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Rake Collection (page 3)

"Unveiling the Rake: A Journey through Time and Tales" Step into a world of revelry, as depicted in "Revelling with Harlots, plate III of A Rakes Progress, 1735

Background imageRake Collection: Plate with the Altoviti family coat of arms: della Robbia-style ceramic piece

Plate with the Altoviti family coat of arms: della Robbia-style ceramic piece, part of the Contini Bonacossi Collection, in the Palazzo Pitti, Florence Florence Palazzo Pitti

Background imageRake Collection: Maud Muller, poem by John Greenleaf Whittier

Maud Muller, poem by John Greenleaf Whittier
Maud Muller, the title character in a poem of 1856 by John Greenleaf Whittier (18071892). circa 1856

Background imageRake Collection: Ella Edwards holding a rake and a sun hat. August 1941

Ella Edwards holding a rake and a sun hat. August 1941

Background imageRake Collection: Park Ranger, gathering leaves at Stewart Park, Marton, Middlesbrough, England

Park Ranger, gathering leaves at Stewart Park, Marton, Middlesbrough, England, 17th November 1981

Background imageRake Collection: JAPAN 9

JAPAN 9
Japan/ Kyoto/ Gion area the neighbourhood where Geishas live, study and perform. Geishas and Maikos attending a class at " Mia Garatso" school of Geisha

Background imageRake Collection: JAPAN 4

JAPAN 4
Japan/ Kyoto/ Gion area, neighbourhood where Geishas live and perform. Face portrait of a smiling Maiko with combed hair, white make up, head ornaments and traditional kimono

Background imageRake Collection: JAPAN 32

JAPAN 32
Japan/ Kyoto/ Gion area, neighbourhood where Geishas live and perform. Geisha with white make up on her face, combed hair, head ornaments and traditional kimono

Background imageRake Collection: Rochdale OL11 5 Map

Rochdale OL11 5 Map
Postcode Sector Map of Rochdale OL11 5

Background imageRake Collection: Picture No. 12019769

Picture No. 12019769
Javan Spitting Cobra Snake - on grass by rake - Klungkung, Bali, Indonesia. Date:

Background imageRake Collection: Haymaking, 1911-1912. Artist: Sprague & Co

Haymaking, 1911-1912. Artist: Sprague & Co
Haymaking, 1911-1912. From Penroses Pictorial Annual 1911-1912, The Process Year Book, volume 17, edited by William Gamble and published by AW Penrose (London, 1911-1912)

Background imageRake Collection: A Rakes Progress - 8: The Mad House, 1733. Artist: William Hogarth

A Rakes Progress - 8: The Mad House, 1733. Artist: William Hogarth
A Rakes Progress - 8: The Mad House, 1733. True to his nature Tom Rakewell has run through a vast fortune through indulgence in all the luxuries of modern living

Background imageRake Collection: A man works on removing an oil spill on Coruripe beach, Alagoas state

A man works on removing an oil spill on Coruripe beach, Alagoas state, Brazil October 14, 2019. REUTERS/Adriano Machado

Background imageRake Collection: Collecting kelp, Widmouth Bay, St Merryn, Cornwall. Early 1900s

Collecting kelp, Widmouth Bay, St Merryn, Cornwall. Early 1900s
Two men with horse and carts collect kelp from the shoreline. Photographer: T.H. Williams

Background imageRake Collection: Walk and work

Walk and work
Sikder Mesbahuddin Ahmed

Background imageRake Collection: Indigo

Indigo
Djaheda Richers

Background imageRake Collection: Ursula Moreton in The Rake's Progress, Vic-Wells Ballet

Ursula Moreton in The Rake's Progress, Vic-Wells Ballet
Ursula Moreton, ballerina, in The Rake's Progress, The Vic-Wells Ballet, supplement to The Dancing Times, December 1937 Date: 1937

Background imageRake Collection: WW2 Birthday Card, Digging For Victory

WW2 Birthday Card, Digging For Victory
A WW2 birthday greetings card, Hoping you're full of beans and digging for victory! The image shows a man carrying his fork and rake towards the allotment of good wishes. Date: circa 1940s

Background imageRake Collection: Rake Manor, Milford, Surrey

Rake Manor, Milford, Surrey
A pair of photographs which show a view of Rake Manor from the lake, and a new drawing room designed in Arts and Crafts style by Mackay Hugh Baillie Scott, in Milford, Surrey. Date: early 1900s

Background imageRake Collection: Returning From The Hayfield

Returning From The Hayfield
A mezzotint in colours, portraying a farmer carrying a large bail of hay on his back, alongside a woman who is holding a rake. Date: circa 1917

Background imageRake Collection: Farmer and Wife

Farmer and Wife
This painting shows a farmer, after having done a days work, stood intimately with a woman as they look out over their fields, he has a rake rested on one shoulder. Date: circa 1915

Background imageRake Collection: Colonise and cultivate on Mars

Colonise and cultivate on Mars
OLYMPUS DIGITAL CAMERA. Thierry Dufour

Background imageRake Collection: Tapestry illustrating the month of July, c. 1400-25 (wool and linen)

Tapestry illustrating the month of July, c. 1400-25 (wool and linen)
GLS224040 Tapestry illustrating the month of July, c.1400-25 (wool and linen) by German School, (15th century); 94x152.4 cm; Burrell Collection, Glasgow

Background imageRake Collection: Returning Home (oil on canvas)

Returning Home (oil on canvas)
MAN278080 Returning Home (oil on canvas) by Veyrassat, Jules (1828-93); 22.2x35.2 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageRake Collection: Education. 'Eve'. Girl picking apples. Postcard inspired by Beatrice Mallet (1896-1951), France, c

Education. "Eve". Girl picking apples. Postcard inspired by Beatrice Mallet (1896-1951), France, c
3434242 Education. "Eve". Girl picking apples. Postcard inspired by Beatrice Mallet (1896-1951), France, c.1930 Additional rights Beatrice Mallet

Background imageRake Collection: Albion, Washington State, USA. Red barns and antique farm equipment in the Palouse hills

Albion, Washington State, USA. Red barns and antique farm equipment in the Palouse hills. (Editorial Use Only) Date: 23-05-2021

Background imageRake Collection: Dialogue between a man and a girl (b / w photo)

Dialogue between a man and a girl (b / w photo)
3094178 Dialogue between a man and a girl (b/w photo) by French Photographer, (20th century); Private Collection; (add.info.: Dialogue between a man and a girl)

Background imageRake Collection: Fighting Peasants, 1600-62 (chalk on paper)

Fighting Peasants, 1600-62 (chalk on paper)
1127397 Fighting Peasants, 1600-62 (chalk on paper) by Venne, Adriaen Pietersz. van de (1589-1662); 3.74x30.6 cm; Rijksmuseum, Amsterdam, The Netherlands

Background imageRake Collection: DDE-90039561

DDE-90039561
Vermont, Northeast Kingdom, Sunlight falling on antique hay raker Date: 24/03/2010

Background imageRake Collection: DDE-90029421

DDE-90029421
Dawn at Gated entrance to farm near Greoux-les-Bains, Provence, France Date: 24/11/2008

Background imageRake Collection: Pian Grande

Pian Grande
Sergio Barboni

Background imageRake Collection: Three of the four Arnold children, Michigan Hill, Western Washington, 1939. Creator: Dorothea Lange

Three of the four Arnold children, Michigan Hill, Western Washington, 1939. Creator: Dorothea Lange
Three of the four Arnold children. The oldest boy earned the money to buy his bicycle. Western Washington, Thurston County, Michigan Hill. See general Caption number 36

Background imageRake Collection: The Haymaker (oil on canvas)

The Haymaker (oil on canvas)
XIR426203 The Haymaker (oil on canvas) by Martin, Henri (1860-1943); Musee Antoine Lecuyer, Saint-Quentin, France

Background imageRake Collection: The man with the Muck Rake, from The Pilgrims Progress published by John F Shaw & Co, c

The man with the Muck Rake, from The Pilgrims Progress published by John F Shaw & Co, c. 1900s (litho)
2638243 The man with the Muck Rake, from The Pilgrims Progress published by John F Shaw & Co, c.1900s (litho) by Dudley, Robert Ambrose (1867-1951); Private Collection; (add.info)

Background imageRake Collection: 'We worked hard on the lawn'(colour litho)

"We worked hard on the lawn"(colour litho)
6013976 " We worked hard on the lawn" (colour litho) by Hassall, John (1868-1948); Private Collection; (add.info)

Background imageRake Collection: A meeting, 1880

A meeting, 1880
5954329 A meeting, 1880 by Werenskiold, Erik Theodor (1855-1938); 59x90 cm; Private Collection; Photo © O. Vaering

Background imageRake Collection: Dairymaid with Rake (oil on canvas)

Dairymaid with Rake (oil on canvas)
742138 Dairymaid with Rake (oil on canvas) by Dahl, Hans Andreas (1881-1919); Private Collection; Photo © O. Vaering

Background imageRake Collection: Carrying Hay, 1860 (oil on canvas)

Carrying Hay, 1860 (oil on canvas)
OVR374256 Carrying Hay, 1860 (oil on canvas) by Askevold, Anders (1834-1900); 40x53.5 cm; Drammens Museum, Norway; (add.info.: Hoykjoring; ); Photo © O. Vaering

Background imageRake Collection: A meeting, 1880 (oil on canvas)

A meeting, 1880 (oil on canvas)
3600185 A meeting, 1880 (oil on canvas) by Werenskiold, Erik Theodor (1855-1938); 59x50 cm; Private Collection; Photo © O. Vaering

Background imageRake Collection: The Actors Ichimura Kamezo I as Jo and Ichimura Kichigoro as Uba in a scene from Takasago

The Actors Ichimura Kamezo I as Jo and Ichimura Kichigoro as Uba in a scene from Takasago, c. 1760

Background imageRake Collection: Takasago, from the series 'Pictures of No Performances (Nogaku Zue)', 1898. Creator: Kogyo Tsukioka

Takasago, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka
Takasago, from the series "Pictures of No Performances (Nogaku Zue)", 1898

Background imageRake Collection: Jo and Uba Greeting the Rising Sun, c. 1770 / 81. Creator: Utagawa Toyoharu

Jo and Uba Greeting the Rising Sun, c. 1770 / 81. Creator: Utagawa Toyoharu
Jo and Uba Greeting the Rising Sun, c. 1770/81

Background imageRake Collection: Milch Cow, n. d. Creator: Theophile Alexandre Steinlen

Milch Cow, n. d. Creator: Theophile Alexandre Steinlen
Milch Cow, n.d

Background imageRake Collection: Fragment (Furnishing Fabric), Manchester, c. 1820. Creator: Unknown

Fragment (Furnishing Fabric), Manchester, c. 1820. Creator: Unknown
Fragment (Furnishing Fabric), Manchester, c. 1820. Rural scenes. Manufactured for John Marshall

Background imageRake Collection: Saint Hymer in Solitude, c. 1735. Creator: Unknown

Saint Hymer in Solitude, c. 1735. Creator: Unknown
Saint Hymer in Solitude, c. 1735

Background imageRake Collection: Woman in a Garden, 1882 / 83. Creator: Berthe Morisot

Woman in a Garden, 1882 / 83. Creator: Berthe Morisot
Woman in a Garden, 1882/83

Background imageRake Collection: Fukusa (Gift Cover), Japan, late Edo period (1789-1868), early 19th century

Fukusa (Gift Cover), Japan, late Edo period (1789-1868), early 19th century

Background imageRake Collection: Haymaker with Rake (Norfolk), c. 1883 / 87, printed 1888. Creator: Peter Henry Emerson

Haymaker with Rake (Norfolk), c. 1883 / 87, printed 1888. Creator: Peter Henry Emerson
Haymaker with Rake (Norfolk), c. 1883/87, printed 1888. A work made of photogravure, plate xxxi from " pictures of east anglian life, " published by sampson low, marston



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"Unveiling the Rake: A Journey through Time and Tales" Step into a world of revelry, as depicted in "Revelling with Harlots, plate III of A Rakes Progress, 1735. " This captivating artwork by Hogarth takes us on a wild ride through the life of a rake, showcasing his debauchery and indulgence. In contrast to this scene of excess, picture a heavy shire horse diligently pulling an old hay rake. The Fittleworth Smithy interior reveals two blacksmiths hard at work, their skilled hands shaping tools that aid in taming nature's bounty. Moving forward to Hogarth's Plate 2 and Plate 7 of "The Rake, " we witness the consequences of reckless behavior. The once carefree protagonist now faces ruin and despair. But hope lingers in Plate 8 as redemption beckons amidst adversity. Drawing inspiration from literary classics like "Pilgrims Progress 26" and "Rakes Progress 5, " we see individuals grappling with their inner demons while striving for personal growth. Their journeys mirror our own struggles and triumphs along life's winding path. Venturing beyond artistry lies reality - Draycott, Cotswold village where Oldborough Farm bustles during harvest season. Here they can wielded not only for leisure but also for laborious tasks that sustain communities throughout generations. An intriguing engraving captures a curious encounter between a man with a rake and a woman selling spoons and stirrers. In this seemingly mundane interaction lies hidden stories waiting to be unraveled – tales woven within the fabric of everyday life. Transporting ourselves to Anna Sten's portrayal in Mamoulian's film "We Live Again (1934), " we witness how love can transform even the most wayward souls into beings capable of redemption. The power lies within each individual to rise above their past mistakes.