Pre Hispanic Collection

Mexico, Mexico, Teotihuacan Archaeological Site, Pyramid of the Moon

Temple of Kukulcan, Chichen Itza, Yucatan, Mexico

Bolivia, Tiahuanaco Ruins, Semi-Subterranean Temple Wall, Sculptured Stone Tenon-Head

Bolivia, Tiahuanaco Ruins, Ponce Monolith Statue, Temple Gateway, Kalasasya Courtyard

South America, Peru, La Libertad, Trujillo, detail of a mural on the Moche Temple of the Moon showing the decapitator god Ai-Apaec

Entryway into the Group G palace complex in Tikal National Park, Guatemala
Guatemala, Entryway into the ruins of a palace in Group G of the archeological site of the pre-Columbian Mayan culture in Tikal National Park, UNESCO World Heritage site

Temple I in the ruins of the Mayan civilization in Tikal National Park, Guatemala
Guatemala, Temple I, or Temple of the Great Jaguar, is a funerary pyramid dedicated to Jasaw Chan K awil, who was entombed in the structure in AD 734

Huaca San Miguel, Parque de las Leyendas, Lima, Peru, 2015. Creator: Luis Rosendo
The Huaca San Miguel is a Pre Hispanic archeologic site located in Parque de las Leyendas, Park of the Legends, also known as Huaca Tres Palos, Tree Stick Huaca

Templo Dios del Viento (God of Winds Temple), Ruins of Tulum, Tulum, Quintana Roo, Mexico

El Castillo, Ruins of Tulum, Tulum, Quintana Roo, Mexico

Teotihuacan archaeological site, Valley of Mexico, State of Mexico, Mexico

South America, Peru, Cusco, Sacred Valley, Maras. A Quechua woman extracting salt from the Pre-Hispanic Inca Maras salt pans (Salinas/Salineras de Maras)

Pyramid of the Magician, Uxmal archeological site, Yucatan, Mexico

Temple of the Inscriptions; Palenque archeological site; Palenque National Park; Chiapas; Mexico

Wooden anthropomorphic figure. Chimu culture
Wooden anthropomorphic figure. There were idols and depictions of ancestors In the temples and shrines. Chimu culture. Late Intermediate Horizon (1000-1470 AD). Peru. Museum of the Americas

Censer with the image of the god Tlaloc. Ceramic
Censer with the image of the god Tlaloc, the god of rain. Ceramic. Colima style (El Chanal). Early Postclassic Period (900-1250 AD). Western Mexico. Museum of the Americas. Madrid, Spain. Date: 2018

Vase decorated with human head. Ceramics, Zapotec culture (Monte Alban III). Early and Middle Classic Period (100-700 AD). Mexico. Museum of the Americas. Madrid, Spain. Date: 2018

Large bowl. Painted ceramic. Mixteca-Puebla style. Late Postclassic Period (1350-1520 AD). Mexico. Museum of the Americas. Madrid, Spain. Date: 2018

Vase with human figure of feline traits. Ceramic. Zapotec culture (Monte Alban III). Early and Middle Classic Period (100-700 AD). Mexico. Museum of the Americas. Madrid, Spain. Date: 2018

Left to right: seated male figure and seated female figure
From left to right: seated male figure and seated female figure. Painted ceramics. Nayarit style. Protoclassic Period (100 BC-250 AD). Western Mexico. Museum of the Americas. Madrid, Spain. Date: 2018

Plate with figurative and geometric decoration. Painted ceramic. Western culture. Late Postclassic Period (1250-1500 AD). Western Mexico. Museum of the Americas. Madrid, Spain. Date: 2018

Plate decorated with depiction of two fish. Ceramics. Inca culture (1400-1533 AD). Peru. Museum of the Americas. Madrid, Spain. Date: 2018

Sculptural vessel. Ceramic. Lambayeque culture or Sican (700-1350 AD). North coast of the central Andes, Peru. Museum of the Americas. Madrid, Spain. Date: 2018

Lithic ring. Taino culture (1000-1500 AD). Stone. Caribbean. Antilles. Pre-columbian era. Museum of the Americas. Madrid, Spain. Date: 2018

Bird shaped mortar. Zoolith used to grind hallucinogens
Bird shaped mortar. Zoolith used to grind hallucinogenic substances. It was collected in 1777 by Captain Geronimo Verde on Santa Catarina Island (Brazil). Sambaqui culture (3000 BC-500 AD). Stone

Tripod vessel. Ceramic. Teotihuacan. Teotihuacan culture. Phase II-III (400-700 AD). Mexico. Museum of the Americas. Madrid, Spain. Date: 2018

Antropomorphic head. Head of the sacrificed. Palenque
Antropomorphic head. Head of the sacrificed. Drawn on the VIII sheet of the Excavation Memory. It was collected in 1787 by captain Antonio del Rio in Palenque, Chiapas, Mexico. Maya culture

Fragment of relief. It depicts the leg of the priest, wearing sandal. Drawn on the XI sheet of the Excavation Memory, was collected in 1787 by captain Antonio del Rio in Palenque, Chiapas, Mexico

Nuu-chah-nulth (Nutka) culture. Indigenous peoples of the Pacific Northwest Coast in Canada. Hat made of vegetable fiber. Last third of the 18th century. Vancouver Island, Canada

Vessel with mythical character. Ceramic. Chimu-Inca culture. Late Horizon (1470-1532 AD). Peru. Museum of the Americas. Madrid, Spain. Date: 2018

Phytomorphic vessel. Depiction of the fruit known as lucuma (Pouteria Lucuma). Piece from the excavations of the Bishop Baltasar Martinez de Companon (1785). Chimu culture

Textile fragments. Late Intermediate Horizon (1000-1450)
Textile fragments. There were different types of textiles qualities. During the Inca period, the finest was cumbi, made with vicuna. Central coast. Late Intermediate Horizon (1000-1450). Peru

Codex Mendoza (1535 - 1550), hieroglyph representing Aztec operators who want to attack the rebel city (L1)
5944067 Codex Mendoza (1535 - 1550), hieroglyph representing Aztec operators who want to attack the rebel city (L1), Aztec army chiefs (L2) by Aztec, (16th century); Bodleian Library, Oxford

Chac mool, from Tzintzuntzan, Michoacana, 10th-13th century (stone)
XIR158687 Chac mool, from Tzintzuntzan, Michoacana, 10th-13th century (stone) by Pre-Columbian; 80x145 cm; Museo Regional Michoacano, Morelia

Costume mask for the celebration of the Mexican annual festival of Guelaguetza
REV397367 Costume mask for the celebration of the Mexican annual festival of Guelaguetza (wood & plaited straw) by Mexican School; Museo Rafael Coronel

Costume mask for the celebration of the Mexican annual festival of Guelaguetza (wood
REV397369 Costume mask for the celebration of the Mexican annual festival of Guelaguetza (wood, plaited straw and paper) by Mexican School; Museo Rafael Coronel

Costume mask used by the Zapotec peoples of the Oaxaca region of Mexico (mixed media
REV397370 Costume mask used by the Zapotec peoples of the Oaxaca region of Mexico (mixed media, hair & leather) by Mexican School; Museo Rafael Coronel, Mexico; Mexican, out of copyright

Profile of a man with earrings (polychrome onyx)
REV397364 Profile of a man with earrings (polychrome onyx) by Aztec; Museo Rafael Coronel, Mexico; out of copyright

Mask and headdress (gold)
MAE176544 Mask and headdress (gold) by Pre-Columbian; Museo del Oro, Bogota, Colombia; ePaul Maeyaert; South American, out of copyright

Costume mask for the celebration of the Mexican annual festival of Guelaguetza (wood
REV397368 Costume mask for the celebration of the Mexican annual festival of Guelaguetza (wood, plaited straw & paper) by Mexican School; Museo Rafael Coronel

Warrior wearing gold ornaments (gold)
MAE176543 Warrior wearing gold ornaments (gold) by Pre-Columbian; Museo del Oro, Bogota, Colombia; ePaul Maeyaert; South American, out of copyright

Decorative plates (gold)
MAE176542 Decorative plates (gold) by Pre-Columbian; Museo del Oro, Bogota, Colombia; ePaul Maeyaert; South American, out of copyright

Detail of a mural (fresco)
829358 Detail of a mural (fresco) by Mexican School, (16th century); Church of San Miguel Archangel, Ixmiquilpan, Hidalgo

Fejervary Codex (colour litho)
980484 Fejervary Codex (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Fejervary Codex)

Panorama of the Great Plaza in the ruins of the Mayan civilization in Tikal National Park
Guatemala, Temple I, or Temple of the Great Jaguar, is a funerary pyramid dedicated to Jasaw Chan K awil, who was entombed in the structure in AD 734

Great Plaza in the ruins of the Mayan civilization in Tikal National Park, Guatemala
Guatemala, Temple I, or Temple of the Great Jaguar, is a funerary pyramid dedicated to Jasaw Chan K awil, who was entombed in the structure in AD 734

Mayan ruins in the Plaza of the Seven Temples, Tikal National Park, Guatemala
Guatemala, Mayan civilization ruins at Tikal National Park, Guatemala, a UNESCO World Heritage site, Plaza of the Seven Temples

Mayan pyramid in Mundo Perdido group, Tikal National Park, Guatemala
Guatemala, Mayan civilization ruins at Tikal National Park, a UNESCO World Heritage site, Mundo Perdido or Lost World complex

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"Exploring the Rich Heritage of Pre-Hispanic Mexico: A Glimpse into Ancient Civilizations" Immerse yourself in the captivating world of pre-Hispanic Mexico, where ancient civilizations thrived and left behind a treasure trove of cultural artifacts. One such marvel is the Teotihuacan Archaeological Site, home to iconic structures like the Pyramid of the Moon that still stand tall today. Step back in time as you admire a Funerary urn adorned with intricate depictions of Kinich Ahau, the revered solar god worshipped by many Mesoamerican cultures. Marvel at a Wooden anthropomorphic figure from the Chimu culture, its craftsmanship reflecting their artistic prowess. Witness divine imagery come to life through a Censer featuring Tlaloc, one of Mexico's most significant deities associated with rain and fertility. Delicate yet striking, a Vase decorated with a human head showcases the artistry of Zapotec culture. Travel further into history with an exquisite Large bowl painted in vibrant hues using Mixteca-Puebla style techniques. Admire another ceramic masterpiece - a Vase depicting feline traits on its human figure form - showcasing both creativity and symbolism. Observe seated male and female figures side by side; their presence evoking stories untold but preserved through time. Feast your eyes on intricately designed Plates adorned with figurative and geometric decorations that offer glimpses into ancient narratives. Dive beneath azure waters as you encounter an enchanting Plate capturing two fish in all their glory - an ode to aquatic life celebrated by indigenous artisans. Behold a Sculptural vessel from Lambayeque culture or Sican; its ceramic structure narrating tales lost to modernity yet forever etched within these artifacts. Finally, discover an enigmatic Lithic ring hailing from Taino culture in Caribbean lands; this stone relic serves as testament to their ingenuity and connection to nature.