Pesina Collection

Birth of Christ, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Birth of Christ, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Annunciation of the Virgin Mary, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Annunciation of the Virgin Mary, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

Madonna of Most, before 1350 (1955). From the Capuchin Monastery church, Most. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina, Artia Prague, 1955

Vera Icon, back panel of the Viennese Madonna, c1470 (1955). Found in the collection of the Kunsthistorisches Museum Gallery, Vienna

Adoration of the Child, after 1430 (1955). Artist: Master of the Carrying of the Cross, Vyssi Brod
Adoration of the Child, after 1430 (1955). Part of a dismantled alterpiece. Found in the collection of the Szepmuveszeti Museum, Budapest

The Last Supper, after 1420 (1955). Found in the collection of Monastery Gallery, Kremsmunster. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Crucifixion, before 1400 (1955). Artist: Workshop of the Master of the Trebon Altarpiece
Crucifixion, before 1400 (1955). From the workshop of the Master of the Trebon Altarpiece. Found in the collection of The National Gallery in Prague

Madonna of Zlata Koruna, c1410 (1955). Found in the collection of The National Gallery in Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

The Vyssi Brod Crucifixion, before 1400 (1955). Artist: Master of the Vyssi Brod Altar
The Vyssi Brod Crucifixion, before 1400 (1955). Found in the collection of The National Gallery in Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

The Tomb of Christ, Master of the Trebon Altarpiece, about 1380, (1955). Artist: Master of the Trebon Altarpiece
The Tomb of Christ, c1380 (1955). Detail from the Trebon Altarpiece. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina, Artia Prague, 1955

St Giles, St Gregory, and St Jerome, c1380 (1955). Artist: Master of the Trebon Altarpiece
St Giles, St Gregory, and St Jerome, c1380 (1955). Found in the collection of The National Gallery in Prague. A print from Gothic Painting in Bohemia 1350-1450

Painting on the reverse of the Trebon Altarpiece, c1380 (1955). Artist: Master of the Trebon Altarpiece
Painting on the reverse of the Trebon Altarpiece, c1380 (1955). St Catherine of Alexandria, St Mary Magdalene and St Margaret of Antioch

Mulhouse Altarpiece, open, c1385 (1955). St Vitus, St Wenceslas and St Sigismund. Found in the collection of The State Gallery, Stuttgart

St Adalbert, detail, after 1370 (1955). Artist: Master Theodoric
St Adalbert, detail, after 1370 (1955). Adalbert (c956-997), Bishop of Prague, was martyred in the course of his attempt to covert the Baltic Prussians to Christianity

St Vitus, 1365-1367 (1955). Artist: Master Theodoric
St Vitus, 1365-1367 (1955). Born in Sicily, St Vitus was martyred in 303 during the persecution of Christians by the co-Emperors Diocletian and Maximian. Pragues cathedral is named for him

St Mark, 1365-1367 (1955). Artist: Master Theodoric
St Mark, 1365-1367 (1955). Theodorics magnum opus is a collection of panel and wall paintings of saints, prophets and angels

St Hilary, 1365-1367 (1955). Artist: Master Theodoric
St Hilary, 1365-1367 (1955). Hilary (300-367) was bishop of Pictavium (Poitiers) and considered an eminent doctor of the Western Christian Church

St Clara, 1365-1367 (1955). Artist: Master Theodoric
St Clara, 1365-1367 (1955). Portrait of St Clare of Assisi (1194-1253). Theodorics magnum opus is a collection of panel and wall paintings of saints, prophets and angels

Death of the Virgin Mary, c1360 (1955). Morgan panels. Found in the collection of The Morgan Library and Museum. A print from Gothic Painting in Bohemia 1350-1450

Adoration of the Three Kings, c1360 (1955). Morgan panels. Found in the collection of The Morgan Library and Museum. A print from Gothic Painting in Bohemia 1350-1450

The Vysehrad Madonna of the Rains, c1360 (1955). After restoration. Found in the collection of the Collegiate Church of Sts Peter and Paul, third chapel of the southern nave, Prague

Rome Madonna, c1360 (1955). Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina, Artia Prague, 1955

Madonna Between St Catherine and Margaret, c1360 (1955). Middle part of a wing alter-piece. Found in the collection of the Municipal Museum, Ceske Budejovice

The Kaufmann Crucifixion, c1350 (1955). Artist: Master of the Vyssi Brod Altar
The Kaufmann Crucifixion, c1350 (1955). Found in the collection of the Gemaldegalerie, Berlin. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Madonna of Kladsko, detail, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Madonna of Kladsko, detail, c1350 (1955). Middle part of a dismantled wing alter-piece. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina, Artia Prague, 1955

Madonna of Veveri, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Madonna of Veveri, c1350 (1955). Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina, Artia Prague, 1955

Ascension, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Ascension, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Descent of the Holy Ghost, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Descent of the Holy Ghost, c1350 (1955).Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

The Resurrection of Christ, c1350 (1955). Artist: Master of the Vyssi Brod Altar
The Resurrection of Christ, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

Lament for Christ, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Lament for Christ, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Crucifixion, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Crucifixion, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Jesus in the Olive Grove, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Jesus in the Olive Grove, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

The Adoration of the Magi, c1350 (1955). Artist: Master of the Vyssi Brod Altar
The Adoration of the Magi, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

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"Pesina: A Glimpse into the Masterpieces of Medieval Art" Step back in time and immerse yourself in the enchanting world of Pesina, a collection that showcases the remarkable talent of various artists from centuries past. These captivating artworks transport us to a bygone era, where religious devotion and artistic expression intertwined harmoniously. One such masterpiece is "Birth of Christ, " created by the skilled hands of the Master of the Vyssi Brod Altar in 1350. This exquisite painting depicts the miraculous event that changed history forever, capturing both the awe-inspiring moment and profound significance with meticulous detail. In "Annunciation of the Virgin Mary, " also crafted by the same master artist around 1350, we witness an ethereal encounter between angelic beings and Mary herself. The delicate brushstrokes bring this divine interaction to life, evoking a sense of wonder and reverence. The timeless beauty portrayed in "Madonna of Most" takes us even further back before 1350. This sacred image radiates maternal love as Mary cradles baby Jesus tenderly, reminding us of her role as both mother and spiritual guide. Moving forward through time to approximately 1470, we encounter "Vera Icon, " an intricately designed panel on the reverse side of Viennese Madonna. Its intricate craftsmanship invites contemplation as it reveals glimpses into religious iconography deeply cherished during that period. The Adoration depicted in "Adoration of Child" captures our attention next with its refined artistry attributed to Master Carrying Cross from Vyssi Brod after 1430. The scene portrays adoring figures surrounding baby Jesus while conveying their unwavering faith through every stroke. "The Last Supper" transports viewers to after 1420 when this iconic biblical event was brought to life once again on canvas. The artist's skillful portrayal allows us to witness each disciple's emotions amidst this poignant moment, forever etching it into our collective memory.