Philippus Collection

The Alchemist, after 1558. Creator: Philip Galle
The Alchemist, after 1558

Calendar for July with figures of Sophomas and St. Philip, quote from Colossians, disciples, lion, birds
5912929 Calendar for July with figures of Sophomas and St. Philip, quote from Colossians, disciples, lion, birds, foliage and castles. From an illuminated Book of Hours of the Duke the Anjou., 1380

The Parable of the Good Shepherd, 1565. Creator: Philip Galle
The Parable of the Good Shepherd, 1565

The Death of the Virgin, 1574. Creator: Philip Galle
The Death of the Virgin, 1574

Anger (Ira), from the series The Seven Deadly Sins, 1558. Creator: Philip Galle
Anger (Ira), from the series The Seven Deadly Sins, 1558. After Pieter Bruegel the Elder

Lust (Luxuria) from The Seven Deadly Sins, 1558. Creator: Philip Galle
Lust (Luxuria) from The Seven Deadly Sins, 1558. After Pieter Bruegel the Elder

Sloth (Desidia), from the series The Seven Deadly Sins, 1558. Creator: Philip Galle
Sloth (Desidia), from the series The Seven Deadly Sins, 1558. After Pieter Bruegel the Elder

Envy (Invidia) from The Seven Deadly Sins, 1558. Creator: Philip Galle
Envy (Invidia) from The Seven Deadly Sins, 1558

Hope (Spes) from the series The Virtues, 1559-60. Creator: Philip Galle
Hope (Spes) from the series The Virtues, 1559-60

The Parable of the Wise and Foolish Virgins, ca. 1560-63. Creator: Philip Galle
The Parable of the Wise and Foolish Virgins, ca. 1560-63

The Resurrection, ca. 1562-63. Creator: Philip Galle
The Resurrection, ca. 1562-63

The Triumph of Time, 1574. Creator: Philip Galle
The Triumph of Time, 1574

Prudence (Prudentia) from The Virtues, ca. 1559-60. Creator: Philip Galle
Prudence (Prudentia) from The Virtues, ca. 1559-60

Plate 2: Jupiter; statue of the nude god seated on an eagle, holding a double trident; from Statues of Roman Gods after Jacques Jonghelinck, 1586

Plate 4: Apollo; statue of the nude god standing on a socle, wearing a crown and holding a scepter in his right hand and an orb in his left; from Statues of Roman Gods after Jacques Jonghelinck, 1586

Plate 7: Diana; statue of the nude goddess standing on a socle, wearing a crescent moon in her hair and holding a bow and arrow; from Statues of Roman Gods after Jacques Jonghelinck, 1586

Philip Melanchthon, 1497 - 1560, born Philipp Schwartzerdt
3116323 Philip Melanchthon, 1497 - 1560, born Philipp Schwartzerdt. by English School, (19th century); Private Collection; (add.info.: German author, humanist reformer, theologian and educator)

Illuminated calendar for June 1846
Calendar for June with figures of Amos and St. James the Less, quote from Philippians, disciples, crab, birds, foliage and castles. From an illuminated Book of Hours of the Duke the Anjou. 1380

Portrait of Roman Emperor Philip the Arab
Roman Emperor Marcus Julius Philippus, 204-249. Marcus Julius Philippus Augustus or Philip the Arab. Copperplate engraving from Abraham Bogaerts De Roomsche Monarchy, The Roman Monarchy

Portrait of Roman Emperor Gordian III
Roman Emperor Gordian III, 225-244. Marcus Antonius Gordianus Pius Augustus. Copperplate engraving from Abraham Bogaerts De Roomsche Monarchy, The Roman Monarchy, Francois Salma, Utrecht, 1697

Holy Roman Emperor Henry VI, 1165-1197. Heinrich VI, Henricus VI, Asper, King of the Germans, King of Sicily. Copperplate engraving from Abraham Bogaerts De Roomsche Monarchy, The Roman Monarchy

Avarice (Avaritia) from the series The Seven Deadly Sins, 1558. Creator: Philip Galle
Avarice (Avaritia) from the series The Seven Deadly Sins, 1558. After Pieter Bruegel the Elder

Christ and the Disciples on the Way to Emmaus, 1571. Creator: Philip Galle
Christ and the Disciples on the Way to Emmaus, 1571

Charity (Charitas) from The Virtues, 1559. Creator: Philip Galle
Charity (Charitas) from The Virtues, 1559

Faith (Fides) from The Virtues, ca. 1559-60. Creator: Philip Galle
Faith (Fides) from The Virtues, ca. 1559-60

The Infant Christ, from Allegorical Scenes on the Life of Christ, from Christian and Profane Allegories

Benedicta tu in Mulieribus, from Christian and Profane Allegories

Dissension in the Church (Dissidium in Ecclesia), ca. 1578. Creator: Hendrik Goltzius
Dissension in the Church (Dissidium in Ecclesia), ca. 1578

The Eight Beatitudes, ca. 1578. Creator: Hendrik Goltzius
The Eight Beatitudes, ca. 1578

Ave Maria, from Allegorical Scenes on the Life of Christ, from Christian and Profane Allegories

Cura Dei Pro Suis, from Allegories of the Christian Faith, from Christian and Profane Allegories

Bust of Bacchus surrounded by strapwork, from the series Deorum dearumque, a set of images of deities after coins in the collection of Abraham Ortelius, 1573

Bust of Janus surrounded by strapwork, from the series Deorum dearumque, a set of images of deities after coins in the collection of Abraham Ortelius, 1573

Bust of Sol surrounded by strapwork, from the series Deorum dearumque, a set of images of deities after coins in the collection of Abraham Ortelius, 1573

Arion on a Dolphin surrounded by a Border decorated with Sea Creatures, from a Set of Circular Designs with Sea Gods, 1580-1600

New Inventions of Modern Times [Nova Reperta], The Discovery of America, plate 1, ca. 1600

Venus and Adonis, from the series The Story of Adonis, ca. 1579. ca. 1579
Venus and Adonis, from the series The Story of Adonis, ca. 1579

Europa, from Prosopographia, ca. 1585-90. ca. 1585-90. Creator: Philip Galle
Europa, from Prosopographia, ca. 1585-90

Plate 1: Saturn; statue of the nude god standing on a socle, holding a scythe in his right hand and a child in his left; from Statues of Roman Gods after Jacques Jonghelinck, 1586

Jonadab Counselling Amnon, from The Story of Tamar and Amnon, plate 1, 1559. 1559
Jonadab Counselling Amnon, from The Story of Tamar and Amnon, plate 1, 1559

Man Born to Toil, from The Reward of Labour and Diligence, plate 1, 1572. 1572
Man Born to Toil, from The Reward of Labour and Diligence, plate 1, 1572

Baptism, from the series The Seven Sacraments, 1576. 1576. Creator: Philip Galle
Baptism, from the series The Seven Sacraments, 1576

The Visitation, the Virgin and Saint Elizabeth embracing in the center, flanked by other figures, after Barocci, 1589

Paracelsus at Basle
Philippus Aureolus Theophrastus Bombast von Hohenheim, known as Paracelsus depicted opposing Lichtenfels at Basel. Date: circa 1527

Paracelsus - Secretary
Philippus Aureolus Theophrastus Bombast von Hohenheim, known as Paracelsus depicted dictating to his assistant

Christ and the Woman of Canaan, c1577-1579. Creator: Philip Galle
Christ and the Woman of Canaan, c1577-1579. Depiction of the exorcism of the Syrophoenician womans daughter, or the healing of a Canaanite womans daughter

Philipp ClAOEver, Also KlAOEwer, Cluwer, Cluvier, Philippus Cluverius Or Philippi Cluverii, 1580 To 1622. Early Modern German Geographer And Historian

The Fall of Babylon, 1569. Creator: Philip Galle
The Fall of Babylon, 1569

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"Exploring the Artistic World of Philippus: A Journey through Parables, Virtues, and Sins" Step into the captivating world of Philippus, a renowned artist whose works have left an indelible mark on art history. From his iconic portrayal of biblical parables to his vivid depiction of virtues and sins, Philippus's creations continue to captivate audiences even centuries later. In "The Parable of the Good Shepherd, " painted in 1565, Philippus skillfully brings to life the compassionate shepherd who tirelessly seeks out his lost sheep. The intricate details and emotive expressions showcase his mastery in storytelling through art. "The Death of the Virgin, " created in 1574, reveals another facet of Philippus's talent as he portrays a poignant scene with profound emotional depth. Through delicate brushstrokes and careful composition, he captures both grief and reverence surrounding this solemn moment. Delving into human nature itself, Philippus explores the Seven Deadly Sins series from 1558. In "Anger (Ira), " "Lust (Luxuria), " and "Sloth (Desidia), " he confronts these vices head-on with striking imagery that forces viewers to reflect on their own weaknesses. Similarly, in "Envy (Invidia), " we witness how jealousy can consume one's soul if left unchecked. Through meticulous attention to detail and symbolism, Philippus urges us to examine our own hearts for traces of envy. Contrasting these dark themes are glimpses into virtue. In "Hope (Spes)" from The Virtues series between 1559-60, we see a glimmering ray amidst despair—a reminder that hope can guide us even during our darkest hours. It also delves into religious allegories such as "The Parable of the Wise and Foolish Virgins" from ca. 1560-63 where he emphasizes preparedness for life's uncertainties. In "The Resurrection" from ca.