Passiontide Collection

Resurrection of Christ, c. 1485-1500 (oil on panel)
5916322 Resurrection of Christ, c. 1485-1500 (oil on panel) by Master of the Amsterdam Death of the Virgin (fl.1500); 53.5x65 cm; Rijksmuseum, Amsterdam

The Cloisters Cross, c. 1150-60 (walrus ivory)
5667145 The Cloisters Cross, c.1150-60 (walrus ivory) by English School, (12th century); 57.5x36.2 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Hebrew prophets surround the central)

The Resurrection, c. 1475 (oil on wood)
FIA5388043 The Resurrection, c.1475 (oil on wood) by Bermejo, (Bartolome de Cardenas) (c.1435/40-1500); 90x69 cm; Museu Nacional d Art de Catalunya, Barcelona, Spain; Photo © Fine Art Images

On the Way to Emmaus, 1643 (oil on wood)
3740434 On the Way to Emmaus, 1643 (oil on wood) by Ruisdael or Ruysdael, Salomon van (c.1602-70); 56.6 x 79.2 cm; Kunstmuseum, Basel, Switzerland; Dutch, out of copyright

The Resurrection, 1527 (oil coated on parchment on basswood)
5055798 The Resurrection, 1527 (oil coated on parchment on basswood) by Altdorfer, Albrecht (c.1480-1538); 34.5x25 cm; Kunstmuseum, Basel, Switzerland; (add.info.: Circle of Altdorfer); German

Christ appearing to St. Peter (oil on panel)
BWM155764 Christ appearing to St. Peter (oil on panel) by Heemskerck, Maerten van (1498-1574); The Bowes Museum, Barnard Castle, County Durham, UK; eBowes Museum; Dutch, out of copyright

The Resurrection, with the Pilgrims of Emmaus, c. 1510 (oil on oak panel)
3493099 The Resurrection, with the Pilgrims of Emmaus, c.1510 (oil on oak panel) by David, Gerard (c.1460-1523); 87.7 high cm; Metropolitan Museum of Art, New York

The Resurrection, c. 1529-33 (chalk on paper)
3704042 The Resurrection, c.1529-33 (chalk on paper) by Leyden, Lucas van (c.1494-1533); 25.2x19.9 cm; Rijksmuseum, Amsterdam, The Netherlands; Netherlandish, out of copyright

The Resurrection, SS James the Less, Bartholomew, Philip, after 1380 (tempera on canvas)
5614477 The Resurrection, SS James the Less, Bartholomew, Philip, after 1380 (tempera on canvas) by Master of the Trebon Altarpiece (fl.1380); 132.8x91.7 cm; Narodni Galerie, Prague

Resurrection of Christ and the Triumph Over Death and Devil, 1537 (oil on wood)
3959933 Resurrection of Christ and the Triumph Over Death and Devil, 1537 (oil on wood) by Cranach, Lucas (1472-1553) (school of); 64 x 57 cm; Kunstmuseum, Basel, Switzerland; German, out of copyright

The Crucifixion, c. 1340 (fresco)
885846 The Crucifixion, c.1340 (fresco) by Memmi, Lippo (fl.1317-47); Collegiata di Santa Maria Assunta, San Gimignano, Italy; (add.info)

Kitchen Scene with Christ at Emmaus, c. 1560-65 (oil on panel)
5672033 Kitchen Scene with Christ at Emmaus, c.1560-65 (oil on panel) by Beuckelaer or Bueckelaer, Joachim (c.1530-73); 109.5x169 cm; Mauritshuis, The Hague

Epitaph of the Prague Goldsmith Nicholas Muller, 1592-93 (oil on canvas)
5614482 Epitaph of the Prague Goldsmith Nicholas MAoller, 1592-93 (oil on canvas) by Spranger, Bartholomaeus (1546-1611); 243x160 cm; Narodni Galerie, Prague

Christ Appearing to Mary Magdalene as a Gardener (Noli me tangere), c
3704039 Christ Appearing to Mary Magdalene as a Gardener (Noli me tangere), c.1645 (pen and ink on paper) by Rembrandt Harmensz

Illumination of the Cross in St. Peters on Good Friday, 1787 (w / c and etching)
3432841 Illumination of the Cross in St. Peters on Good Friday, 1787 (w/c and etching) by Piranesi, Giovanni Battista (1720-78); 69.37x47.63 cm; Los Angeles County Museum of Art, CA

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Passiontide, a period of intense reflection and devotion, encompasses the final two weeks of Lent leading up to Easter, and is during this time that Christians commemorate the suffering and death of Jesus Christ, as well as his ultimate triumph over death through his Resurrection. Artworks from different eras capture the essence of Passiontide, allowing us to delve into the profound emotions surrounding these events. Take for instance "Resurrection of Christ" painted around 1485-1500; it portrays the glorious moment when Jesus rises from the dead, bringing hope and redemption to humanity. Another powerful piece is "Carrying the Cross, " an oil painting created in 1587. This artwork depicts Jesus' arduous journey towards Calvary while bearing his cross—a poignant reminder of his sacrifice for mankind's salvation. The Tabernacle of Cherves, crafted between 1220-30 using copper and champleve enamel techniques, stands as a testament to faith. Its intricate design showcases scenes from Christ's life and serves as a place where believers can find solace in their spiritual journey. In contrast, "Jesus stripped of his garments" by an unknown artist in 1501 captures a somber moment before Crucifixion. The tempera on panel technique enhances its emotional impact by highlighting every detail with precision. "The Deposition, " painted between 1510-20 with oil on panel medium, illustrates grief-stricken figures carefully lowering Jesus' body after being taken down from the cross. This scene evokes deep sorrow but also reminds us that even in death there is beauty and grace. One cannot overlook The Cloisters Cross made around c. 1150-60 using walrus ivory—an exquisite example of medieval craftsmanship depicting scenes from both Old Testament prophecies and New Testament events related to Passiontide. Its delicate carvings invite contemplation on Christ's sacrifice for humanity's sins.