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Plot Collection (page 6)

"Unraveling the Threads of Plot: From Stauffenberg to Gunpowder Plots and Beyond" In the annals of history, plots have been woven with intricate precision

Background imagePlot Collection: Jerusalem, Gethsemane, Rock where the apostles fell asleep and place where Jesus was betrayed

Jerusalem, Gethsemane, Rock where the apostles fell asleep and place where Jesus was betrayed (b / w photo)
5214418 Jerusalem, Gethsemane, Rock where the apostles fell asleep and place where Jesus was betrayed (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Jerusalem)

Background imagePlot Collection: The soul of Judas on its way to Hell (engraving)

The soul of Judas on its way to Hell (engraving)
5207610 The soul of Judas on its way to Hell (engraving) by German School, (19th century); Private Collection; (add.info.: The soul of Judas on its way to Hell)

Background imagePlot Collection: The Speakers New Rules, Character Sketches in the House of Commons (engraving)

The Speakers New Rules, Character Sketches in the House of Commons (engraving)
1037629 The Speakers New Rules, Character Sketches in the House of Commons (engraving) by English School, (19th century); Private Collection; (add.info.: The Speakers New Rules)

Background imagePlot Collection: The dynamite plot (engraving)

The dynamite plot (engraving)
614480 The dynamite plot (engraving) by English School, (19th century); Private Collection; (add.info.: The dynamite plot)

Background imagePlot Collection: The kiss of Judas (chromolitho)

The kiss of Judas (chromolitho)
971993 The kiss of Judas (chromolitho) by French School, (19th century); Private Collection; (add.info.: The kiss of Judas. Educational card.); © Look and Learn

Background imagePlot Collection: Plot to Poison the Emperor Frederic II (engraving)

Plot to Poison the Emperor Frederic II (engraving)
961600 Plot to Poison the Emperor Frederic II (engraving) by American School, (19th century) (after); Private Collection; (add.info.: The Plot to Poison the Emperor Frederic II by his Daughter)

Background imagePlot Collection: Judas Iscariot (engraving)

Judas Iscariot (engraving)
979861 Judas Iscariot (engraving) by English School, (18th century); Private Collection; (add.info.: Judas Iscariot, one of the Twelve Apostles of Jesus Christ. Engraved by John Barlow)

Background imagePlot Collection: Arrest of the conspirators at the Mermaid AD 1658 (litho)

Arrest of the conspirators at the Mermaid AD 1658 (litho)
1074115 Arrest of the conspirators at the Mermaid AD 1658 (litho) by Wollen, William Barnes (1857-1936); Private Collection; (add.info)

Background imagePlot Collection: Joseph is sold by his Brethren (coloured engraving)

Joseph is sold by his Brethren (coloured engraving)
726546 Joseph is sold by his Brethren (coloured engraving) by German School, (19th century); Private Collection; (add.info.: Joseph is sold by his Brethren)

Background imagePlot Collection: Chateau d Azay-le-Rideau (chromolitho)

Chateau d Azay-le-Rideau (chromolitho)
724760 Chateau d Azay-le-Rideau (chromolitho) by French School, (19th century); Private Collection; (add.info.: Chateau d Azay-le-Rideau)

Background imagePlot Collection: Charles VI is warned by a leper that he will be betrayed (chromolitho)

Charles VI is warned by a leper that he will be betrayed (chromolitho)
667178 Charles VI is warned by a leper that he will be betrayed (chromolitho) by French School, (19th century); Private Collection; (add.info)

Background imagePlot Collection: Denounced by a dying man (colour litho)

Denounced by a dying man (colour litho)
2807779 Denounced by a dying man (colour litho) by French School, (20th century); Private Collection; (add.info.: Denounced by a dying man)

Background imagePlot Collection: The Treachery of Judas (engraving)

The Treachery of Judas (engraving)
2787281 The Treachery of Judas (engraving) by Robida, Albert (1848-1926) (after); Private Collection; (add.info.: The Treachery of Judas)

Background imagePlot Collection: Crying woman with antlers (colour litho)

Crying woman with antlers (colour litho)
3096322 Crying woman with antlers (colour litho) by French School, (20th century); Private Collection; (add.info.: Crying woman with antlers. Postcard, early 20th century.); © Look and Learn

Background imagePlot Collection: Judas (colour photo)

Judas (colour photo)
3095821 Judas (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Judas. Postcard, early 20th century.); © Look and Learn

Background imagePlot Collection: Two little boys plotting (colour photo)

Two little boys plotting (colour photo)
3093792 Two little boys plotting (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Two little boys plotting. Postcard, early 20th century.); © Look and Learn

Background imagePlot Collection: Allotment studies by G. E. Studdy

Allotment studies by G. E. Studdy
No. I. - Back to the land and what it fills like! To tackle food shortages, people were given plots to grow their own vegetables, in this cartoon a man is in agonising back pain

Background imagePlot Collection: The Bank of England, St Pauls Cathedral and

The Bank of England, St Pauls Cathedral and the Blue-Coat School or Christs Hospital. View of the Bank of England 33, the dome of St Pauls Cathedral 34, and the Blue-Coat School for orphans 35

Background imagePlot Collection: Cleveland House by St. James Palace, London

Cleveland House by St. James Palace, London. Built by Barbara Palmer, 1st Duchess of Cleveland, mistress of King Charles II, later owned by the Duke of Bridgwater

Background imagePlot Collection: Queen Esther (plaster)

Queen Esther (plaster)
ALI280887 Queen Esther (plaster) by Serpotta, Giacomo (1656-1732); Chiesa di Santa Cita, Palermo, Sicily; Alinari

Background imagePlot Collection: Maesta: eleven scenes from the Passion, 1308-11 (tempera on panel) (reverse of 55438)

Maesta: eleven scenes from the Passion, 1308-11 (tempera on panel) (reverse of 55438)
ALI235965 Maesta: eleven scenes from the Passion, 1308-11 (tempera on panel) (reverse of 55438) by Duccio di Buoninsegna, (c.1278-1318); total:212x425 cm; Museo dell Opera del Duomo, Siena

Background imagePlot Collection: French-Telegraph Making Signals in the Dark, published by Hannah Humphrey in 1795

French-Telegraph Making Signals in the Dark, published by Hannah Humphrey in 1795
NCO190449 French-Telegraph Making Signals in the Dark, published by Hannah Humphrey in 1795 (etching with aquatint) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imagePlot Collection: Anemones in a Jug, 1910-15 (pastel on paper)

Anemones in a Jug, 1910-15 (pastel on paper)
987356 Anemones in a Jug, 1910-15 (pastel on paper) by Redon, Odilon (1840-1916); 39.4x29.5 cm; Private Collection; (add.info.: Anemones in a Jug; Anemones dans une Cruche. Odilon Redon (1840-1916)

Background imagePlot Collection: Saint Nicholas, (oil on panel)

Saint Nicholas, (oil on panel)
823290 Saint Nicholas, (oil on panel) by Weir, Robert Walter (1803-89); 75x62 cm; Private Collection; (add.info.: Saint Nicholas. Robert Walter Weir (1803-89). Oil on panel

Background imagePlot Collection: Poster for the Institute of Labour Development (IVAO) advertising a workers

Poster for the Institute of Labour Development (IVAO) advertising a workers
1197792 Poster for the Institute of Labour Development (IVAO) advertising a workers evening school, 1932 (photography and lithoy) by Bleekrode

Background imagePlot Collection: Hide and Seek, 1876 (oil on canvas)

Hide and Seek, 1876 (oil on canvas)
658477 Hide and Seek, 1876 (oil on canvas) by Ludovici, Albert Snr. (1820-94); 45x35.5 cm; Private Collection; (add.info.: Hide and Seek. Albert Ludovici, Sr. (1820-1891). Oil on canvas. Dated 1876

Background imagePlot Collection: Pandoras Box, (oil on canvas)

Pandoras Box, (oil on canvas)
989753 Pandoras Box, (oil on canvas) by Comerre, Leon Francois (1850-1916); 180x83 cm; Private Collection; (add.info.: Pandoras Box. Leon Francois Comerre (1850-1916). Oil on canvas

Background imagePlot Collection: The Moose Call, (oil on canvas)

The Moose Call, (oil on canvas)
822691 The Moose Call, (oil on canvas) by Wyeth, Newell Convers (1882-1945); 91.4x101.5 cm; Private Collection; (add.info.: The Moose Call. Newell Convers Wyeth (1882-1945). Oil on canvas

Background imagePlot Collection: Arrest of Guy Fawkes for attempting to blow up the Houses of Parliament in the Gunpowder Plot

Arrest of Guy Fawkes for attempting to blow up the Houses of Parliament in the Gunpowder Plot
6029837 Arrest of Guy Fawkes for attempting to blow up the Houses of Parliament in the Gunpowder Plot, 5 November 1605 (engraving) by English School

Background imagePlot Collection: Fictional map charting the route through Betrothal Bay (colour litho)

Fictional map charting the route through Betrothal Bay (colour litho)
6031765 Fictional map charting the route through Betrothal Bay (colour litho) by English School, (20th century); Private Collection; (add.info)

Background imagePlot Collection: Queen Elizabeth I detecting the Babington conspiracy

Queen Elizabeth I detecting the Babington conspiracy, with her Secretary, Sir Francis Walsingham, standing at her side. Date: 1586

Background imagePlot Collection: The Betrayal

The Betrayal
LLM462777 The Betrayal by Margetson, William Henry (1861-1940) (after); Private Collection; (add.info.: The Betrayal. Illustration from Childs Bible (Cassell, c 1900).); © Look and Learn

Background imagePlot Collection: Meeting of the Gunpowder plot conspirators (engraving)

Meeting of the Gunpowder plot conspirators (engraving)
614758 Meeting of the Gunpowder plot conspirators (engraving) by English School, (19th century); Private Collection; (add.info.: Meeting of the Gunpowder plot conspirators, Guy Fawkes, Catesby, etc)

Background imagePlot Collection: The Conspirators at work (engraving)

The Conspirators at work (engraving)
662513 The Conspirators at work (engraving) by English School, (19th century); Private Collection; (add.info.: The Conspirators at work)

Background imagePlot Collection: The Gunpowder Conspirators at Work, 1605 (engraving)

The Gunpowder Conspirators at Work, 1605 (engraving)
670933 The Gunpowder Conspirators at Work, 1605 (engraving) by English School, (19th century); Private Collection; (add.info.: The Gunpowder Conspirators at Work, 1605)

Background imagePlot Collection: View of the Abbey of Saint-Germain-des-Pres before 1640

View of the Abbey of Saint-Germain-des-Pres before 1640
XIR162663 View of the Abbey of Saint-Germain-des-Pres before 1640, engraved by Antoine Herisset (1685-1769) (engraving) (b/w photo) by Chaufourier, Jean (1679-1757) (after); Bibliotheque Nationale

Background imagePlot Collection: The Trial of the Cadoudal Affair, c. 1804 (w / c on paper)

The Trial of the Cadoudal Affair, c. 1804 (w / c on paper)
CHT174165 The Trial of the Cadoudal Affair, c.1804 (w/c on paper) by Polignac, Armand de (1771-1847); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imagePlot Collection: African American settlers with homestead claim, 1889 (b / w photo)

African American settlers with homestead claim, 1889 (b / w photo)
PNP246293 African American settlers with homestead claim, 1889 (b/w photo) by Swearingen, A.P. (fl.1889); Private Collection; Peter Newark American Pictures; American, out of copyright

Background imagePlot Collection: The Homestead Act, 1862 (print)

The Homestead Act, 1862 (print)
PNP246232 The Homestead Act, 1862 (print) by American School, (19th century); Private Collection; (add.info.: allowed family to own plot of undeveloped land if they had lived on it for five years or)

Background imagePlot Collection: The bad sons (colour litho)

The bad sons (colour litho)
3620920 The bad sons (colour litho) by Carrey, (fl.1900) (after); Private Collection; (add.info.: The bad sons. Ullmo and Berthon)

Background imagePlot Collection: Gunpowder Plot, Guy Fawkes lantern, Oxford University

Gunpowder Plot, Guy Fawkes lantern, Oxford University
An artefact from the Gunpowder Plot, Guy Fawkes lantern, on display at Oxford University. 17th century

Background imagePlot Collection: Un dragon previent l Empereur de la trahison d un de ses generaux (colour litho)

Un dragon previent l Empereur de la trahison d un de ses generaux (colour litho)
2790722 Un dragon previent l Empereur de la trahison d un de ses generaux (colour litho) by Bombled, Louis Charles (1862-1927) (after); Private Collection; (add.info)

Background imagePlot Collection: Down with traitors! (colour litho)

Down with traitors! (colour litho)
2779346 Down with traitors! (colour litho) by French School, (20th century); Private Collection; (add.info.: Down with traitors! The Ullmo and Berton affairs)

Background imagePlot Collection: A cook seized in his kitchen by men-at-arms on suspicion of having attempted to poison the King

A cook seized in his kitchen by men-at-arms on suspicion of having attempted to poison the King (colour litho)
3621685 A cook seized in his kitchen by men-at-arms on suspicion of having attempted to poison the King (colour litho) by Job, pseudonym for Onfray de Breville

Background imagePlot Collection: Samson trahi par Dalila (engraving)

Samson trahi par Dalila (engraving)
3625836 Samson trahi par Dalila (engraving) by French School, (19th century); Private Collection; (add.info.: Samson trahi par Dalila)

Background imagePlot Collection: The treason of Judas (colour photo)

The treason of Judas (colour photo)
3096236 The treason of Judas (colour photo) by French Photographer, (20th century); Private Collection; (add.info.: The treason of Judas. Postcard, early 20th century.); © Look and Learn

Background imagePlot Collection: The Strike Of The Cigar Makers In Venice, Fightings Between Strikers And Non-Strikers In The

The Strike Of The Cigar Makers In Venice, Fightings Between Strikers And Non-Strikers In The Streets (colour litho)
2798742 The Strike Of The Cigar Makers In Venice, Fightings Between Strikers And Non-Strikers In The Streets (colour litho) by Beltrame

Background imagePlot Collection: 'They covenanted with him for thirty pieces of silver', St Matthew, xxvi, 15 (engraving)

"They covenanted with him for thirty pieces of silver", St Matthew, xxvi, 15 (engraving)
2809746 " They covenanted with him for thirty pieces of silver", St Matthew, xxvi, 15 (engraving) by English School



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"Unraveling the Threads of Plot: From Stauffenberg to Gunpowder Plots and Beyond" In the annals of history, plots have been woven with intricate precision, leaving behind a tapestry of intrigue. One such tale begins with Stauffenberg, a name synonymous with bravery and resistance against tyranny. His audacious plan to assassinate Hitler stands as a testament to the power of conviction. But let us not forget the infamous Gunpowder Plot conspirators who sought to ignite chaos in 1605. Their diagram depicting spectral class and luminosity may have shed light on stars, but their intentions were shrouded in darkness. As we delve deeper into their motives, we encounter gypsies traversing landscapes in vibrant caravans - nomads whose stories intertwine with tales of rebellion. Remember, remember the Fifth of November when masses gather around bonfires ablaze, and is here that Guy Fawkes' declaration echoes through time, reminding us how one man's treachery can forever alter history's course. The gunpowder letter betrays secrets hidden within ink-stained parchment; it reveals an insidious plot waiting to be uncovered. Centuries later, another treasonous act comes to light as Arnold's betrayal unravels alongside John Andre's arrest in 1780. Like a garden fork piercing dug soil on an English allotment in August, truth emerges from beneath layers of deceit. These hints at various plots throughout history serve as reminders that human nature is often entangled in webs spun by ambition or desperation. Whether fueled by noble ideals or sinister desires, these narratives reveal our capacity for both heroism and villainy. As we reflect upon these captivating tales interwoven across time and continents, let us remain vigilant against those who would conspire against justice and freedom – for only then can we ensure that future they are written not with malice but with hope for a better world.