Philip Wilson Collection

Seated Nude: The Black Hat, c1900. Artist: Philip Wilson Steer
Seated Nude: The Black Hat, c1900. Painting housed at the Tate Britain, London. From The Studio Volume 122. [The Studio Ltd, London, 1941]

On Walberswick Pier, c1887, (c1915). Artist: Philip Wilson Steer
On Walberswick Pier, c1887, (c1915). From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Saturday Night in the Vale, 1928-9. Artist: Henry Tonks
Saturday Night in the Vale, 1928-9. Also known as ?An Evening in the Vale?. We see George Moore (1852-1933), in the foreground reading aloud from his manuscript of Aphrodite in Aulis

Girls Running, Walberswick Pier, 1888-1894. Artist: Philip Wilson Steer
Girls Running, Walberswick Pier, 1888-1894. Steer made many visits to Walberswick in Suffolk, where he had friends. He completed a number of paintings of the beach

Self-Portrait, 1920, (1935). Creator: Unknown
Self-Portrait, 1920, (1935). Self portrait of British painter Philip Wilson Steer (1860-1945). After the painting in the Fitzwilliam Museum, Cambridge. From " Modern Masterpieces", Part 4

Homage to Manet, 1909, (c1950). Creator: William Newenham Montague Orpen
Homage to Manet, 1909, (c1950). Studio in Bolton Gardens, on the wall hangs Manets portrait of Eva Gonzales. Seated round the table from left to right are George Moore, Philip Wilson Steer

The red bridge, Ironbridge, 1910, (c1932). Artist: Philip Wilson Steer
The red bridge, Ironbridge, 1910, (c1932). From Modern Art by Charles Marriott & Tis & Tis. [Colour Ltd. London, 1909]

Grove at Bridgnorth, 1901 (1935). Artist: Philip Wilson Steer
Grove at Bridgnorth, 1901 (1935). After the painting by P. Wilson Steer, O.M... From Modern Masterpieces Part 2. [George Newnes Ltd, London, 1935.]

The Storm, c1914. Artist: Philip Wilson Steer
The Storm, c1914. From The Studio Volume 61. [London Offices of the Studio, London, 1914]

The End of the Chapter, 1911 (1935). Artist: Philip Wilson Steer
The End of the Chapter, 1911 (1935). After the painting by P. Wilson Steer, O.M. From Modern Masterpieces Part 14. [George Newnes Ltd, London, 1935]

Portrait of Miss Emma Froude, c1893. Artist: Philip Wilson Steer
Portrait of Miss Emma Froude, c1893. From The Studio Volume 2. [London Offices of the Studio, London, 1893]

Ludlow, c1895 (1930). From The Studio Volume 100. [The Offices of the Studio Ltd. London, 1930]

Children Paddling, 1891 (1930). Artist: Philip Wilson Steer
Children Paddling, 1891 (1930). Painting held in the Fitzwilliam Museum, Cambridge, England. From The Studio Volume 100. [The Offices of the Studio Ltd. London, 1930]

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Philip Wilson Steer was a renowned British artist known for his remarkable contributions to the world of art. Born in 1860, he left an indelible mark with his diverse range of works spanning various genres and styles. One of his notable creations is "Seated Nude: The Black Hat, " painted around 1900. This masterpiece showcases Steer's ability to capture the human form with exquisite detail and sensitivity. The subject exudes an air of tranquility, while the black hat adds a touch of mystery. In "On Walberswick Pier" from 1887, we see Steer's talent for capturing landscapes. The painting depicts a serene scene by the pier, highlighting his mastery in portraying natural elements such as light and water. This piece transports viewers to a peaceful coastal setting. Another captivating artwork by Steer is "Girls Running, Walberswick Pier. " Painted between 1888-1894, it captures youthful energy and joy as young girls frolic along the pier. Through bold brushstrokes and vibrant colors, Steer brings this lively moment to life on canvas. Steer also explored self-portraiture in "Self-Portrait" from 1920 (1935). Though created by an unknown artist, this work reflects Steer's introspective nature and reveals glimpses into his personality through careful composition and expression. His admiration for other artists is evident in pieces like "Homage to Manet" (1909) by William Newenham Montague Orpen. Here, Orpen pays tribute to Edouard Manet while incorporating elements that reflect both their unique artistic styles. "The red bridge, Ironbridge" (1910) showcases one of England's iconic landmarks through Steer's eyes. With its bold strokes depicting the bridge against a dramatic sky backdrop, this painting captures both its architectural grandeur and natural beauty. "Grove at Bridgnorth" (1901) transports viewers to a peaceful woodland scene.