Prince Maximilian Of Wied Collection

View of the Stone walls on the Upper Missouri, 1832-34 (w / c on paper)
5054763 View of the Stone walls on the Upper Missouri, 1832-34 (w/c on paper) by Bodmer, Karl (1809-93); Joslyn Museum, Omaha, Nebraska

Encampment of the travellers on the Missouri, 1834 (w / c on paper)
5054770 Encampment of the travellers on the Missouri, 1834 (w/c on paper) by Bodmer, Karl (1809-93); Joslyn Museum, Omaha, Nebraska

Pasesick-Kaskutau, 1833 (w / c on paper)
5054769 Pasesick-Kaskutau, 1833 (w/c on paper) by Bodmer, Karl (1809-93); Joslyn Museum, Omaha, Nebraska, USA; (add.info)

Mato-Tope, Adorned with the Insignia of His Warlike Deeds, 1834 (w / c on paper)
5054758 Mato-Tope, Adorned with the Insignia of His Warlike Deeds, 1834 (w/c on paper) by Bodmer, Karl (1809-93); Joslyn Museum, Omaha, Nebraska

Piegan Blackfeet Man, 1833 (w / c on paper)
5054752 Piegan Blackfeet Man, 1833 (w/c on paper) by Bodmer, Karl (1809-93); 31.43x25.4 cm; Joslyn Museum, Omaha, Nebraska

View on the Missouri, Blackbirds Grave, 1832-34 (w / c on paper)
5054755 View on the Missouri, Blackbirds Grave, 1832-34 (w/c on paper) by Bodmer, Karl (1809-93); 19.37x28.58 cm; Joslyn Museum, Omaha, Nebraska

Pehriska-Ruhpa, Hidatsa warrior, in costume of the Dog Dance, 1834 (w / c on paper)
5054768 Pehriska-Ruhpa, Hidatsa warrior, in costume of the Dog Dance, 1834 (w/c on paper) by Bodmer, Karl (1809-93); Joslyn Museum, Omaha, Nebraska

The Fox River near New Harmony, Indiana, 1832 (w / c on paper)
5054756 The Fox River near New Harmony, Indiana, 1832 (w/c on paper) by Bodmer, Karl (1809-93); Joslyn Museum, Omaha, Nebraska

Mato-Tope, Mandan Chief, 1834 (w / c on paper)
5054753 Mato-Tope, Mandan Chief, 1834 (w/c on paper) by Bodmer, Karl (1809-93); 41.9x29.53 cm; Joslyn Museum, Omaha, Nebraska

Kiasax Piegan Blackfeet Man, 1833-34 (w / c on paper)
5054764 Kiasax Piegan Blackfeet Man, 1833-34 (w/c on paper) by Bodmer, Karl (1809-93); Joslyn Museum, Omaha, Nebraska, USA; (add.info)

Assinboin Medicine Sign, 1833 (w / c on paper)
5054757 Assinboin Medicine Sign, 1833 (w/c on paper) by Bodmer, Karl (1809-93); Joslyn Museum, Omaha, Nebraska, USA; (add.info)

Head of an Antelope, 1832-34 (w / c on paper)
5054766 Head of an Antelope, 1832-34 (w/c on paper) by Bodmer, Karl (1809-93); Joslyn Museum, Omaha, Nebraska, USA; (add.info)

Abdih-Hiddisch, a Minatarre chief, 1834 (w / c on paper)
5054765 Abdih-Hiddisch, a Minatarre chief, 1834 (w/c on paper) by Bodmer, Karl (1809-93); Joslyn Museum, Omaha, Nebraska, USA; (add.info)

Chan-Cha-Uia-Teuin, Teton Woman, 1833-34 (w / c on paper)
5054759 Chan-Cha-Uia-Teuin, Teton Woman, 1833-34 (w/c on paper) by Bodmer, Karl (1809-93); Joslyn Museum, Omaha, Nebraska

Mato-tope or Four Bears, Chief of the Mandan people
6339115 Mato-tope or Four Bears, Chief of the Mandan people by Bodmer, Karl (1809-93) (after); (add.info.: Mato-tope or Four Bears, Chief of the Mandan people)

Pehriska-Ruhpa, Hidatsa warrior, 1833-34 (watercolour on paper)
5054767 Pehriska-Ruhpa, Hidatsa warrior, 1833-34 (watercolour on paper) by Bodmer, Karl (1809-93); Joslyn Museum, Omaha, Nebraska

Crow people at Fort Clarke
6339117 Crow people at Fort Clarke by Bodmer, Karl (1809-93) (after); (add.info.: Crow people at Fort Clarke. Warrior (perhaps Chief Eripuass)

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"Prince Maximilian of Wied: A Journey Through the American Frontier" Step into the captivating world of Prince Maximilian of Wied, a 19th-century explorer and naturalist who documented his extraordinary encounters with Native American tribes and breathtaking landscapes. His watercolor paintings provide us with vivid glimpses into his remarkable journey. In "View of the Stone walls on the Upper Missouri, 1832-34, " we witness the awe-inspiring grandeur of towering stone formations that guard the mighty Missouri River. The encampment depicted in "Encampment of the travelers on the Missouri, 1834" reveals a harmonious coexistence between explorers and nature amidst this untamed wilderness. "Pasesick-Kaskutau, 1833" transports us to an enchanting scene where vibrant colors dance across paper, capturing a momentous tribal gathering. Meanwhile, "Mato-Tope, Adorned with Insignia of His Warlike Deeds, 1834" showcases a proud Mandan chief adorned in symbols that reflect his valorous exploits. Through "Piegan Blackfeet Man, 1833, " we glimpse into an individual's soulful eyes as he shares stories passed down through generations. "View on the Missouri, Blackbirds Grave, 1832-34" unveils a hauntingly beautiful landscape where history intertwines with nature's serenity. Witnessing Pehriska-Ruhpa donning traditional Dog Dance attire in "Hidatsa warrior in costume of Dog Dance, 1834, " we are transported to sacred ceremonies filled with ancestral reverence. On another note entirely is "The Fox River near New Harmony Indiana, " showcasing Prince Maximilian's ability to capture diverse landscapes beyond America's frontier. "Mato-Tope Mandan Chief" portrays leadership personified; every brushstroke conveys wisdom etched upon weathered features.