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"Exploring the Dark Side: A Glimpse into Popular Print in 18th Century France" Step back in time and immerse yourself in the captivating world of popular print, a medium that both entertained and educated the masses during the 18th century. Delve into a collection of engravings and etchings that offer a window into society's fascination with themes such as cruelty, industry, and morality. Plate I of "The Invasion" (1756) transports us to an era rife with political tension as France braces itself for potential conflict. Meanwhile, "The Idle Prentice Executed at Tyburn" (1747) confronts viewers with the consequences of idleness through its powerful imagery. Intriguingly dark, "Second Stage of Cruelty" (1751) depicts scenes that shockingly highlight man's capacity for brutality. Its counterpart, "Cruelty in Perfection, " further exposes this grim reality while urging reflection on our own actions. The series continues with "The Reward of Cruelty, " serving as a chilling reminder that every action has its consequence. Contrasting these somber works are two etchings from 1736 titled "Before" and "After. " These black-and-white photographs capture societal transformations over time, inviting contemplation on progress or regression. Marriage takes center stage in Plate VI of Hogarth's iconic series “Marriage à la Mode, ” where tragedy unfolds in “The Lady’s Death” (1745). This engraving explores themes of love, betrayal, and social expectations within marital bonds. "The Industrious Prentice Alderman of London” contrasts starkly against “The Idle One Impeached Before Him by His Accomplice. ” Together they form plate X from Hogarth’s masterpiece “Industry and Idleness” (1747), illustrating contrasting paths taken by apprentices – one leading to success through hard work, the other to ruin through idleness.