Prints Collection (page 20)

Egyptian Locust, 1790 (hand coloured engraving)
985971 Egyptian Locust, 1790 (hand coloured engraving) by Nodder, Frederick Polydor (1773-1801); Private Collection; (add.info.: Egyptian Locust)

Quince (Cydonea mala cotonea majora), c. 1750-65 (hand-coloured engraving)
985943 Quince (Cydonea mala cotonea majora), c.1750-65 (hand-coloured engraving) by Eisenberger, Nikolaus Friedrich (1701-71); 36x23 cm; Private Collection; (add.info)

A Melon, c. 1750-1765 (hand-coloured engraving)
985941 A Melon, c.1750-1765 (hand-coloured engraving) by Eisenberger, Nikolaus Friedrich (1701-71); 36x23 cm; Private Collection; (add.info.: A Melon)

A Map of Japan, 1769 (colour engraving)
985940 A Map of Japan, 1769 (colour engraving) by German School, (18th century); 42.5x29 cm; Private Collection; (add.info.: A Map of Japan)

Title page from Coryats Crudities hastily gobled up in five moneths travells in
985935 Title page from Coryats Crudities hastily gobled up in five moneths travells in France, Savoy, Italy, Rhetia, commonly called the Grisons Country, Helvetia alias Switzerland

The Architect in a Greek Style, 1771 (engraving)
985930 The Architect in a Greek Style, 1771 (engraving) by Petitot, Ennemond Alexandre (1727-1801) (after); 39.1x27.6 cm; Private Collection; (add.info)

Le Lions en allant en Guerre, c. 1755-1759 (engraving)
985927 Le Lions en allant en Guerre, c.1755-1759 (engraving) by Oudry, Jean-Baptiste (1686-1755) (after); Private Collection; (add.info.: Le Lions en allant en Guerre. Fable CI)

Illustration of Lobster and Crab, (hand-coloured engraved plate)
985911 Illustration of Lobster and Crab, (hand-coloured engraved plate) by Knorr, Georg Wolfgang (1705-61); 50x25 cm; Private Collection; (add.info.: Illustration of Lobster and Crab)

The Commencement of the Battle of Trafalgar, October 21st 1805
985907 The Commencement of the Battle of Trafalgar, October 21st 1805, 1817 (hand-coloured aquatint) by Whitcombe, Thomas (c.1752-1824) (after); Private Collection; (add.info)

Paradisea Augustae Victoriae, 1891-1898 (hand-coloured lithograph)
985895 Paradisea Augustae Victoriae, 1891-1898 (hand-coloured lithograph) by Hart, William (1823-94); 55.2x37.3 cm; Private Collection; (add.info.: Paradisea Augustae Victoriae)

Title page to part 2, Germania geographicus tabulis illustrata
985891 Title page to part 2, Germania geographicus tabulis illustrata, 1593 (hand-coloured engraving) by Jode, Gerard de (1509-91); 41.7x30 cm; Private Collection; (add.info.: Title page to part 2)

Title page illustrating a garden scene with figures, 1529
985884 Title page illustrating a garden scene with figures, 1529 (woodcut printed with red and black inks) by English School

Descartes Composing His World System, c. 1786-1792 (colour aquatint)
985865 Descartes Composing His World System, c.1786-1792 (colour aquatint) by Desfontaines, (fl.1800) (after); 32x22.5 cm; Private Collection; (add.info.: Descartes Composing His World System)

Black-tailed Hare, c. 1849-1854 (hand-finished colour lithograph)
985864 Black-tailed Hare, c.1849-1854 (hand-finished colour lithograph) by Audubon, John Woodhouse (1812-62) (after); Private Collection; (add.info.: Black-tailed Hare)

Black American Wolf, Male, 1845 (colour lithograph)
985862 Black American Wolf, Male, 1845 (colour lithograph) by Audubon, John Woodhouse (1812-62) (after); 68.7x54.3 cm; Private Collection; (add.info.: Black American Wolf, Male; Canis Lupus)

A page from the book Small Voyages, in German, Part I: Pigafettas Congo
985835 A page from the book Small Voyages, in German, Part I: Pigafettas Congo, 1597 (half-page coloured engraving, letterpress printing) by Flemish School

The Parrot of Paradise, 1771 (hand-coloured engraving)
985814 The Parrot of Paradise, 1771 (hand-coloured engraving) by Catesby, Mark (1679-1749) (after); 51.7x37 cm; Private Collection; (add.info.: The Parrot of Paradise)

Asseola, A Seminole Leader, 1844 (coloured lithograph)
985813 Asseola, A Seminole Leader, 1844 (coloured lithograph) by King, Charles Bird (1785-1862) (after); 53x37.5 (folio) cm; Private Collection; (add.info.: Asseola, A Seminole Leader)

Cubs bred between a Lion and Tigress, three months old, 1827-1835
985811 Cubs bred between a Lion and Tigress, three months old, 1827-1835 (hand-coloured engraving) by English School, (19th century); 14.9x23.9 cm; Private Collection; (add.info)

Virginian Opossum, 1845 (coloured lithograph)
985805 Virginian Opossum, 1845 (coloured lithograph) by Audubon, John James (1785-1851) (after); 54.7x69.8 cm; Private Collection; (add.info)

Charles de Crequi is killed during the liberation of the town of Breme, c
985798 Charles de Crequi is killed during the liberation of the town of Breme, c.1786-1792 (colour aquatint engraving) by Sergent-Marceau

La Filiacion, plate from Los Caprichos, 1799 (etching & aquatint)
3112271 La Filiacion, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Nadie Nos Ha Visto, plate from Los Caprichos, 1799 (etching & aquatint)
3112268 Nadie Nos Ha Visto, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Queen Marys State Bed-chamber, Hampton Court, 1819 (hand-coloured aquatint engraving
985796 Queen Marys State Bed-chamber, Hampton Court, 1819 (hand-coloured aquatint engraving) by Cattermole, George (1800-68) (after); 33.7x27.9 (folio) cm; Private Collection; (add.info)

Arc de Triomphe pour Placer Devant le Pont de la Concorde Prix Obtenu par Sobre dans un
985786 Arc de Triomphe pour Placer Devant le Pont de la Concorde Prix Obtenu par Sobre dans un Concours Public Propose par le Gouvernement au l An 1794

A Lighthouse, 1806 (hand-coloured engraving)
985784 A Lighthouse, 1806 (hand-coloured engraving) by French School, (19th century); 53.4x36.4 (folio) cm; Private Collection; (add.info.: A Lighthouse; Phare)

Plan of New York Island with Part of Long Island, Staten Island and East New Jersey
985783 Plan of New York Island with Part of Long Island, Staten Island and East New Jersey and the Engagement on the Woody Heights of Long Island between the British Forces

Two Primates on a Tree, 1823 (hand-coloured engraving, on woven paper)
985764 Two Primates on a Tree, 1823 (hand-coloured engraving, on woven paper) by Donovan, Edward (1768-1837) (after); 24.9x15.5 cm; Private Collection; (add.info.: Two Primates on a Tree)

Seleucides Nigricans, (Shaw), c. 1891-1898 (coloured lithograph)
985735 Seleucides Nigricans, (Shaw), c.1891-1898 (coloured lithograph) by Hart, William (1823-94); 54.1x35.4 cm; Private Collection; (add.info.: Seleucides Nigricans, (Shaw)

Asseola, a Seminole Leader, c. 1837-1844 (hand-finished colour lithograph)
985731 Asseola, a Seminole Leader, c.1837-1844 (hand-finished colour lithograph) by King, Charles Bird (1785-1862) (after); Private Collection; (add.info.: Asseola, a Seminole Leader)

Celestial map of the constellations: Orion, Taurus, Aries, Pisces etc
985718 Celestial map of the constellations: Orion, Taurus, Aries, Pisces etc, 1666-1668 (hand-coloured engraving) by Dutch School

Papaver Bracteatum, 1821-1826 (hand-coloured engraving)
985708 Papaver Bracteatum, 1821-1826 (hand-coloured engraving) by Lindley, John (1799-1865); 41.8x28 cm; Private Collection; (add.info.: Papaver Bracteatum)

Primula Sinensis, 1821-1826 (hand-coloured engraving)
985707 Primula Sinensis, 1821-1826 (hand-coloured engraving) by Hooker, William (1779-1832); 41.8x28 cm; Private Collection; (add.info.: Primula Sinensis)

Dahlia Rosea, 1715 (coloured engraving)
985701 Dahlia Rosea, 1715 (coloured engraving) by French School, (18th century); 34.6x23.5 cm; Private Collection; (add.info.: Dahlia Rosea)

Sobralia Macrantha, c. 1837-43 (hand-coloured litho)
985683 Sobralia Macrantha, c.1837-43 (hand-coloured litho) by Drake, Sarah Ann (1803-57) (after); 72.9x53.1 (folio) cm; Private Collection; (add.info)

985682

To-kat-con, after 1875 (hand-finished coloured lithoraph)
985681 To-kat-con, after 1875 (hand-finished coloured lithoraph) by King, Charles Bird (1785-1862) (after); 53.1x37.5 (folio) cm; Private Collection; (add.info.: To-kat-con; A Sioux Chief)

Book cover of Histoire Charmante de l Adolescente Sucre d Amour
985575 Book cover of Histoire Charmante de l Adolescente Sucre d Amour by Joseph Charles Mardrus, 1927 (red moroccan leather, painted plate with chinese lacquer) by Schmied

Job, 1896 (colour lithograph on poster paper, framed)
985556 Job, 1896 (colour lithograph on poster paper, framed) by Mucha, Alphonse Marie (1860-1939); 52.5x39.5 cm; Private Collection; (add.info.: Job. Alphonse Marie Mucha (1860-1939)

April, Illustration from the fine art portofolio Le Mois
985548 April, Illustration from the fine art portofolio Le Mois, 1896 (colour wood engraving) by Grasset, Eugene (1841-1917); 31.5x24 (approx) cm; Private Collection; (add.info.: April)

Petrogale Xanthopus (yellow-footed rock-wallaby), 1845-1863 (hand-coloured lithograph)
991244 Petrogale Xanthopus (yellow-footed rock-wallaby), 1845-1863 (hand-coloured lithograph) by English School, (19th century); 56.3x38.7 cm; Private Collection; (add.info)

May, 1730 (hand-coloured engraving)
991242 May, 1730 (hand-coloured engraving) by English School, (18th century); Private Collection; (add.info.: May. From Twelve Months of Flowers, by Robert Furber (1674?-1756). Engraved by H

Salmo Fario (Brown Trout), 1785-1788 (hand-coloured engraving)
991238 Salmo Fario (Brown Trout), 1785-1788 (hand-coloured engraving) by German School, (18th century); 27.9x47.5 cm; Private Collection; (add.info.: Salmo Fario (Brown Trout)

Elliots Pheasant, 1865 (hand-coloured lithograph)
991232 Elliots Pheasant, 1865 (hand-coloured lithograph) by Wolf, Joseph (1820-99) & Smit, J. (fl.1870); 59x47 cm; Private Collection; (add.info.: Elliots Pheasant; Calophasis Ellioti)

View from North East, c. 1901 (colour litho)
991169 View from North East, c.1901 (colour litho) by Bauer, Leopold (1872-1938) (after); 40.5x53.3 cm; Private Collection; (add.info.: View from North East)

A Design for a Room, c. 1901 (colour litho)
991168 A Design for a Room, c.1901 (colour litho) by Bauer, Leopold (1872-1938) (after); 40.5x53.3 cm; Private Collection; (add.info.: A Design for a Room)

Childs Room and Guest Room, c. 1901 (colour litho)
991166 Childs Room and Guest Room, c.1901 (colour litho) by Bauer, Leopold (1872-1938) (after); 40.5x53.3 cm; Private Collection; (add.info.: Childs Room and Guest Room)

Music Room, Isle of Man, c. 1901 (colour lithograph)
991161 Music Room, Isle of Man, c.1901 (colour lithograph) by Baillie Scott, Mackay Hugh (1865-1945) (after); 40.5x53.3 cm; Private Collection; (add.info.: Music Room, Isle of Man)

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"Capturing the Imprints of Time: From Astronaut Footprints on the Moon to London's Iconic Landmarks" Witnessing history: Astronaut footprints forever etched on the surface of the Moon, a testament to human exploration and achievement. Canary Wharf in all its glory: The towering skyscrapers of UK's financial district leave their own impressive prints on London's skyline. A majestic tapestry unfolds: The Shard and Tower Bridge create an enchanting panorama, leaving indelible imprints in our memories. Icons that define a city: Houses of Parliament, Big Ben, and London Eye stand tall, imprinting their grandeur upon every visitor's heart. Connecting past and present: Waterloo Bridge spans over River Thames, bridging time with its architectural beauty and leaving lasting impressions. Nature paints a masterpiece: An Orange Harvest Moon casts its ethereal glow, imprinting serenity upon those who gaze at its celestial presence. Unsettling transformations unfold: Awful Changes capture our attention as they leave their perplexing imprints on society's ever-evolving landscape. Plate 18 reveals hidden stories: Intriguing prints tell tales untold, inviting us to delve into mysteries waiting to be unraveled. Trafalgar Square beckons with pride: Nelson's Column stands tall amidst vibrant crowds, imprinting valorous spirits within each passerby. Journey through picturesque landscapes begins here: Russell Square Underground Station serves as a gateway for explorations yet unknown but eagerly anticipated by adventurous souls seeking new imprints along England's paths. Reliving seaside dreams from yesteryears: A Southern Railway poster advertising Ramsgate transports us back to 1939 when colorful lithographs left vivid prints in people’s minds about idyllic coastal getaways.