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Reeds Collection (page 12)

"Nature's Symphony: The Beauty and Resilience of Reeds" Newstead Abbey

Background imageReeds Collection: Postcard depicting Robert Schumann (1810-56) with Muses, c. 1910 (colour litho)

Postcard depicting Robert Schumann (1810-56) with Muses, c. 1910 (colour litho)
CHT169683 Postcard depicting Robert Schumann (1810-56) with Muses, c.1910 (colour litho) by Schweninger, Karl the Elder (1818-87) (after); Private Collection; eArchives Charmet; Austrian

Background imageReeds Collection: Gathering Wild Rice, 1853 (colour litho)

Gathering Wild Rice, 1853 (colour litho)
NBY335519 Gathering Wild Rice, 1853 (colour litho) by Eastman, Captain Seth (1808-75) (after); Newberry Library, Chicago, Illinois, USA; eNewberry Library; American, out of copyright

Background imageReeds Collection: Waterlilies, 1914-17 (detail of 158601) (oil on canvas)

Waterlilies, 1914-17 (detail of 158601) (oil on canvas)
MMT414410 Waterlilies, 1914-17 (detail of 158601) (oil on canvas) by Monet, Claude (1840-1926); 150x200 cm; Musee Marmottan Monet, Paris, France; French, out of copyright

Background imageReeds Collection: View of North Tyne River (oil on canvas)

View of North Tyne River (oil on canvas)
TW426641 View of North Tyne River (oil on canvas) by Rowell, R. (19th century); 61x91.5 cm; Shipley Art Gallery, Gateshead, Tyne & Wear, UK; eTyne & Wear Archives & Museums; British, out of copyright

Background imageReeds Collection: View of the Lake of Solfatura, 1833 (etching with brown wash)

View of the Lake of Solfatura, 1833 (etching with brown wash)
STC384975 View of the Lake of Solfatura, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info)

Background imageReeds Collection: Children feeding the swans (chromolitho)

Children feeding the swans (chromolitho)
6001850 Children feeding the swans (chromolitho) by English School, (19th century); Private Collection; (add.info.: Children feeding the swans)

Background imageReeds Collection: Roseate Spoonbill, Platalea leucorodia, from The Birds of America

Roseate Spoonbill, Platalea leucorodia, from The Birds of America
CH15822 Roseate Spoonbill, Platalea leucorodia, from The Birds of America, 1836 (colour litho) by Audubon, John James (1785-1851); Private Collection; Photo eChristies Images; American

Background imageReeds Collection: Nebamun hunting in the marshes with his wife and daughter

Nebamun hunting in the marshes with his wife and daughter
BAL3748 Nebamun hunting in the marshes with his wife and daughter, part of a wall painting from the tomb-chapel of Nebamun, Thebes, New Kingdom

Background imageReeds Collection: Duck Shooting, etched by Thomas Rowlandson (1756-1827), pub. by J

Duck Shooting, etched by Thomas Rowlandson (1756-1827), pub. by J
NP125724 Duck Shooting, etched by Thomas Rowlandson (1756-1827), pub. by J. Harris, 1789 (coloured etching) (see also 125725-27) by Morland

Background imageReeds Collection: Taking up the Eel Net, c. 1886 (photo)

Taking up the Eel Net, c. 1886 (photo)
STC119932 Taking up the Eel Net, c.1886 (photo) by Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944); Private Collection; (add.info)

Background imageReeds Collection: A Marsh Farm, c. 1886 (photograph)

A Marsh Farm, c. 1886 (photograph)
STC119927 A Marsh Farm, c.1886 (photograph) by Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944); Private Collection; (add.info)

Background imageReeds Collection: A Ruined Watermill, Life and Landscape on the Norfolk Broads, c. 1886 (photo)

A Ruined Watermill, Life and Landscape on the Norfolk Broads, c. 1886 (photo)
STC119922 A Ruined Watermill, Life and Landscape on the Norfolk Broads, c.1886 (photo) by Emerson, Peter (1856-1936) & Goodall

Background imageReeds Collection: Gunner Waking up the Fowl, Life and Landscape on the Norfolk Broads, c. 1886 (photo)

Gunner Waking up the Fowl, Life and Landscape on the Norfolk Broads, c. 1886 (photo)
STC119916 Gunner Waking up the Fowl, Life and Landscape on the Norfolk Broads, c.1886 (photo) by Emerson, Peter (1856-1936) & Goodall

Background imageReeds Collection: Teal, from British Birds published by Longmans, 1932 (colour litho)

Teal, from British Birds published by Longmans, 1932 (colour litho)
2637791 Teal, from British Birds published by Longmans, 1932 (colour litho) by Thorburn, Archibald (1860-1935); Private Collection; (add.info.: British Birds published by Longmans)

Background imageReeds Collection: Bittern, from British Birds published by Longmans, 1932 (colour litho)

Bittern, from British Birds published by Longmans, 1932 (colour litho)
2637790 Bittern, from British Birds published by Longmans, 1932 (colour litho) by Thorburn, Archibald (1860-1935); Private Collection; (add.info.: British Birds published by Longmans)

Background imageReeds Collection: American Coot, Fulica Americana, from 'The Birds of America'by John J

American Coot, Fulica Americana, from "The Birds of America"by John J
4071381 American Coot, Fulica Americana, from " The Birds of America" by John J. Audubon, pub. 1827-38 (hand coloured engraving) by Audubon

Background imageReeds Collection: Dog and Swans (oil on canvas)

Dog and Swans (oil on canvas)
897336 Dog and Swans (oil on canvas) by Oudry, Jean-Baptiste (1686-1755); 25.6x19.2 cm; Musee d Art et d Histoire, Geneva, Switzerland; French, out of copyright

Background imageReeds Collection: Herons and reeds (colour woodblock print)

Herons and reeds (colour woodblock print)
880873 Herons and reeds (colour woodblock print) by Japanese School, (19th century); 19x24.8 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; Gift of Mr. and Mrs. Samuel H

Background imageReeds Collection: Colony of waterfowl on the River Tisza in Hungary (coloured engraving)

Colony of waterfowl on the River Tisza in Hungary (coloured engraving)
3630149 Colony of waterfowl on the River Tisza in Hungary (coloured engraving) by German School, (19th century); Private Collection; (add.info.: Colony of waterfowl on the River Tisza in Hungary)

Background imageReeds Collection: Swan Attacked by a Dog, 1745 (oil on canvas)

Swan Attacked by a Dog, 1745 (oil on canvas)
3577004 Swan Attacked by a Dog, 1745 (oil on canvas) by Oudry, Jean-Baptiste (1686-1755); 177.8x208.3 cm; North Carolina Museum of Art, Raleigh

Background imageReeds Collection: Fine Breeze (coloured photo)

Fine Breeze (coloured photo)
3642989 Fine Breeze (coloured photo) by English Photographer, (20th century); Private Collection; (add.info.: Fine Breeze. Possibly, Egypt. Postcard, early 20th century.); © Look and Learn

Background imageReeds Collection: Three frogs singing (colour litho)

Three frogs singing (colour litho)
731790 Three frogs singing (colour litho) by English School, (20th century); Private Collection; (add.info.: Three frogs singing, all wearing bathing costumes, with one holding a conductors baton)

Background imageReeds Collection: Rowers crashing boat on river! Christmas Card (chromolitho)

Rowers crashing boat on river! Christmas Card (chromolitho)
730977 Rowers crashing boat on river! Christmas Card (chromolitho) by English School, (19th century); Private Collection; (add.info.: Rowers crashing boat on river)

Background imageReeds Collection: White heron, 1909 (woodblock print)

White heron, 1909 (woodblock print)
2909673 White heron, 1909 (woodblock print) by Sekka, Kamisaka (1866-1942); 30.2x46 cm; Rijksmuseum, Amsterdam, The Netherlands; Japanese, out of copyright

Background imageReeds Collection: Quack what a scare, illustration from The Frog would a Wooing Go

Quack what a scare, illustration from The Frog would a Wooing Go
616475 Quack what a scare, illustration from The Frog would a Wooing Go, by Charles H. Bennett, 1916 (colour litho) by Adams, Frank (1871-1944); Private Collection; American, out of copyright

Background imageReeds Collection: Herons in Summer, 1941 (oil on canvas)

Herons in Summer, 1941 (oil on canvas)
2653595 Herons in Summer, 1941 (oil on canvas) by Wyeth, Newell Convers (1882-1945); 208.2x398.4 cm; Private Collection; (add.info)

Background imageReeds Collection: Syrinx into a Reed or Pane e Siringa, Book I, illustration from Ovids Metamorphoses

Syrinx into a Reed or Pane e Siringa, Book I, illustration from Ovids Metamorphoses
STC415817 Syrinx into a Reed or Pane e Siringa, Book I, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageReeds Collection: Sarreguemines cobalt blue ground wall cistern and basin, late 19th century (majolica)

Sarreguemines cobalt blue ground wall cistern and basin, late 19th century (majolica)
CH440549 Sarreguemines cobalt blue ground wall cistern and basin, late 19th century (majolica) by French School, (19th century); height: 43.8 cm; Private Collection; (add.info)

Background imageReeds Collection: The Lily Banks, 1912 (oil on canvas)

The Lily Banks, 1912 (oil on canvas)
CH451714 The Lily Banks, 1912 (oil on canvas) by Claus, Emile (1849-1924); 60x77 cm; Private Collection; (add.info.: Bords de la Lys; ); Photo eChristies Images; Belgian, out of copyright

Background imageReeds Collection: Vines, hut, grasses and shore birds, Momoyama period, 1568-1615 (gold

Vines, hut, grasses and shore birds, Momoyama period, 1568-1615 (gold
FSG324822 Vines, hut, grasses and shore birds, Momoyama period, 1568-1615 (gold, ink & colour on paper) by Japanese School; 155x358.6 cm; Freer Gallery of Art, Smithsonian Institution

Background imageReeds Collection: Suspicious People, 1882 (oil on canvas)

Suspicious People, 1882 (oil on canvas)
SRM96577 Suspicious People, 1882 (oil on canvas) by Savitsky, Konstantin Apollonovich (1844-1905); 106.5x191 cm; State Russian Museum, St

Background imageReeds Collection: The Water Garden, Easton Lodge, near Great Dunmow, Essex, 1909 (w / c on paper)

The Water Garden, Easton Lodge, near Great Dunmow, Essex, 1909 (w / c on paper)
FLF90971 The Water Garden, Easton Lodge, near Great Dunmow, Essex, 1909 (w/c on paper) by Crane, Walter (1845-1915); 24.8x34.9 cm; Private Collection; (add.info)

Background imageReeds Collection: Like a ghost that goes at sunrise, He beheld a maiden walking

Like a ghost that goes at sunrise, He beheld a maiden walking
STC321002 Like a ghost that goes at sunrise, He beheld a maiden walking, from The Song of Hiawatha by Henry Wadsworth Longfellow (1807-82), pub. by George G. Harrap & Company Ltd

Background imageReeds Collection: Pharaohs Daughter, illustration from Women of the Bible

Pharaohs Daughter, illustration from Women of the Bible
IL309320 Pharaohs Daughter, illustration from Women of the Bible, published by The Religious Tract Society, 1927 (colour litho) by Copping

Background imageReeds Collection: Toads and flowers, plate 47 from Fantaisies decoratives, engraved by Gillot

Toads and flowers, plate 47 from Fantaisies decoratives, engraved by Gillot
REV279464 Toads and flowers, plate 47 from Fantaisies decoratives, engraved by Gillot, published by Jules Rouam, Librairie de l Art, Paris, 1887 (colour engraving) by Habert-Dys

Background imageReeds Collection: Fan, plate 23 from Fantaisies decoratives, engraved by Gillot

Fan, plate 23 from Fantaisies decoratives, engraved by Gillot
REV279409 Fan, plate 23 from Fantaisies decoratives, engraved by Gillot, published by Jules Rouam, Librairie de l Art, Paris, 1887 (colour engraving) by Habert-Dys

Background imageReeds Collection: Pan did after Syrinx speed (colour litho)

Pan did after Syrinx speed (colour litho)
979671 Pan did after Syrinx speed (colour litho) by Bell, Robert Anning (1863-1933); Private Collection; (add.info.: Pan did after Syrinx speed. From The Garden, by Andrew Marvell)

Background imageReeds Collection: Two Red Crabs, 1905

Two Red Crabs, 1905
LRI1121941 Two Red Crabs, 1905 by Koson, Ohara (1877-1945); Private Collection; Luisa Ricciarini; Japanese, out of copyright

Background imageReeds Collection: Young woman looking at a pot of pinks, c. 1767 (colour woodblock print)

Young woman looking at a pot of pinks, c. 1767 (colour woodblock print)
3036938 Young woman looking at a pot of pinks, c.1767 (colour woodblock print) by Harunobu, Suzuki (1725-70); 27x19.2 cm; Cleveland Museum of Art, OH, USA; Gift of Kelvin Smith; Japanese

Background imageReeds Collection: The upper reaches of the Alster, c. 1834-35 (oil on paper mounted on board)

The upper reaches of the Alster, c. 1834-35 (oil on paper mounted on board)
XKH150949 The upper reaches of the Alster, c.1834-35 (oil on paper mounted on board) by Stuhlmann, Heinrich (1803-86); 9.2x26.8 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Background imageReeds Collection: The First Frost, Life and Landscape on the Norfolk Broads, c. 1886 (photo)

The First Frost, Life and Landscape on the Norfolk Broads, c. 1886 (photo)
STC119918 The First Frost, Life and Landscape on the Norfolk Broads, c.1886 (photo) by Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944); Private Collection; The Stapleton Collection; English

Background imageReeds Collection: Young Woman in a Boat, or Reflections, c. 1870 (oil on canvas)

Young Woman in a Boat, or Reflections, c. 1870 (oil on canvas)
NUL41999 Young Woman in a Boat, or Reflections, c.1870 (oil on canvas) by Tissot, James Jacques Joseph (1836-1902); 50.1x64.7 cm; Private Collection; French, out of copyright

Background imageReeds Collection: Landscape with Overgrown Pond, c. 1900 (pencil and w / c on paper)

Landscape with Overgrown Pond, c. 1900 (pencil and w / c on paper)
BOO183463 Landscape with Overgrown Pond, c.1900 (pencil and w/c on paper) by Auburtin, Jean Francis (1866-1930); State Hermitage Museum, St. Petersburg, Russia; French, out of copyright

Background imageReeds Collection: Lodore, Derwentwater

Lodore, Derwentwater
BON70855 Lodore, Derwentwater by Breanski, Alfred de (1852-1928); 40x55.5 cm; Private Collection; Photo eBonhams, London, UK; English, out of copyright

Background imageReeds Collection: Iroquois attacking French missionary Isaac Jogues and Christian converts, 1642 (colour litho)

Iroquois attacking French missionary Isaac Jogues and Christian converts, 1642 (colour litho)
5207677 Iroquois attacking French missionary Isaac Jogues and Christian converts, 1642 (colour litho) by Sandham, Henry (1842-1912); Private Collection; (add.info)

Background imageReeds Collection: East Anglian Marsh (oil on canvas)

East Anglian Marsh (oil on canvas)
5889170 East Anglian Marsh (oil on canvas) by Halswelle, Keeley (1832-91); 34.3x59.7 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageReeds Collection: Least Bittern, Ixobrychus Exilis, from 'The Birds of America'by John J

Least Bittern, Ixobrychus Exilis, from "The Birds of America"by John J
4071378 Least Bittern, Ixobrychus Exilis, from " The Birds of America" by John J. Audubon, pub. 1827-38 (and coloured engraving) by Audubon

Background imageReeds Collection: American Bittern, Botaurus Lentiginosus, from 'The Birds of America'by John J

American Bittern, Botaurus Lentiginosus, from "The Birds of America"by John J
4071351 American Bittern, Botaurus Lentiginosus, from " The Birds of America" by John J. Audubon, pub. 1827-38 (hand coloured engraving) by Audubon



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"Nature's Symphony: The Beauty and Resilience of Reeds" Newstead Abbey, Nottinghamshire- Arthur Spooner: Immerse yourself in the tranquil embrace of Newstead Abbey as reeds sway gracefully by the water's edge, whispering secrets from centuries past. Reedbed and Cley Mill at Cley North Norfolk on a stormy evening in October: In the midst of an autumn storm, reedbeds stand tall against raging winds, their resilience mirrored by the steadfastness of Cley Mill - a testament to nature's enduring spirit. Chukchi Warrior in Armor: Like armor-clad warriors standing guard, reeds line the shores with unwavering strength, protecting delicate ecosystems and preserving ancient traditions. Long Platt, Nutbourne - November 1946: A nostalgic scene unfolds as golden-hued reeds dance under November skies at Long Platt, Nutbourne - a timeless reminder that beauty can be found even amidst post-war restoration. Sunset over Loch Garten, Abernethy Forest, Cairngorms National Park, Scotland, UK: As the sun bids farewell to another day over Loch Garten's serene waters framed by majestic reeds; it paints a masterpiece across the sky – nature's own symphony in hues of gold and crimson. Ireland Co. Mayo Lough Conn at sunrise: Witness Lough Conn awaken from its slumber as dawn breaks through wisps of mist; its surface adorned with gentle ripples created by slender reeds reaching for sunlight like nature’s morning stretch. Camargue horses in the marsh Camargue Bouches du Rhone Provence France Europe: Amidst marshlands where wild horses roam free among vibrant flora lies an enchanting sight – elegant equines grazing peacefully near swaying reed beds; harmonizing with their untamed surroundings. Flock of geese flying over water.