Philip Wilson Steer Collection

Seated Nude: The Black Hat, c1900. Artist: Philip Wilson Steer
Seated Nude: The Black Hat, c1900. Painting housed at the Tate Britain, London. From The Studio Volume 122. [The Studio Ltd, London, 1941]

On Walberswick Pier, c1887, (c1915). Artist: Philip Wilson Steer
On Walberswick Pier, c1887, (c1915). From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Saturday Night in the Vale, 1928-9. Artist: Henry Tonks
Saturday Night in the Vale, 1928-9. Also known as ?An Evening in the Vale?. We see George Moore (1852-1933), in the foreground reading aloud from his manuscript of Aphrodite in Aulis

Girl in a Large Hat, 1892 (oil on canvas)
1199511 Girl in a Large Hat, 1892 (oil on canvas) by Steer, Philip Wilson (1860-1942); 61x50.8 cm; Private Collection; Photo eChristies Images; English, out of copyright

A Classic Landscape, Richmond, Surrey, 1893 (oil on canvas)
657022 A Classic Landscape, Richmond, Surrey, 1893 (oil on canvas) by Steer, Philip Wilson (1860-1942); 60.1x76.2 cm; Private Collection; (add.info.: A Classic Landscape, Richmond, Surrey)

Springtime, 1904. Creator: Philip Wilson Steer
Springtime, 1904

The Posy, 1904. Creator: Philip Wilson Steer
The Posy, 1904

Brill, Buckinghamshire, 1923. Creator: Philip Wilson Steer
Brill, Buckinghamshire, 1923

A Shipyard, Shoreham, Sussex, 1926. Creator: Philip Wilson Steer
A Shipyard, Shoreham, Sussex, 1926

Girls Running, Walberswick Pier, 1888-1894. Artist: Philip Wilson Steer
Girls Running, Walberswick Pier, 1888-1894. Steer made many visits to Walberswick in Suffolk, where he had friends. He completed a number of paintings of the beach

Self-Portrait, 1920, (1935). Creator: Unknown
Self-Portrait, 1920, (1935). Self portrait of British painter Philip Wilson Steer (1860-1945). After the painting in the Fitzwilliam Museum, Cambridge. From " Modern Masterpieces", Part 4

Homage to Manet, 1909, (c1950). Creator: William Newenham Montague Orpen
Homage to Manet, 1909, (c1950). Studio in Bolton Gardens, on the wall hangs Manets portrait of Eva Gonzales. Seated round the table from left to right are George Moore, Philip Wilson Steer

The red bridge, Ironbridge, 1910, (c1932). Artist: Philip Wilson Steer
The red bridge, Ironbridge, 1910, (c1932). From Modern Art by Charles Marriott & Tis & Tis. [Colour Ltd. London, 1909]

Grove at Bridgnorth, 1901 (1935). Artist: Philip Wilson Steer
Grove at Bridgnorth, 1901 (1935). After the painting by P. Wilson Steer, O.M... From Modern Masterpieces Part 2. [George Newnes Ltd, London, 1935.]

The Storm, c1914. Artist: Philip Wilson Steer
The Storm, c1914. From The Studio Volume 61. [London Offices of the Studio, London, 1914]

The End of the Chapter, 1911 (1935). Artist: Philip Wilson Steer
The End of the Chapter, 1911 (1935). After the painting by P. Wilson Steer, O.M. From Modern Masterpieces Part 14. [George Newnes Ltd, London, 1935]

Portrait of Miss Emma Froude, c1893. Artist: Philip Wilson Steer
Portrait of Miss Emma Froude, c1893. From The Studio Volume 2. [London Offices of the Studio, London, 1893]

Ludlow, c1895 (1930). From The Studio Volume 100. [The Offices of the Studio Ltd. London, 1930]

Children Paddling, 1891 (1930). Artist: Philip Wilson Steer
Children Paddling, 1891 (1930). Painting held in the Fitzwilliam Museum, Cambridge, England. From The Studio Volume 100. [The Offices of the Studio Ltd. London, 1930]

Richmond Castle Yorkshire 1903 Oil canvas 29 1 / 8 x 34 1 / 2
Artokoloro

Chepstow Castle River Wye Monmouthshire 1905
Artokoloro

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Philip Wilson Steer, a renowned British artist of the late 19th and early 20th centuries, is celebrated for his diverse range of captivating artworks. His ability to capture the essence of his subjects is evident in "Seated Nude: The Black Hat, " where he skillfully portrays the delicate beauty and vulnerability of a woman. In "On Walberswick Pier, " Steer transports us to a serene coastal scene, inviting us to feel the salty breeze on our faces. Steer's self-portrait from 1920 reveals an enigmatic figure with piercing eyes that seem to hold countless untold stories. This introspective piece allows us a glimpse into the mind behind these masterpieces. From landscapes like "A Classic Landscape" in Richmond, Surrey, to bustling scenes such as "Saturday Night in the Vale, " Steer showcases his versatility as an artist who can effortlessly capture both tranquility and liveliness. In "Girl in a Large Hat, " we are drawn towards her mysterious gaze hidden beneath an extravagant headpiece – it leaves us wondering about her story and aspirations. Steer's love for nature shines through in works like "Springtime" and "The Posy. " These paintings exude vibrant colors that evoke feelings of joy and renewal. As time passed, Steer continued to evolve his style while maintaining his artistic brilliance. Works like "Brill, Buckinghamshire" demonstrate how he embraced new techniques while staying true to his unique vision. In later years, pieces such as "A Shipyard, Shoreham Sussex" reveal Steer's fascination with industrial landscapes – capturing not only their physicality but also their soul. Throughout his career spanning several decades, Philip Wilson Steer left an indelible mark on the art world with his exceptional talent and unwavering dedication. His legacy continues to inspire artists today by reminding them that true artistry lies within one's ability to convey emotions through brushstrokes and colors.