Peoples Of Ancient Italy Collection
The ancient peoples of Italy, known as the Camuni, left behind a rich and fascinating legacy in the form of petroglyphs on Permian sandstone
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The ancient peoples of Italy, known as the Camuni, left behind a rich and fascinating legacy in the form of petroglyphs on Permian sandstone. These intricate carvings provide us with glimpses into their daily lives and beliefs. One captivating image shows a figure of a four-wheeled carriage drawn by horses. This suggests that transportation was an important aspect of their society, allowing them to travel across the land with ease. In another depiction, we see figures engaged in combat - dueling with weapons. This hints at a warrior culture where strength and skill were highly valued. Hunting scenes are also prominently featured in these petroglyphs. The Camuni clearly relied on hunting for sustenance and survival, showcasing their deep connection to nature and the animal kingdom. Interestingly, some carvings depict human figures alongside animals, wielding spears. These may represent early forms of village life or communal activities such as hunting or defense against predators. A recurring theme is the presence of buildings within these engravings - perhaps indicating settlements or villages where these ancient Italians lived and thrived together as a community. One particularly intriguing carving portrays a large figure adorned with deer antlers on his head - believed to be Cernunnos, the god associated with fertility and nature worship. This highlights their spiritual beliefs and reverence for natural forces. The technique used to create these petroglyphs is also worth noting. The "hammer" method involved tapping the rocky surface using stone or metal tools to create small circular concavities – demonstrating both artistic skill and resourcefulness. Another remarkable engraving showcases a maze-like pattern along with depictions of waterbirds and dueling figures on the Great Rock of Naquane. It leaves us wondering about its significance – was it symbolic? A representation of rituals? Lastly, we come across images depicting Capotribu (a central figure), headstocks (at bottom left), and human figures engaged in a hunting scene.