Pointillism Collection

Les Diablerets (L Oldenhorn et le Becabesson), 1903 (oil on canvas)
1769170 Les Diablerets (L Oldenhorn et le Becabesson), 1903 (oil on canvas) by Signac, Paul (1863-1935); 65x81 cm; Private Collection; (add.info.: Les Diablerets (L Oldenhorn et le Becabesson)

Sunday Afternoon on la Grande Jatte 1884. Oil on canvas. by Georges Seurat (1859-1891) French Post-Impressionist painter. Parisians enjoying a summer afternoon in a park. Water River Seine France

SEURAT: GRANDE JATTE, 1886. A Sunday Afternoon on the Island of La Grande Jatte. Oil on canvas by Georges Seurat, 1884-86

Bathers at Asnieres (Baigneurs a Asnieres), 1884. Artist: Seurat, George Pierre (1859-1891)
Bathers at Asnieres (Baigneurs a Asnieres), 1884. Found in the collection of the National Gallery, London

Study for A Sunday on La Grande Jatte, 1884. Creator: Georges-Pierre Seurat
Study for " A Sunday on La Grande Jatte", 1884

SEURAT: EIFFEL TOWER, 1889. Georges Seurat: The Eiffel Tower. Oil on panel, 1889

Sunset. Fontainebleau, 1900. Creator: Moller, Valdemar Schonheyder (1864-1905)
Sunset. Fontainebleau, 1900. Found in the Collection of Statens Museum for Kunst, Copenhagen

In July - before noon or The orchard, 1890. Found in the collection of Kroller-Muller Museum, Otterlo

Beach at Gravelines, 1890. Artist: Georges-Pierre Seurat
Beach at Gravelines, 1890. From the Courtauld Institute Galleries, London

Une Baignade, Asnieres (Bathers at Asnieres), 1884. Oil on canvas. Georges-Pierre Seurat (1859-1891) French Post-Impressionist painter

A View of Menton, 1899-1900 (oil on canvas)
CH402532 A View of Menton, 1899-1900 (oil on canvas) by Cross, Henri-Edmond (1856-1910); Private Collection; (add.info.: Vue de Menton; ); Photo eChristies Images; French, out of copyright

The Red Sail. Artist: Rysselberghe, Theo van (1862-1926)
The Red Sail. Found in the collection of Musee des Beaux-Arts, Liege

The Beach of Vignasse. Artist: Cross, Henri Edmond (1856-1910)
The Beach of Vignasse. Found in the collection of Musee d art moderne Andre Malraux Le Havre

Le Bois ou Nu sous bois, 1906-1907. Creator: Cross, Henri Edmond (1856-1910)
Le Bois ou Nu sous bois, 1906-1907. Found in the Collection of the Musee de l Annonciade, Saint-Tropez

Le Jardin du Vert-Galant, c. 1928 (oil on canvas)
1195958 Le Jardin du Vert-Galant, c. 1928 (oil on canvas) by Signac, Paul (1863-1935); 46.4x116.8 cm; Private Collection; Photo eChristies Images; French, out of copyright

The Channel of Gravelines, Grand Fort-Philippe, 1890. Artist: Seurat, George Pierre (1859-1891)
The Channel of Gravelines, Grand Fort-Philippe, 1890. Found in the collection of the National Gallery, London

untitled
Alex Lo

The Letter, c1885-1947. Artist: Pelle Swedlund
The Letter, 1865-1947. Private Collection

The Gardener, 1882-83 (oil on wood)
3468875 The Gardener, 1882-83 (oil on wood) by Seurat, Georges Pierre (1859-91); 15.9x24.8 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

The Town Beach, Collioure, Opus 165, 1887 (oil on canvas)
3432931 The Town Beach, Collioure, Opus 165, 1887 (oil on canvas) by Signac, Paul (1863-1935); 62.9x80 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Collioure. La Plage de la ville)

Interior of a Restaurant, 1887. Found in the collection of Kroller-Muller Museum, Otterlo

The Golden Horn. The Bridge, 1907. Artist: Signac, Paul (1863-1935)
The Golden Horn. The Bridge, 1907. Private Collection

Paul Signac on his boat. Artist: Rysselberghe, Theo van (1862-1926)
Paul Signac on his boat. Private Collection

Railway junction near Bois-Colombes, 1885. Artist: Signac, Paul (1863-1935)
Railway junction near Bois-Colombes, 1885. Found in the collection of the Van Gogh Museum, Amsterdam

The Port of Saint-Tropez, 1901-1902. Artist: Signac, Paul (1863-1935)
The Port of Saint-Tropez, 1901-1902. Found in the collection of the National Museum of Western Art, Tokyo

The Port of Rotterdam, 1907. Artist: Signac, Paul (1863-1935)
The Port of Rotterdam, 1907. Found in the collection of the Museum Boijmans Van Beuningen, Rotterdam

7428378

Afternoon in the Garden, 1904-5 (oil on canvas)
7755025 Afternoon in the Garden, 1904-5 (oil on canvas) by Cross, Henri-Edmond (1856-1910); 129.5 x 192 cm; Stadel Museum, Frankfurt am Main, Germany; (add.info.: By Henri-Edmond Cross)

Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones and Tints
XIR53827 Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones and Tints, Portrait of Felix Feneon in 1890 (oil on canvas) by Signac

Umbrellas At Night
Ekaterina Ermilkina

Pines Along the Shore, 1896. Creator: Henri-Edmond Cross
Pines Along the Shore, 1896

Punta della Dogana, Venice, 1923. Private Collection

Old mill in Volpedo, 1903. Private Collection

Ring Around the Rosie, 1906-1907. Found in the Collection of Galleria d arte moderna, Milano

Madame Astre, 1892. Found in the collection of Musee des Beaux-Arts, Carcassonne

Early morning at the workshop. Found in the Collection of Pinacoteca Fondazione Cassa di Risparmio di Tortona

Coolness or Under the pergola. Found in the Collection of Pinacoteca Fondazione Cassa di Risparmio di Tortona

Italian brig at Agay, 1901. Artist: Signac, Paul (1863-1935)
Italian brig at Agay, 1901. Private Collection

Sunset (L Eventail), c. 1905. Artist: Signac, Paul (1863-1935)
Sunset (L Eventail), c. 1905. Private Collection

Cypresses in Sainte-Anne (SaintTropez). Artist: Signac, Paul (1863-1935)
Cypresses in Sainte-Anne (SaintTropez). Private Collection

Sails and pines. Artist: Signac, Paul (1863-1935)
Sails and pines. Private Collection

Port-en-Bessin, The Beach. Artist: Signac, Paul (1863-1935)
Port-en-Bessin, The Beach. Found in the collection of Thyssen-Bornemisza Collections

The Mansur Gate in Meknes, Morocco. Artist: Rysselberghe, Theo van (1862-1926)
The Mansur Gate in Meknes, Morocco. Found in the collection of Thyssen-Bornemisza Collections

Mediterranean Sailing Boats, 1923. Artist: Paul Signac
Mediterranean Sailing Boats, 1923. From Modern French Painters, by Jan Gordon. [John Lane The Bodley Head Limited, London, 1923]

Le Pont de Courbevoie, 1886. Artist: Georges-Pierre Seurat
Le Pont de Courbevoie, 1886. From The Studio Volume 117. [The Offices of the Studio, London, New York, 1939.]

La Chaumiere, 1887 (1935). Artist: Camille Pissarro
La Chaumiere, 1887 (1935). After the painting by Camille Pissarro, 1935. From Modern Masterpieces Part 4. [George Newnes Ltd, London, 1935]

Cassis, Cap Lombard, Opus 196, 1889. Artist: Signac, Paul (1863-1935)
Cassis, Cap Lombard, Opus 196, 1889. Found in the collection of the Gemeentemuseum Den Haag

Venice, The Pink Cloud, 1909. Artist: Signac, Paul (1863-1935)
Venice, The Pink Cloud, 1909. Found in the collection of the Albertina, Vienna

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Discover the mesmerizing art of pointillism, a technique that revolutionized the world of painting. Pioneered by Georges Seurat in the late 19th century, this style involves creating images using tiny dots of color. One of Seurat's most famous works is 'A Sunday Afternoon on the Island of La Grande Jatte, ' where he meticulously applied countless dots to depict Parisians enjoying their leisure time. Another remarkable piece is 'Bathers at Asnieres, ' which showcases Seurat's mastery in capturing light and shadow through carefully placed dots. In his study for 'A Sunday on La Grande Jatte, ' we witness Seurat's meticulous planning and attention to detail before executing his final masterpiece. It also found its way into landscapes, as seen in Theo van Rysselberghe's 'The Red Sail' and Henri Edmond Cross' 'Le Bois ou Nu sous bois. ' These artists embraced pointillism to convey vibrant scenes with a unique texture and luminosity. Seurat even ventured beyond traditional subjects, immortalizing iconic landmarks like the Eiffel Tower in his work titled simply 'Eiffel Tower. ' The precision and patience required for it can evident here as well. Other artists such as Cross explored different settings like beaches, exemplified by Seurat's 'Beach at Gravelines' and Cross' own depiction called 'The Beach of Vignasse. ' Pointillism continued to evolve over time, with artists experimenting with new techniques while staying true to its core principles. Henri Edmond Cross showcased this evolution in his later work such as 'Le Jardin du Vert-Galant, ' where he employed brighter colors and looser brushwork while still maintaining the essence of pointillism. Step into a world where every dot matters; explore these captivating artworks that capture moments frozen in time through an intricate web of colorful points.