Peoples Collection (page 9)

Portrait of three japanese carters. Two of the three men are at the head of a wagon and are pulling it while the third is pushing from behind. The wagon is full of large bundles

Young Kango porters at work. The men, in humble clothing, are shown carrying a young woman. Date of Photograph:1865-1870

Characteristic japanese stall selling beverages and sweets. Behind the stall a woman is sitting and a man is dealing with the clients. They are wearing traditional clothes

Portrait of two young japanese women playing a parlour game, by their sides two men are watching the progress of the game. They are kneeling on the ground and are wearing traditional clothes Japan

The garden of a japanese tea house seen from inside the building. On the veranda a dog is sleeping. In the garden a crane. In the foreground a pond with water lilies. Date of Photograph:1865-1870

A young japanese woman having her hair prepared. The woman, in kimono, is kneeling in front of a mirror. Behind her, standing, a domestic servant busy carrying out the complicated procedure Japan

Two young japanese in a barber's having their face and head shaved. The four people are wearing traditional clothes. On the floot there is an umbrella and a bucket Japan

Full-length portrait of a small group of street musicians. The musicians, two women and a man, are playing the shyamisen, a typical instrument of the less affluent social classes

Old japanese doctor and young patient during a visit. They are both in traditional clothes and are kneeling in front of each other. In the foreground small drawers full of medicines

Portrait of a group of japanese sitting in a semi-circle on the ground. They are wearing traditional clothes. On the right a woman plays the shyamisen; beside her there is a bare-chested man

Full-length portrait of three young japanese women in elegant traditional clothes drawn in around the waist by high embroidered belts (obi). They are wearing the characteristic clogs on their feet

Portrait of a group of young japanese dancers. They are wearing traditional clothes in the same fabric, and are holding small fans. A few of them are playing the transverse flute

Full-length portrait of two young japanese women. The pretty girls are wearing the traditional kimono, drawn in tight around the waist by the high embroidered belt (obi)

Full-length portrait of a japanese woman surrounded by her children. The mother and the young daughter wear the traditional kimono

Full-length portrait in profile of a samurai wearing traditional clothes. The noble japanese warrior is wearing a straw surcoat used in bad weather, characteristic headgear high wooden clogs Japan

Full-length portrait of a samurai in traditional dress characterized by a wide bambu hat. Two swords emerge from his mantle, prized attributes of the aristocratic japanese warriors Japan

Two mendicant japanese nuns receiving alms from a samurai dressed in traditional dress. The young nuns, shown along a road, wear humble clothing and characteristic straw hats

Full-length portrait of a young japanese woman with a child. The mother, in traditional dress, carries her child on her back wrapped in a heavy colored cloth

Full-length portrait of a young japanese woman in traditional travel dress with high thonged clogs. She wears a softly draped cotton kerchief

Portrait of a young japanese woman in an elegant kimono, seated inside a rikshaw drawn by a man in humble clothing. She holds the typical japanese paper parasol in her hands

Full-length portrait of a young japanese lady. She is wearing a kimono with a precious embroidered obi and traditional high clogs. Date of Photograph:1865-1870

Full-length portrait of a japanese pilgrim to Fujiyama. The young man is wearing simple traditional clothing completed by an unusual hat with a wimple

Full-length portrait, in profile, of two japanese priests of the Nitchi-Re-Shu sect. They are wearing long garments with full sleeves and high clogs. They are holding rosaries

Kyoto. Shinto monks Japan. Date of Photograph:1974

Courtyard of the The Brera Picture Gallery in Milan with the sculpture of Napoleon as Mars the Peacemaker Milan The Brera Picture Gallery Statue Neoclassicism, Nineteenth century, 19th century

The bronze copy of Napoleon as Mars the Peacemaker in the courtyard of the Academy of Brera during its restoration, Milan Milan Academy of Brera, courtyard Statue Neoclassicism, Nineteenth century

Pre-Columbian pyramid at Chichen Itza in Mexico Mexico Chichen Itza. Date of Photograph:10/1984

Establishments of the French, English and Spanish on the Antilles Islands, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta

Chinese Empire with the islands of Japan, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta

Poland divided into its Palatinates, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta

Helvetia divided into its 13 Cantons and its allies, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta

The Kingdoms of Sweden, Denmark and Norway, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta

Germany divided into its Circles, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta

The State of the Church divided into its provinces, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta

The Kingdoms of England and Ireland, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta

Governances of Lorraine, Barr and Alsace, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice by Antonio Zatta

Governances of Dauphin, Provence, the County of Venaissin and the Principate of Orange, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1777 by

Catalonia, the Kingdoms of Aragon and Alta Navarra, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1775 by Antonio Zatta

The Kingdoms of Spain and Portugal divided into their provinces, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1775 by Antonio Zatta

Kingdom of Portugal, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century

Conversation with the Holy Virgin and Child with Six Saints, four angels and the donor Federico da Montefeltro (called Pala Pala Montefeltro or Brera), tempera and oil on panel

Portrait of Julius II, oil on canvas, Raffaello Sanzio (1483-1520), Uffizi Gallery, Florence Florence Uffizi Gallery Painting High Renaissance, Renaissance, Renaissance-Baroque styles and periods

Japanese Empire divided into seven main parts: Ochio, Quanto, Jetsegen, Jetsen, Jamaisoit, Xicoco and Ximo, engraving by G

Arabia divided into the Petrea Desert and Felice, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta

Governances of Moscow and Voronez with their provinces in European Russia, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta

Kingdom of Denmark with the Duchy of Slesvik, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta

Governances of Langedoc, Foix and Roussillon with Rouergue, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1777 by Antonio Zatta

The Governances of the Ile de France and Orleans, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta

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"Peoples: A Tapestry of History and Culture" Step into the vibrant world of peoples, where history unfolds through captivating images and artifacts. From Chairman Mao's iconic Cultural Revolution Poster in China to the British Empire's 19th-century world map, each hint offers a glimpse into diverse societies that have shaped our global narrative. Picture No. 10766707 takes us back to an era when postcards were used as tools for social change, like the one promoting the Budget League. It reminds us of how people united for common causes even in challenging times. The Shield of Achilles, renowned from Greek mythology, symbolizes strength and valor exhibited by individuals throughout history. Its mention here hints at epic battles fought by heroes like Hector. P. D. S. A. AMBULANCE signifies humanity's unwavering commitment to saving lives during emergencies—a testament to compassion transcending borders and cultures. Traveling further back in time, we encounter a Liberal Election Campaign Card from 1909—an artifact showcasing political engagement among citizens striving for progress within their society. The Afghan People of 1848 remind us that every nation has its own unique story—rich with struggles and triumphs—that contribute to our collective tapestry. Pueblo Pots represent indigenous artistry passed down through generations—a celebration of cultural heritage preserved amidst changing times. Spanish Invading Mexico evokes historical encounters between civilizations—the mingling of traditions leading to new narratives emerging on both sides. In Picture No. 10780619, Mao Zedong greeting South Yemen leader highlights international diplomacy bridging gaps between nations—showcasing unity beyond geographical boundaries. These hints weave together tales from different corners of the globe—each representing distinct peoples who have left indelible imprints on our shared human experience. As we explore these snapshots from history, let us celebrate diversity while embracing our interconnectedness as one global community.