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Partition Collection (page 17)

"Partition: A Melody of Divisions and Unions" In the captivating drawing "The Symphony of the Cat (Die Katzensymphony)" by Moritz von Schwind

Background imagePartition Collection: Title page of musical score of Der Ring des Nibelungen by Wagner

Title page of musical score of Der Ring des Nibelungen by Wagner
LRI4567717 Title page of musical score of Der Ring des Nibelungen by Wagner by Unknown Artist, (19th century); Museo Civico Bibliografico Musicale, Bologna

Background imagePartition Collection: Introduction page where the composer gives the reasons for which he published

Introduction page where the composer gives the reasons for which he published
LRI4566969 Introduction page where the composer gives the reasons for which he published, from Suite of instrumental pieces by G F Handel by Unknown artist

Background imagePartition Collection: Frontispiece of Miserere by Allegri and Ave verum corpus by Mozart

Frontispiece of Miserere by Allegri and Ave verum corpus by Mozart
LRI4566894 Frontispiece of Miserere by Allegri and Ave verum corpus by Mozart, transcribed by Liszt for piano (1865) by Unknown Artist, (19th century); Biblioteca del Conservatorio G

Background imagePartition Collection: Sheet music of Psalmi Poenitentiales by Roland de Lassus (1604)

Sheet music of Psalmi Poenitentiales by Roland de Lassus (1604)
LRI4566786 Sheet music of Psalmi Poenitentiales by Roland de Lassus (1604) by Unknown Artist, (17th century); Biblioteca del Conservatorio G

Background imagePartition Collection: Page of musical score of Symphony N. 8 in D major, by Mozart (1768)

Page of musical score of Symphony N. 8 in D major, by Mozart (1768)
LRI4566604 Page of musical score of Symphony N. 8 in D major, by Mozart (1768) by Mozart, Wolfgang Amadeus (1756-91); Biblioteca del Conservatorio G

Background imagePartition Collection: First page of sheet music for Symphony na'4 in D, by Mozart

First page of sheet music for Symphony na'4 in D, by Mozart
LRI4566570 First page of sheet music for Symphony nA'4 in D, by Mozart by Mozart, Wolfgang Amadeus (1756-91); Biblioteca del Conservatorio G

Background imagePartition Collection: Page of the symphony reduced to two pianos and eight hands of Die Zauberflote

Page of the symphony reduced to two pianos and eight hands of Die Zauberflote
LRI4566507 Page of the symphony reduced to two pianos and eight hands of Die Zauberflote, opera by Mozart, Lichtenthal version (19th century) by Unknown Artist

Background imagePartition Collection: Sheet music page for the first violin in the opening of Mithridate, King of the Pont

Sheet music page for the first violin in the opening of Mithridate, King of the Pont
LRI4566432 Sheet music page for the first violin in the opening of Mithridate, King of the Pont, opera by Mozart (1770) by Unknown artist, (18th century); Biblioteca del Conservatorio G

Background imagePartition Collection: Sheet music page of the symphony of Don Giovanni, opera by Mozart (1812)

Sheet music page of the symphony of Don Giovanni, opera by Mozart (1812)
LRI4566369 Sheet music page of the symphony of Don Giovanni, opera by Mozart (1812) by Unknown Artist, (19th century); Biblioteca del Conservatorio G

Background imagePartition Collection: Frontispice of Nitocri, opera by Mercadante

Frontispice of Nitocri, opera by Mercadante
LRI4566113 Frontispice of Nitocri, opera by Mercadante by Unknown Artist, (19th century); Private Collection; (add.info.: Frontispiece of musical score of " Nitocri" opera by Saverio)

Background imagePartition Collection: Opening page of the opera Stratonice by Mehul (1792)

Opening page of the opera Stratonice by Mehul (1792)
LRI4566029 Opening page of the opera Stratonice by Mehul (1792) by Unknown artist, (18th century); Biblioteca del Conservatorio G

Background imagePartition Collection: Portrait en pied de Frederique Louise Wilhelmine, princess of Orange Nassau (1770-1819

Portrait en pied de Frederique Louise Wilhelmine, princess of Orange Nassau (1770-1819
JLJ4603801 Portrait en pied de Frederique Louise Wilhelmine, princess of Orange Nassau (1770-1819) Painting by Friedrich Tischbein (1750-1812) 1788 Sun

Background imagePartition Collection: Frontispiece of Dodelinette, lullaby by Charles Gounod created for his daughter

Frontispiece of Dodelinette, lullaby by Charles Gounod created for his daughter
LRI4564097 Frontispiece of Dodelinette, lullaby by Charles Gounod created for his daughter, 19th century by Unknown Artist

Background imagePartition Collection: First page of Balletti for five voices by Giovanni Giacomo Gastoldi, 1613

First page of Balletti for five voices by Giovanni Giacomo Gastoldi, 1613
LRI4563993 First page of Balletti for five voices by Giovanni Giacomo Gastoldi, 1613 by Unknown Artist, (17th century); Museo Civico Bibliografico Musicale, Bologna

Background imagePartition Collection: Title page of the sheet music of Souvenirs D Ossian, overture by Niels Gade

Title page of the sheet music of Souvenirs D Ossian, overture by Niels Gade
LRI4563839 Title page of the sheet music of Souvenirs D Ossian, overture by Niels Gade by Unknown Artist, (19th century); Museo Civico Bibliografico Musicale, Bologna

Background imagePartition Collection: Sheet music page of the second book of Sacrae symphoniae by Giovanni Gabrieli, 1615

Sheet music page of the second book of Sacrae symphoniae by Giovanni Gabrieli, 1615
LRI4563829 Sheet music page of the second book of Sacrae symphoniae by Giovanni Gabrieli, 1615 by Unknown Artist, (17th century); Museo Civico Bibliografico Musicale, Bologna

Background imagePartition Collection: Sheet music page of the Periodic Symphony (the Combat of Human Passions

Sheet music page of the Periodic Symphony (the Combat of Human Passions
LRI4563569 Sheet music page of the Periodic Symphony (the Combat of Human Passions) by Karl Ditters von Dittersdorf, 1779 by Unknown artist, (18th century); Museo Civico Bibliografico Musicale

Background imagePartition Collection: Frontispiece of the musical score of Rusalka, opera by Alexander Dargomyzhsky, 1856

Frontispiece of the musical score of Rusalka, opera by Alexander Dargomyzhsky, 1856
LRI4563545 Frontispiece of the musical score of Rusalka, opera by Alexander Dargomyzhsky, 1856 by Unknown Artist, (19th century); Biblioteca del Conservatorio G

Background imagePartition Collection: Sheet music for Ali Baba, opera by Luigi Cherubini, 1833

Sheet music for Ali Baba, opera by Luigi Cherubini, 1833
LRI4563430 Sheet music for Ali Baba, opera by Luigi Cherubini, 1833 by Unknown Artist, (19th century); Biblioteca del Conservatorio G

Background imagePartition Collection: First page of Sheet music of Lodoiska (scene 4), opera by Luigi Cherubini, 1791

First page of Sheet music of Lodoiska (scene 4), opera by Luigi Cherubini, 1791
LRI4563373 First page of Sheet music of Lodoiska (scene 4), opera by Luigi Cherubini, 1791 by Italian School, (18th century); Museo Civico Bibliografico Musicale, Bologna

Background imagePartition Collection: Page of Tablature, book 1 by Girolamo Cavazzoni, 1544

Page of Tablature, book 1 by Girolamo Cavazzoni, 1544
LRI4563355 Page of Tablature, book 1 by Girolamo Cavazzoni, 1544 by Unknown Artist, (16th century); Museo Civico Bibliografico Musicale, Bologna

Background imagePartition Collection: Sheet music page of the Grande symphony (op. 8) by Carl August Cannabich

Sheet music page of the Grande symphony (op. 8) by Carl August Cannabich
LRI4563287 Sheet music page of the Grande symphony (op. 8) by Carl August Cannabich by Unknown Artist, (19th century); Biblioteca del Conservatorio G

Background imagePartition Collection: First page of sheet music of the Great Symphony (Op. 8) by Carl August Cannabich

First page of sheet music of the Great Symphony (Op. 8) by Carl August Cannabich
LRI4563279 First page of sheet music of the Great Symphony (Op. 8) by Carl August Cannabich by Unknown Artist, (19th century); Biblioteca del Conservatorio G

Background imagePartition Collection: Page of the sheet music for Waverley opus 1, overture by Hector Berlioz

Page of the sheet music for Waverley opus 1, overture by Hector Berlioz
LRI4563083 Page of the sheet music for Waverley opus 1, overture by Hector Berlioz by Unknown Artist, (19th century); Biblioteca del Conservatorio G

Background imagePartition Collection: First page of the sheet music for Waverley opus 1, overture, by Hector Berlioz

First page of the sheet music for Waverley opus 1, overture, by Hector Berlioz
LRI4563065 First page of the sheet music for Waverley opus 1, overture, by Hector Berlioz by Unknown Artist, (19th century); Biblioteca del Conservatorio G

Background imagePartition Collection: First page of the sheet music for Symphony no 1 en C majeur opus 21

First page of the sheet music for Symphony no 1 en C majeur opus 21
LRI4562958 First page of the sheet music for Symphony no 1 en C majeur opus 21, by Ludwig van Beethoven, 1822 by Unknown Artist, (19th century); Museo Civico Bibliografico Musicale, Bologna

Background imagePartition Collection: Sheet music for Concerto 5 in Canzoni alla francese by Adriano Banchieri, 1607

Sheet music for Concerto 5 in Canzoni alla francese by Adriano Banchieri, 1607
LRI4562915 Sheet music for Concerto 5 in Canzoni alla francese by Adriano Banchieri, 1607 by Italian School, (17th century); Museo Civico Bibliografico Musicale, Bologna

Background imagePartition Collection: Title page of musical score of The Art of the Fugue, by Johann Sebastian Bach, 1752

Title page of musical score of The Art of the Fugue, by Johann Sebastian Bach, 1752
LRI4562902 Title page of musical score of The Art of the Fugue, by Johann Sebastian Bach, 1752 by Unknown artist, (18th century); Museo Civico Bibliografico Musicale, Bologna

Background imagePartition Collection: Opening of the opera comic Fra Diavolo, or The Hotelery of Terracine by D. F. Auber, 1830

Opening of the opera comic Fra Diavolo, or The Hotelery of Terracine by D. F. Auber, 1830
LRI4562861 Opening of the opera comic Fra Diavolo, or The Hotelery of Terracine by D. F. Auber, 1830 by Unknown Artist, (19th century); Biblioteca del Conservatorio G

Background imagePartition Collection: Page taken from The art of counterpoint by Giovanni Maria Artusi, 1586

Page taken from The art of counterpoint by Giovanni Maria Artusi, 1586
LRI4562822 Page taken from The art of counterpoint by Giovanni Maria Artusi, 1586 by Italian School, (16th century); Museo Civico Bibliografico Musicale, Bologna

Background imagePartition Collection: Page of musical score of Sonata a 2 violini, violoncello e organo, op

Page of musical score of Sonata a 2 violini, violoncello e organo, op
LRI4562744 Page of musical score of Sonata a 2 violini, violoncello e organo, op. 5 by Giuseppe Aldrovandini (1706) by Unknown artist, (18th century); Museo Civico Bibliografico Musicale, Bologna

Background imagePartition Collection: Frontispice of del sonare sopra il basso by Agostino Agazzari, 1609

Frontispice of del sonare sopra il basso by Agostino Agazzari, 1609
LRI4562730 Frontispice of del sonare sopra il basso by Agostino Agazzari, 1609 by Unknown Artist, (17th century); Museo Civico Bibliografico Musicale, Bologna

Background imagePartition Collection: Collection of ballads, motets and songs Musical page with black

Collection of ballads, motets and songs Musical page with black
JLJ4571170 Collection of ballads, motets and songs Musical page with black and blue red notes by Baude Cordier (1380-1440), sheet music for the beginning of the 15th century

Background imagePartition Collection: Cartoon by the composer Giuseppe Verdi (1813-1901) by Pilotell (1845-1918) March 1869

Cartoon by the composer Giuseppe Verdi (1813-1901) by Pilotell (1845-1918) March 1869
JLJ4645095 Cartoon by the composer Giuseppe Verdi (1813-1901) by Pilotell (1845-1918) March 1869. Conservatoire National de Musique, Paris by Pilotell

Background imagePartition Collection: Representation of the Archangel Saint Michael and the dragon Miniature from a gradual

Representation of the Archangel Saint Michael and the dragon Miniature from a gradual
LRI4647889 Representation of the Archangel Saint Michael and the dragon Miniature from a gradual antiphonary (tropair) (ms)

Background imagePartition Collection: The baptism of Christ Lettrine illuminated by Antonio Cicognari. Detail of an antiphonary

The baptism of Christ Lettrine illuminated by Antonio Cicognari. Detail of an antiphonary
LRI4647457 The baptism of Christ Lettrine illuminated by Antonio Cicognari. Detail of an antiphonary. 1483. Cremone, choral 4, capitolo del duomo by Cicognara

Background imagePartition Collection: Saint John the Evangelist Lettrine illuminated by Antonio Cicognari

Saint John the Evangelist Lettrine illuminated by Antonio Cicognari
LRI4647436 Saint John the Evangelist Lettrine illuminated by Antonio Cicognari. Detail of an antiphonary. 1483. Cremone, choral 4, capitolo del duomo by Cicognara

Background imagePartition Collection: Still Life with Musical Instruments Painting by Evarista Baschenis (1617-1677

Still Life with Musical Instruments Painting by Evarista Baschenis (1617-1677
LRI4619977 Still Life with Musical Instruments Painting by Evarista Baschenis (1617-1677) 17th century. Bergamo, Accademia Carrara, Italy by Baschenis

Background imagePartition Collection: Page of the opening of the score The Messiah (The Messiah

Page of the opening of the score The Messiah (The Messiah
LRI4627991 Page of the opening of the score The Messiah (The Messiah) by the naturalised English German composer George Frederick Handel (Georg Friedrich Handel, 1685-1759) Bologna

Background imagePartition Collection: Two musicians, one Moorish and the other is Spanish Christian Detail of one page taken

Two musicians, one Moorish and the other is Spanish Christian Detail of one page taken
LRI4625114 Two musicians, one Moorish and the other is Spanish Christian Detail of one page taken from a manuscript of the Song of Saint Mary (Cantigas de Santa Maria)

Background imagePartition Collection: Miss Dihau on the piano, 1890. (Oil on paper)

Miss Dihau on the piano, 1890. (Oil on paper)
LRI4622584 Miss Dihau on the piano, 1890. (Oil on paper) by Toulouse-Lautrec, Henri de (1864-1901); Musee Toulouse-Lautrec, Albi, France; (add.info.: Miss Dihau on the piano)

Background imagePartition Collection: Allegorie de la musique Painting by Laurent de La Hyre (ou de La Hire, 1606-1656)

Allegorie de la musique Painting by Laurent de La Hyre (ou de La Hire, 1606-1656)
JLJ4616335 Allegorie de la musique Painting by Laurent de La Hyre (ou de La Hire, 1606-1656), 1649 Sun. 1, 05 X 1, 44 m. New York

Background imagePartition Collection: Madame de Meaux, Mademoiselle de Meaux and Monsieur de Saint Quentin repeating a comic

Madame de Meaux, Mademoiselle de Meaux and Monsieur de Saint Quentin repeating a comic
JLJ4650010 Madame de Meaux, Mademoiselle de Meaux and Monsieur de Saint Quentin repeating a comic opera Watercolour by Louis Carrogis Carmontelle (1717-1806) 18th century Chantilly

Background imagePartition Collection: The Duo; singer and lute player theorbo. Painting by Gerard Ter Borch (1617-1681), Dutch

The Duo; singer and lute player theorbo. Painting by Gerard Ter Borch (1617-1681), Dutch
JLJ4663655 The Duo; singer and lute player theorbo. Painting by Gerard Ter Borch (1617-1681), Dutch, 1660. Oil on canvas. 0.82 X 0.72m

Background imagePartition Collection: Portrait of Romualdo Marenco (engraving)

Portrait of Romualdo Marenco (engraving)
LRI4725253 Portrait of Romualdo Marenco (engraving) by Anonymous; Private Collection; (add.info.: Portrait of Italian composer Romualdo Marenco (1841-1907) Engraving. 19th century

Background imagePartition Collection: Portrait of Georg Friedrich Handel. Frontispiece of Alexanders feast

Portrait of Georg Friedrich Handel. Frontispiece of Alexanders feast
LRI4726016 Portrait of Georg Friedrich Handel. Frontispiece of Alexanders feast, 18th century (engraving) by Unknown artist, (18th century); Museo Civico Bibliografico Musicale, Bologna

Background imagePartition Collection: Vanite still life of skull crown of laurels, flutes, score and wine jug

Vanite still life of skull crown of laurels, flutes, score and wine jug
JLJ4656340 Vanite still life of skull crown of laurels, flutes, score and wine jug. Painting by Simon Bernard of Saint Andre (1613-1677) 17th century Sun

Background imagePartition Collection: The concert A musician at the harpsichord and a cellist

The concert A musician at the harpsichord and a cellist
JLJ4674675 The concert A musician at the harpsichord and a cellist. painting by Gaspare Traversi (1722-1770) 18th century Sun



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"Partition: A Melody of Divisions and Unions" In the captivating drawing "The Symphony of the Cat (Die Katzensymphony)" by Moritz von Schwind, a feline conductor orchestrates a harmonious blend of notes, symbolizing unity amidst diversity. A map depicting East and West Punjab serves as a stark reminder of the partition that tore apart families and communities in 1947. The lines on this map represent more than just geographical boundaries; they signify the painful separation etched into countless lives. Giuseppe Verdi's opera "La Traviata" unveils its frontispiece, showcasing love's triumph over societal constraints. This timeless tale resonates with themes of division and reconciliation, reminding us that even amidst partitions, love can bridge gaps. An old petrol station on London's Old Brompton Road stands witness to countless journeys undertaken across divided lands. It silently observes as people traverse physical borders while yearning for unity beyond political divisions. Franz Peter Schubert gazes at us from his portrait painted in 1875, his music transcending time and space. His compositions evoke emotions that surpass any partition – melodies capable of uniting hearts across generations. "Ave Maria, " an ethereal religious melody adapted by numerous composers throughout history, unites believers worldwide despite their diverse backgrounds or faiths. Its sacred strains remind us that spirituality knows no partitions. Arrigo (Enrico) Boito's opera "Mefistofele" captivates audiences with its dramatic score cover design. Within these musical notes lies an invitation to explore the depths where good confronts evil—a powerful metaphor for overcoming internal partitions within ourselves. Mozart's handwritten sheet music page reveals minuets composed in five cadences for piano—an exquisite harmony crafted by genius hands long ago. These delicate notes transcend time’s partitions, enchanting listeners through centuries past and present.