Fraud Blocker Skip to main content

Pinazo Collection

Ignacio Pinazo Camarlench (1849-1916) was a renowned Spanish painter known for his diverse range of subjects and styles

Background imagePinazo Collection: Under The Apple Tree

Under The Apple Tree
A group portrait oil painting of a young woman wearing a fine green dress, sat beside an older man in a purple cloak and black hat, under an apple tree. Date: circa 1921

Background imagePinazo Collection: Woman With Vase

Woman With Vase
A portrait painting of a young woman, seen from behind, she is looking over her left shoulder, with her arm rested upon a large, decorative green and yellow vase

Background imagePinazo Collection: Mother And Children

Mother And Children
A group portrait painting of a mother, wearing a yellow dress, holding an illustrious bouquet of roses, standing between two young girls, carrying a jug and a bowl of fruit in the garden

Background imagePinazo Collection: The daughters of the Cid, oil, 1879

The daughters of the Cid, oil, 1879

Background imagePinazo Collection: King Francis I of France arrives in Valencia Oil by Ignacio Pinazo

King Francis I of France arrives in Valencia Oil by Ignacio Pinazo

Background imagePinazo Collection: PINAZO CAMARLENCH, Ignacio. The Signalman

PINAZO CAMARLENCH, Ignacio. The Signalman
PINAZO CAMARLENCH, Ignacio (1849-1916). The Signalman. 1877. Oil on canvas. SPAIN. Valencia. San Pio V Fine Arts Museum

Background imagePinazo Collection: PINAZO CAMARLENCH, Ignacio (1849-1916). Last

PINAZO CAMARLENCH, Ignacio (1849-1916). Last Moments of King James I. 1887. SPAIN. Valencia. Generalitat Palace. Oil on canvas

Background imagePinazo Collection: PINAZO CAMARLENCH, Ignacio (1849-1916). My Son

PINAZO CAMARLENCH, Ignacio (1849-1916). My Son Ignacio Drawing. 1890. Oil on canvas. SPAIN. Valencia. San Pio V Fine Arts Museum

Background imagePinazo Collection: PINAZO CAMARLENCH, Ignacio (1849-1916). Altar

PINAZO CAMARLENCH, Ignacio (1849-1916). Altar Boy Playing the Zambomba. c. 1893-1895. Oil on canvas. SPAIN. Valencia. San Pio V Fine Arts Museum

Background imagePinazo Collection: PINAZO CAMARLENCH, Ignacio (1849-1916). Child

PINAZO CAMARLENCH, Ignacio (1849-1916). Child seated on a chair. Impressionism. Painting. SPAIN. Valencia. San Pio V Fine Arts Museum

Background imagePinazo Collection: PINAZO CAMARLENCH, Ignacio (1849-1916). Interior

PINAZO CAMARLENCH, Ignacio (1849-1916). Interior

Background imagePinazo Collection: PINAZO CAMARLENCH, Ignacio (1849-1916). Alfonso

PINAZO CAMARLENCH, Ignacio (1849-1916). Alfonso XIII. 1901. Portrait of the king at 15 in the halls of the Capitanic General in Valladolid. Oil on canvas


All Professionally Made to Order for Quick Shipping

Ignacio Pinazo Camarlench (1849-1916) was a renowned Spanish painter known for his diverse range of subjects and styles. Under the apple tree, he captured the essence of nature's tranquility with delicate brushstrokes that brought life to every leaf and branch. In "Woman With Vase, " Pinazo showcased his mastery in portraying the elegance and grace of women. The soft colors and intricate details highlighted her beauty as she held the vase with utmost poise. One of Pinazo's most touching works is "Mother And Children. " This painting exuded warmth and tenderness as it depicted a mother embracing her children, capturing the purest form of love between a parent and their offspring. However, not all of Pinazo's artworks were filled with joy. In "Child Death, " he explored themes of grief and loss, depicting heart-wrenching emotions through somber tones and expressive brushwork. It also delved into historical subjects such as "The Daughters of the Cid" in 1879. This oil painting portrayed strong female characters from medieval times, showcasing their bravery amidst adversity. Another historical piece by Pinazo was "King Francis I of France arrives in Valencia. " Here, he depicted an important moment in history when King Francis I visited Spain, capturing both regality and cultural exchange through his meticulous attention to detail. "The Signalman" revealed another facet of Pinazo's talent - his ability to capture human emotions. Through this artwork, he conveyed anticipation mixed with apprehension on the face of a signalman waiting for something significant to occur. It also found inspiration in everyday scenes like "Beach Scene. " His vibrant palette perfectly encapsulated the lively atmosphere at seaside resorts during that era – sun-kissed sand merging with azure waters under clear blue skies. In one final masterpiece titled simply "Last, " Pinazo contemplated mortality itself.