Italian Renaissance polymath

Background imageReinassance Collection: Michelangelo, Italian Renaissance artist and architect (litho)

Michelangelo, Italian Renaissance artist and architect (litho)
LLM8675833 Michelangelo, Italian Renaissance artist and architect (litho) by European School, (20th century); Private Collection; (add.info.: Michelangelo (1475-1564)

Background imageReinassance Collection: Sandro Botticelli, Italian Renaissance artist (litho)

Sandro Botticelli, Italian Renaissance artist (litho)
LLM8675828 Sandro Botticelli, Italian Renaissance artist (litho) by European School, (20th century); Private Collection; (add.info.: Sandro Botticelli (c1445-1510), Italian Renaissance artist

Background imageReinassance Collection: Neri di Bicci, Italian medieval artist (litho)

Neri di Bicci, Italian medieval artist (litho)
LLM8675821 Neri di Bicci, Italian medieval artist (litho) by European School, (20th century); Private Collection; (add.info.: Neri di Bicci (1419-1491), Italian medieval artist

Background imageReinassance Collection: Raphael, Italian Renaissance artist and architect (litho)

Raphael, Italian Renaissance artist and architect (litho)
LLM8675814 Raphael, Italian Renaissance artist and architect (litho) by European School, (20th century); Private Collection; (add.info.: Raphael (1483-1520), Italian Renaissance artist and architect

Background imageReinassance Collection: The French Cistercian monk Saint Bernard (1090-1153)

The French Cistercian monk Saint Bernard (1090-1153) takes possession of the Abbey of Clairvaux, together with the monks of the Abbey of Citeaux, in 1115

Background imageReinassance Collection: Venetian bankers lending money to friars, 16th century (miniature)

Venetian bankers lending money to friars, 16th century (miniature)
LRI8976211 Venetian bankers lending money to friars, 16th century (miniature) by Venetian School, (16th century); Seminario Patriarcale, Venice

Background imageReinassance Collection: Madonna and Child and Angels, before 1443 (polychrome stucco)

Madonna and Child and Angels, before 1443 (polychrome stucco)
GRL9019672 Madonna and Child and Angels, before 1443 (polychrome stucco) by Donatello, (c.1386-1466); Museo e Galleria Mozzi Bardini, Florence, Tuscany

Background imageReinassance Collection: Madonna and Child, 1420-22 (polychrome terracotta)

Madonna and Child, 1420-22 (polychrome terracotta)
GRL9019671 Madonna and Child, 1420-22 (polychrome terracotta) by Della Robbia, Luca (1400-82); Museo e Galleria Mozzi Bardini, Florence, Tuscany

Background imageReinassance Collection: Virgin and Child with Saint Anne, Saint Gereon, and a Donor, c.1520 (oil on panel)

Virgin and Child with Saint Anne, Saint Gereon, and a Donor, c.1520 (oil on panel)
XCC5859629 Virgin and Child with Saint Anne, Saint Gereon, and a Donor, c.1520 (oil on panel) by Bruyn, Bartholomaeus, the Elder, (1493-1555); 76.2 -- 55.8 cm; The Art Institute of Chicago, IL

Background imageReinassance Collection: Virgin and Child, 1460-1500 (oil on panel)

Virgin and Child, 1460-1500 (oil on panel)
XCC5859619 Virgin and Child, 1460-1500 (oil on panel) by Weyden, Rogier van der (1399-1464) (workshop of); 36.5 -- 27 cm; The Art Institute of Chicago, IL

Background imageReinassance Collection: Portrait of a Seated Woman, 1560-65 (oil on panel, mounted on aluminum sheet)

Portrait of a Seated Woman, 1560-65 (oil on panel, mounted on aluminum sheet)
XCC5859939 Portrait of a Seated Woman, 1560-65 (oil on panel, mounted on aluminum sheet) by Mor

Background imageReinassance Collection: Portrait of a Girl from a Noble Family, c.1532-1625 (w/c & body colour)

Portrait of a Girl from a Noble Family, c.1532-1625 (w/c & body colour)
CH9019474 Portrait of a Girl from a Noble Family, c.1532-1625 (w/c & body colour) by Anguissola

Background imageReinassance Collection: Female head, 1517 (drawing)

Female head, 1517 (drawing)
VSI8976721 Female head, 1517 (drawing) by Buonarroti, Michelangelo (1475-1564); 90x90 cm; Casa Buonarroti, Florence, Italy; (add.info.: Female head, Inv.91 A); © Silvestri Vincenzo

Background imageReinassance Collection: Leg Study, 1524-1525 (drawing)

Leg Study, 1524-1525 (drawing)
VSI8976561 Leg Study, 1524-1525 (drawing) by Buonarroti, Michelangelo (1475-1564); 274x133 cm; Casa Buonarroti, Florence, Italy; (add.info.: Leg Study)

Background imageReinassance Collection: Study of Ionic capital, 16th century (drawing)

Study of Ionic capital, 16th century (drawing)
VSI8976560 Study of Ionic capital, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564); 64x79 cm; Casa Buonarroti, Florence, Italy; (add.info.: Study of Ionic capital)

Background imageReinassance Collection: Ionic capital study, 16th century (drawing)

Ionic capital study, 16th century (drawing)
VSI8976559 Ionic capital study, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564); 66x98 cm; Casa Buonarroti, Florence, Italy; (add.info.: Study of Ionic capital)

Background imageReinassance Collection: Studi di monumenti tombali per la Sagrestia Nuova, 1520 (disegno)

Studi di monumenti tombali per la Sagrestia Nuova, 1520 (disegno)
VSI8976551 Studi di monumenti tombali per la Sagrestia Nuova, 1520 (disegno) by Buonarroti, Michelangelo (1475-1564); 145x121 cm; Casa Buonarroti, Florence

Background imageReinassance Collection: Three fountain designs, 1521 (drawing)

Three fountain designs, 1521 (drawing)
VSI8976549 Three fountain designs, 1521 (drawing) by Buonarroti, Michelangelo (1475-1564); 118x165 cm; Casa Buonarroti, Florence, Italy; (add.info.: Three designs for fountains)

Background imageReinassance Collection: Inframmental plan of San Silvestro in Capite, 16th century (drawing)

Inframmental plan of San Silvestro in Capite, 16th century (drawing)
VSI8976544 Inframmental plan of San Silvestro in Capite, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564); 286x436 cm; Casa Buonarroti, Florence

Background imageReinassance Collection: Figure study for a Transfiguration, 16th century (drawing)

Figure study for a Transfiguration, 16th century (drawing)
VSI8976541 Figure study for a Transfiguration, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564); 112x106 cm; Casa Buonarroti, Florence

Background imageReinassance Collection: Horizontal section of capital, 16th century (drawing)

Horizontal section of capital, 16th century (drawing)
VSI8976537 Horizontal section of capital, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564); 300x195 cm; Casa Buonarroti, Florence, Italy; (add.info.: Horizontal section of capital)

Background imageReinassance Collection: Sketches of marble blocks for the tomb of Julius II, 1516 (drawing)

Sketches of marble blocks for the tomb of Julius II, 1516 (drawing)
VSI8976531 Sketches of marble blocks for the tomb of Julius II, 1516 (drawing) by Buonarroti, Michelangelo (1475-1564); 202x305 cm; Casa Buonarroti, Florence

Background imageReinassance Collection: Column base profile for the New Sacristy, 16th century (drawing)

Column base profile for the New Sacristy, 16th century (drawing)
VSI8976524 Column base profile for the New Sacristy, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564); 323x143 cm; Casa Buonarroti, Florence

Background imageReinassance Collection: Autograph Recollections, 1525 (drawing)

Autograph Recollections, 1525 (drawing)
VSI8976717 Autograph Recollections, 1525 (drawing) by Buonarroti, Michelangelo (1475-1564); 283x412 cm; Casa Buonarroti, Florence, Italy; (add.info.: Autograph recollections)

Background imageReinassance Collection: Bases of columns, 1560 (drawing)

Bases of columns, 1560 (drawing)
VSI8976716 Bases of columns, 1560 (drawing) by Buonarroti, Michelangelo (1475-1564); 111x80 cm; Casa Buonarroti, Florence, Italy; (add.info.: Column bases, Inv.84 A); © Silvestri Vincenzo

Background imageReinassance Collection: Fortification design for corner gate, 16th century (drawing)

Fortification design for corner gate, 16th century (drawing)
VSI8976715 Fortification design for corner gate, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564); 397x560 cm; Casa Buonarroti, Florence

Background imageReinassance Collection: Head study for the Sistine Jonah, 1511 (drawing)

Head study for the Sistine Jonah, 1511 (drawing)
VSI8976710 Head study for the Sistine Jonah, 1511 (drawing) by Buonarroti, Michelangelo (1475-1564); 200x172 cm; Casa Buonarroti, Florence, Italy; (add.info.: Head study for the Sistine Jonah)

Background imageReinassance Collection: Fragmentary floor plan of the convent of San Lorenzo, 16th century (drawing)

Fragmentary floor plan of the convent of San Lorenzo, 16th century (drawing)
VSI8976707 Fragmentary floor plan of the convent of San Lorenzo, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564); 282x213 cm; Casa Buonarroti, Florence

Background imageReinassance Collection: Two studies of an ancient Venus, 16th century (drawing)

Two studies of an ancient Venus, 16th century (drawing)
VSI8976693 Two studies of an ancient Venus, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564); 200x147 cm; Casa Buonarroti, Florence, Italy; (add.info.: Two studies of an ancient Venus)

Background imageReinassance Collection: Madonna and Child, 16th century (drawing)

Madonna and Child, 16th century (drawing)
VSI8976690 Madonna and Child, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564) (after); 390x248 cm; Casa Buonarroti, Florence, Italy; (add.info.: Madonna and Child)

Background imageReinassance Collection: Architectural elevation and plan details of San Giovanni dei Fiorentini

Architectural elevation and plan details of San Giovanni dei Fiorentini
VSI8976678 Architectural elevation and plan details of San Giovanni dei Fiorentini, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564); 146x172 cm; Casa Buonarroti, Florence

Background imageReinassance Collection: Study for a Manly Figure, 1531 (drawing)

Study for a Manly Figure, 1531 (drawing)
VSI8976674 Study for a Manly Figure, 1531 (drawing) by Buonarroti, Michelangelo (1475-1564); 235x82 cm; Casa Buonarroti, Florence, Italy; (add.info.: Study for a Manly Figure)

Background imageReinassance Collection: Sketch for the right arm of Leda, 1528-1530 (drawing)

Sketch for the right arm of Leda, 1528-1530 (drawing)
VSI8976673 Sketch for the right arm of Leda, 1528-1530 (drawing) by Buonarroti, Michelangelo (1475-1564); 69x120 cm; Casa Buonarroti, Florence, Italy; (add.info.: Sketch for the right arm of Leda)

Background imageReinassance Collection: Design for the Porta al Prato, 16th century (drawing)

Design for the Porta al Prato, 16th century (drawing)
VSI8976665 Design for the Porta al Prato, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564); 283x395 cm; Casa Buonarroti, Florence, Italy; (add.info.: Design for the Porta al Prato)

Background imageReinassance Collection: Study for the bulwark of the Gate to the All Saints Meadow, 16th century (drawing)

Study for the bulwark of the Gate to the All Saints Meadow, 16th century (drawing)
VSI8976663 Study for the bulwark of the Gate to the All Saints Meadow, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564); 410x568 cm; Casa Buonarroti, Florence

Background imageReinassance Collection: Studies of fortifications for a gateway, 1528 (drawing)

Studies of fortifications for a gateway, 1528 (drawing)
VSI8976658 Studies of fortifications for a gateway, 1528 (drawing) by Buonarroti, Michelangelo (1475-1564); 375x420 cm; Casa Buonarroti, Florence

Background imageReinassance Collection: Fortification studies for a gateway, 16th century (drawing)

Fortification studies for a gateway, 16th century (drawing)
VSI8976655 Fortification studies for a gateway, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564); 283x415 cm; Casa Buonarroti, Florence

Background imageReinassance Collection: Fortification design for a gateway, 16th century (drawing)

Fortification design for a gateway, 16th century (drawing)
VSI8976651 Fortification design for a gateway, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564); 260x405 cm; Casa Buonarroti, Florence

Background imageReinassance Collection: Studies of a window and door for the Laurentian recess, 16th century (drawing)

Studies of a window and door for the Laurentian recess, 16th century (drawing)
VSI8976648 Studies of a window and door for the Laurentian recess, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564); 372x282 cm; Casa Buonarroti, Florence

Background imageReinassance Collection: Architectural studies and poetic fragments, 16th century (drawing)

Architectural studies and poetic fragments, 16th century (drawing)
VSI8976644 Architectural studies and poetic fragments, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564); 209x294 cm; Casa Buonarroti, Florence

Background imageReinassance Collection: Studio per una figura seduta, XVI secolo (disegno)

Studio per una figura seduta, XVI secolo (disegno)
VSI8976636 Studio per una figura seduta, XVI secolo (disegno) by Buonarroti, Michelangelo (1475-1564); 85x166 cm; Casa Buonarroti, Florence, Italy; (add.info.: Studio per una figura seduta)

Background imageReinassance Collection: Design for the wall tombs of the Medici popes in the choir of San Lorenzo

Design for the wall tombs of the Medici popes in the choir of San Lorenzo
VSI8976634 Design for the wall tombs of the Medici popes in the choir of San Lorenzo, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564); 142x146 cm; Casa Buonarroti, Florence

Background imageReinassance Collection: Pillar bases for the New Sacristy, handwritten inscriptions, 16th century (drawing)

Pillar bases for the New Sacristy, handwritten inscriptions, 16th century (drawing)
VSI8976632 Pillar bases for the New Sacristy, handwritten inscriptions, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564); 283x214 cm; Casa Buonarroti, Florence

Background imageReinassance Collection: Window sketch for the New Sacristy, 16th century (drawing)

Window sketch for the New Sacristy, 16th century (drawing)
VSI8976631 Window sketch for the New Sacristy, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564); 187x133 cm; Casa Buonarroti, Florence

Background imageReinassance Collection: Ground plan, 16th century (drawing)

Ground plan, 16th century (drawing)
VSI8976628 Ground plan, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564); 229x221 cm; Casa Buonarroti, Florence, Italy; (add.info.: Plan of a plot of land)

Background imageReinassance Collection: Studies from Roman monuments, 16th century (drawing)

Studies from Roman monuments, 16th century (drawing)
VSI8976622 Studies from Roman monuments, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564); 280x433 cm; Casa Buonarroti, Florence, Italy; (add.info.: Studies from Roman monuments)

Background imageReinassance Collection: Pianta e alzata di capitello, XVI secolo (disegno)

Pianta e alzata di capitello, XVI secolo (disegno)
VSI8976606 Pianta e alzata di capitello, XVI secolo (disegno) by Buonarroti, Michelangelo (1475-1564) (after); 312x214 cm; Casa Buonarroti, Florence, Italy; (add.info.: Pianta e alzata di capitello)

Background imageReinassance Collection: Studies of nudes, 16th century (drawing)

Studies of nudes, 16th century (drawing)
VSI8976602 Studies of nudes, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564) (after); 200x198 cm; Casa Buonarroti, Florence, Italy; (add.info.: Studies of Nudes)

Background imageReinassance Collection: Study for Porta Pia, 1561 (drawing)

Study for Porta Pia, 1561 (drawing)
VSI8976592 Study for Porta Pia, 1561 (drawing) by Buonarroti, Michelangelo (1475-1564); 442x282 cm; Casa Buonarroti, Florence, Italy; (add.info.: Study for Porta Pia)

Background imageReinassance Collection: Sketches of doors and windows, 16th century (drawing)

Sketches of doors and windows, 16th century (drawing)
VSI8976590 Sketches of doors and windows, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564); 283x255 cm; Casa Buonarroti, Florence, Italy; (add.info.: Sketches of doors and windows)

Background imageReinassance Collection: Floor plan for San Giovanni dei Fiorentini, 1560 (drawing)

Floor plan for San Giovanni dei Fiorentini, 1560 (drawing)
VSI8976586 Floor plan for San Giovanni dei Fiorentini, 1560 (drawing) by Buonarroti, Michelangelo (1475-1564); 284x211 cm; Casa Buonarroti, Florence

Background imageReinassance Collection: Partial plan for San Giovanni dei Fiorentini, 1560 (drawing)

Partial plan for San Giovanni dei Fiorentini, 1560 (drawing)
VSI8976585 Partial plan for San Giovanni dei Fiorentini, 1560 (drawing) by Buonarroti, Michelangelo (1475-1564); 173x278 cm; Casa Buonarroti, Florence

Background imageReinassance Collection: Plans for stairs, 1524-1525 (drawing)

Plans for stairs, 1524-1525 (drawing)
VSI8976575 Plans for stairs, 1524-1525 (drawing) by Buonarroti, Michelangelo (1475-1564); 390x280 cm; Casa Buonarroti, Florence, Italy; (add.info.: Plans for stairs)

Background imageReinassance Collection: Study for a Christ in Limbo, 16th century (drawing)

Study for a Christ in Limbo, 16th century (drawing)
VSI8976574 Study for a Christ in Limbo, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564); 163x149 cm; Casa Buonarroti, Florence, Italy; (add.info.: Study for a Christ in Limbo)

Background imageReinassance Collection: Pianta di beni posti tra piazza e borgo San Lorenzo, 1524 (disegno)

Pianta di beni posti tra piazza e borgo San Lorenzo, 1524 (disegno)
VSI8976564 Pianta di beni posti tra piazza e borgo San Lorenzo, 1524 (disegno) by Buonarroti, Michelangelo (1475-1564); 257x204 cm; Casa Buonarroti, Florence

Background imageReinassance Collection: Tabernacle with niche, letter from Michelangelo to Piero Gondi, 1524 (drawing)

Tabernacle with niche, letter from Michelangelo to Piero Gondi, 1524 (drawing)
VSI8976563 Tabernacle with niche, letter from Michelangelo to Piero Gondi, 1524 (drawing) by Buonarroti, Michelangelo (1475-1564); 280x210 cm; Casa Buonarroti, Florence

Background imageReinassance Collection: Madonna and Child, 1520-1525 (drawing)

Madonna and Child, 1520-1525 (drawing)
VSI8976562 Madonna and Child, 1520-1525 (drawing) by Buonarroti, Michelangelo (1475-1564); 541x396 cm; Casa Buonarroti, Florence, Italy; (add.info.: Madonna and Child)

Background imageReinassance Collection: Self-portrait, sick, c.1506-07 (brown pen & w/c)

Self-portrait, sick, c.1506-07 (brown pen & w/c)
XOS9034377 Self-portrait, sick, c.1506-07 (brown pen & w/c) by Durer or Duerer, Albrecht (1471-1528) (attr. to); 11.8 x 10.8 cm; Kunsthalle, Bremen, Germany; (add.info.: Drawing by Albrecht Dürer)

Background imageReinassance Collection: Profile Portrait of a Young Lady, c.1465 (oil on panel)

Profile Portrait of a Young Lady, c.1465 (oil on panel)
XOS8974849 Profile Portrait of a Young Lady, c.1465 (oil on panel) by Pollaiuolo, Piero del (1443-96); Gemaldegalerie, Staatliche Museen zu Berlin



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EDITORS COMMENTS

The Renaissance, a period of profound cultural and artistic rebirth, captivated Europe from the 14th to the 17th century. It was marked by an explosion of creativity and intellectual curiosity that forever altered the course of history. One can witness the essence of this transformative era in various masterpieces scattered across time and space. In "The Transfiguration, " Christ stands resplendent in white robes, flanked by Moses and Elijah, while below him are John, Peter, and James. This breathtaking fresco painted between 1496-1500 encapsulates the divine aura that permeated Renaissance art. "Pythagoras and Euclid, " depicted on a marble tile in 1437, pays homage to two great minds who shaped mathematical thought during ancient times. Their presence serves as a reminder that Renaissance scholars drew inspiration not only from their contemporaries but also from classical antiquity. In Lucca's Duomo di San Martino cathedral in Tuscany region lies architectural grandeur personified. Its intricate design showcases the mastery achieved during this period when artists pushed boundaries with their innovative techniques. A vivid fresco titled "Prophet Jeremiah" transports us to another dimension entirely. Painted between 1508-12, it captures both the prophet's wisdom and his inner turmoil through skillful brushstrokes—a testament to how Renaissance artists sought to convey complex emotions on canvas. Moving beyond traditional mediums like frescoes or oil paintings, we encounter captivating engravings such as "Peasant Couple on the Market. " Created in 1519, it immortalizes ordinary people going about their daily lives—evidence that Renaissance art embraced all aspects of society with equal fervor. Meanwhile, woodcuts like "Two Riders Fighting on Horseback" showcase dynamic action frozen within intricate lines carved into woodblocks—an early form of printmaking that allowed for widespread dissemination of art during this epoch. Nature itself becomes an artist's canvas in "A Classical Architectural Garden with Elegant Figures.

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