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Raucous Collection

"Raucous: A Glimpse into the Wild and Untamed" Step back in time with The Brilliants, 1801 litho, capturing a raucous scene where laughter echoes through the halls

Background imageRaucous Collection: The Brilliants, 1801 (litho) (b / w photo)

The Brilliants, 1801 (litho) (b / w photo)
XJF271074 The Brilliants, 1801 (litho) (b/w photo) by Rowlandson, Thomas (1756-1827); Private Collection; English, out of copyright

Background imageRaucous Collection: Merry Company, c1630. Creator: Jan van Bijlert

Merry Company, c1630. Creator: Jan van Bijlert
Merry Company, c1630

Background imageRaucous Collection: The Opera Ball, 1866. Creator: Pierre Francois Eugene Giraud

The Opera Ball, 1866. Creator: Pierre Francois Eugene Giraud
The Opera Ball, 1866

Background imageRaucous Collection: Christmas Eve in Devonshire - the Mummers coming in, 1850. Creators: Stockdale, Smyth

Christmas Eve in Devonshire - the Mummers coming in, 1850. Creators: Stockdale, Smyth
Christmas Eve in Devonshire - the Mummers coming in, 1850. Rural entertainment in Devon. And then entered six or seven youths fantastically bedecked with ribbons, and gay

Background imageRaucous Collection: The Concert, 1651/58. Creator: Cornelis de Visscher

The Concert, 1651/58. Creator: Cornelis de Visscher
The Concert, 1651/58

Background imageRaucous Collection: The Fallowfield Hunt Supper by Cecil Aldin

The Fallowfield Hunt Supper by Cecil Aldin

Background imageRaucous Collection: Bear baiting, Manchester, 1819 (pen & ink and wash on paper)

Bear baiting, Manchester, 1819 (pen & ink and wash on paper)
CHL404792 Bear baiting, Manchester, 1819 (pen & ink and wash on paper) by Barritt, Thomas (d.1820); 14.8x19 cm; Chethams Library, Manchester

Background imageRaucous Collection: The Five Points, Junction of Baxter, Worth and Park Streets, New York, c. 1829 (litho)

The Five Points, Junction of Baxter, Worth and Park Streets, New York, c. 1829 (litho)
PNP382180 The Five Points, Junction of Baxter, Worth and Park Streets, New York, c.1829 (litho) by Catlin, George (1796-1872) (after); Private Collection; (add.info)

Background imageRaucous Collection: DDE-90025832

DDE-90025832
Australia, No. Territory, Kakadu National Park, UNESCO World Heritage Site, Sulphur-crested Cockatoo with white body, yellow crest, raucous screech Date: 28/01/2006

Background imageRaucous Collection: DDE-90025822

DDE-90025822
Sulphur-crested Cockatoo, Kakadu World Heritage Park, Northern Territory, Australia Date: 17/02/2005

Background imageRaucous Collection: The King Drinks (oil on canvas)

The King Drinks (oil on canvas)
622817 The King Drinks (oil on canvas) by Jordaens, Jacob (1593-1678) (studio of); 156.2x218.5 cm; Private Collection; Photo eChristies Images; Flemish, out of copyright

Background imageRaucous Collection: Children Playing in an Interior, 1873 (oil on canvas)

Children Playing in an Interior, 1873 (oil on canvas)
659647 Children Playing in an Interior, 1873 (oil on canvas) by Nordenberg, Bengt (1822-1902); 65x81 cm; Private Collection; (add.info.: Children Playing in an Interior. Bengt Nordenberg (1822-1902)

Background imageRaucous Collection: Tired and drunken man at a raucous dinner party with

Tired and drunken man at a raucous dinner party with foxhunters. Miseries of Social Life. Handcoloured copperplate engraving designed

Background imageRaucous Collection: Two Regency men stoppped to talk in a freezing wind

Two Regency men stoppped to talk in a freezing wind, one impatient to walk home. Miseries of Social Life. Handcoloured copperplate engraving designed

Background imageRaucous Collection: L apres-dinee des Anglais Scenes Anglaises dessinees a Londres

L apres-dinee des Anglais Scenes Anglaises dessinees a Londres
1274763 L aprAs-dinee des Anglais ScAnes Anglaises dessinees A Londres, par un franAzais prisonnier de guerre, 1814 (hand-coloured etching) by French School, (19th century); Fitzwilliam Museum

Background imageRaucous Collection: The Subscription Club Room (pen & ink and w / c on paper)

The Subscription Club Room (pen & ink and w / c on paper)
AGN271135 The Subscription Club Room (pen & ink and w/c on paper) by Rowlandson, Thomas (1756-1827); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageRaucous Collection: The Breedwell Family, 1807 (pen, ink and watercolour)

The Breedwell Family, 1807 (pen, ink and watercolour)
1765022 The Breedwell Family, 1807 (pen, ink and watercolour) by Rowlandson, Thomas (1756-1827); 9, 8x17, 7 cm; Private Collection; (add.info.: The Breedwell Family. Thomas Rowlandson (1756-1827)

Background imageRaucous Collection: A bacchanal of children, after Michelangelo (chalk on paper)

A bacchanal of children, after Michelangelo (chalk on paper)
2637294 A bacchanal of children, after Michelangelo (chalk on paper) by Clovio, Giorgio Giulio (1498-1578) (attr. to); 27.9x40 cm; Private Collection; Photo eChristies Images; Italian

Background imageRaucous Collection: Rumor erat in casa (There was a commotion in the house), c

Rumor erat in casa (There was a commotion in the house), c
5864163 Rumor erat in casa (There was a commotion in the house), c. 1739-40 (pastel, gouache on paper on canvas) by Troost, Cornelis (1697-1750); 58.2x73.2 cm; Mauritshuis, The Hague

Background imageRaucous Collection: A roaring trade (engraving)

A roaring trade (engraving)
3101274 A roaring trade (engraving) by Bernard, Frederick L. (1846-1896); Private Collection; (add.info.: A roaring trade. Scene in a busy Victorian public house)

Background imageRaucous Collection: Pirates carousing at Charleston (engraving)

Pirates carousing at Charleston (engraving)
PNP269022 Pirates carousing at Charleston (engraving) by American School, (17th century); Private Collection; Peter Newark Historical Pictures; American, out of copyright

Background imageRaucous Collection: The Toast, from Foxhunting, engraved by Thomas Sutherland (1785-1838

The Toast, from Foxhunting, engraved by Thomas Sutherland (1785-1838
BSA266483 The Toast, from Foxhunting, engraved by Thomas Sutherland (1785-1838) (colour litho) by Alken, Henry Thomas (1785-1851) (after); 45.5x54 cm; Private Collection; (add.info)

Background imageRaucous Collection: Anacreonticks in full Song, published by Hannah Humphrey in 1801 (etching

Anacreonticks in full Song, published by Hannah Humphrey in 1801 (etching
NCO191235 Anacreonticks in full Song, published by Hannah Humphrey in 1801 (etching, engraving with aquatint & w/c) by Gillray

Background imageRaucous Collection: The Midshipmans Berth, c. 1820 (oil on canvas) (see 216825)

The Midshipmans Berth, c. 1820 (oil on canvas) (see 216825)
PEM216826 The Midshipmans Berth, c.1820 (oil on canvas) (see 216825) by DeBerenger, Charles Random (19th Century); Peabody Essex Museum, Salem, Massachusetts, USA; ePeabody Essex Museum; English

Background imageRaucous Collection: The Shamit Reel, plate 5 from The Penny Wedding by John Grant

The Shamit Reel, plate 5 from The Penny Wedding by John Grant
XJF441978 The Shamit Reel, plate 5 from The Penny Wedding by John Grant, engraved by Joshua Gleadah, 1836 (engraving) by Grant

Background imageRaucous Collection: Tired and drunken man at a raucous dinner party with foxhunters

Tired and drunken man at a raucous dinner party with foxhunters
5893726 Tired and drunken man at a raucous dinner party with foxhunters. by Rowlandson, Thomas (1756-1827); (add.info.: Tired and drunken man at a raucous dinner party with foxhunters)

Background imageRaucous Collection: The Relapse (engraving)

The Relapse (engraving)
981328 The Relapse (engraving) by English School, (19th century); Private Collection; (add.info.: The Relapse. Plate III from The Progress of Intemperance by John Ross Dix)

Background imageRaucous Collection: A Raucous Lunch at a Country House (ink & colour wash on paper)

A Raucous Lunch at a Country House (ink & colour wash on paper)
2601947 A Raucous Lunch at a Country House (ink & colour wash on paper) by Rowlandson, Thomas (1756-1827); Private Collection; Bourne Gallery, Reigate, Surrey; English, out of copyright

Background imageRaucous Collection: A Viking Celebration, 1925 (oil on canvas)

A Viking Celebration, 1925 (oil on canvas)
488298 A Viking Celebration, 1925 (oil on canvas) by Leeke, Ferdinand (1859-1923); 144.8x198.8 cm; Private Collection; Photo eChristies Images; German, out of copyright

Background imageRaucous Collection: The King Drinks (oil on panel)

The King Drinks (oil on panel)
CH451404 The King Drinks (oil on panel) by Cleve, Maerten van (1527-81) (workshop of); 68.2x103.5 cm; Private Collection; Photo eChristies Images; Netherlandish, out of copyright

Background imageRaucous Collection: L assemblee nationale: - or - grand co-operation meeting at St. Anns Hill, pub

L assemblee nationale: - or - grand co-operation meeting at St. Anns Hill, pub
2655347 L assemblee nationale: - or - grand co-operation meeting at St. Anns Hill, pub. 1804 (hand coloured engraving) by Gillray

Background imageRaucous Collection: Interior of an Inn with Card Players (oil on panel)

Interior of an Inn with Card Players (oil on panel)
LST257055 Interior of an Inn with Card Players (oil on panel) by Herp, Willem van the Elder (1614-77); 61x91.5 cm; Private Collection; eLawrence Steigrad Fine Arts, New York; Flemish, out of copyright

Background imageRaucous Collection: Pirates counting their spoils (colour litho)

Pirates counting their spoils (colour litho)
PNP269030 Pirates counting their spoils (colour litho) by Howard, C.T. (19th Century) (after); Private Collection; Peter Newark Historical Pictures; American, out of copyright

Background imageRaucous Collection: The Enraged Musician, 17th century (oil on canvas)

The Enraged Musician, 17th century (oil on canvas)
AMO98764 The Enraged Musician, 17th century (oil on canvas) by Hogarth, William (1697-1764); 28x48 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageRaucous Collection: God Save the King- in a bumper, or An Evening Scene Three Times a Week at Wimbleton

God Save the King- in a bumper, or An Evening Scene Three Times a Week at Wimbleton
NCO190419 God Save the King- in a bumper, or An Evening Scene Three Times a Week at Wimbleton, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray

Background imageRaucous Collection: Quai de la Ferraille, 19th Century (b / w engraving)

Quai de la Ferraille, 19th Century (b / w engraving)
909608 Quai de la Ferraille, 19th Century (b/w engraving) by Lix, Frederic Theodore (1830-97); Private Collection; (add.info.: Illustration from Toute la Lyre)

Background imageRaucous Collection: Tom and Jerry at a Coffee Shop near the Olympic Theatre, Strand, Midnight

Tom and Jerry at a Coffee Shop near the Olympic Theatre, Strand, Midnight
GHL146206 Tom and Jerry at a Coffee Shop near the Olympic Theatre, Strand, Midnight, published in Life in London, 1820 (aquatint) by Cruikshank

Background imageRaucous Collection: The Industrious Prentice Lord Mayor of London, 1747 (engraving)

The Industrious Prentice Lord Mayor of London, 1747 (engraving)
1071421 The Industrious Prentice Lord Mayor of London, 1747 (engraving) by Hogarth, William (1697-1764); 26.9x38.7 cm; Dallas Museum of Art, Texas, USA; Foundation for the Arts

Background imageRaucous Collection: A Rakes Progress, Plate 6, 2nd State, 1735 (engraving)

A Rakes Progress, Plate 6, 2nd State, 1735 (engraving)
1071402 A Rakes Progress, Plate 6, 2nd State, 1735 (engraving) by Hogarth, William (1697-1764); 34.3x38.7 cm; Dallas Museum of Art, Texas

Background imageRaucous Collection: Theatrical Pleasures, ( Snug in the Gallery, Plate 3), ca. 1835. Creator: Theodore Lane

Theatrical Pleasures, ( Snug in the Gallery, Plate 3), ca. 1835. Creator: Theodore Lane
Theatrical Pleasures, ( Snug in the Gallery, Plate 3), ca. 1835

Background imageRaucous Collection: The March of the Guards Towards Scotland, 1745, (1920). Artist: Luke Sullivan

The March of the Guards Towards Scotland, 1745, (1920). Artist: Luke Sullivan
The March of the Guards Towards Scotland, 1745, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

Background imageRaucous Collection: Southwark Fair, 1733, (1920). Artist: William Hogarth

Southwark Fair, 1733, (1920). Artist: William Hogarth
Southwark Fair, 1733, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

Background imageRaucous Collection: The Reformers Dinner, 1809. Artist: Samuel de Wilde

The Reformers Dinner, 1809. Artist: Samuel de Wilde
The Reformers Dinner, 1809. The grand Reform Dinner at the Crown and Anchor. Various characters from all walks of life and in various stages of intoxication are in an uproar amid upturned chairs



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"Raucous: A Glimpse into the Wild and Untamed" Step back in time with The Brilliants, 1801 litho, capturing a raucous scene where laughter echoes through the halls. Join this lively gathering as they revel in merriment and joy. In contrast, Cecil Aldin's masterpiece, "The Fallowfield Hunt Supper, " reveals a different kind of raucousness. Amidst clinking glasses and boisterous cheers, hunters recount their thrilling adventures while indulging in hearty feasts fit for heroes. Travel further back to 1747 with "The Idle Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice. " This engraving depicts an underworld of debauchery and chaos—a raucous world that thrives under dimly lit streets. Witness the intensity of Bear baiting in Manchester, 1819. Through pen & ink wash on paper, this artwork captures the uproar caused by fierce animals pitted against each other—an event that both horrifies and enthralls spectators amidst their raucous reactions. "The Idle Prentice Executed at Tyburn" transports us to an era when justice was swift but brutal. In this engraving from 1747, witness the crowd's mixed emotions—some cheering wildly while others recoil from such public displays of punishment. Experience another facet of history through "Free Negroes in the North, " c. 1880-90 etching. Amidst societal tensions and struggles for equality emerges a vibrant community filled with music, dance, and spirited conversations—a celebration amidst adversity. Venturing beyond borders brings us to Cuba's Valla de Gallos—a colorful litho showcasing cockfighting enthusiasts engrossed in passionate debates over their feathered champions' skills—a spectacle brimming with energy and excitement. Transport yourself to New York City's infamous Five Points intersection, c.