Postcolonial Collection

Tambour Dressing Table, 1795-1810 (mahogany and tulip poplar)
3432793 Tambour Dressing Table, 1795-1810 (mahogany and tulip poplar) by Phyfe, Duncan (1768-1854); 76.2x61x50.8 cm; Los Angeles County Museum of Art, CA, USA; American, out of copyright

Library Table, 1879-82 (rosewood, brass, mother-of-pearl and abalone)
3492865 Library Table, 1879-82 (rosewood, brass, mother-of-pearl and abalone) by American School, (19th century); 152.4 long cm; Metropolitan Museum of Art, New York

Secretary-bookcase, 1825-35 (ebonized mahogany with gilding, brass and glass)
3492860 Secretary-bookcase, 1825-35 (ebonized mahogany with gilding, brass and glass) by American School, (19th century); 259 high cm; Metropolitan Museum of Art, New York

Mother and Son, 1840 (oil on canvas)
5043034 Mother and Son, 1840 (oil on canvas) by Sully, Thomas (1783-1872); 144.8x115.3 cm; Metropolitan Museum of Art, New York

Chestnut Bottle, c. 1800 (glass)
3432778 Chestnut Bottle, c.1800 (glass) by American School; 21 high cm; Los Angeles County Museum of Art, CA, USA; American, out of copyright

Armchair, 1805-15 (mahogany, cane)
3432754 Armchair, 1805-15 (mahogany, cane) by American School, (19th century); Los Angeles County Museum of Art, CA, USA; (add.info.: Possibly Ephraim Haines (United States)

Detail of a Library Table, 1879-82 (rosewood, brass, mother-of-pearl and abalone)
6372827 Detail of a Library Table, 1879-82 (rosewood, brass, mother-of-pearl and abalone) by American School, (19th century); Metropolitan Museum of Art, New York

The Knapp Children, c. 1833-34 (oil on canvas)
5667212 The Knapp Children, c.1833-34 (oil on canvas) by Waldo, Samuel Lovett (1783-1861); 177.8 x 146.1 cm; Metropolitan Museum of Art, New York

Matilda Stoughton de Jaudenes, 1794 (oil on canvas)
3746308 Matilda Stoughton de Jaudenes, 1794 (oil on canvas) by Stuart, Gilbert (1755-1828); 128.6x100.3 cm; Metropolitan Museum of Art, New York

Portrait of Jacob Gerard Koch, c. 1817 (oil on canvas)
3432751 Portrait of Jacob Gerard Koch, c.1817 (oil on canvas) by Peale, Rembrandt (1778-1860); 86.52u73.66 cm; Los Angeles County Museum of Art, CA

Portrait of Jane Griffith Koch, c. 1817 (oil on canvas)
3432750 Portrait of Jane Griffith Koch, c.1817 (oil on canvas) by Peale, Rembrandt (1778-1860); 86.36u73.82 cm; Los Angeles County Museum of Art, CA

Eliza R. Read, 1833 (oil on canvas)
3428127 Eliza R. Read, 1833 (oil on canvas) by Smith, Royall Brewster (1801-1855); 79.7x64.6 cm; National Gallery of Art, Washington DC, USA; American, out of copyright

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"Exploring the Postcolonial Aesthetics: Tracing History through Art and Furniture" Step into a world where history intertwines with art, as we delve into the captivating realm aesthetics. From exquisite furniture pieces to mesmerizing portraits, each artifact tells a unique story of cultural exchange and transformation. The Tambour Dressing Table, crafted between 1795-1810, showcases the fusion of mahogany and tulip poplar. Its elegant design reflects the influence of colonial powers on craftsmanship during this era. Moving forward in time, we encounter the Library Table from 1879-82. Made with rosewood, brass, mother-of-pearl, and abalone, it embodies opulence while hinting at global trade networks that emerged after colonization. The Secretary-bookcase from 1825-35 is an intriguing blend of ebonized mahogany adorned with gilding, brass accents, and glass panels. It exemplifies how European styles were adopted by colonized societies to create their own distinct aesthetic language. Art also plays a significant role in understanding postcolonial narratives. "Mother and Son, " an oil painting from 1840 captures tender moments amidst changing social dynamics brought about by colonialism's impact on family structures. Intriguingly shaped like a chestnut bottle dating back to c. 1800s made entirely out of glass; it symbolizes both utility and artistic expression - reminding us that even everyday objects can reflect historical shifts. An Armchair crafted between 1805-15 invites you to sit down and contemplate its rich history. Made from mahogany with cane seating - it represents comfort intertwined with influences from distant lands. Examining details within artifacts reveals hidden stories too; such as intricate designs found on the Library Table's rosewood surface embellished with brass elements alongside mother-of-pearl accents - showcasing meticulous craftsmanship influenced by diverse cultures. Portraits offer glimpses into the lives of individuals during this transformative era.