Regency Collection (page 62)

Tartan Frock 1826
Black velvet beret with red tassel; tartan silk dress with double vandyked hem worn with a pale grey cashmere manteau or cloak with a cape collar. Date: 1826

Ball Dress 1824
White gown decorated with pink flowers, a wavy line of muslin trim with the gaps infilled with flowers to form circles & a broad wadded rouleaux at the hem & on the bodice. Date: 1824

Walking Dress 1819
Lemon coloured pelisse, trimmed at hem, collar & cuffs with 2 narrow fluted full flounces; large pink bonnet, red Parisian reticule & Marine boots. Date: 1819

Evening Dress 1818
White evening gown worn over a blue slip. The neck-line is cut low & off the shoulder. The long sleeves have vandyked epaulettes & cuffs. The hem has 3 deep flounces of lace. Date: 1818

Costume / Women 1816
A pale lilac redingote with long sleeves finishing over the knuckles. The ruffles at the neck of her gown fall over the collar. She wears a white shawl & a plumed hat. Date: 1815

Morning Dress 1815
Woman in a white muslin, long- sleeved gown worn with a white cap: possibly a mob cap or a cornette, decorated with pink roses and tied beneath the chin with a pink ribbon. Date: circa 1815

Miniature / Passot
A young brunette lady wears a white gown with puffed sleeves and transparent gigot over- sleeves. A pink and white scarf is draped round her neck. Date: late 1820s

Circa 1820 Costume
Four fashionable ladies are charmed by a parrot. One gown has an elaborate stomacher & full, puffed sleeves. Two ladies wear pelisses with highly decorative detailing Date: early 1820s

Spotted Costume 1827
Hat with ostrich feathers, rosettes under the brim & long strings. Red & yellow spotted gown with gigot sleeves & transparent over-sleeve. Skirt with scalloped flounces. Date: 1827

Walking Dress 1805
London walking dress: white muslin gown & a lace edged, brown pelisse that fastens with gold clasps. Accessories: a fur muff, quizzing glass & Spanish hat with plumes. Date: 1805

Walking Dress 1804
White muslin walking dress with V neck, high waist & interesting sleeve detail. She keeps warm with a red cashmere shawl. Her obi hat is decorated with red flowers. Date: 1804

Morning Dress 1801
Both gowns are probably of printed muslin - one white the other pink. Both ladies wear straw hats, one has a veil. The white gown has a ruff & is worn with a white spencer. Date: 1801

Afternoon Dress 1801
A yellow gown trimmed in blue & black with a ruff & matching turban & plume. A white gown worn with a red spencer & white ruff & feather headdress. Date: 1801

Morning Dress March 1801
Long-sleeved, spotted muslin gowns with ruffs. A purple garment - possibly a Tyrolese cloak, bonnet with veil & a muff grace the green dress, a simple lace cap suffices for the white. Date: 1801

Dress Maker 1804
A dress maker attends to her customer who is being fitted for a gown. Adjustments are made requiring a pair of scissors as the client admires the handiwork in the mirror. Date: 1804

Pink Ball Dress / 1823
A pale pink gown with a deep, decorative border at the hem, ornamented with blue flowers at the neckline and on the sleeves. She wears a pearl necklace & pearls in her hair. Date: 1823

Court Dress 1806
Full court dress worn on the Queens Birthday 1806 by Marchioness of Townshend. The skirt is bordered with a Greek key pattern & decorated with large tassels. Date: 1806

Costume / June 1814
Evening dress: blue sarsnet with crape draperies, short full sleeves. Morning dress: of muslin trimmed with lace, coloured petticoat with fringing & an oldenberg bonnet. Date: 1814

Embroidered Gown 1805
A white gown drawn close round the throat with a lace frill, short puffed sleeves and decorated with colour floral embroidery. She carries a long shawl with a patterned border. Date: 1805

Brighton / Regency Square
Regency Square Date: circa 1905

George IV in Carriage
GEORGE IV OF ENGLAND as Prince of Wales, drives Mrs Q to Brighton in an open carriage, circa 1800. Date: 1762 - 1830

Mother and Child 1809
Fashionable mourning dress. The womans gown is decorated with vandyking at the neckline & edge of the sleeves. The childs dress has a square neckline with lace tucker. Date: 1809

Young Family / Roberts
A young regency man and wife with their baby look lovingly into each others eyes Date: circa 1820

Costume / Women / 1826
Front & back views of dress with gigot sleeves, skirt ornamented with tucks, plus a canezou-pelerine & belt. Hat trimmed profusely with wheat ears, flowers & bows. Date: circa 1826

Hobby Horse Cycling 1818
Hobby horse cycles and their fashionable riders. Date: 1818

Four fashionable ladies at a soiree
Four society ladies: two wear wide shouldered gowns with transparent over-sleeves marking the transition to the new fashion. The other two have short puffed sleeves. Date: late 1820s

Regency couple
Elegantly dressed Regency couple dressed for the ball. Artist: Florence Hardy Date: 1905

Hyde Park Parade Dress
Winter dress for promenading in Hyde Park: crimson pelisse & toque trimmed with ermine worn with a white muslin dress, crimson slippers & tan gloves. Date: 1808

Philippe I (Bertrand)
PHILIPPE I, KING OF FRANCE King from 1059 - 1108 although he reigned under the regency of his mother, Anne of Russia from 1059 - 1066. Date: 1052 - 1108

Gentleman and lady in a room, c. 1810
A gentleman and lady in a room, c.1810. The gentleman looks like he is about to leave the room, the lady as though shes just arisen to prevent his exit. Date: C.1810

Couple in Regency costume on a New Year card, their faces hidden behind a large fan. Date: circa 1890s

Couple in Regency costume on a Christmas card, going for a walk under a large green umbrella. Date: circa 1890s

Moray Place, Edinburgh, 1829
The north west angle of Moray Place, Edinburgh. Date: 1829

Rmantic woodland scene. Young Regency couple in a woodland setting.Date: 1900

Regency gentleman seated at an ecritoire with a feather pen.. Handcolored copperplate engraving by Francis Eginton from Christopher Ansteys The New Bath Guide, John Browne, Bath, 1807

A lord in wig and ribbons falls into the river while helping women.. Handcolored copperplate engraving by Francis Eginton from Christopher Ansteys The New Bath Guide, John Browne, Bath, 1807

Regency gentleman and two elegant ladies at a ball.. Handcolored copperplate engraving by Francis Eginton from Christopher Ansteys The New Bath Guide, John Browne, Bath, 1807

Young fashionable woman dressing in muslin robe to take a bath.. Handcolored copperplate engraving by Francis Eginton from Christopher Ansteys The New Bath Guide, John Browne, Bath, 1807

Fashionable woman admiring her portrait, Bath.. Handcolored copperplate engraving by Francis Eginton from Christopher Ansteys The New Bath Guide, John Browne, Bath, 1807

Regency doctors in wigs and frock coats consult with a nurse.. Handcolored copperplate engraving by Francis Eginton from Christopher Ansteys The New Bath Guide, John Browne, Bath, 1807

Regency gentleman having his pulse taken by a doctor.. Handcolored copperplate engraving by Francis Eginton from Christopher Ansteys The New Bath Guide, John Browne, Bath, 1807

Calligraphic title page with vignette of the goddess Hebe.. Handcolored copperplate engraving by Francis Eginton from Christopher Ansteys The New Bath Guide, John Browne, Bath, 1807

Fashionable Regency woman at a booksellers in Bath.. Handcolored copperplate engraving by Francis Eginton from Christopher Ansteys The New Bath Guide, John Browne, Bath, 1807

Bath Characters by Edouart - card players
The Card Players in silhouette by Edouart - Mrs Newnham, aged 80 years of 7 Edgar Buildings, and Miss Wilkinson, taken at Bath, 1st April 1827. Date: 1827

Bath Characters by Edouart - John Roebuck and John Liston
Silhouettes of John Roebuck Esq, MP for Bath, nicknamed Old Tearum in a portrait taken by Edouart at Cheltenham on 2 September 1829

Bath Characters by Edouart - Dr Gaitskell
Dr. Gaitskell, one of the well-known practitioners in Bath, a near neighbour of Sir Thomas Lawrence in Alfred Street. One of a series of Bath characters taken by the silhouette artist

Bath Characters by Edouart - George Cary, porter
George Cary, porter at Prices auction room where the silhouette Auguste Edouart lodged at Bath. Taken on April 4th, 1827 - one of a series of Bath characters taken by Edouart between 1826-7

Bath Characters by Edouart - mat seller
The itinerant mat seller in Bath, one of a series of Bath characters taken by the silhouette artist, Auguste Edouart in Bath between 1826-7. Date: 1827

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Step into the enchanting world of regency, where romance and societal norms intertwine. From the elegant ballrooms to picturesque countryside estates, this era captivates hearts with its timeless allure. As we delve into the pages of Pride & Prejudice, we witness Elizabeth Bennet's anticipation, hoping that Mr. Bingley will appreciate her charm and wit. Jane Austen herself comes alive through a delicate watercolor portrait, capturing her essence as she penned these beloved stories. Transport yourself to the grandeur of Oxton House in Devon, Reverend John Beaumont Swete's seat, or wander through Pynes House in Exeter circa 1825 – both embodying the opulence and refinement architecture. Immerse yourself further as you eavesdrop on Elizabeth overhearing Mr. Darcy at a captivating ball; their complex relationship unfolds against a backdrop of swirling gowns and whispered secrets. Sense and Sensibility introduces us to an endearing gardener who adds depth to Austen's narrative tapestry. The majestic His Majesty's Ship Victory takes center stage in colored engravings – a symbol of Britain's naval prowess during this period. Tender flirtations dance across illustrated pages from Pride & Prejudice; each stroke revealing the intricate courtship rituals that defined society then. Gaze upon Chepstow's Old Wye Bridge spanning over the River Wye – an idyllic setting for stolen glances and shared confidences. Finally, find solace in Mr. Darcy himself as he graces us with his presence once more within Austen's masterpiece. Regency whispers echo through time as we immerse ourselves in this captivating era filled with love, longing, and genteel manners.