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Quinten Matsys Collection

Quentin Matsys, a renowned painter in the Flemish tradition, left an indelible mark on art history with his captivating works

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Quinten Matsys Collection: Portrait of a Man with a Pink, 1500 / 10. Creator: Quentin Metsys I
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Quinten Matsys Collection: The Adoration of the Magi, 1526. Creator: Quentin Metsys I
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Quinten Matsys Collection: Portrait of a Woman, ca. 1520. Creator: Quentin Metsys I
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Quinten Matsys Collection: The Moneylenders, c1515, (1912). Artist: Quentin Metsys I
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Quinten Matsys Collection: The Moneylender and his Wife, 1514. Artist: Quentin Metsys I
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Quinten Matsys Collection: Head of Christ, c15th century, (1905). Artist: Quentin Metsys I
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Quinten Matsys Collection: St Mary Magdalene, (1927). Artist: Quentin Metsys I
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Quinten Matsys Collection: Petrus Aegidius, (1927). Artist: Quentin Metsys I
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Quinten Matsys Collection: The Misers, c1480-1530 (1843). Artist: J Jackson
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Quinten Matsys Collection: Quentin Matsys, painter in the Flemish tradition, (1825). Artist: John Corner
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Quinten Matsys Collection: The Adoration of the Magi, 1526. Artist: Quentin Metsys I
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Quinten Matsys Collection: Paracelsus Aracelsus (1493-1541), Swiss-born German physician and alchemist
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Quinten Matsys Collection: Triptych, c1486-1530. Artist: Quentin Metsys I

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Quentin Matsys, a renowned painter in the Flemish tradition, left an indelible mark on art history with his captivating works. In "Portrait of a Man with a Pink" from 1500, Matsys showcases his mastery in capturing human emotions and intricate details. The subject's enigmatic gaze draws us into his world. "The Adoration of the Magi" painted in 1526 is another testament to Matsys' talent. This religious masterpiece depicts the biblical scene with vibrant colors and meticulous brushstrokes, evoking a sense of awe and reverence. Matsys also excelled in portraiture as seen in "Portrait of a Woman" circa 1520. With delicate precision, he captures the sitter's grace and beauty, leaving us captivated by her timeless allure. In "The Moneylenders, " created around 1515, Matsys delves into social commentary. He exposes the greed and corruption prevalent during that era through vivid imagery that still resonates today. One of his most famous works is "The Moneylender and his Wife" from 1514. This painting explores themes of love amidst materialism as it portrays an intimate moment between two individuals caught up in their own desires. Matsys' artistic versatility shines through even in religious subjects like "Head of Christ. " Painted during the fifteenth century but rediscovered later in 1905, this piece displays profound spirituality through its tender depiction of Jesus Christ. His skill extended beyond traditional subjects; for instance, "St Mary Magdalene" from 1927 reveals Matsys' ability to capture emotion within religious iconography while maintaining realism. "Petrus Aegidius, " also painted by him during this period, showcases his attention to detail as he immortalizes an esteemed figure through precise brushwork and lifelike representation. "The Misers, " dating back to somewhere between 1480-1530, is a satirical portrayal of greed and materialism.