Pigments Collection (page 2)

Ghigi's Golden Pheasant (Chrysolophus pictus) yellow colour mutation, adult male, walking, Whitewell, Lancashire, England, november (captive)

Paint tins with their lids off, showing the coloured paints inside. A paintbrush is also seen

Paint pots. Tins of paint in various colours

Gallstone, SEM
Gallstone. Coloured scanning electron micrograph (SEM) of a fractured gallstone. Gallstones form in the gallbladder. When there is an imbalance in the chemical composition of the bile

Cryptochrome and rhodopsin pigments. Rhodopsin is a pigment found in the rod photoreceptor cells in the retina of the human eye, where it absorbs light falling on the retina

Pigment spectra, historical artwork. Early 20th Century colour plate showing of the spectra of various pigments. Published in Quains dictionary of medicine (3rd edition), by the Irish physician

Neanderthal with shell ornament, artwork. Like modern humans, Neanderthals (Homo neanderthalensis) are members of the Homo genus

Retinal rod cell anatomy, diagram

Retinal rod cell anatomy, artwork
Retinal rod cell anatomy. Artwork of the external (left) and internal (right) anatomical structure of a retinal cell. These cells are found in the retina that lines the back of the eyes

Gallstone crystals, SEM
Gallstone crystals. Coloured scanning electron micrograph (SEM) of the crystalline surface of a freeze-fractured gallstone

Autumnal colours. Evergreen tree amongst deciduous trees. Photographed on Sumas Mountain, Fraser River Valley, British Columbia, Canada, in mid- autumn

Domestic Dog, collie, female puppy, eye with Wall Eye heterochromia, sitting

White Indian Tiger (Panthera tigris tigris) two cubs, resting on grass, captive

Colourful spices at market stall, Osh, Kyrgyzstan, Central Asia, Asia

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"Pigments: Unveiling the Vibrant Palette of History and Art" From ancient biblical manuscripts to intricate Buddhist sculptures, they have played a pivotal role in preserving our cultural heritage. The Head of a Bodhisattva, dating back to the 3rd or 5th century, showcases the skillful use by an unknown creator. Similarly, the Jingoji Sutra from the 12th century reveals vivid hues that bring sacred texts to life. Traveling further back in time, we encounter the Paint Box of Vizier Amenemope from Egypt's New Kingdom era (c. 1427-1401 BC). Crafted from boxwood, this artifact provides insights into how they were meticulously prepared and stored. Pigments not only adorned religious artifacts but also found their way into literary works such as Ms Fr 12420 fol. 86r - The Story of Thamyris from De Claris Mulieribus. This captivating illustration captures both imagination and history through its vibrant colors. The significance extends beyond art alone; they were essential for dyeing fabrics as well. A botanical study engraving depicts various plants used for dyeing purposes—an invaluable resource for understanding ancient textile traditions. Intricate color engravings like Compound showcase how different shades can be combined harmoniously to create visually striking compositions. Meanwhile, Dhanasri Ragini transports us to India circa 1680 with its evocative use in traditional music depictions. Stepping away from two-dimensional art forms, even armor bore traces of pigment mastery. A German Shield for Field or Tournament (Targe) originating around 1450 demonstrates how these vibrant hues added splendor and distinction on battlefields. Nature itself has been an inspiration for artists throughout history—think Cave of Altamira's awe-inspiring bison paintings or a reconstructed Greek tomb lion dating back to approximately 570 B. C.