Poems Collection (page 2)

Scene from Petrarch's I Trionfi (colour litho)
8626248 Scene from Petrarch's I Trionfi (colour litho) by Italian School, (15th century) (after); Private Collection; (add.info.: The Triumph of Time)

Pigs feeding on acorns beneath an oak tree (colour litho)
8626080 Pigs feeding on acorns beneath an oak tree (colour litho) by English School, (19th century); Private Collection; (add.info.: Pigs feeding on acorns beneath an oak tree)

Statue of a Poetess
7287251 Statue of a Poetess; Vatican Museums and Galleries, Vatican City; (add.info.: Statue of a Poetess. The body is a 2nd century AD Roman copy of a 4th century BC original)

Portrait of Jose Velarde Yusti, Spanish poet (1848-1892), 19th century (oil on canvas)
AIS5339918 Portrait of Jose Velarde Yusti, Spanish poet (1848-1892), 19th century (oil on canvas); (add.info.: Athenee of Madrid.); © Iberfoto.

Frontispiece of "Metamorphoses" of the Latin poet Publius Ovidius Naso called Ovide (43 BC 18)
AIS5352020 Frontispiece of "Metamorphoses" of the Latin poet Publius Ovidius Naso called Ovide (43 BC 18) 1584 (engraving); © Iberfoto.

The Raven, 1875 (book cover)
8698268 The Raven, 1875 (book cover) by Manet, Edouard (1832-83); Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

The Love Books of Ovid: He will tell thee how many throats he has cut (colour litho)
5224219 The Love Books of Ovid: He will tell thee how many throats he has cut (colour litho) by Bosschere, Jean de (1878-1953); Private Collection; (add.info)

The Love Books of Ovid: Let her body become a living letter (colour litho)
5224214 The Love Books of Ovid: Let her body become a living letter (colour litho) by Bosschere, Jean de (1878-1953); Private Collection; (add.info.: Let her body become a living letter)

The Love Books of Ovid: The unforeseen encounter of some passionate lovers (colour litho)
5224213 The Love Books of Ovid: The unforeseen encounter of some passionate lovers (colour litho) by Bosschere, Jean de (1878-1953); Private Collection; (add.info)

The Love Books of Ovid: To press her softly to my side (colour litho)
5224208 The Love Books of Ovid: To press her softly to my side (colour litho) by Bosschere, Jean de (1878-1953); Private Collection; (add.info.: To press her softly to my side)

The Love Books of Ovid: Accompanied by a hound with a keen scent (colour litho)
5224196 The Love Books of Ovid: Accompanied by a hound with a keen scent (colour litho) by Bosschere, Jean de (1878-1953); Private Collection; (add.info.: Accompanied by a hound with a keen scent)

Illustration from a 1900 edition of fables by Jean de La Fontaine (1621-1695)
UIG5636430 Illustration from a 1900 edition of fables by Jean de La Fontaine (1621-1695), French fabulist and one of the most widely read French poets of the 17th century

Fables: illustration for "The Emperor's Clothing" by Hans Christian Andersen (1805-1875)
FGL5466488 Fables: illustration for "The Emperor's Clothing" by Hans Christian Andersen (1805-1875), collection of 19th century fables.; Fototeca Gilardi.

Fables: popular print from the half of the 19th century illustrating the fable of Hans Christian Andersen "The
FGL5466480 Fables: popular print from the half of the 19th century illustrating the fable of Hans Christian Andersen "The Little Matchman".; Fototeca Gilardi.

Illustration for "Le Cid", 1802 (engraving)
FGL5494021 Illustration for "Le Cid", 1802 (engraving); (add.info.: Illustration of "The Cid" poem by Guillen de Castro (1569-1631) (1618)

Battle scene,Illustration for "Le Cid" 1802 (engraving)
FGL5493995 Battle scene,Illustration for "Le Cid" 1802 (engraving); (add.info.: Illustration of "The Cid" poem by Guillen de Castro (1569-1631) (1618)

Battle scene, Illustration for "Le Cid"1802 (engraving)
FGL5493971 Battle scene, Illustration for "Le Cid"1802 (engraving); (add.info.: Illustration of "The Cid" poem by Guillen de Castro (1569-1631) (1618)

Illustration for "Le Cid", 1802 (engraving)
FGL5493936 Illustration for "Le Cid", 1802 (engraving); (add.info.: Illustration of "The Cid" poem by Guillen de Castro (1569-1631) (1618)

Illustration for "Le Cid", 1802 (engraving)
FGL5493989 Illustration for "Le Cid", 1802 (engraving); (add.info.: Illustration of "The Cid" poem by Guillen de Castro (1569-1631) (1618)

Illustration for "Le Cid", 1802 (engraving)
FGL5493974 Illustration for "Le Cid", 1802 (engraving); (add.info.: Illustration of "The Cid" poem by Guillen de Castro (1569-1631) (1618)

Wedding of Rodrigo (Rodrigue) Diaz count of Bivar (El Cid) and Chimene,Illustration for "Le Cid" 1802
FGL5493955 Wedding of Rodrigo (Rodrigue) Diaz count of Bivar (El Cid) and Chimene,Illustration for "Le Cid" 1802 (engraving); (add.info)

Illustration for "Le Cid", 1802 (engraving)
FGL5493950 Illustration for "Le Cid", 1802 (engraving); (add.info.: Illustration of "The Cid" poem by Guillen de Castro (1569-1631) (1618)

Portrait of the French poet Pierre de Ronsard (1524-1585) Etching of the 18th century
FGL5483129 Portrait of the French poet Pierre de Ronsard (1524-1585) Etching of the 18th century; Fototeca Gilardi.

Illustration for 'Les Destinees' a collection of French poems by Alfred Victor, Comte de Vigny (engraving)
5669451 Illustration for 'Les Destinees' a collection of French poems by Alfred Victor, Comte de Vigny (engraving); (add.info.: Illustration by G. Bellenger); Universal History Archive/UIG.

Illustration from a 1900 edition of fables by Jean de La Fontaine (1621-1695)
UIG5636538 Illustration from a 1900 edition of fables by Jean de La Fontaine (1621-1695), French fabulist and one of the most widely read French poets of the 17th century

Illustration from a 1900 edition of fables by Jean de La Fontaine (1621-1695)
UIG5636507 Illustration from a 1900 edition of fables by Jean de La Fontaine (1621-1695), French fabulist and one of the most widely read French poets of the 17th century

Illustration from a 1900 edition of fables by Jean de La Fontaine (1621-1695)
UIG5636505 Illustration from a 1900 edition of fables by Jean de La Fontaine (1621-1695), French fabulist and one of the most widely read French poets of the 17th century

Illustration from a 1900 edition of fables by Jean de La Fontaine (1621-1695)
UIG5636467 Illustration from a 1900 edition of fables by Jean de La Fontaine (1621-1695), French fabulist and one of the most widely read French poets of the 17th century

Illustration from a 1900 edition of fables by Jean de La Fontaine (1621-1695)
UIG5636450 Illustration from a 1900 edition of fables by Jean de La Fontaine (1621-1695), French fabulist and one of the most widely read French poets of the 17th century

Muse (engraving)
8629333 Muse (engraving) by English School, (19th century); Private Collection; (add.info.: Muse. Illustration for The History of the Irish Nation by M F Cusack (J G Murdoch)

The Hares and the Frogs (litho)
8644730 The Hares and the Frogs (litho) by Rhead, Louis John (1857-1926); Private Collection; (add.info.: The Hares and the Frogs)

The Peacock and the Magpie (colour litho)
8644727 The Peacock and the Magpie (colour litho) by Rhead, Louis John (1857-1926); Private Collection; (add.info.: The Peacock and the Magpie)

The Ant and the Grashopper (colour litho)
8644719 The Ant and the Grashopper (colour litho) by Rhead, Louis John (1857-1926); Private Collection; (add.info.: The Ant and the Grashopper)

The Stag in the Ox Stall (litho)
8644731 The Stag in the Ox Stall (litho) by Rhead, Louis John (1857-1926); Private Collection; (add.info.: The Stag in the Ox Stall)

Casabianca (colour litho)
8634770 Casabianca (colour litho) by English School, (20th century); Private Collection; (add.info.: Casabianca. Illustration for the Children's Friend Annual for 1916.); © Look and Learn.

The Pied Piper Of Hamelin (engraving)
8634734 The Pied Piper Of Hamelin (engraving) by American School, (19th century); Private Collection; (add.info.: The Pied Piper Of Hamelin)

William Ernest Henley (b/w photo)
8634665 William Ernest Henley (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: William Ernest Henley)

The young John Keats (colour litho)
8634461 The young John Keats (colour litho) by Crane, Donn P. (1878-1944); Private Collection; (add.info.: The young John Keats)

There was an Old Person of Newry, whose manners were tinctured with fury (coloured engraving)
8634421 There was an Old Person of Newry, whose manners were tinctured with fury (coloured engraving) by Lear, Edward (1812-88) (after); Private Collection; (add.info)

There was a Young Lady of Turkey, who wept when the weather was murky (coloured engraving)
8634416 There was a Young Lady of Turkey, who wept when the weather was murky (coloured engraving) by Lear, Edward (1812-88) (after); Private Collection; (add.info.: There was a Young Lady of Turkey)

There was an Old Lady of Winchelsea, who said, If you Niddle or Pin shall see (coloured engraving)
8634412 There was an Old Lady of Winchelsea, who said, If you Niddle or Pin shall see (coloured engraving) by Lear, Edward (1812-88) (after); Private Collection; (add.info)

There was an Old Man of Boulak, who sate on a Crocodile's back (coloured engraving)
8634409 There was an Old Man of Boulak, who sate on a Crocodile's back (coloured engraving) by Lear, Edward (1812-88) (after); Private Collection; (add.info.: There was an Old Man of Boulak)

There was an Old Person of Hyde, who walked by the shore with his Bride (coloured engraving)
8634386 There was an Old Person of Hyde, who walked by the shore with his Bride (coloured engraving) by Lear, Edward (1812-88) (after); Private Collection; (add.info)

There was an Old Person of Grange, whose manners were scroobious and strange (coloured engraving)
8634381 There was an Old Person of Grange, whose manners were scroobious and strange (coloured engraving) by Lear, Edward (1812-88) (after); Private Collection; (add.info)

There was an Old Man whose remorse, induced him to drink Caper Sauce (coloured engraving)
8634376 There was an Old Man whose remorse, induced him to drink Caper Sauce (coloured engraving) by Lear, Edward (1812-88) (after); Private Collection; (add.info)

There was an Old Person of Dean, who dined on one Pea and one Bean (coloured engraving)
8634367 There was an Old Person of Dean, who dined on one Pea and one Bean (coloured engraving) by Lear, Edward (1812-88) (after); Private Collection; (add.info.: There was an Old Person of Dean)

There was an Old Man of Hong Kong, who never did anything wrong (coloured engraving)
8634357 There was an Old Man of Hong Kong, who never did anything wrong (coloured engraving) by Lear, Edward (1812-88) (after); Private Collection; (add.info.: There was an Old Man of Hong Kong)

There was an Old Man of Three Bridges, whose mind was distracted by Midges (coloured engraving)
8634348 There was an Old Man of Three Bridges, whose mind was distracted by Midges (coloured engraving) by Lear, Edward (1812-88) (after); Private Collection; (add.info)

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"Exploring the Beauty of Poems: A Journey through Art and Literature" Immerse yourself in the enchanting world as we embark on a visual tour, guided by captivating illustrations and timeless verses. Begin your adventure with a glimpse into Wessex, the literary landscape that inspired Thomas Hardy's novels and poems. The intricately engraved map unveils the settings where his words came to life, transporting readers to an era filled with passion and melancholy. As you wander further, encounter a vibrant Robin Redbreast perched upon a branch, its presence echoing the delicate melodies woven within poetic lines. This illustration serves as a reminder that nature often becomes an exquisite muse for writers seeking solace or inspiration. Delve into Alfred, Lord Tennyson's masterpiece "Maud, " captured in an albumen print from 1865. The image brings forth emotions evoked by this renowned poem, allowing us to witness love's complexities amidst Victorian society. Guy de Maupassant emerges next—a French writer whose prose dances effortlessly between reality and imagination. His works remind us that poetry can exist not only in rhymes but also in vivid narratives that stir our souls. Marvel at another creation born from Tennyson's pen—this time "Mariana. " An albumen print from 1875 breathes life into Mariana's solitude while showcasing her resilience against despair—an enduring theme explored throughout literature. Robert Burns takes center stage—a Scottish poet whose verses capture both heartache and joy. His words resonate across generations, reminding us of poetry's ability to transcend time and touch countless hearts. Witness World War I come alive through knitting needles intertwined with Jessie Pope's poignant poem "The NeedleWorker. " This powerful combination showcases how artistry intertwines with patriotism during times of turmoil. Night descends gracefully upon Florence Harrison's illustration accompanying Tennyson’s poem "The Gardener s". It invites contemplation under the moonlit sky, where verses bloom like flowers in a secret garden.