Quentin I Collection

The Adoration of the Magi, 1526. Creator: Quentin Metsys I
The Adoration of the Magi, 1526

Portrait of a Woman, ca. 1520. Creator: Quentin Metsys I
Portrait of a Woman, ca. 1520

The Moneylenders, c1515, (1912). Artist: Quentin Metsys I
The Moneylenders, c1515, (1912). From Bibbys Annual 1912, [J. Bibby & Sons, Liverpool, 1912]

The Moneylender and his Wife, 1514. Artist: Quentin Metsys I
The Moneylender and his Wife, 1514. Painting housed in the Louvre, Paris. From A History of Painting, Volume IV by Haldane MacFall. [T. C. and E. C. Jack, London & Edinburgh, 1911]

Head of Christ, c15th century, (1905). Artist: Quentin Metsys I
Head of Christ, c15th century. From The Connoisseur Vol XL [Otto Limited, London, 1905.]

St Mary Magdalene, (1927). Artist: Quentin Metsys I
St Mary Magdalene, (1927). Found in the collection of the Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium. A print from Flemish and Belgian art 1300-1900

Petrus Aegidius, (1927). Artist: Quentin Metsys I
Petrus Aegidius, (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

The Misers, c1480-1530 (1843). Artist: J Jackson
The Misers, c1480-1530 (1843). An engraving from The Art-Union Scrap Book, Henry G Bohn, London, 1843

Quentin Matsys, painter in the Flemish tradition, (1825). Artist: John Corner
Quentin Matsys, painter in the Flemish tradition, (1825). An engraving of Matsys (1466-1530) from John Corners Portraits of Celebrated Painters, (London, 1825)

The Adoration of the Magi, 1526. Artist: Quentin Metsys I
The Adoration of the Magi, 1526. Located in the collection at, Metropolitan Museum of Art, New York

Paracelsus Aracelsus (1493-1541), Swiss-born German physician and alchemist
Paracelsus Aracelsus (Theophrastus Bombastus Von Hohenheim) (1493-1541), Swiss-born German physician and alchemist. Paracelsus studied at Vienna University before becoming a military surgeon in

Triptych, c1486-1530. Artist: Quentin Metsys I
Triptych, c1486-1530. A triptych with the Crucifixion as the main panel flanked by panels of donors and saints

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Quentin Metsys I, a renowned painter in the Flemish tradition, left an indelible mark on the art world with his exquisite masterpieces. One such masterpiece is "The Adoration of the Magi" painted in 1526. In this work, Metsys skillfully captures the awe and reverence surrounding the birth of Christ. Another captivating piece by Quentin Metsys I is "Portrait of a Woman, " created around 1520. This painting showcases his ability to depict human emotions and capture the essence of his subjects. "The Moneylenders, " painted in 1515, portrays an intriguing scene where financial transactions take place. With meticulous attention to detail, Metsys brings forth a sense of realism that draws viewers into this bustling setting. In "The Moneylender and his Wife" from 1514, Quentin Metsys I delves deeper into human relationships. The intricate expressions on their faces reveal complex emotions as they engage in their daily activities. Metsys' artistic versatility shines through in "Head of Christ" from the fifteenth century. Through delicate brushstrokes and subtle shading techniques, he conveys both divinity and humanity within this iconic religious figure. St Mary Magdalene becomes another subject for Quentin Metsys I's artistic exploration in his painting from 1927. He captures her beauty and spiritual depth with great sensitivity. "Petrus Aegidius, " also painted by Quentin Metsys I in 1927, demonstrates his talent for portraiture once again. The intricacies of Petrus' features are brought to life through careful observation and skilled execution. One cannot forget about "The Misers, " a compelling artwork dating back to c1480-1530 but later reproduced by J Jackson in 1843 based on Quentin Matsys' original creation. This thought-provoking piece depicts two individuals consumed by their love for wealth while neglecting other aspects of life.