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Recognising Collection

"Recognising the Unseen: A Journey of Connections and Revelations" In a microscopic world, T lymphocytes tirelessly search for cancer cells

Background imageRecognising Collection: T lymphocytes and cancer cell, SEM C001 / 1679

T lymphocytes and cancer cell, SEM C001 / 1679
T lymphocytes and cancer cell. Coloured scanning electron micrograph (SEM) of T lymphocyte cells (green) attached to a cancer cell

Background imageRecognising Collection: Daniel in Lions Den

Daniel in Lions Den
Nebuchadnezzar casts Daniel into a den of lions, with the intention that they would eat him; instead, they let him be, recognising that he is under Gods protection

Background imageRecognising Collection: King Geo. decorates French Colonel, 7 Jul 1917. Creator: Bain News Service

King Geo. decorates French Colonel, 7 Jul 1917. Creator: Bain News Service
King Geo. decorates French Colonel, 7 Jul 1917. King George V decorating the colonel in charge at the French Mission at Blendecques Chateau, July 7, 1917 during World War I

Background imageRecognising Collection: Gen. Cousin decorating Russians, 1915. Creator: Bain News Service

Gen. Cousin decorating Russians, 1915. Creator: Bain News Service
Gen. Cousin decorating Russians, 1915. Similar Agence Meurisse image with French caption: "Le ge´ne´ral Cousin de´core des prisonniers russes aux Invalides", publication date 1915

Background imageRecognising Collection: Kaiser giving iron cross to aviators, between 1914 and c1915. Creator: Bain News Service

Kaiser giving iron cross to aviators, between 1914 and c1915. Creator: Bain News Service
Kaiser giving iron cross to aviators, between 1914 and c1915. Kaiser Wilhelm II of Germany (1859-1941) giving iron cross medal to aviators during World War I.

Background imageRecognising Collection: The Loyal Wife Koto Recognizes Her Long-Lost Husband as a Rickshaw Driver, published in 1875

The Loyal Wife Koto Recognizes Her Long-Lost Husband as a Rickshaw Driver, published in 1875. Series: The Postal News, no. 621

Background imageRecognising Collection: Detail from The Supper at Emmaus, 1865-1930. Creator: Jac van Looij

Detail from The Supper at Emmaus, 1865-1930. Creator: Jac van Looij
Detail from The Supper at Emmaus, 1865-1930

Background imageRecognising Collection: Supper at Emmaus, c.1665-c.1668. Creator: Jan Steen

Supper at Emmaus, c.1665-c.1668. Creator: Jan Steen
Supper at Emmaus, c.1665-c.1668

Background imageRecognising Collection: The Mayor of Casterbridge, by Thomas Hardy. Henchard turned slightly, 1886. Creator: Robert Barnes

The Mayor of Casterbridge, by Thomas Hardy. Henchard turned slightly, 1886. Creator: Robert Barnes
The Mayor of Casterbridge, by Thomas Hardy. Henchard turned slightly, and saw that the comer was Jopp, his old foreman, 1886. From "The Graphic. An Illustrated Weekly Newspaper Volume 33

Background imageRecognising Collection: Robert of Normandy recognises his father, William the Conqueror, after unhorsing him in battle

Robert of Normandy recognises his father, William the Conqueror, after unhorsing him in battle, 1079 (engraving)
3647225 Robert of Normandy recognises his father, William the Conqueror, after unhorsing him in battle, 1079 (engraving) by German School

Background imageRecognising Collection: The meeting of Ulysses and Penelope, engraved by Francesco Bartolozzi

The meeting of Ulysses and Penelope, engraved by Francesco Bartolozzi
5889638 The meeting of Ulysses and Penelope, engraved by Francesco Bartolozzi, 1788 (stipple engraving) by Rigaud, John Francis (1742-1810); 43.2A--33.6 cm; Rijksmuseum, Amsterdam

Background imageRecognising Collection: Joan of Arc recognises the Charles VII in Chinon, from L Histoire de France

Joan of Arc recognises the Charles VII in Chinon, from L Histoire de France
CHT420057 Joan of Arc recognises the Charles VII in Chinon, from L Histoire de France by Jules Michelet, c.1900 (colour litho) by Bombled

Background imageRecognising Collection: Sir Gawaine knoweth the shield of Sir Launcelot, illustration from

Sir Gawaine knoweth the shield of Sir Launcelot, illustration from
STC335769 Sir Gawaine knoweth the shield of Sir Launcelot, illustration from The Story of Sir Launcelot and his Companions, 1907 (litho) by Pyle

Background imageRecognising Collection: Joseph recognised by his brothers in Egypt (colour litho)

Joseph recognised by his brothers in Egypt (colour litho)
5226837 Joseph recognised by his brothers in Egypt (colour litho) by French School, (19th century); Private Collection; (add.info.: Joseph recognised by his brothers in Egypt.); © Look and Learn

Background imageRecognising Collection: Illustration from a Safavid Shahnama: Alexander, in the disguise of an envoy

Illustration from a Safavid Shahnama: Alexander, in the disguise of an envoy
1199649 Illustration from a Safavid Shahnama: Alexander, in the disguise of an envoy, is recognized by Queen Nushaba, Shiraz, Iran, 1650-1700 (pigment & gold on paper) by Persian School

Background imageRecognising Collection: Saucy seaside bathing scene (colour litho)

Saucy seaside bathing scene (colour litho)
5995947 Saucy seaside bathing scene (colour litho) by English School, (20th century); Private Collection; (add.info.: Saucy seaside bathing scene. Postcard, early 20th century.); © Look and Learn

Background imageRecognising Collection: Japans gratitude (colour litho)

Japans gratitude (colour litho)
2783754 Japans gratitude (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: Japans gratitude)

Background imageRecognising Collection: The Old Nurse recognising Ulysses (engraving)

The Old Nurse recognising Ulysses (engraving)
2792685 The Old Nurse recognising Ulysses (engraving) by English School, (19th century); Private Collection; (add.info.: The Old Nurse recognising Ulysses. Illustration for Chatterbox (1886)

Background imageRecognising Collection: Between the King and a winemaker by Palombara Sabina, and you, excuse me

Between the King and a winemaker by Palombara Sabina, and you, excuse me, His Majesty the King of Italy? (colour litho)
2815453 Between the King and a winemaker by Palombara Sabina, and you, excuse me, His Majesty the King of Italy? (colour litho) by Beltrame

Background imageRecognising Collection: Joan of Arc recognises King Charles VII hidden among his courtesans in Chinon

Joan of Arc recognises King Charles VII hidden among his courtesans in Chinon
CHT420075 Joan of Arc recognises King Charles VII hidden among his courtesans in Chinon, 25 February 1429, illustration from Jeanne d Arc, c.1910 (colour litho) by Boutet de Monvel

Background imageRecognising Collection: Yea, verily, thou art Odysseus, illustration from The Story of Greece

Yea, verily, thou art Odysseus, illustration from The Story of Greece
STC306473 Yea, verily, thou art Odysseus, illustration from The Story of Greece by Mary Macgregor, 1st edition, 1913 (colour print) by Crane

Background imageRecognising Collection: The War in the East (engraving)

The War in the East (engraving)
1053876 The War in the East (engraving) by English School, (19th century); Private Collection; (add.info.: The War in the East)

Background imageRecognising Collection: My Son! illustration from Michel Strogoff by Jules Verne (1828-1905

My Son! illustration from Michel Strogoff by Jules Verne (1828-1905
CHT213203 My Son! illustration from Michel Strogoff by Jules Verne (1828-1905) engraved by Charles Barbant (d.1922) Paris, Hetzel (engraving) (b/w photo) by Ferat

Background imageRecognising Collection: An Echo of Summer Holidays (colour litho)

An Echo of Summer Holidays (colour litho)
6001233 An Echo of Summer Holidays (colour litho) by Granville-Smith, Walter (1870-1938); Private Collection; (add.info.: An Echo of Summer Holidays)

Background imageRecognising Collection: The Pilots Retreat, recognising an old friend (engraving)

The Pilots Retreat, recognising an old friend (engraving)
1064481 The Pilots Retreat, recognising an old friend (engraving) by Knowles, Davidson (fl.1879-96) (after); Private Collection; (add.info.: The Pilots Retreat, recognising an old friend)

Background imageRecognising Collection: Masked Balls (coloured engraving)

Masked Balls (coloured engraving)
977944 Masked Balls (coloured engraving) by French School, (19th century); Private Collection; (add.info.: Masked Balls. Illustration from the Petit Journal pour Rire.); © Look and Learn

Background imageRecognising Collection: The Patriotick Barber of New York, or the Captain in the Suds, February 14, 1775

The Patriotick Barber of New York, or the Captain in the Suds, February 14, 1775

Background imageRecognising Collection: Joseph reveals himself to his brethren

Joseph reveals himself to his brethren - Genesis 45. circa 1690

Background imageRecognising Collection: Suffragette Fancy Dress Ball Pankhurst

Suffragette Fancy Dress Ball Pankhurst. A Spoof programme announcing a Fancy Dress Ball which may shortly be held in the House of Commons Mrs Pankhurst will be forcibly dressed as OPHELIA

Background imageRecognising Collection: A sudden recognition unexpected on both sides, illustration from Nicholas Nickleby

A sudden recognition unexpected on both sides, illustration from Nicholas Nickleby
KW259140 A sudden recognition unexpected on both sides, illustration from Nicholas Nickleby by Charles Dickens (1812-70) published 1839 (litho) by Browne

Background imageRecognising Collection: The Recognition of Philopoemen, c. 1609 (oil on panel)

The Recognition of Philopoemen, c. 1609 (oil on panel)
XIR234401 The Recognition of Philopoemen, c.1609 (oil on panel) by Rubens, Peter Paul (1577-1640); 50x66.5 cm; Louvre, Paris

Background imageRecognising Collection: Yeast DNA recognition, molecular model F006 / 9282

Yeast DNA recognition, molecular model F006 / 9282
Yeast DNA recognition. Computer model showing a GAL4 transcription activator protein bound to a yeast DNA (deoxyribonucleic acid) molecule (red and blue)

Background imageRecognising Collection: White blood cell antigen presentation C016 / 9058

White blood cell antigen presentation C016 / 9058
White blood cell antigen presentation. Coloured scanning electron micrograph (SEM) showing the interaction between a macrophage (yellow) and a T helper lymphocyte (Th cell, green)

Background imageRecognising Collection: White blood cell antigen presentation C016 / 9057

White blood cell antigen presentation C016 / 9057
White blood cell antigen presentation. Coloured scanning electron micrograph (SEM) showing the interaction between a macrophage (red) and a T helper lymphocyte (Th cell, yellow)

Background imageRecognising Collection: Elephant self-awareness, artwork

Elephant self-awareness, artwork
Elephant self-awareness. Conceptual artwork of an elephant with a painted X-symbol on its forehead recognising itself in a mirror

Background imageRecognising Collection: Viral recognition by antibodies, artwork C013 / 4722

Viral recognition by antibodies, artwork C013 / 4722
Viral recognition by antibodies. Computer artwork of rabies (family Rhabdoviridae) virus particles (virions, pink) being identified by monoclonal antibodies (Y-shaped, blue)

Background imageRecognising Collection: T lymphocytes and cancer cells, SEM

T lymphocytes and cancer cells, SEM
T lymphocytes and cancer cells. Coloured scanning electron micrograph (SEM) of T lymphocyte cells (purple) attached to cancer cells

Background imageRecognising Collection: DNA recognition, molecular model

DNA recognition, molecular model
DNA recognition. Computer model showing MyoD transcription factor, from a mouse (mus musculus), bound to DNA. Transcription factors are proteins that bind to specific sequences of DNA

Background imageRecognising Collection: mRNA recognition by bacterial repressor

mRNA recognition by bacterial repressor. Computer model showing a bacterial protein (green and red) bound to mRNA (messenger ribonucleic acid, purple and brown)

Background imageRecognising Collection: George Monck &parliament

George Monck &parliament
Former royalist general Monck, recognising that the royalist cause is lost, declares for a free parliament, though Cromwell will never trust his loyalty

Background imageRecognising Collection: Daniel and the Lions

Daniel and the Lions
He is thrown by Nebuchadnezzar into a den of lions, with the intention that they would eat him : but they let him be, recognising that he is under Gods protection

Background imageRecognising Collection: Saved by a Brother

Saved by a Brother
American Revolutionary Captain MacKinsty, captured by hostile Iroquois, is about to be burnt when their leader Brandt, recognising a brother-Mason, saves him, though an enemy



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"Recognising the Unseen: A Journey of Connections and Revelations" In a microscopic world, T lymphocytes tirelessly search for cancer cells, recognizing their presence with unwavering determination. SEM C001 / 1679 captures this intricate dance between our immune system and the lurking danger within. Centuries ago, recognition took on different forms. Daniel's faith led him to survive unscathed in the Lions Den, as divine intervention recognized his unwavering loyalty. Similarly, Robert of Normandy experienced a bittersweet recognition when he unhorsed his own father, William the Conqueror. In that moment of battle in 1079, familial ties were acknowledged amidst conflict and bloodshed. Love too has its moments of recognition; Ulysses finally reunited with Penelope after years of separation. Francesco Bartolozzi's engraving immortalizes their emotional meeting - a testament to enduring love's ability to recognize even through trials and tribulations. Joan of Arc found herself recognizing Charles VII in Chinon - an encounter that would shape history. L'Histoire de France tells us how her unwavering belief allowed her to identify the true king amidst political turmoil. Chivalry also thrived on recognition; Sir Gawaine knew Sir Launcelot by his shield alone. This illustration reminds us that honor recognizes honor even in disguise. Recognition can bridge gaps beyond time and borders too. Joseph was recognized by his brothers in Egypt - a poignant moment where forgiveness triumphed over past grievances. Artistic depictions often capture these profound instances; an envoy disguised as Alexander is recognized through Safavid Shahnama illustrations while Palombara Sabina portrays a humorous encounter between royalty and winemakers – "Between the King and a Winemaker. " From ancient tales to modern times, recognition remains woven into our stories like colorful threads connecting diverse cultures. Whether it be saucy seaside scenes or Japan's gratitude, recognition transcends language and customs.