Plate 4 Collection

Plate 4, fig 2 Puddingstone - from Mineralienbuch
An illustration of a polished section of puddingstone. Puddingstone is a conglomerate sedimentary rock. Plate 4, fig 2 from Mineralienbuch by F. A. Schmidt, Stuttgart 1855

Yvette Guilbert, 1894 (litho)
BAL56201 Yvette Guilbert, 1894 (litho) by Toulouse-Lautrec, Henri de (1864-1901); Private Collection; French, out of copyright

Mounted huntsman jumping a fence after a pack of hounds chasing a hare
6337431 Mounted huntsman jumping a fence after a pack of hounds chasing a hare by Howitt, Samuel (1756-1822) (after); (add.info)

Robinson Crusoe upon his raft from "The Life
3614720 A Robinson Crusoe upon his raftA from A" The Life and Strange Surprising Adventures of Robinson Crusoe, or York, MarinerA" by Daniel Defoe by Stothard

Garrulax Perspicillatus (Gmelin), 1855 (colour litho)
1272403 Garrulax Perspicillatus (Gmelin), 1855 (colour litho) by American School, (19th century); Free Library of Philadelphia; (add.info.: Hitchcock, W.E. Phila)

Four representations qualities soul plate 4 man
Four representations of the qualities of the soul, plate 4, Four representations of the soul of man. Above left, marked N. 45: a man gives alms to a beggar on the side of the road

Upright Grand Entrance Court Temple ruins Palmyra
Upright of the Grand Entrance to the Court of the Temple, The ruins of Palmyra, otherwise Tedmor, in the desert, Borra, Giovanni Battista, 1713-1770, Engraving, 1753, Plate 4, inscribed

Plate 4 Les trauaux d Vlysse Abate Nicolo dell
Plate 4, Les trauaux d Vlysse, Abate, Nicolo dell, ca. 1509-1571, Primaticcio, Francesco, 1504-1570, Thulden, Theodoor van, 1606-1669, Etching, 1640

Plate 4 Beschreibung einer ungemein grossen Elektrisier-Maschine
Plate 4, Beschreibung einer ungemein grossen Elektrisier-Maschine und der damit im Teylerschen Museum zu Haarlem angestelten Versuche, Eschenbach, H.C.W. Marum, M

Elevation Temple Antiquities Magna Graecia Longman
Elevation of the Temple, The Antiquities of Magna Graecia, Longman, Hurst, Orme, and Rees, Watts, Richard, Wilkins, William, 1778-1839, Engraving, 1807, printed in bistre, from Chapter 4, Plate 4

Lib IV Tabula IV Adriani Spigelii Bruxellensis
Lib. IV, Tabula IV, Lib. IV, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Praefecture Paranambucae Pars Borealis una cum Praefectura de Itamaraca, Casparis Barlaei, rervm per octennivm in Brasilia et alibi nuper gestarum: sub praefectura illustrissimi Comitis I

Planche IV Vue Generale du Laurentin Le Laurentin
Planche IV: Vue Generale du Laurentin. Le Laurentin: maison de campagne de Pline-le-consul: restitue d apres sa lettre a Gallus, Bouchet, Jules Frederic, 1799-1860, Engraving, 1852, plate 4

View Athens Itinerarium curiosum account antiquities
A View at Athens, Itinerarium curiosum or, An account of the antiquities, and remarkable curiosities in nature or art, observed in travels through Great Britain, Baker and Leigh, Stukeley, William

Plate 4 Tratado instructivo y practico sobre el
Plate 4, Tratado instructivo, y practico, sobre el arte de la tintura: reglas experimentadas y metodicas para tintar sedas, lanas, hilos de todas clases, y esparto en rama, Fernandez, Luis

published le Charivari no du 5 decembre 1841
published in le Charivari (no. du 5 decembre 1841): The Bohemians of Paris, plate 4: The Collector of Cigar Stubs, 5 December 1841. Honore Daumier (French, 1808-1879), Aubert

Suite de Paysages Landscape Plate 4 Remarque
Suite de Paysages: Landscape, Plate 4, Remarque, Snake, 1892-1893. Charles Marie Dulac (French, 1865-1898), Printer: Lemercier, Imprimeur Lemercier (per colophon). Color lithograph

Suite Vases Plate 4 1746 Jacques Francois Saly
Suite of Vases: Plate 4, 1746. Jacques Francois Saly (French, 1717-1776). Etching

Liber Studiorum Plate 4 View Yare Norfolk 1838
Liber Studiorum: Plate 4, View on the Yare, Norfolk, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Mascarade a la Grecque Bergere a la Grecque
Mascarade a la Grecque: Bergere a la Grecque (Plate 4), 1771. Benigno Bossi (Italian, 1727-1792). Etching

published le Charivari no du 30 mars 1842 Ancient History
published in le Charivari (no du 30 mars 1842): Ancient History, plate 4: The Presentation of Ulysses to Nausica, 30 March 1842. Honore Daumier (French, 1808-1879), Aubert

Copernican planisphere, 1708
Copernican planisphere. This is plate 4 from the 1708 edition of the star atlas Harmonica Macrocosmica by the Dutch-German mathematician and cosmographer Andreas Cellarius (1596-1665)

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Eight vases largest center sculptures nymph faun
Artokoloro

Plate 4 cartouche formed tiger skin flanked two centaurs
Artokoloro

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Plate 4 two profiles three mouths Book Learning
Artokoloro

Plate 4 horse profile facing left descend mound
Artokoloro

Drawings Prints, Print, World, Perishing, Together, Knowledge, Love, Unrestrained World
Drawings and Prints, Print, The World Perishing Together with Knowledge and Love, from The Unrestrained World, plate 4, The Unrestrained World, Artist, After, Dirk Volckertsz Coornhert

Scene French Coast Liber Studiorum part I plate 4
Artokoloro

Plate 4 remains classical monument right surmounted
Artokoloro

Drawings Prints, Print, Triumph Envy, Cycle, Vicissitudes, Human, Affairs, plate 4
Drawings and Prints, Print, The Triumph of Envy, from The Cycle of the Vicissitudes of Human Affairs, plate 4, The Cycle of the Vicissitudes of Human Affairs, Artist, Publisher, After, Cornelis Cort

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Honest Iago my Desdemona must I leave thee plate 4
Artokoloro

Plate 4 Corinthian capital ground left foreground
Artokoloro

Two Designs Friezes Acanthus Scrolls Variant
Artokoloro

Plate 4 head old woman bonnet looking left Various heads
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Plate 4 Psyche father consulting oracle Fable
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Road Edge Forest Verscheyden Landtschapjes Various Landscapes
Artokoloro

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Adam Eve Hide Themselves Story Eve 1540 Engraving
Artokoloro

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"Plate 4: A Captivating Collection of Art and Architecture" This diverse plate showcases an array of captivating subjects, each with its own unique story to tell. Starting with Plate 4, Fig 2 Puddingstone from Mineralienbuch, we are drawn into the mesmerizing beauty of nature's creations. Moving on to Yvette Guilbert litho from 1894, we witness a moment frozen in time - a mounted huntsman fearlessly leaping over a fence in pursuit of hounds chasing a hare. The intensity and energy captured here is truly remarkable. Next, we delve into the world of architecture with Paul Marie Letarouilly's engravings. The symmetrical stairs on the sloping site of Belvedere Courtyard leave us in awe of Bramante's ingenuity. We then explore the intricate details of the ground floor plan and colonnade at St Peter's Basilica within Vatican City. Continuing our architectural journey, Letarouilly presents us with outer shell designs featuring large and small domes adorned with balustrades and lanterns. Donato Bramante's visionary design for St Peter's Basilica also graces this plate, showcasing his brilliance as an architect. Shifting gears slightly, we encounter Robinson Crusoe upon his raft from "The Life, " reminding us of the power that literature holds in capturing our imaginations. And amidst all these wonders lies Garrulax Perspicillatus (Gmelin), a colorful bird brought to life through vibrant lithography. Lastly, we gaze upon Copernican Planisphere from 1708 – an astronomical marvel that revolutionized our understanding of the universe. In Plate 4 lies a tapestry woven together by artistry and intellect; it invites us to appreciate both natural beauty and human creativity across various disciplines.