Prints Collection (page 3)

Iris Germanica (German Iris), 1805-1816 (stipple-engraving printed in colours
986196 Iris Germanica (German Iris), 1805-1816 (stipple-engraving printed in colours and finished by hand) by Redoute, Pierre Joseph (1759-1840) (after); 54.2x35.5 cm; Private Collection; (add.info)

Boltons Dragon-fly (Libellula boltonii), 1807 (hand coloured engraving)
986301 Boltons Dragon-fly (Libellula boltonii), 1807 (hand coloured engraving) by Donovan, Edward (1768-1837); Private Collection; (add.info.: Boltons Dragon-fly (Libellula boltonii). Plate 430, Vol

The Lamb, 1789 (hand-coloured relief-etching, watercolour)
985824 The Lamb, 1789 (hand-coloured relief-etching, watercolour) by Blake, William (1757-1827); 19.8x12.8 cm; Private Collection; (add.info.: The Lamb. Plate 7 from Songs of Innocence)

Grand Portico of the Temple of Philae - Nubia, 1842-1849 (tinted lithograph)
985994 Grand Portico of the Temple of Philae - Nubia, 1842-1849 (tinted lithograph) by Roberts, David (1796-1864); 62.5x45 cm; Private Collection; (add.info)

Sugar Beet (Beta vulgaris) harvested crop, heap of roots in snow covered field with deer footprints, near Tattingstone, Shotley Peninsula, Suffolk, England, February

Liberty Tunnel and Traffic Circle. ca. 1932, Pittsburgh, Pennsylvania, USA, ENTRANCE TO LIBERTY TUNNELS SHOWING TRAFFIC CIRCLE, PITTSBURGH, PA

Cabin on a Lake near the Adirondack Mountains. ca. 1940, New York, USA, Big Wolf Lake, Tupper Lake, N. Y
Cabin on a Lake near the Adirondack Mountains. ca. 1940, New York, USA, Big Wolf Lake, Tupper Lake, N.Y. Adirondack Mts.--29

The Whole Family Beer Advertisement. ca. 1941, An advertisement for Mathie Ruder Brewing Company

Alligator with Mouth Open. ca. 1936, Florida, USA, A HUNGRY ALLIGATOR IN FLORIDA

Bar in the Subway Cafe. ca. 1934, Chicago, Illinois, USA, LONGEST BAR IN THE WORLD. SUBWAY CAFE-507 N. WABASH AVE.-CHICAGO, ILL. DINE, DANCE, ENTERTAINMENT, NO COVER CHARGE, NEVER CLOSED

Norwich, LMS & L. N. E. R, c. 1940 (lithograph in colours)
1766923 Norwich, LMS & L.N.E.R, c.1940 (lithograph in colours) by Ginner, Charles (1878-1952); 100x62 cm; Private Collection; (add.info.: Norwich, LMS & L.N.E.R. Charles Ginner (1878-1952)

A Peter Pan map of Kensington Gardens, 1923 (colour litho)
1198174 A Peter Pan map of Kensington Gardens, 1923 (colour litho) by Gill, Leslie MacDonald (Max) (1884-1947); 102x127 cm; Private Collection; (add.info.: Gill)

Thoroughbreds, 1938 (colour etching and drypoint)
991034 Thoroughbreds, 1938 (colour etching and drypoint) by Icart, Louis (1888-1950); 47.5x89.5 cm; Private Collection; (add.info.: Thoroughbreds. Louis Icart (1888-1950)

Orange Fruit, Citrus Aurantium, Fructus, 1828 (hand-coloured lithograph)
986327 Orange Fruit, Citrus Aurantium, Fructus, 1828 (hand-coloured lithograph) by Strenzl, Ignaz (fl.1828) (after); 45.8x31 cm; Private Collection; (add.info.: Orange Fruit; Citrus Aurantium)

Iris Germanica, 1847 (hand-coloured engraving)
985712 Iris Germanica, 1847 (hand-coloured engraving) by Bauer, Ferdinand (1760-1826) (after); 47.4x33.3 cm; Private Collection; (add.info.: Iris Germanica. From Flora Graeca)

Viaduct across the Sankey Valley, 1831 (colour aquatints, partly hand-coloured)
1198423 Viaduct across the Sankey Valley, 1831 (colour aquatints, partly hand-coloured) by Bury, Thomas Talbot (1811-77) (after); 26.5x66 cm; Private Collection; Photo eChristies Images; English

Poster advertising the Palace Hotel at St. Moritz, 1921 (colour lithograph)
1197947 Poster advertising the Palace Hotel at St. Moritz, 1921 (colour lithograph) by Cardinaux, Emil (1877-1936); 127x90 cm; Private Collection; Photo eChristies Images; Swiss, out of copyright

Advertising poster for the aperitif Diablerets (colour lithograph)
1770036 Advertising poster for the aperitif Diablerets (colour lithograph) by D Ylen, Jean (1866-1938); 128x90 cm; Private Collection; (add.info.: Advertising poster for the aperitif Diablerets)

An advertising poster for Scarborough (colour lithograph)
1769922 An advertising poster for Scarborough (colour lithograph) by Gorbatov, Konstantin Ivanovich (1876-1928); 102x127 cm; Private Collection; (add.info.: An advertising poster for Scarborough)

A Map of Westmorland and Cumberland, 1576 (hand-coloured engraving)
985982 A Map of Westmorland and Cumberland, 1576 (hand-coloured engraving) by Saxton, Christopher (c.1542-c.1610); 38x48.5 cm; Private Collection; (add.info)

Bell Rock Milky Way
Below the milky way at Bell Rock located in Sedona, Arizona

Picture No. 10870130
Dinosaurs: footprint of a large Theropod (meat eater) dinosaur. Date:

First Avenue, Seattle, Wash. Postcard. 1904, First Avenue, Seattle, Wash. Postcard

Greeting Card from Dennisport, Massachusetts. ca. 1946, Dennisport, Massachusetts, USA, Greeting Card from Dennisport, Massachusetts

Dearborn Street Station, Chicago, Ill. Postcard. ca. 1905-1939, Dearborn Street Station, Chicago, Ill. Postcard

The Drake Hotel in Miami Beach. ca. 1938, Miami Beach, Florida, USA, THE DRAKE, MIAMI BEACH, FLORIDA. DIRECTLY ON THE OCEAN. The Drake Hotel, Ocean Drive at 15th St. Miami Beach, Florida

Postcard of Smiling Woman on Beach in Florida. ca. 1924, A Sunny Smile from Florida

Beauvoir, Home of Jefferson Davis, near Biloxi, Miss. Postcard. 1901, Beauvoir, Home of Jefferson Davis, near Biloxi, Miss. Postcard

Postcard of a Woman Photographing the Ocean. ca. 1921, 147 A Snapshot on the Beach, Atlantic City, N. J
Postcard of a Woman Photographing the Ocean. ca. 1921, 147 A Snapshot on the Beach, Atlantic City, N.J. Published by Saltzburgs Merchandise Co. Atlantic City, N.J

Postcard of a Sunbather at the Beach. ca. 1922, Taking a sun bath

Greeting Card from Grand Forks, North Dakota. ca. 1944, Greeting Card from Grand Forks, North Dakota

Heinrich Schliemann, German archaeologist C018 / 7037
Heinrich Schliemann (1822-1890). 1869 engraving of the German archaeologist Heinrich Schliemann. Schliemann is best known as the discoverer of the ruins of the legendary city of Troy

Black & White Illustration: Pearly Nautilus sectioned shell to show siphon and chambers. From Owen's monograph
PM-9693 Black & White Illustration: Pearly Nautilus sectioned shell to show siphon and chambers. From Owen's monograph Nautilus pompilio Pat Morris Please note that prints are for personal

Black & White Illustration: Stag beetle male and female, From Furneaux 1911
PM-9687 Black & White Illustration: Stag beetle male and female, From Furneaux 1911 Lucanus cervus Pat Morris Please note that prints are for personal display purposes only

Illustration: Dodo- from Strickland 1848
PM-9677 Illustration: Dodo - from Strickland 1848 Extinct Didus ineptus Mascarenes, Flightless birds Pat Morris Please note that prints are for personal display purposes only

Dunkeld, 19th century (engraving)
6199617 Dunkeld, 19th century (engraving) by Cumming, Gershom Gourlay (1810-98); 34.8x47.8 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums

A Map of the Union of South Africa, 1931 (colour litho)
1198400 A Map of the Union of South Africa, 1931 (colour litho) by Gill, Leslie MacDonald (Max) (1884-1947); 102x153 cm; Private Collection; (add.info.: Gill)

Autumn, (etching and aquatint, printed in colours)
1195013 Autumn, (etching and aquatint, printed in colours) by Icart, Louis (1888-1950); 23x17 cm; Private Collection; Photo © Christies Images

Page of Victorian printed scraps (coloured engraving)
6030295 Page of Victorian printed scraps (coloured engraving) by English School, (19th century); Private Collection; (add.info)

View at St. Rollox Looking South East; Opening of the Glasgow and Garnkirk Railway
1198425 View at St. Rollox Looking South East; Opening of the Glasgow and Garnkirk Railway, 1832 (hand-coloured lithograph) by Hill

Aguarda Que Te Unten, plate from Los Caprichos, 1799 (etching & aquatint)
3112269 Aguarda Que Te Unten, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Title page and opening page from the Kelmscott Press edition of
985837 Title page and opening page from the Kelmscott Press edition of The Works of Geoffrey Chaucer, 1896 (woodcut on vellum) by Burne-Jones, Edward Coley (1833-98) & Morris

Ruffed Grouse, 1865 (hand-coloured lithograph)
991231 Ruffed Grouse, 1865 (hand-coloured lithograph) by Elliot, Daniel Girard (fl.1860-77); 59x47 cm; Private Collection; (add.info.: Ruffed Grouse; Bonasa Umbellus)

A London and North Eastern Railway poster advertising east coast journeys to Scotland
1198172 A London and North Eastern Railway poster advertising east coast journeys to Scotland, (colour lithograph) by Gawthorn

Map of Virginia and Florida, 1667 (hand-coloured engraving, vellum)
985771 Map of Virginia and Florida, 1667 (hand-coloured engraving, vellum) by Blaeu, Joan (1596-1673) (after); 54.6x35.7 (folio size) cm; Private Collection; (add.info.: Map of Virginia and Florida)

19Th Century Map Showing Provinces And Cities Of Roman Spain

Alnwick Castle, seat of the Duke of Northumberland, circa 1783. Engraving by W Watts after Lord Duncannon. (Photo by Hulton Archive/Getty Images)

Hay Harvest
Harvesting hay in the summer of 1846. Engraving by Linton after a drawing by Duncan. Original publication: llustrated London News, 29th August 1846

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"Capturing the Imprints of Time: From Astronaut Footprints on the Moon to London's Iconic Landmarks" Witnessing history: Astronaut footprints forever etched on the surface of the Moon, a testament to human exploration and achievement. Canary Wharf in all its glory: The towering skyscrapers of UK's financial district leave their own impressive prints on London's skyline. A majestic tapestry unfolds: The Shard and Tower Bridge create an enchanting panorama, leaving indelible imprints in our memories. Icons that define a city: Houses of Parliament, Big Ben, and London Eye stand tall, imprinting their grandeur upon every visitor's heart. Connecting past and present: Waterloo Bridge spans over River Thames, bridging time with its architectural beauty and leaving lasting impressions. Nature paints a masterpiece: An Orange Harvest Moon casts its ethereal glow, imprinting serenity upon those who gaze at its celestial presence. Unsettling transformations unfold: Awful Changes capture our attention as they leave their perplexing imprints on society's ever-evolving landscape. Plate 18 reveals hidden stories: Intriguing prints tell tales untold, inviting us to delve into mysteries waiting to be unraveled. Trafalgar Square beckons with pride: Nelson's Column stands tall amidst vibrant crowds, imprinting valorous spirits within each passerby. Journey through picturesque landscapes begins here: Russell Square Underground Station serves as a gateway for explorations yet unknown but eagerly anticipated by adventurous souls seeking new imprints along England's paths. Reliving seaside dreams from yesteryears: A Southern Railway poster advertising Ramsgate transports us back to 1939 when colorful lithographs left vivid prints in people’s minds about idyllic coastal getaways.