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Quentin Metsys Collection

Quentin Metsys, a renowned painter in the Flemish tradition, left an indelible mark on the art world with his captivating works

Background imageQuentin Metsys Collection: Portrait of a Woman, ca. 1520. Creator: Quentin Metsys I

Portrait of a Woman, ca. 1520. Creator: Quentin Metsys I
Portrait of a Woman, ca. 1520

Background imageQuentin Metsys Collection: The Moneylenders, c1515, (1912). Artist: Quentin Metsys I

The Moneylenders, c1515, (1912). Artist: Quentin Metsys I
The Moneylenders, c1515, (1912). From Bibbys Annual 1912, [J. Bibby & Sons, Liverpool, 1912]

Background imageQuentin Metsys Collection: The Moneylender and his Wife, 1514. Artist: Quentin Metsys I

The Moneylender and his Wife, 1514. Artist: Quentin Metsys I
The Moneylender and his Wife, 1514. Painting housed in the Louvre, Paris. From A History of Painting, Volume IV by Haldane MacFall. [T. C. and E. C. Jack, London & Edinburgh, 1911]

Background imageQuentin Metsys Collection: Head of Christ, c15th century, (1905). Artist: Quentin Metsys I

Head of Christ, c15th century, (1905). Artist: Quentin Metsys I
Head of Christ, c15th century. From The Connoisseur Vol XL [Otto Limited, London, 1905.]

Background imageQuentin Metsys Collection: St Mary Magdalene, (1927). Artist: Quentin Metsys I

St Mary Magdalene, (1927). Artist: Quentin Metsys I
St Mary Magdalene, (1927). Found in the collection of the Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium. A print from Flemish and Belgian art 1300-1900

Background imageQuentin Metsys Collection: Petrus Aegidius, (1927). Artist: Quentin Metsys I

Petrus Aegidius, (1927). Artist: Quentin Metsys I
Petrus Aegidius, (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

Background imageQuentin Metsys Collection: The Misers, c1480-1530 (1843). Artist: J Jackson

The Misers, c1480-1530 (1843). Artist: J Jackson
The Misers, c1480-1530 (1843). An engraving from The Art-Union Scrap Book, Henry G Bohn, London, 1843

Background imageQuentin Metsys Collection: Quentin Matsys, painter in the Flemish tradition, (1825). Artist: John Corner

Quentin Matsys, painter in the Flemish tradition, (1825). Artist: John Corner
Quentin Matsys, painter in the Flemish tradition, (1825). An engraving of Matsys (1466-1530) from John Corners Portraits of Celebrated Painters, (London, 1825)

Background imageQuentin Metsys Collection: The Adoration of the Magi, 1526. Artist: Quentin Metsys I

The Adoration of the Magi, 1526. Artist: Quentin Metsys I
The Adoration of the Magi, 1526. Located in the collection at, Metropolitan Museum of Art, New York

Background imageQuentin Metsys Collection: Paracelsus Aracelsus (1493-1541), Swiss-born German physician and alchemist

Paracelsus Aracelsus (1493-1541), Swiss-born German physician and alchemist
Paracelsus Aracelsus (Theophrastus Bombastus Von Hohenheim) (1493-1541), Swiss-born German physician and alchemist. Paracelsus studied at Vienna University before becoming a military surgeon in

Background imageQuentin Metsys Collection: Triptych, c1486-1530. Artist: Quentin Metsys I

Triptych, c1486-1530. Artist: Quentin Metsys I
Triptych, c1486-1530. A triptych with the Crucifixion as the main panel flanked by panels of donors and saints

Background imageQuentin Metsys Collection: Portrait Woman ca 1520 Oil wood 19 x 17 48. 3 43. 2 cm

Portrait Woman ca 1520 Oil wood 19 x 17 48. 3 43. 2 cm
Artokoloro

Background imageQuentin Metsys Collection: Adoration Magi 1526 Oil wood 40 1 / 2 x 31 1 / 2

Adoration Magi 1526 Oil wood 40 1 / 2 x 31 1 / 2
Artokoloro


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Quentin Metsys, a renowned painter in the Flemish tradition, left an indelible mark on the art world with his captivating works. One of his notable creations is "Portrait of a Woman, " painted around 1520. In this masterpiece, Metsys skillfully captures the essence and beauty of his subject, bringing her to life through delicate brushstrokes and vibrant colors. Another remarkable piece by Quentin Metsys is "The Moneylenders" from c1515. This painting depicts the intricate world of finance during that era, showcasing the meticulous attention to detail for which Metsys was known. The figures in this artwork exude realism as they engage in their financial transactions. "The Moneylender and his Wife, " created in 1514, further showcases Metsys' talent for capturing human emotions. The expressions on both characters' faces reveal a complex narrative about love and trust within marriage while also highlighting societal perceptions surrounding money lending. Metsys also ventured into religious themes with works like "Head of Christ. " Painted during the fifteenth century, this piece demonstrates his ability to convey spiritual depth through subtle nuances in facial expression and lighting. In addition to these iconic paintings, Quentin Metsys explored various subjects throughout his career. His portrayal of St Mary Magdalene in 1927 exemplifies his versatility as an artist by depicting her with sensitivity and grace. "Petrus Aegidius, " another work from 1927, showcases Metsys' mastery over portraiture as he captures the essence of this individual's character through careful observation and skilled execution. One cannot discuss Quentin Metsys without mentioning "The Misers. " Created between 1480-1530 but immortalized by J Jackson's rendition in 1843, this painting reveals society's obsession with wealth at that time while also serving as a timeless commentary on greed itself.