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R Bowyer Mm Collection

"Exploring the Sacred

Background imageR Bowyer Mm Collection: Sepulchers of the Kings of Judah. 2 Chronicles, 32. 33, 1830. Artist: J Clarke

Sepulchers of the Kings of Judah. 2 Chronicles, 32. 33, 1830. Artist: J Clarke
Sepulchers of the Kings of Judah. 2 Chron, 32.33, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Background imageR Bowyer Mm Collection: Tower on Mount Zion. Psalms 48. 2. 1830. Artist: J Clarke

Tower on Mount Zion. Psalms 48. 2. 1830. Artist: J Clarke
Tower on Mount Zion. Psalms 48.2. 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Background imageR Bowyer Mm Collection: Fountain of Siloam. John. 9. 7. 1830. Artist: J Clarke

Fountain of Siloam. John. 9. 7. 1830. Artist: J Clarke
Fountain of Siloam. John. 9.7. 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie

Background imageR Bowyer Mm Collection: Samos. Acts, 20. 15, 1830. Artist: J Clarke

Samos. Acts, 20. 15, 1830. Artist: J Clarke
Samos. Acts, 20.15, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Background imageR Bowyer Mm Collection: Jerusalem. Matthew. 21. 1, 1830. Artist: J Clarke

Jerusalem. Matthew. 21. 1, 1830. Artist: J Clarke
Jerusalem. Math. 21. 1, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Background imageR Bowyer Mm Collection: Bethlehem. Luke, 2. 4, 1830. Artist: J Clarke

Bethlehem. Luke, 2. 4, 1830. Artist: J Clarke
Bethlehem. Luke, 2.4, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Background imageR Bowyer Mm Collection: Tomb of Joseph of Arimathea. Luke, 23. 50. 54, 1830. Artist: J Clarke

Tomb of Joseph of Arimathea. Luke, 23. 50. 54, 1830. Artist: J Clarke
Tomb of Joseph of Arimathea. Luke, 23. 50. 54, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Background imageR Bowyer Mm Collection: Cnidus. Acts. 27. 7, 1830. Artist: J Clarke

Cnidus. Acts. 27. 7, 1830. Artist: J Clarke
Cnidus. Acts. 27.7, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Background imageR Bowyer Mm Collection: Bridge over the Brook Cedron. John, 18. 1, 1830. Artist: J Clarke

Bridge over the Brook Cedron. John, 18. 1, 1830. Artist: J Clarke
Bridge over the Brook Cedron. John, 18.1, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Background imageR Bowyer Mm Collection: Sepulchre of Rachel. Genesis. 35. 20, 1830. Artist: J Clarke

Sepulchre of Rachel. Genesis. 35. 20, 1830. Artist: J Clarke
Sepulchre of Rachel. Gen. 35.20, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie

Background imageR Bowyer Mm Collection: City of Corinth. Acts. 18. 1, 1830. Artist: J Clarke

City of Corinth. Acts. 18. 1, 1830. Artist: J Clarke
City of Corinth. Acts. 18.1, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Background imageR Bowyer Mm Collection: Tomb in the Valley of Jehoshaphat. Joel, 3. 2. 1830. Artist: J Clarke

Tomb in the Valley of Jehoshaphat. Joel, 3. 2. 1830. Artist: J Clarke
Tomb in the Valley of Jehoshaphat. Joel, 3.2. 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Background imageR Bowyer Mm Collection: Sepulchres of the Judges of Israel. Judges 8. 32. 1830. Artist: J Clarke

Sepulchres of the Judges of Israel. Judges 8. 32. 1830. Artist: J Clarke
Sepulchres of the Judges of Israel. Judges 8.32. 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Background imageR Bowyer Mm Collection: Pool of Bethesda. John. 5. 2. 1830. Artist: J Clarke

Pool of Bethesda. John. 5. 2. 1830. Artist: J Clarke
Pool of Bethesda. John. 5.2. 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R


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"Exploring the Sacred: J Clarke's Artistic Journey through Biblical Landmarks" Step into a world of ancient wonders as J Clarke takes us on a visual pilgrimage to some of the most significant biblical sites. In his captivating artwork, we witness the sepulchers of the Kings of Judah, standing as silent witnesses to a glorious past in 2 Chronicles, 32. 33. The Tower on Mount Zion rises majestically against the sky, echoing the poetic verses of Psalms 48. 2 and reminding us of Jerusalem's spiritual significance in 1830. At the Fountain of Siloam, we can almost hear echoes from John 9. 7 as healing waters flow forth, offering solace and hope to those seeking divine intervention. Samos beckons with its historical allure in Acts 20. 15 – an enchanting island that once played host to apostles and their teachings during their missionary journeys. Jerusalem comes alive through Matthew 21. 1; its bustling streets filled with anticipation as Jesus triumphantly enters on Palm Sunday – an event immortalized by J Clarke's brushstrokes. In Bethlehem (Luke 2. 4), we are transported back in time to witness humble beginnings within a stable where Christ was born – a scene forever etched in our hearts thanks to J Clarke's evocative portrayal. The Tomb of Joseph of Arimathea stands silently amidst Luke's account (23. 50-54), bearing witness to Christ's crucifixion and burial – an emblematic symbol representing sacrifice and redemption for all mankind. Journeying further brings us face-to-face with Cnidus (Acts 27. 7) - once a thriving port city now captured by J Clarke’s artistry; it reminds us that even great civilizations can fade into history’s tapestry over time. Crossing Bridge over Brook Cedron (John 18.