R Bowyer Mm Parkes Collection

Sepulchers of the Kings of Judah. 2 Chronicles, 32. 33, 1830. Artist: J Clarke
Sepulchers of the Kings of Judah. 2 Chron, 32.33, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Tower on Mount Zion. Psalms 48. 2. 1830. Artist: J Clarke
Tower on Mount Zion. Psalms 48.2. 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Fountain of Siloam. John. 9. 7. 1830. Artist: J Clarke
Fountain of Siloam. John. 9.7. 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie

Samos. Acts, 20. 15, 1830. Artist: J Clarke
Samos. Acts, 20.15, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Jerusalem. Matthew. 21. 1, 1830. Artist: J Clarke
Jerusalem. Math. 21. 1, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Bethlehem. Luke, 2. 4, 1830. Artist: J Clarke
Bethlehem. Luke, 2.4, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Tomb of Joseph of Arimathea. Luke, 23. 50. 54, 1830. Artist: J Clarke
Tomb of Joseph of Arimathea. Luke, 23. 50. 54, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Cnidus. Acts. 27. 7, 1830. Artist: J Clarke
Cnidus. Acts. 27.7, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Bridge over the Brook Cedron. John, 18. 1, 1830. Artist: J Clarke
Bridge over the Brook Cedron. John, 18.1, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Sepulchre of Rachel. Genesis. 35. 20, 1830. Artist: J Clarke
Sepulchre of Rachel. Gen. 35.20, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie

City of Corinth. Acts. 18. 1, 1830. Artist: J Clarke
City of Corinth. Acts. 18.1, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Tomb in the Valley of Jehoshaphat. Joel, 3. 2. 1830. Artist: J Clarke
Tomb in the Valley of Jehoshaphat. Joel, 3.2. 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Sepulchres of the Judges of Israel. Judges 8. 32. 1830. Artist: J Clarke
Sepulchres of the Judges of Israel. Judges 8.32. 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Pool of Bethesda. John. 5. 2. 1830. Artist: J Clarke
Pool of Bethesda. John. 5.2. 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

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"Exploring the Sacred: J Clarke's Artistic Journey through Biblical Landmarks" Step into a world of ancient wonders as we delve into the captivating artwork of J Clarke. With meticulous attention to detail, Clarke brings to life significant biblical sites that have stood the test of time. In "Sepulchers of the Kings of Judah, " we are transported back to 2 Chronicles, 32. 33, where grand tombs hold the remains of revered kings. The artist's skillful brushstrokes capture both the solemnity and majesty surrounding these hallowed grounds. Moving on to "Tower on Mount Zion, " inspired by Psalms 48. 2, we witness a towering structure that stands as a testament to Jerusalem's strength and spirituality. Clarke's use of light and shadow creates an ethereal atmosphere that invites contemplation. Next, our gaze falls upon "Fountain of Siloam, " based on John 9. 7. Here, water cascades gently over stone in a scene imbued with healing symbolism. The artist masterfully captures this pivotal moment when faith intersects with miracles. "Samos" transports us to Acts 20. 15, where bustling streets come alive under Clarke's skilled hand. Vibrant colors and intricate details transport viewers straight into this vibrant cityscape teeming with life and culture. In Matthew 21:1-inspired piece titled "Jerusalem, " we stand at its gates alongside throngs welcoming Jesus triumphantly during his final days before crucifixion. Through careful composition and vivid hues, Clarke evokes both excitement and foreboding in equal measure. "Bethlehem" takes us back in time to Luke 2:4 when Mary gave birth to baby Jesus amidst humble surroundings—a poignant reminder that greatness can emerge from unexpected places—while showcasing Clarke's ability to evoke emotion through his artistry. The somber ambiance envelops us as we approach Luke 23:50-54's "Tomb of Joseph of Arimathea.