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Pastoralism Collection

"Embracing the Serenity of Pastoralism: A Glimpse into Timeless Traditions" In a captivating black and white photograph captured around 1899

Background imagePastoralism Collection: By The Sea, 1881 (oil on canvas)

By The Sea, 1881 (oil on canvas)
7063397 By The Sea, 1881 (oil on canvas) by Glendening, Alfred Augustus (1840-1921); Private Collection

Background imagePastoralism Collection: Church Pool, Bettws-y-coed (oil)

Church Pool, Bettws-y-coed (oil)
7064886 Church Pool, Bettws-y-coed (oil) by Parker, Henry (1858-1930); Private Collection

Background imagePastoralism Collection: Ancient Lusitanian Oak ( Quercus faginea) pollard, in dehesa, Sierra de Grazalema, Andalucia

Ancient Lusitanian Oak ( Quercus faginea) pollard, in dehesa, Sierra de Grazalema, Andalucia, South-west Spain
ROG-13308 Ancient Lusitanian Oak - pollard, in dehesa Sierra de Grazalema, Andalucia, South-west Spain Quercus faginea Bob Gibbons Please note that prints are for personal display purposes only

Background imagePastoralism Collection: Cattle grazing high in the Swiss Alps near Wengen, Switzerland

Cattle grazing high in the Swiss Alps near Wengen, Switzerland
ROG-14017 Cattle grazing high in the Swiss Alps near Wengen Switzerland Bob Gibbons Please note that prints are for personal display purposes only and may not be reproduced in any way

Background imagePastoralism Collection: Daisy Nook, 1886 (watercolour on paper)

Daisy Nook, 1886 (watercolour on paper)
8615140 Daisy Nook, 1886 (watercolour on paper) by Jackson, Frederick William (1859-1918); 26.5x20.5 cm; Gallery Oldham, UK; (add.info.: By Fred Jackson (1859-1918)); Oldham Collection

Background imagePastoralism Collection: The Woods, Betts-Y-Coed, 1929 (oil on canvas)

The Woods, Betts-Y-Coed, 1929 (oil on canvas)
8615145 The Woods, Betts-Y-Coed, 1929 (oil on canvas) by Wimpenny, George (1857-1939); 59.7x89.3 cm; Gallery Oldham, UK; (add.info.: By George Wimpenny (1857-1939)); Oldham Collection

Background imagePastoralism Collection: Chadderton Fold, 1881-1887 (oil on canvas)

Chadderton Fold, 1881-1887 (oil on canvas)
8615141 Chadderton Fold, 1881-1887 (oil on canvas) by Hague, John Houghton (1842-p.1886); 26x38 cm; Gallery Oldham, UK; (add.info.: By John Houghton Hague (1842-1934)); Oldham Collection

Background imagePastoralism Collection: Water Lane, Stratford St.Mary, 1831 (watercolour on paper)

Water Lane, Stratford St.Mary, 1831 (watercolour on paper)
7528536 Water Lane, Stratford St.Mary, 1831 (watercolour on paper) by Constable, John (1776-1837); 23x18 cm; Gallery Oldham

Background imagePastoralism Collection: Landscape in Normandy (oil on canvas)

Landscape in Normandy (oil on canvas)
2654955 Landscape in Normandy (oil on canvas) by Cotman, John Sell (1782-1842); 32.9x48.1 cm; National Museum and Gallery, Cardiff, UK; National Museums & Galleries of Wales

Background imagePastoralism Collection: Peasants return from fishing in France late 19th century

Peasants return from fishing in France late 19th century
3785382 Peasants return from fishing in France late 19th century; (add.info.: A rural scene, featuring peasants nearby their cottage. Caption reads: Life in the countryside)

Background imagePastoralism Collection: Stapleton Mill, 1840 (watercolour on paper, board)

Stapleton Mill, 1840 (watercolour on paper, board)
7528578 Stapleton Mill, 1840 (watercolour on paper, board) by Muller, William James (1812-45); 34.1x54.5 cm; Gallery Oldham

Background imagePastoralism Collection: Landscape, 1841 (watercolour on paper)

Landscape, 1841 (watercolour on paper)
7528570 Landscape, 1841 (watercolour on paper) by Danby, Francis (1793-1861); 29x22 cm; Gallery Oldham, UK; (add.info.: From the Charles Lees Collection By Francis Danby (1793-1861)

Background imagePastoralism Collection: The Mowers, 1930 (painting)

The Mowers, 1930 (painting)
7432258 The Mowers, 1930 (painting) by Werenskiold, Erik Theodor (1855-1938); 115x180 cm; Private Collection; (add.info.: Erik Werenskiold (1855-1938)); Photo © O. Vaering

Background imagePastoralism Collection: Landscape [The Return Home], date unknown (watercolour on paper)

Landscape [The Return Home], date unknown (watercolour on paper)
7528523 Landscape [The Return Home], date unknown (watercolour on paper) by Barret, George the Younger (1767-1842); 32x21.5 cm; Gallery Oldham

Background imagePastoralism Collection: Windmill at the Folie-Beaujon in Paris, 1827 (oil on canvas)

Windmill at the Folie-Beaujon in Paris, 1827 (oil on canvas)
XIR196926 Windmill at the Folie-Beaujon in Paris, 1827 (oil on canvas) by Guyot, Antoine Patrice (b.1777); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imagePastoralism Collection: Preparations for the Banquet of the Gods for the Wedding of Cupid and Psyche, detail

Preparations for the Banquet of the Gods for the Wedding of Cupid and Psyche, detail, 1528-30 (fresco)
7413401 Preparations for the Banquet of the Gods for the Wedding of Cupid and Psyche, detail, 1528-30 (fresco) by Romano, Giulio (also Pippi, Giulio) (1483-1520); Palazzo del Te, Mantua

Background imagePastoralism Collection: Cattle Fording a Stream, 1862 (oil on canvas)

Cattle Fording a Stream, 1862 (oil on canvas)
3080871 Cattle Fording a Stream, 1862 (oil on canvas) by Moore, Henry (1831-95); 72x112 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePastoralism Collection: Only a Shower, 1869 (oil on canvas)

Only a Shower, 1869 (oil on canvas)
3268016 Only a Shower, 1869 (oil on canvas) by Mason, George Heming (1818-72); 46x92 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePastoralism Collection: Rochester, Kent, 1795 (w/c on paper)

Rochester, Kent, 1795 (w/c on paper)
495777 Rochester, Kent, 1795 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePastoralism Collection: Tray, 1772 (soft paste porcelain)

Tray, 1772 (soft paste porcelain)
7394065 Tray, 1772 (soft paste porcelain) by Boucher, Francois (1703-70) (after); Ashmolean Museum, University of Oxford, UK; (add.info.: Associated person(s)

Background imagePastoralism Collection: The Shepherd and his Family, 1644 (Etching)

The Shepherd and his Family, 1644 (Etching)
7393383 The Shepherd and his Family, 1644 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 9, 5 x 6, 7 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imagePastoralism Collection: The Sleeping Shepherd, 1644 (Etching)

The Sleeping Shepherd, 1644 (Etching)
7393382 The Sleeping Shepherd, 1644 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 7, 8 x 5, 7 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imagePastoralism Collection: Willy Lott's House from the Stour (The Valley Farm), c. 1816-1818 (oil on canvas)

Willy Lott's House from the Stour (The Valley Farm), c. 1816-1818 (oil on canvas)
7394051 Willy Lott's House from the Stour (The Valley Farm), c.1816-1818 (oil on canvas) by Constable, John (1776-1837); 61x50.8 cm; Ashmolean Museum, University of Oxford

Background imagePastoralism Collection: The Mischievous or the Flute Player, 1642 (Etching)

The Mischievous or the Flute Player, 1642 (Etching)
7393351 The Mischievous or the Flute Player, 1642 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 11, 6 x 14, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imagePastoralism Collection: The Time was Young, c. 1903-14 (Watercolour)

The Time was Young, c. 1903-14 (Watercolour)
7290945 The Time was Young, c.1903-14 (Watercolour) by Hankey, William Lee (1869-1952); 25x34.5 cm; Tyne & Wear Archives & Museums; (add.info.: William Lee-Hankey (1869-1952) The Time was Young

Background imagePastoralism Collection: Sheep in the woods, 1880 (oil on canvas)

Sheep in the woods, 1880 (oil on canvas)
CUL4929337 Sheep in the woods, 1880 (oil on canvas) by Ceramano, Charles Ferdinand (1829-1909); Musee des Beaux-Arts, Tournai, Belgium; (add.info.: Sheep in the woods - CERAMANO)

Background imagePastoralism Collection: The Mill Pond, 1882 (oil on canvas)

The Mill Pond, 1882 (oil on canvas)
7333474 The Mill Pond, 1882 (oil on canvas) by MacGregor, William York (1855-1923); 128x158.5 (framed) cm; Perth Museum & Art Gallery, Scotland; (add.info.: Artist: MacGregor, William York (b.1855)

Background imagePastoralism Collection: A Woodland Scene with Children and Goats, 1900 (oil on canvas)

A Woodland Scene with Children and Goats, 1900 (oil on canvas)
7333503 A Woodland Scene with Children and Goats, 1900 (oil on canvas) by Hornel, Edward Atkinson (1864-1933); 99.9x60.8 (framed) cm; Perth Museum & Art Gallery, Scotland; (add.info.: Artist: Hornel)

Background imagePastoralism Collection: In the countryside (The Spring), 1872 (oil on panel)

In the countryside (The Spring), 1872 (oil on panel)
7332016 In the countryside (The Spring), 1872 (oil on panel) by Boldini, Giovanni (1842-1931); Private Collection; (add.info.: Artist: Giovanni Boldini); Ghigo Roli

Background imagePastoralism Collection: Young boy and a girl with flute and sheep, 1792 (graphite with pen and black and red ink on paper)

Young boy and a girl with flute and sheep, 1792 (graphite with pen and black and red ink on paper)
7308283 Young boy and a girl with flute and sheep, 1792 (graphite with pen and black and red ink on paper) by Lanfranco, Giovanni (1582-1647); 33.2x24.4 cm; Ashmolean Museum, University of Oxford

Background imagePastoralism Collection: Three young Men and a Woman under a Shelter, 1764-1827 (pen and ink with grey wash)

Three young Men and a Woman under a Shelter, 1764-1827 (pen and ink with grey wash)
7308233 Three young Men and a Woman under a Shelter, 1764-1827 (pen and ink with grey wash) by Lanfranco, Giovanni (1582-1647); 14.6x23.3 cm; Ashmolean Museum, University of Oxford

Background imagePastoralism Collection: Repos dans la prairie. (Troupeau de betail pres d'un cours d'eau, traversant un champ de pature)

Repos dans la prairie. (Troupeau de betail pres d'un cours d'eau, traversant un champ de pature)
FIA5352187 Repos dans la prairie. (Troupeau de betail pres d un cours d eau, traversant un champ de pature). Oeuvre de Pyotr Ivanovich Petrovichev (Piotr Petrovitchev) (1874-1947), huile sur carton

Background imagePastoralism Collection: Landscape with Cattle and Herdsman, 1810 (Watercolour)

Landscape with Cattle and Herdsman, 1810 (Watercolour)
7290978 Landscape with Cattle and Herdsman, 1810 (Watercolour) by Hills, Robert (1769-1844); 44.2x34.3 cm; Tyne & Wear Archives & Museums; (add.info)

Background imagePastoralism Collection: Ben Nevis, 1891 (Watercolour and gouache)

Ben Nevis, 1891 (Watercolour and gouache)
7290955 Ben Nevis, 1891 (Watercolour and gouache) by Foster, Myles Birket (1825-99); 78.5x117.9 cm; Tyne & Wear Archives & Museums; (add.info.: Myles Birket Foster (1825-1899) Ben Nevis

Background imagePastoralism Collection: On the Emmet Burn, on the North Tyne, 1833 (Watercolour)

On the Emmet Burn, on the North Tyne, 1833 (Watercolour)
7290930 On the Emmet Burn, on the North Tyne, 1833 (Watercolour) by Swinburne, Julia (1796-1893); 14.7x19.1 cm; Tyne & Wear Archives & Museums; (add.info)

Background imagePastoralism Collection: Busy Cottage, 1774 (Watercolour and pencil)

Busy Cottage, 1774 (Watercolour and pencil)
7290970 Busy Cottage, 1774 (Watercolour and pencil) by Beilby, William (1740-1819); 10.5x16 cm; Tyne & Wear Archives & Museums; (add.info.: William Beilby (1740-1819) Busy Cottage

Background imagePastoralism Collection: On the Coquet, about 1902 (Watercolour)

On the Coquet, about 1902 (Watercolour)
7290927 On the Coquet, about 1902 (Watercolour) by Waterlow, Ernest Albert (1850-1919); 36.3x53.5 cm; Tyne & Wear Archives & Museums; (add.info.: Ernest Waterlow (1850-1919) On the Coquet

Background imagePastoralism Collection: Ullswater, about 1842 (Watercolour and gouache)

Ullswater, about 1842 (Watercolour and gouache)
7290937 Ullswater, about 1842 (Watercolour and gouache) by Richardson, Thomas Miles, II (1813-90); 50.8x84.1 cm; Tyne & Wear Archives & Museums; (add.info.: Thomas Miles Richardson junior, Ullswater)

Background imagePastoralism Collection: View of the Red Heugh near Newcastle, 1774 (Watercolour and pencil)

View of the Red Heugh near Newcastle, 1774 (Watercolour and pencil)
7290971 View of the Red Heugh near Newcastle, 1774 (Watercolour and pencil) by Beilby, William (1740-1819); 10.2x16 cm; Tyne & Wear Archives & Museums; (add.info)

Background imagePastoralism Collection: Landscape with Figure on the Bank of a Pool (Watercolour, sepia and wash)

Landscape with Figure on the Bank of a Pool (Watercolour, sepia and wash)
7290961 Landscape with Figure on the Bank of a Pool (Watercolour, sepia and wash) by Cozens, Alexander (1717-86); 26x32.5 cm; Tyne & Wear Archives & Museums; (add.info)

Background imagePastoralism Collection: Landscape, about 1760-1770 (Watercolour on paper)

Landscape, about 1760-1770 (Watercolour on paper)
7290975 Landscape, about 1760-1770 (Watercolour on paper) by Zuccarelli, Francesco (1702-88); 41.3x62.8 cm; Tyne & Wear Archives & Museums; (add.info.: Francesco Zuccarelli (1702-1788) Landscape

Background imagePastoralism Collection: North Tyne, 1774 (Watercolour and pencil)

North Tyne, 1774 (Watercolour and pencil)
7290973 North Tyne, 1774 (Watercolour and pencil) by Beilby, William (1740-1819); 10.5x16 cm; Tyne & Wear Archives & Museums; (add.info.: William Beilby (1740- 1819) North Tyne

Background imagePastoralism Collection: Hayfield, Widdington, about 1893 (Watercolour, gouache, and ink)

Hayfield, Widdington, about 1893 (Watercolour, gouache, and ink)
7290963 Hayfield, Widdington, about 1893 (Watercolour, gouache, and ink) by Clausen, George (1852-1944); 34.5x48 cm; Tyne & Wear Archives & Museums; (add.info.: George Clausen (1852-1944) Hayfield

Background imagePastoralism Collection: The Swineherd, 1872 (Gouache)

The Swineherd, 1872 (Gouache)
7290926 The Swineherd, 1872 (Gouache) by Watson, James Dawson (1832-92); 25.3x35.7 cm; Tyne & Wear Archives & Museums; (add.info.: John Dawson Watson (1832-1892) The Swineherd

Background imagePastoralism Collection: View in Surrey, about 1863-1890 (Watercolour and gouache)

View in Surrey, about 1863-1890 (Watercolour and gouache)
7290956 View in Surrey, about 1863-1890 (Watercolour and gouache) by Foster, Myles Birket (1825-99); 23x35.5 cm; Tyne & Wear Archives & Museums; (add.info)

Background imagePastoralism Collection: Warkworth, 1860 (Watercolour and gouache)

Warkworth, 1860 (Watercolour and gouache)
7290938 Warkworth, 1860 (Watercolour and gouache) by Richardson, Henry Burdon (fl.1828-72); 55.6x76.2 cm; Tyne & Wear Archives & Museums; (add.info.: Henry Burdon Richardson (1826-1874) Warkworth

Background imagePastoralism Collection: Landscape, Woods (#13) c. 1880 (graphite on paper)

Landscape, Woods (#13) c. 1880 (graphite on paper)
7276750 Landscape, Woods (#13) c. 1880 (graphite on paper) by Bannister, Edward Mitchell (1833-1901); 19.05x26.67 cm; Amistad Research Center, New Orleans, LA, USA; (add.info.: An impressionistic)

Background imagePastoralism Collection: Landscape with Log on the Beach (#40), c. 1880 (watercolor on paper)

Landscape with Log on the Beach (#40), c. 1880 (watercolor on paper)
7276738 Landscape with Log on the Beach (#40), c. 1880 (watercolor on paper) by Bannister, Edward Mitchell (1833-1901); 15.24x24.77 cm; Amistad Research Center, New Orleans, LA



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"Embracing the Serenity of Pastoralism: A Glimpse into Timeless Traditions" In a captivating black and white photograph captured around 1899, a young boy tenderly cradles a sheep in his arms, symbolizing the intimate bond between humans and animals in pastoralism. This image from Sicily transports us to an era where shepherding was not just a livelihood but also an art form. Moving forward to 1881, we find ourselves standing by the sea, mesmerized by an oil on canvas painting that depicts the essence of pastoral life. The tranquility exuded from this artwork reminds us of the harmonious coexistence between man and nature. As we explore further, our journey takes us to Church Pool in Bettws-y-coed through another oil painting. Here, amidst lush greenery and shimmering waters, we witness how pastoral landscapes become sanctuaries for both physical and spiritual nourishment. Traveling across borders to Sierra de Grazalema in Andalucia, South-west Spain, we encounter an ancient Lusitanian Oak pollard standing tall within a dehesa. This majestic tree embodies resilience as it thrives within its natural habitat while providing sustenance for grazing livestock. Venturing high up into the Swiss Alps near Wengen brings us face-to-face with cattle peacefully grazing against breathtaking mountain vistas. These scenes epitomize traditional alpine farming practices that have sustained communities for generations. Our next stop is Magura village nestled within Romania's Piatra Craiului mountains during autumn. Here lies a picturesque landscape adorned with old houses, barns, fruit trees, and pastures—a testament to rural traditions passed down through time. Returning once again to Switzerland's Alpine beauty reveals yet another awe-inspiring sight—cattle gracefully traversing streams as they go about their daily routines. Their synchronized movements reflect harmony between animals and nature in pastoral settings.