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Pietro Vannucci Collection

Pietro Vannucci, also known as Perugino, was a renowned Italian painter of the Renaissance era

Background imagePietro Vannucci Collection: Madonna and Child with Two Angels, Saint Rose, and Saint Catherine of Alexandria

Madonna and Child with Two Angels, Saint Rose, and Saint Catherine of Alexandria, early 16th century

Background imagePietro Vannucci Collection: Dead Christ With Joseph Of Arimathea And Nicodemus (Sepulcrum Christi), c1494-98. Creator: Perugino

Dead Christ With Joseph Of Arimathea And Nicodemus (Sepulcrum Christi), c1494-98. Creator: Perugino
Dead Christ With Joseph Of Arimathea And Nicodemus (Sepulcrum Christi), c1494-98. Joseph of Arimathea looks on contemplatively as a tearful Nicodemus supports Christ's lifeless body on a stone

Background imagePietro Vannucci Collection: St. Sebastian. Creator: Perugino

St. Sebastian. Creator: Perugino
St. Sebastian, Unknown date

Background imagePietro Vannucci Collection: The Holy Family, 1465-1523. Creator: Perugino

The Holy Family, 1465-1523. Creator: Perugino
The Holy Family, 1465-1523

Background imagePietro Vannucci Collection: Figure of an Archer [recto], c. 1500. Creator: Perugino

Figure of an Archer [recto], c. 1500. Creator: Perugino
Figure of an Archer [recto], c. 1500

Background imagePietro Vannucci Collection: Archer Drawing a Bow, c. 1505. Creator: Perugino

Archer Drawing a Bow, c. 1505. Creator: Perugino
Archer Drawing a Bow, c. 1505

Background imagePietro Vannucci Collection: Two Standing Draped Male Figures, n.d. Creator: Perugino

Two Standing Draped Male Figures, n.d. Creator: Perugino
Two Standing Draped Male Figures, n.d

Background imagePietro Vannucci Collection: Madonna, undated. (c1500s) Creator: Perugino

Madonna, undated. (c1500s) Creator: Perugino
Madonna, undated. (c1500s)

Background imagePietro Vannucci Collection: Christ as sol iustitiae, 1508, Pietro Vannucci, called the Perugino, fresco

Christ as sol iustitiae, 1508, Pietro Vannucci, called the Perugino, fresco
868150 Christ as sol iustitiae, 1508, Pietro Vannucci, called the Perugino, fresco, ceiling of the room of the fire in the borgo, Raphael's rooms, vatican museums, Rome

Background imagePietro Vannucci Collection: Christ tempted by the devil, 1508, Pietro Vannucci, called the Perugino, fresco

Christ tempted by the devil, 1508, Pietro Vannucci, called the Perugino, fresco
868151 Christ tempted by the devil, 1508, Pietro Vannucci, called the Perugino, fresco, ceiling of the room of the fire in the borgo, Raphael's rooms, vatican museums, Rome

Background imagePietro Vannucci Collection: Christ between mercy and justice, 1508, Pietro Vannucci, called the Perugino, fresco

Christ between mercy and justice, 1508, Pietro Vannucci, called the Perugino, fresco
868153 Christ between mercy and justice, 1508, Pietro Vannucci, called the Perugino, fresco, ceiling of the room of the fire in the borgo, Raphael's rooms, vatican museums, Rome

Background imagePietro Vannucci Collection: Creator enthroned among angels and cherubs, 1508, Pietro Vannucci, called the Perugino, fresco

Creator enthroned among angels and cherubs, 1508, Pietro Vannucci, called the Perugino, fresco
868152 Creator enthroned among angels and cherubs, 1508, Pietro Vannucci, called the Perugino, fresco, ceiling of the room of the fire in the borgo, Raphael's rooms, vatican museums, Rome

Background imagePietro Vannucci Collection: Enthroned Virgin among St. Gervase, Protasio, Paul and Peter, 1510

Enthroned Virgin among St. Gervase, Protasio, Paul and Peter, 1510
6298633 Enthroned Virgin among St. Gervase, Protasio, Paul and Peter, 1510 by Perugino, Pietro (c.1445-1523); Cattedrale dei SS Gervasio e Protasio, Citta della Pieve, Umbria

Background imagePietro Vannucci Collection: Nativity with the Annunciation and the Eternal among angels and cherubs, 1503 (fresco)

Nativity with the Annunciation and the Eternal among angels and cherubs, 1503 (fresco)
6204244 Nativity with the Annunciation and the Eternal among angels and cherubs, 1503 (fresco) by Perugino, Pietro (c.1445-1523); Museo di San Francesco, Montefalco, Perugia

Background imagePietro Vannucci Collection: Nativity with the Annunciation and the Eternal among angels and cherubs, Church of St

Nativity with the Annunciation and the Eternal among angels and cherubs, Church of St. Francis, 1503 (fresco)
6204280 Nativity with the Annunciation and the Eternal among angels and cherubs, Church of St. Francis, 1503 (fresco) by Perugino, Pietro (c.1445-1523); Museo di San Francesco, Montefalco, Perugia

Background imagePietro Vannucci Collection: Painting portraying Pietro di Cristoforo Vannucci, known as Perugino

Painting portraying Pietro di Cristoforo Vannucci, known as Perugino
6298514 Painting portraying Pietro di Cristoforo Vannucci, known as Perugino by Italian School, (16th century); Cattedrale dei SS Gervasio e Protasio, Citta della Pieve, Umbria

Background imagePietro Vannucci Collection: The Baptism of Christ, 1500 / 05. Creator: Perugino

The Baptism of Christ, 1500 / 05. Creator: Perugino
The Baptism of Christ, 1500/05

Background imagePietro Vannucci Collection: The Nativity, 1500 / 05. Creator: Perugino

The Nativity, 1500 / 05. Creator: Perugino
The Nativity, 1500/05

Background imagePietro Vannucci Collection: Noli Me Tangere, 1500 / 05. Creator: Perugino

Noli Me Tangere, 1500 / 05. Creator: Perugino
Noli Me Tangere, 1500/05. [Christ appears to Mary Magdalene]

Background imagePietro Vannucci Collection: Christ and the Woman of Samaria, 1500 / 05. Creator: Perugino

Christ and the Woman of Samaria, 1500 / 05. Creator: Perugino
Christ and the Woman of Samaria, 1500/05

Background imagePietro Vannucci Collection: Pietro Perugino, born Pietro Vannucci, portrait (engraving)

Pietro Perugino, born Pietro Vannucci, portrait (engraving)
5238532 Pietro Perugino, born Pietro Vannucci, portrait (engraving) by French School, (19th century); Private Collection; (add.info.: Pietro Perugino, born Pietro Vannucci)

Background imagePietro Vannucci Collection: A Study for a Figure in an Adoration of the Magi (black chalk)

A Study for a Figure in an Adoration of the Magi (black chalk)
1216678 A Study for a Figure in an Adoration of the Magi (black chalk) by Perugino, Pietro (c.1445-1523); 29.8x18.6 cm; Ashmolean Museum, University of Oxford

Background imagePietro Vannucci Collection: Studies for Tobias and the Angel (silverpoint, heightened with white bodycolour (oxidized

Studies for Tobias and the Angel (silverpoint, heightened with white bodycolour (oxidized
1216675 Studies for Tobias and the Angel (silverpoint, heightened with white bodycolour (oxidized) on a pale cream paper) by Perugino, Pietro (c.1445-1523); 238x183 cm; Ashmolean Museum

Background imagePietro Vannucci Collection: Baptism of Christ (recto), 15th century (pen & brown wash) [see 5938231]

Baptism of Christ (recto), 15th century (pen & brown wash) [see 5938231]
5938226 Baptism of Christ (recto), 15th century (pen & brown wash) [see 5938231] by Perugino, Pietro (c.1445-1523) (attr. to); 28x36.8 cm; Fitzwilliam Museum, University of Cambridge

Background imagePietro Vannucci Collection: Studies of a Head and a Hand (pen and brush in light-brown ink over metalpoint on white

Studies of a Head and a Hand (pen and brush in light-brown ink over metalpoint on white
1216681 Studies of a Head and a Hand (pen and brush in light-brown ink over metalpoint on white paper) by Perugino, Pietro (c.1445-1523) (circle of); 21.2x24.5 cm; Ashmolean Museum

Background imagePietro Vannucci Collection: Christ and the Woman of Samaria (black chalk on off-white paper)

Christ and the Woman of Samaria (black chalk on off-white paper)
1216680 Christ and the Woman of Samaria (black chalk on off-white paper) by Perugino, Pietro (c.1445-1523); 23.1x37.4 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

Background imagePietro Vannucci Collection: Study of a man with a tortoise[?] on a lead / part of a palm tree / a caricature head

Study of a man with a tortoise[?] on a lead / part of a palm tree / a caricature head
5938231 Study of a man with a tortoise[?] on a lead/ part of a palm tree/ a caricature head (verso), 15th century (pen & brown ink on paper, stuck down) [see 5938226] by Perugino

Background imagePietro Vannucci Collection: A Lute Player (pen and dark brown ink over black chalk on off-white paper)

A Lute Player (pen and dark brown ink over black chalk on off-white paper)
1216679 A Lute Player (pen and dark brown ink over black chalk on off-white paper) by Perugino, Pietro (c.1445-1523); 14.9x10.4 cm; Ashmolean Museum, University of Oxford

Background imagePietro Vannucci Collection: A Study for a Figure in an Adoration of the Magi (black chalk with pen

A Study for a Figure in an Adoration of the Magi (black chalk with pen
1216677 A Study for a Figure in an Adoration of the Magi (black chalk with pen and brown ink on white paper) by Perugino, Pietro (c.1445-1523); 29.8x18.6 cm; Ashmolean Museum, University of Oxford

Background imagePietro Vannucci Collection: Study for a St John the Baptist (chalk on off white paper)

Study for a St John the Baptist (chalk on off white paper)
1216676 Study for a St John the Baptist (chalk on off white paper) by Perugino, Pietro (c.1445-1523); 31.1x19.8 cm; Ashmolean Museum, University of Oxford

Background imagePietro Vannucci Collection: View of the city of Perugia, with the penitent St Jerome in the foreground

View of the city of Perugia, with the penitent St Jerome in the foreground
1216682 View of the city of Perugia, with the penitent St Jerome in the foreground, 1504 (pen and brown ink on white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520)

Background imagePietro Vannucci Collection: Portrait of Lorenzo di Credi, 1488. Creator: Perugino

Portrait of Lorenzo di Credi, 1488. Creator: Perugino
Portrait of Lorenzo di Credi, 1488

Background imagePietro Vannucci Collection: Madonna and Child, c. 1500. Creator: Perugino

Madonna and Child, c. 1500. Creator: Perugino
Madonna and Child, c. 1500

Background imagePietro Vannucci Collection: The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene... c

The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene... c
The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene [right panel], c. 1482/1485

Background imagePietro Vannucci Collection: Saint Jerome in the Wilderness, c. 1490 / 1500. Creator: Perugino

Saint Jerome in the Wilderness, c. 1490 / 1500. Creator: Perugino
Saint Jerome in the Wilderness, c. 1490/1500

Background imagePietro Vannucci Collection: Virgin with child surrounded by St. John the baptist and St

Virgin with child surrounded by St. John the baptist and St. Catherine by Pietro Vannucci painted in 1500, Paris, France, Europe

Background imagePietro Vannucci Collection: Virgin with Child flanked by two angels by Pietro Vannucci, painted 1490, Pais, France

Virgin with Child flanked by two angels by Pietro Vannucci, painted 1490, Pais, France, Europe

Background imagePietro Vannucci Collection: Drawing Angel Playing Viol Pietro Vannucci Called Perugino

Drawing Angel Playing Viol Pietro Vannucci Called Perugino
Drawing of an Angel Playing a Viol by Pietro Vannucci, Called Perugino; Roger Fenton (English, 1819 - 1869); London, England; 1857; Salted paper print; 27.2 × 17.5 cm (10 11, 16 × 6 7, 8 in.)


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Pietro Vannucci, also known as Perugino, was a renowned Italian painter of the Renaissance era. His works showcased his exceptional talent and mastery of various subjects, capturing the essence of religious themes with great precision. One of his notable creations is "Madonna and Child with Two Angels, " a captivating piece that portrays the Virgin Mary holding baby Jesus in her arms while two angels stand by their side. The delicate brushstrokes and serene expressions on their faces evoke a sense of divine tranquility. In another masterpiece called "Saint Rose and Saint Catherine of Alexandria, " Perugino showcases his ability to depict saints with grace and elegance. The detailed rendering of these holy figures exudes an aura of piety, inviting viewers to contemplate their spiritual significance. Perugino's frescoes in Raphael's rooms at the Vatican Museums are truly awe-inspiring. In "Christ as sol iustitiae, " he depicts Christ surrounded by radiant light, symbolizing his role as the sun of justice. Similarly, in "Christ tempted by the devil" and "Christ between mercy and justice, " Perugino explores complex theological concepts through vivid imagery. His work titled "Creator enthroned among angels and cherubs" reveals his skill in portraying heavenly scenes. The celestial beings surrounding God convey a sense of harmony and beauty that reflects Perugino's deep understanding of religious iconography. Another remarkable artwork is "Enthroned Virgin among St. Gervase, Protasio, Paul, and Peter. " Here, Perugino captures the regal presence of the Virgin Mary alongside revered saints with meticulous attention to detail. The frescoes depicting nativity scenes such as "Nativity with Annunciation" showcase Perugino's ability to infuse warmth into sacred narratives. These paintings transport viewers back in time to witness this pivotal moment in Christian history amidst angelic choirs rejoicing above.