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Prophecy Collection (page 4)

"Unveiling the Tapestry of Prophecy: From Peaceable Kingdom to Suffragette" Step into a world where ancient whispers intertwine with modern aspirations

Background imageProphecy Collection: Columbus Prophesies to Native Americans

Columbus Prophesies to Native Americans
Christopher Columbus depicted in 18th century military costume, raises his arm as he prophesies to a group of native americans. Date: 1493

Background imageProphecy Collection: Macbeth (etching)

Macbeth (etching)
1071440 Macbeth (etching) by Delacroix, Ferdinand Victor Eugene (1798-1863); 32.1x24.8 cm; Dallas Museum of Art, Texas, USA; Foundation for the Arts, The Alfred and Juanita Bromberg Collection

Background imageProphecy Collection: Grand Ascension of the Miller Tabernacle, Broadside depicting the End of

Grand Ascension of the Miller Tabernacle, Broadside depicting the End of
1077620 Grand Ascension of the Miller Tabernacle, Broadside depicting the End of the World, 1844 (litho) by American School, (19th century); Collection of the New-York Historical Society

Background imageProphecy Collection: Two seated prophets, one holding a book (chalk on paper)

Two seated prophets, one holding a book (chalk on paper)
CH441560 Two seated prophets, one holding a book (chalk on paper) by Pace, Ranieri del (1681-1738); 23x19.4 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageProphecy Collection: Naboths Vineyard, from The Bible Picture Book published by Thomas Nelson, c. 1950 (litho)

Naboths Vineyard, from The Bible Picture Book published by Thomas Nelson, c. 1950 (litho)
3482222 Naboths Vineyard, from The Bible Picture Book published by Thomas Nelson, c.1950 (litho) by Adams, Frank (1871-1944); Private Collection; American, out of copyright

Background imageProphecy Collection: The Adoration of the Magi, c. 1520-5 (oil on panel)

The Adoration of the Magi, c. 1520-5 (oil on panel)
3545913 The Adoration of the Magi, c.1520-5 (oil on panel) by Mostaert, Jan (c.1475-c.1555); 51x36.5 cm; Rijksmuseum, Amsterdam, The Netherlands; Netherlandish, out of copyright

Background imageProphecy Collection: A Finnish sorcerer foretelling the imminent death of Ivan the Terrible (engraving)

A Finnish sorcerer foretelling the imminent death of Ivan the Terrible (engraving)
3647464 A Finnish sorcerer foretelling the imminent death of Ivan the Terrible (engraving) by Baehr, Johann Karl (1801-69); Private Collection; (add.info)

Background imageProphecy Collection: The Sibyls of Tibur, Delphi, Cumae and Hellespont, Carafa Chapel

The Sibyls of Tibur, Delphi, Cumae and Hellespont, Carafa Chapel
703025 The Sibyls of Tibur, Delphi, Cumae and Hellespont, Carafa Chapel, Santa Maria sopra Minerva, Rome (fresco) by Capponi, (Raffaelo del Garbo) (1476-1524); Santa Maria sopra Minerva, Rome

Background imageProphecy Collection: Witches destroying a house by fire, Swabia in 1533, illustration from

Witches destroying a house by fire, Swabia in 1533, illustration from
530458 Witches destroying a house by fire, Swabia in 1533, illustration from Compendium Maleficarum by Francesco Maria Guazzo, 1608 (woodcut) by Italian School

Background imageProphecy Collection: Witches and sorcerers feasting at the Sabbath, illustration from

Witches and sorcerers feasting at the Sabbath, illustration from
530457 Witches and sorcerers feasting at the Sabbath, illustration from Compendium Maleficarum by Francesco Maria Guazzo, 1608 (woodcut) by Italian School

Background imageProphecy Collection: Prognostication for 1544, by Jo. Mussemius, printed by J. Mayler, 1544 (engraving)

Prognostication for 1544, by Jo. Mussemius, printed by J. Mayler, 1544 (engraving)
619568 Prognostication for 1544, by Jo. Mussemius, printed by J. Mayler, 1544 (engraving) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Background imageProphecy Collection: A Merry Prognostication for 1544 (engraving)

A Merry Prognostication for 1544 (engraving)
619567 A Merry Prognostication for 1544 (engraving) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Background imageProphecy Collection: Michel Nostradamus (1503-66) (coloured engraving)

Michel Nostradamus (1503-66) (coloured engraving)
CHT166654 Michel Nostradamus (1503-66) (coloured engraving) by French School, (19th century); Bibliotheque Nationale, Paris, France; eArchives Charmet; French, out of copyright

Background imageProphecy Collection: Danae clapsed her child closely, illustration from

Danae clapsed her child closely, illustration from
STC411986 Danae clapsed her child closely, illustration from A Wonder Book for Girls and Boys by Nathaniel Hawthorne, 1928 (colour litho) by Rackham

Background imageProphecy Collection: The Myriads of Horsemen, number 26 from The Apocalypse of Angers

The Myriads of Horsemen, number 26 from The Apocalypse of Angers
XIR162685 The Myriads of Horsemen, number 26 from The Apocalypse of Angers, 1373-87 (tapestry) by Bataille, Nicolas (fl. 1363-1400); Musee des Tapisseries, Angers

Background imageProphecy Collection: Fragment of Divining Bone (shell)

Fragment of Divining Bone (shell)
5049824 Fragment of Divining Bone (shell) by Chinese School, Shang Dynasty (13th-11th century BC); 3.8 high cm; Metropolitan Museum of Art, New York, USA; Chinese, out of copyright

Background imageProphecy Collection: Frontispiece to Les Vrayes Centuries et Propheties de Maistre Michel Nostradamus

Frontispiece to Les Vrayes Centuries et Propheties de Maistre Michel Nostradamus
XIR164895 Frontispiece to Les Vrayes Centuries et Propheties de Maistre Michel Nostradamus, after the first editions of Avignon 1556 and Lyon 1558

Background imageProphecy Collection: Frontispiece to Les Propheties de M. Michel de Nostradamus (1503-66)

Frontispiece to Les Propheties de M. Michel de Nostradamus (1503-66)
XIR164894 Frontispiece to Les Propheties de M. Michel de Nostradamus (1503-66), with a portrait of Nostradamus, published in Lyon 1568 (engraving) (b/w photo) by French School

Background imageProphecy Collection: Border with the globe at the foot, a Prognostication by Walter Gray

Border with the globe at the foot, a Prognostication by Walter Gray
619570 Border with the globe at the foot, a Prognostication by Walter Gray, printed by Watkins and Roberts, 1593 (engraving) by English School

Background imageProphecy Collection: Resurection of dry bones, Ezekiel XXXVII, ver 7 (engraving)

Resurection of dry bones, Ezekiel XXXVII, ver 7 (engraving)
6021688 Resurection of dry bones, Ezekiel XXXVII, ver 7 (engraving) by English School, (19th century); Private Collection; (add.info.: Resurection of dry bones, Ezekiel XXXVII, ver 7)

Background imageProphecy Collection: Four tarot cards depicting Justice, Temperance, Death and The Hermit

Four tarot cards depicting Justice, Temperance, Death and The Hermit
BNP159932 Four tarot cards depicting Justice, Temperance, Death and The Hermit (coloured wood engraving) by French School; Bibliotheque Nationale, Paris, France; eBibliotheque Nationale

Background imageProphecy Collection: Tiburtine Sibyl (pencil and coloured chalks on paper)

Tiburtine Sibyl (pencil and coloured chalks on paper)
BIR100721 Tiburtine Sibyl (pencil and coloured chalks on paper) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; English, out of copyright

Background imageProphecy Collection: Joseph Explaining the Dreams of the Baker and the Cupbearer, c. 1500 (oil on panel)

Joseph Explaining the Dreams of the Baker and the Cupbearer, c. 1500 (oil on panel)
5863960 Joseph Explaining the Dreams of the Baker and the Cupbearer, c.1500 (oil on panel) by Mostaert, Jan (c.1475-c.1555) (style of); 31.1x24.5 cm; Mauritshuis, The Hague

Background imageProphecy Collection: The Annunciation, c. 1480 (oil on wood)

The Annunciation, c. 1480 (oil on wood)
5672963 The Annunciation, c.1480 (oil on wood) by Bouts, Albrecht (1451/55-1549); 50.2 x 41.5 cm; Cleveland Museum of Art, OH, USA; German, out of copyright

Background imageProphecy Collection: Macbeth and the Witches, 1829-30 (oil on canvas)

Macbeth and the Witches, 1829-30 (oil on canvas)
3956468 Macbeth and the Witches, 1829-30 (oil on canvas) by Koch, Joseph Anton (1768-1839); 114 x 155.2 cm; Kunstmuseum, Basel, Switzerland; German, out of copyright

Background imageProphecy Collection: Illustration from Europe: a Prophecy, Lambeth, 1794 (ink & w / c on paper)

Illustration from Europe: a Prophecy, Lambeth, 1794 (ink & w / c on paper)
715577 Illustration from Europe: a Prophecy, Lambeth, 1794 (ink & w/c on paper) by Blake, William (1757-1827); 37.5x27 cm; Glasgow University Library

Background imageProphecy Collection: Nahum (chromolitho)

Nahum (chromolitho)
2815859 Nahum (chromolitho) by French School, (19th century); Private Collection; (add.info.: Nahum. Educational card, late 19th or early 20th century)

Background imageProphecy Collection: Isaiah (chromolitho)

Isaiah (chromolitho)
2815867 Isaiah (chromolitho) by French School, (19th century); Private Collection; (add.info.: Isaiah. Educational card, late 19th or early 20th century)

Background imageProphecy Collection: The Prophet Isaiah, 1512 (fresco)

The Prophet Isaiah, 1512 (fresco)
704491 The Prophet Isaiah, 1512 (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Basilica di Sant Agostino, Rome, Italy; Italian, out of copyright

Background imageProphecy Collection: Balaams prophecy

Balaams prophecy
LLM339381 Balaams prophecy by English School, (20th century); Private Collection; (add.info.: Balaams prophecy. Cassells Illustrated Family Bible (c 1870).); © Look and Learn

Background imageProphecy Collection: Henry Wentworth Monk, 1858 (oil on canvas)

Henry Wentworth Monk, 1858 (oil on canvas)
NUL384725 Henry Wentworth Monk, 1858 (oil on canvas) by Hughes, Arthur (1832-1915); Private Collection; (add.info.: Henry Wentworth Monk (1827-96) Canadian Christian Zionist and mystic; ); English

Background imageProphecy Collection: Lamb on Mount Zion, no. 47 from The Apocalypse of Angers, 1373-87 (tapestry)

Lamb on Mount Zion, no. 47 from The Apocalypse of Angers, 1373-87 (tapestry)
488903 Lamb on Mount Zion, no.47 from The Apocalypse of Angers, 1373-87 (tapestry) by Bataille, Nicolas (fl. 1363-1400); Musee des Tapisseries, Angers

Background imageProphecy Collection: The History of Mother Shipton, illustration from Chap-books of the Eighteenth

The History of Mother Shipton, illustration from Chap-books of the Eighteenth
489607 The History of Mother Shipton, illustration from Chap-books of the Eighteenth Century by John Ashton, pub. 1882 (litho) by English School

Background imageProphecy Collection: Joseph telling his dream to his father and brothers and pointing to eleven stars in

Joseph telling his dream to his father and brothers and pointing to eleven stars in
CH469097 Joseph telling his dream to his father and brothers and pointing to eleven stars in the sky (pen & ink and wash on paper) by Albani

Background imageProphecy Collection: The Third Trumpet and the Wormwood Star, no. 22 from The Apocalypse of Angers

The Third Trumpet and the Wormwood Star, no. 22 from The Apocalypse of Angers
XIR227251 The Third Trumpet and the Wormwood Star, no.22 from The Apocalypse of Angers, 1373-87 (tapestry) (detail of 161725) by Bataille, Nicolas (fl)

Background imageProphecy Collection: Nostradamus writing his prophecies (b / w engraving)

Nostradamus writing his prophecies (b / w engraving)
243042 Nostradamus writing his prophecies (b/w engraving) by SauvA©, Jean (c.1635-after 1692); Private Collection; (add.info)

Background imageProphecy Collection: And that toward Eden... plate 13 from Jerusalem

And that toward Eden... plate 13 from Jerusalem
XYC284249 And that toward Eden... plate 13 from Jerusalem, 1804-20 (relief etching printed in orange, with pen & w/c) by Blake, William (1757-1827); 34.3x26.4 cm; Yale Center for British Art

Background imageProphecy Collection: Prognostication everlasting, by L. & T. Digges, printed by T

Prognostication everlasting, by L. & T. Digges, printed by T
619573 Prognostication everlasting, by L. & T. Digges, printed by T. Marshe, London, 1576 (engraving) by English School, (19th century); Private Collection; The Stapleton Collection; English

Background imageProphecy Collection: Orestes consulting the oracle of Apollo at Delphi (marble)

Orestes consulting the oracle of Apollo at Delphi (marble)
LRI662321 Orestes consulting the oracle of Apollo at Delphi (marble) by Roman, (1st century AD); 91.5x75.5 cm; Museo Archeologico Nazionale, Naples, Campania, Italy; Luisa Ricciarini; out of copyright

Background imageProphecy Collection: Roman Augurs (engraving)

Roman Augurs (engraving)
654049 Roman Augurs (engraving) by English School, (19th century); Private Collection; (add.info.: Roman Augurs. Illustration from Cassells Illustrated Universal History by Edward Ollier (1890)

Background imageProphecy Collection: Portrait of Michel Nostradamus (1503-66) engraved by Christian von Mechel (1737-1817

Portrait of Michel Nostradamus (1503-66) engraved by Christian von Mechel (1737-1817
XJF128693 Portrait of Michel Nostradamus (1503-66) engraved by Christian von Mechel (1737-1817) 1762 (engraving) (b/w photo) by Metsu, Gabriel (1629-67) (after); Private Collection; Dutch

Background imageProphecy Collection: The Tree of Jesse (stained glass)

The Tree of Jesse (stained glass)
MOK120159 The Tree of Jesse (stained glass) by Burne-Jones, Edward Coley (1833-98); St. Margarets Church, Rottingdean, East Sussex

Background imageProphecy Collection: A View in Regents Park in 1831, from The Progress of Steam, pub. by S. & J

A View in Regents Park in 1831, from The Progress of Steam, pub. by S. & J
CWA93321 A View in Regents Park in 1831, from The Progress of Steam, pub. by S. & J. Fuller, 1828 (litho) by Alken, Henry Thomas (1785-1851); City of Westminster Archive Centre, London

Background imageProphecy Collection: Illustration for Le Devin du Village by Jean-Jacques Rousseau (1712-78

Illustration for Le Devin du Village by Jean-Jacques Rousseau (1712-78
CHT169029 Illustration for Le Devin du Village by Jean-Jacques Rousseau (1712-78) 1779 (engraving) (b/w photo) by Lelu, Pierre (1741-1810); Bibliotheque des Arts Decoratifs, Paris

Background imageProphecy Collection: Presages of the Millennium, published 1795 (hand coloured etching)

Presages of the Millennium, published 1795 (hand coloured etching)
FIT167669 Presages of the Millennium, published 1795 (hand coloured etching) by Gillray, James (1757-1815); 32.5x37.6 cm; Fitzwilliam Museum, University of Cambridge

Background imageProphecy Collection: A Historical and Prophetic Calendar of Michel Nostradame (Nostradamus) (1503-66

A Historical and Prophetic Calendar of Michel Nostradame (Nostradamus) (1503-66
CHT163578 A Historical and Prophetic Calendar of Michel Nostradame (Nostradamus) (1503-66) 1847 (engraving) (b/w photo) by French School, (19th century); Musee de la Ville de Paris, Musee Carnavalet

Background imageProphecy Collection: Paving detail depicting the Phrygian Sibyl (marble) (b / w photo)

Paving detail depicting the Phrygian Sibyl (marble) (b / w photo)
ALI161977 Paving detail depicting the Phrygian Sibyl (marble) (b/w photo) by Rugieri, Luigi di (15th century); Duomo, Siena, Italy; Alinari



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"Unveiling the Tapestry of Prophecy: From Peaceable Kingdom to Suffragette" Step into a world where ancient whispers intertwine with modern aspirations, as we explore the enigmatic realm of prophecy. In Edward Hicks' masterpiece "Peaceable Kingdom, " ca. 1830-32, harmony prevails amidst diverse creatures, hinting at prophecies yet to unfold. Venturing further back in time, we encounter CARMENTA, an ancient Roman prophetess who foretold great events and guided her people towards destiny. Alongside her stands Mother Shipton, a legendary English seeress whose prophetic verses captivated generations. Ernest Board's portrayal of Fortuna reminds us that fate often dances on the edge of uncertainty. Like the Christmas star illuminating planetary conjunctions, prophecies can emerge from unexpected alignments in celestial realms. Jeremiah's dictation of his prophecies to Baruch transports us to biblical times when divine messages echoed through prophets' voices. Apollo offering a libation to the raven symbolizes how even gods sought guidance from nature's signs and oracles like The Pythonesse. Ugolino da Siena's depiction of The Last Supper reveals Jesus sharing an Easter Prophecy with his disciples – a moment charged with anticipation and profound foresight. El Greco's portrayal of Saint James the Great reminds us that prophecy transcends religious boundaries and speaks directly to human hearts. Journeying across continents brings us to Chichen Itza, where Mayan civilization embraced prophecy as an integral part of their culture – predicting cosmic events with astonishing accuracy. Finally, suffragettes bravely carried forth their own Easter Prophecy for gender equality – fighting for justice against all odds. Their unwavering determination echoes throughout history as they paved the way for progress and shattered societal barriers. In this captivating tapestry woven by time itself, prophecy emerges as both a mystical force and a guiding light.