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Plate Vi Collection

Plate VI is a captivating piece of art that showcases various themes and subjects throughout different periods

Background imagePlate Vi Collection: Birds, Plate VI, 1855 (colour litho)

Birds, Plate VI, 1855 (colour litho)
1272408 Birds, Plate VI, 1855 (colour litho) by American School, (19th century); Free Library of Philadelphia; (add.info.: Birds, Plate VI, From the Pacific Railroad Surveys, U.S.P.R.R)

Background imagePlate Vi Collection: Plate VI from Campi Phlegraei: Observations of the Volcanoes of the two Sicilies

Plate VI from Campi Phlegraei: Observations of the Volcanoes of the two Sicilies
2919846 Plate VI from Campi Phlegraei: Observations of the Volcanoes of the two Sicilies by William Hamilton, 1776 (w/c on paper) by Fabris, Pietro (fl.1768-78); 45.8x32.5 cm; The University of St

Background imagePlate Vi Collection: Woman Ice - Ice Hand; Femme a Glace - La Glace a Main, Plate VI from Elles

Woman Ice - Ice Hand; Femme a Glace - La Glace a Main, Plate VI from Elles
659463 Woman Ice - Ice Hand; Femme a Glace - La Glace a Main, Plate VI from Elles, 1896 (lithograph printed in colours on wove paper) by Toulouse-Lautrec

Background imagePlate Vi Collection: La Chapelle a Minerville, Plate VI from Cantiques des Creatures, 1894 (colour litho)

La Chapelle a Minerville, Plate VI from Cantiques des Creatures, 1894 (colour litho)
995880 La Chapelle a Minerville, Plate VI from Cantiques des Creatures, 1894 (colour litho) by Dulac, Charles Marie (1865-98); 50.5x38.4 cm; Art Gallery of Ontario, Toronto

Background imagePlate Vi Collection: Plate VI Campi Phlegrae. Observations volcanos

Plate VI Campi Phlegrae. Observations volcanos
Plate VI, Campi Phlegraei.: Observations on the volcanos of the two Sicilies as they have been communicated to the Royal Society of London, Fabris, Peter, 18th cent

Background imagePlate Vi Collection: Plate VI Thomas Annan Scottish 1829 1887 Glasgow

Plate VI Thomas Annan Scottish 1829 1887 Glasgow
Plate VI; Thomas Annan (Scottish, 1829 - 1887); Glasgow, Scotland; 1897; Photogravure; Plate: 15.2 × 101 cm (6 × 39 3, 4 in.)

Background imagePlate Vi Collection: Art Lithograph Transfer Wood Engraving Plate VI

Art Lithograph Transfer Wood Engraving Plate VI
Art of the Lithograph: Transfer of a Wood Engraving, Plate VI, 1819. Alois Senefelder (German, 1771-1834). Lithograph; sheet: 30.2 x 23.3 cm (11 7/8 x 9 3/16 in.); image

Background imagePlate Vi Collection: Door Part Wall Paneling Mirrored Glass House

Door Part Wall Paneling Mirrored Glass House
Artokoloro

Background imagePlate Vi Collection: Day Le Jour series Dreams Songes plate VI 1891

Day Le Jour series Dreams Songes plate VI 1891
Artokoloro

Background imagePlate Vi Collection: AM170720 084670

AM170720 084670
8, AM170720 084670

Background imagePlate Vi Collection: AM170720 084671

AM170720 084671
8, AM170720 084671

Background imagePlate Vi Collection: Lynx constellation, 1829 C016 / 4392

Lynx constellation, 1829 C016 / 4392
Lynx constellation. 19th-century map of stars and constellations from the celestial atlas Sozviezdiia Predstavlennyia na XXX Tablitsakh (1829) by Kornelius Reissig


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Plate VI is a captivating piece of art that showcases various themes and subjects throughout different periods. In Birds, Plate VI from Campi Phlegraei: Observations of the Volcanoes of the two Sicilies (1855), we are transported to a world where vibrant birds take center stage against a backdrop of volcanic landscapes. The color litho technique used in this piece brings out the vividness and beauty of these creatures. Moving on to another interpretation, Plate VI from Elles presents us with an intriguing juxtaposition - Woman Ice - Ice Hand; Femme à Glace - La Glace à Main. This artwork challenges our perception by merging femininity with frozen elements, creating an ethereal and thought-provoking image. La Chapelle à Minerville, Plate VI from Cantiques des Creatures (1894) takes us back in time through its detailed color litho depiction. It transports us to a serene chapel nestled amidst nature's bounty, inviting contemplation and reflection. In yet another variation, Plate VI Campi Phlegrae offers observations of volcanos that captivate our imagination with their fiery presence. Thomas Annan's Scottish 1829-1887 Glasgow captures the essence of his hometown through an art lithograph transfer wood engraving on plate VI. The Door Part Wall Paneling Mirrored Glass House hints at architectural marvels that blend functionality with aesthetics seamlessly. This unique design element showcased in plate VI adds depth and character to any space it adorns. Day Le Jour series Dreams Songes plate VI (1891) invites us into a dreamlike realm filled with whimsical imagery and surreal landscapes. Its intricate details transport viewers into realms unknown while sparking their imagination. As we delve deeper into history, Albert Jacquemart's book History Ceramic Art Descriptive provides valuable insights into ceramic art evolution over time. With plate VI as part of this comprehensive work, it promises to be an enlightening journey through the ages.