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Rabble Collection

"Rabble: A Historical Journey Through Turmoil and Triumph" Step back in time to the year 1801, when Integrity retired from office

Background imageRabble Collection: Integrity retiring from Office!, 1801

Integrity retiring from Office!, 1801
Integrity retiring from Office!, Pub. 1801 (hand coloured engraving). William Pitt the Younger (1759-1806) resigns as Prime Minister in protest at Kings rejection of the bills to unite England

Background imageRabble Collection: Constable in Trouble

Constable in Trouble
A constable, confronted by a mob of roughs in the East End of London, blows his whistle for reinforcements

Background imageRabble Collection: Integrity Retiring from Office, published by Hannah Humphrey in 1801

Integrity Retiring from Office, published by Hannah Humphrey in 1801
NCO189720 Integrity Retiring from Office, published by Hannah Humphrey in 1801 (hand-coloured etching with aquatint) by Gillray

Background imageRabble Collection: spa1962 bw neg pro 061 edited-1

spa1962 bw neg pro 061 edited-1
spa_bw_neg_pro_ 061

Background imageRabble Collection: Rebels capture a British soldier during the Taiping Rebellion in China (w / c on paper)

Rebels capture a British soldier during the Taiping Rebellion in China (w / c on paper)
PNP367556 Rebels capture a British soldier during the Taiping Rebellion in China (w/c on paper) by Scott, W. R.s (19th century); Private Collection; (add.info)

Background imageRabble Collection: The French in Venice, a Scene outside the Cathedral of St Mark in 1797 (engraving)

The French in Venice, a Scene outside the Cathedral of St Mark in 1797 (engraving)
1056308 The French in Venice, a Scene outside the Cathedral of St Mark in 1797 (engraving) by Baude, Charles (1853-1935); Private Collection; (add.info.: The French in Venice)

Background imageRabble Collection: Le Vocabulaire Illustre: Populace; Rabble; Pobel (engraving)

Le Vocabulaire Illustre: Populace; Rabble; Pobel (engraving)
7197201 Le Vocabulaire Illustre: Populace; Rabble; Pobel (engraving) by European School, (19th century); Private Collection; (add.info.: Populace; Rabble; Pobel)

Background imageRabble Collection: Quentin Durward at Liege, Belgium, 1827-28 (oil on canvas)

Quentin Durward at Liege, Belgium, 1827-28 (oil on canvas)
3744420 Quentin Durward at Liege, Belgium, 1827-28 (oil on canvas) by Bonington, Richard Parkes (1802-28); 63x51.5 cm; Nottingham City Museums and Galleries (Nottingham Castle); (add.info)

Background imageRabble Collection: The Republican Attack, published by Hannah Humphrey in 1795 (hand-coloured etching)

The Republican Attack, published by Hannah Humphrey in 1795 (hand-coloured etching)
NCO190455 The Republican Attack, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageRabble Collection: Muster of the Irish at Mullinahone, illustration from Cassells

Muster of the Irish at Mullinahone, illustration from Cassells
IL370537 Muster of the Irish at Mullinahone, illustration from Cassells Illustrated History of England, published c.1910 (litho) by Wollen

Background imageRabble Collection: Louis XI raised an army from the citizens of Paris (colour litho)

Louis XI raised an army from the citizens of Paris (colour litho)
3621682 Louis XI raised an army from the citizens of Paris (colour litho) by Job, pseudonym for Onfray de Breville, Jacques (1858-1931); Private Collection; (add.info)

Background imageRabble Collection: Contending for a Seat, plate 2 from Theatrical Pleasures

Contending for a Seat, plate 2 from Theatrical Pleasures
740527 Contending for a Seat, plate 2 from Theatrical Pleasures, 1827 (hand-coloured engraving) by Lane, Theodore (1800-28); Private Collection; (add.info)

Background imageRabble Collection: The women of Les Halles marching to Versailles, 5th October 1789 (w / c on paper)

The women of Les Halles marching to Versailles, 5th October 1789 (w / c on paper)
CHT202147 The women of Les Halles marching to Versailles, 5th October 1789 (w/c on paper) by Janinet, Jean-Francois (1752-1814); Bibliotheque Nationale, Paris

Background imageRabble Collection: Antonio Perez (1540-1611) Released from Prison by the Rebels in 1591 (oil on canvas)

Antonio Perez (1540-1611) Released from Prison by the Rebels in 1591 (oil on canvas)
XJL186941 Antonio Perez (1540-1611) Released from Prison by the Rebels in 1591 (oil on canvas) by Ferran, Augustus or Augusto (fl.1850); Academia de Bellas Artes, Barcelona

Background imageRabble Collection: A Roman Attack on the Britons in Mona (litho)

A Roman Attack on the Britons in Mona (litho)
5212325 A Roman Attack on the Britons in Mona (litho) by Speed, Lancelot (1860-1931); Private Collection; (add.info.: A Roman Attack on the Britons in Mona)

Background imageRabble Collection: Integrity retiring from Office!, pub. 1801 (hand coloured engraving)

Integrity retiring from Office!, pub. 1801 (hand coloured engraving)
2490981 Integrity retiring from Office!, pub. 1801 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageRabble Collection: Hudibras by William Hogarth

Hudibras by William Hogarth
3785880 Hudibras by William Hogarth by Hogarth, William (1697-1764); (add.info.: Hudibras - Plate XII - the Skimmington by William Hogarth. WH: English artist - 1697 -1764)

Background imageRabble Collection: Earl of Mar raises Jacobite standard in 1715 (engraving)

Earl of Mar raises Jacobite standard in 1715 (engraving)
3697356 Earl of Mar raises Jacobite standard in 1715 (engraving) by Unknown artist, (18th century); Private Collection; (add.info.: Scottish Jacobite, John Erskine, Earl of Mar (1675-1732)

Background imageRabble Collection: Illustration for Aunt Jane at the Seaside, by The Late Lord Brabourne (litho)

Illustration for Aunt Jane at the Seaside, by The Late Lord Brabourne (litho)
1100148 Illustration for Aunt Jane at the Seaside, by The Late Lord Brabourne (litho) by Forestier, Amedee (1854-1930) (after); Private Collection; (add.info)

Background imageRabble Collection: Urban Uprising in Paris, 1870 (charcoal, wash & gouache on wove paper)

Urban Uprising in Paris, 1870 (charcoal, wash & gouache on wove paper)
1069494 Urban Uprising in Paris, 1870 (charcoal, wash & gouache on wove paper) by Pissarro, Camille (1830-1903); 34.3x38.1x5.4 cm; Dallas Museum of Art, Texas

Background imageRabble Collection: Turn Him Out ! - Ratcliff, 1872. Creator: Gustave Doré

Turn Him Out ! - Ratcliff, 1872. Creator: Gustave Doré
Turn Him Out ! --Ratcliff, 1872. From, " LONDON. A Pilgrimage" by Gustave Dore and Blanchard Jerrold. [Grant and Co. 72-78, Turnmill Street, E.C. 1872]

Background imageRabble Collection: Posthumius in the Theatre at Tarentum, 1890. Creator: Unknown

Posthumius in the Theatre at Tarentum, 1890. Creator: Unknown
Posthumius in the Theatre at Tarentum, 1890. From " Cassells Illustrated Universal History Vol. II - Rome", by Edmund Ollier

Background imageRabble Collection: Apotheosis of the Rabble, 1884. Artist: Louis Maurice Boutet de Monvel

Apotheosis of the Rabble, 1884. Artist: Louis Maurice Boutet de Monvel
Apotheosis of the Rabble, 1884

Background imageRabble Collection: A Street Brawl In London, England In The 17Th Century. From The Streets Of London Through The

A Street Brawl In London, England In The 17Th Century. From The Streets Of London Through The Centuries

Background imageRabble Collection: A Street Brawl In Paris In The 18Th Century. From Xviii Siecle Institutions, Usages Et Costumes

A Street Brawl In Paris In The 18Th Century. From Xviii Siecle Institutions, Usages Et Costumes, Published Paris 1875

Background imageRabble Collection: Quentin Durward at Liege, Belgium

Quentin Durward at Liege, Belgium
Bonington, Richard Parkes Oil on Canvas 63 x 51.5

Background imageRabble Collection: Cartoon, Middlesex Election, 1804

Cartoon, Middlesex Election, 1804, a Long Pull, a Strong Pull, and a Pull All together, by James Gillray. Showing Sir Francis Burdett in a carriage labelled Peace & Plenty

Background imageRabble Collection: Integrity retiring from Office!, A group of resigning ministers, led by Pitt who

Integrity retiring from Office!, A group of resigning ministers, led by Pitt who holds a document entitled Justice of Emancipating ye Catholicks

Background imageRabble Collection: The Distribution of Food and Wine on the Champs-Elysees, 1822 (oil on canvas)

The Distribution of Food and Wine on the Champs-Elysees, 1822 (oil on canvas)
XIR92388 The Distribution of Food and Wine on the Champs-Elysees, 1822 (oil on canvas) by Boilly, Louis Leopold (1761-1845); 97x129 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageRabble Collection: New Harmony - All Owin - No payin, 1845 (etching)

New Harmony - All Owin - No payin, 1845 (etching)
XJF488977 New Harmony - All Owin - No payin, 1845 (etching) by Cruikshank, George (1792-1878); Private Collection; (add.info)

Background imageRabble Collection: A Critical Audience on the Question of Step-Dancing, c. 1870s (engraving)

A Critical Audience on the Question of Step-Dancing, c. 1870s (engraving)
XJF448215 A Critical Audience on the Question of " Step-Dancing", c.1870s (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageRabble Collection: The election at Eatanswill, illustration from The Pickwick Papers by Charles Dickens

The election at Eatanswill, illustration from The Pickwick Papers by Charles Dickens
KW259123 The election at Eatanswill, illustration from The Pickwick Papers by Charles Dickens (1812-70) published 1837 (litho) by Browne

Background imageRabble Collection: The Liberty of the Subject, publ. by H. Humphrey, October 15th 1779 (coloured engraving)

The Liberty of the Subject, publ. by H. Humphrey, October 15th 1779 (coloured engraving)
XZL147688 The Liberty of the Subject, publ. by H. Humphrey, October 15th 1779 (coloured engraving) by Gillray, James (1757-1815); Private Collection; English, out of copyright

Background imageRabble Collection: Separation of Church and State: The American Usurper Assumes the Diadem and Purple

Separation of Church and State: The American Usurper Assumes the Diadem and Purple. Uncle Sam with Capitol and authors of Declaration of Independence behind him

Background imageRabble Collection: Integrity Retiring From Office

Integrity Retiring From Office!, A Group Of Resigning Ministers, Led By Pitt Who Holds A Document Entitled Justice Of Emancipating Ye Catholicks

Background imageRabble Collection: The rabble hamstring the bull with lances, sickles, banderil

The rabble hamstring the bull with lances, sickles, banderil

Background imageRabble Collection: John Lilburne at Pillory

John Lilburne at Pillory
JOHN LILBURNE Political agitator and English leader of the Levellers; here, he appeals to a crowd as he stands at a pillory

Background imageRabble Collection: Gordon Rioters in Street

Gordon Rioters in Street
Gordon rioters are pressed back in the London streets by government soldiers

Background imageRabble Collection: Gordon Rioters at Parl

Gordon Rioters at Parl
A mob of anti-Catholic and rebellious others attack Members of Parliament in Palace Yard, Westminster

Background imageRabble Collection: Gordon Rioters Gather

Gordon Rioters Gather
Anti-Catholic and anti- authority Gordon rioters gather at the Spaniards Inn, Hampstead, London

Background imageRabble Collection: Gordon Riots (Colour)

Gordon Riots (Colour)
THE GORDON RIOTS The no-popery crowd, inflamed by Lord George Gordons rabble-rousing oratory, inflame Newgate gaol as well



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"Rabble: A Historical Journey Through Turmoil and Triumph" Step back in time to the year 1801, when Integrity retired from office, leaving a void that would soon lead to trouble for the constable. This pivotal moment was captured in the iconic print "Integrity Retiring from Office, " skillfully published by Hannah Humphrey. Fast forward to 1926, where Giacomo Puccini's opera "Turandot" took center stage at Teatro alla Scala in Milan. The rabble eagerly awaited this grand performance, as depicted in Umberto Brunelleschi's sketch of their vibrant costumes. However, not all gatherings of the they were joyous occasions. The Peterloo massacre of 1819 left an indelible mark on history, forever etched into our collective memory through powerful engravings. Journalism played a crucial role in shedding light on such events with its vivid color lithographs. In times of revolution and tribulation, individuals like Charlotte la Corde emerged as heroes amidst chaos. Witness her trial at the Revolutionary Tribunal of Paris in 1793 through Hannah Humphrey's hand-colored etching - a testament to bravery against oppressive forces. The allure of adventure beckons us further into history; Quentin Durward takes us on his journey through Liege, Belgium during1827-28. His story comes alive on canvas as we immerse ourselves in his world painted with oil strokes. Yet even amidst turmoil and strife, there are moments of respite and cultural exchange. In Venice during 1797, witness the French mingling with locals outside St Mark's Cathedral - a scene immortalized forever through an evocative engraving. Le Vocabulaire Illustre brings together diverse perspectives on society's lower classes - from Populace to Rabble to Pobel - reminding us that every voice matters and deserves recognition.