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Wall Art and Prints since 2004

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Ovid Gallery

Available as Prints and Gift Items

Choose from 674 pictures in our Ovid collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.


Medusa, 1596-1598. Artist: Caravaggio, Michelangelo (1571-1610)
Medusa, 1596-1598. Artist: Caravaggio, Michelangelo (1571-1610)
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Anger (Ira), from the series of the The Seven Deadly Sins, engraved
Anger (Ira), from the series of the The Seven Deadly Sins, engraved
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Narcissus, 1598-1599. Artist: Caravaggio, Michelangelo (1571-1610)
Narcissus, 1598-1599. Artist: Caravaggio, Michelangelo (1571-1610)
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Narcissus and Echo
Narcissus and Echo
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Publius Ovidius Naso
Publius Ovidius Naso
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Apollo and Daphne
Apollo and Daphne
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A Sunset or Landscape with Argus Guarding Io (oil on canvas)
A Sunset or Landscape with Argus Guarding Io (oil on canvas)
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Animal magnetism, satirical artwork
Animal magnetism, satirical artwork
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Propertius (Visconti)
Propertius (Visconti)
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Medusa, 1903. Artist: Kotarbinsky, Vasilii (Wilhelm) Alexandrovich (1849-1921)
Medusa, 1903. Artist: Kotarbinsky, Vasilii (Wilhelm) Alexandrovich (1849-1921)
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Head of Medusa, 1630. Artist: Bernini, Gianlorenzo (1598-1680)
Head of Medusa, 1630. Artist: Bernini, Gianlorenzo (1598-1680)
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Orpheus Leading Eurydice from the Underworld, 1861. Artist: Corot, Jean-Baptiste Camille (1796-1875)
Orpheus Leading Eurydice from the Underworld, 1861. Artist: Corot, Jean-Baptiste Camille (1796-1875)
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Animal magnetism, satirical artwork Featured Image

Animal magnetism, satirical artwork

Animal magnetism. Satirical artwork depicting a patient and animal magnetism practitioner with animal heads. Animal magnetism was developed by the German physician Franz Mesmer (1734-1815) in the 1770s. It involved manipulating a magnetic fluid thought to reside in living objects. The practice was later renamed mesmerism, and eventually led to the development of hypnosis. At lower left is a German copy of Ovid's Metamorphoses'. This 19th century artwork is from Die Karikatur und Satire in der Medizin (Caricature and Satire in Medicine, 1921) by the German art historian and physician Eugen Hollander (1867-1932)

© SCIENCE PHOTO LIBRARY

The Silver Age, 1527. Artist: Lucas Cranach the Elder
The Silver Age, 1527. Artist: Lucas Cranach the Elder
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Pygmalion and Galatea, c. 1890. Artist: Gerome, Jean-Leon (1824-1904)
Pygmalion and Galatea, c. 1890. Artist: Gerome, Jean-Leon (1824-1904)
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Perseus turning Phineas and his Followers to Stone, Early 1680s. Artist: Giordano, Luca (1632-1705)
Perseus turning Phineas and his Followers to Stone, Early 1680s. Artist: Giordano, Luca (1632-1705)
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Ovid's revenge (copper engraving)
Ovid's revenge (copper engraving)
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Procris impaled by the never erring javelin, Cephalus running towards her and Aurora
Procris impaled by the never erring javelin, Cephalus running towards her and Aurora
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Procris impaled by the never erring javelin, Cephalus running towards her and Aurora
Procris impaled by the never erring javelin, Cephalus running towards her and Aurora
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Serpent defeated by Phoebus or Appollo Uccide il Serpente Pitone, illustration from Ovid's Metamorphoses, Florence
Serpent defeated by Phoebus or Appollo Uccide il Serpente Pitone, illustration from Ovid's Metamorphoses, Florence
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Io Changed into a Cow: Mercury Cuts Off Argus Head, 1730 (engraving)
Io Changed into a Cow: Mercury Cuts Off Argus Head, 1730 (engraving)
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Perseus and the Origin of Coral, c.1671 (black chalk, sepia and black ink, sepia and gray wash with white)
Perseus and the Origin of Coral, c.1671 (black chalk, sepia and black ink, sepia and gray wash with white)
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Cadmus and the Dragon, 1813 (oil on canvas)
Cadmus and the Dragon, 1813 (oil on canvas)
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The Birth of Venus (detail), c.1485 (tempera on canvas)
The Birth of Venus (detail), c.1485 (tempera on canvas)
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Cadmus kills the Dragon or Cadmo uccide il Drago, illustration from Ovid's Metamorphoses, Florence
Cadmus kills the Dragon or Cadmo uccide il Drago, illustration from Ovid's Metamorphoses, Florence
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Procris impaled by the never erring javelin, Cephalus running towards her and Aurora and Titone on a chariot pulled by four horses, 1517-18 (fresco) (detail of 2646162) Featured Image

Procris impaled by the never erring javelin, Cephalus running towards her and Aurora and Titone on a chariot pulled by four horses, 1517-18 (fresco) (detail of 2646162)

2646163 Procris impaled by the never erring javelin, Cephalus running towards her and Aurora and Titone on a chariot pulled by four horses, 1517-18 (fresco) (detail of 2646162) by Peruzzi, Baldassarre (1481-1536) (and workshop); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina, The Hall of Perspectives: the ample frieze with mythological scenes inspired by the Ovid Metamorphoses. Detail of Procris impaled by the never erring javelin and Cephalus running towards her. On the left, Aurora and Titone on a chariot pulled by four horses. Aurora seems to be in some way responsible of the death of Procri, having caused her jealousy.
In the backround, preceeding the cart, Venus, (Hesperus?) holding a star.
Frescoes by Baldassarre Peruzzi and workshop (1517-18).
Roma, Villa Farnesina, Sala delle Prospettive: fregio superiore con scene mitologiche ispirate alle Metamorfosi di Ovidio. Affreschi di Baldassarre Peruzzi (1517-8). Particolare.
Procri e sdraiata in terra morente con una lancia conficcata nel petto. A sinistra e raffigurato il carro di Aurora, in qualche modo responsabile della morte di Procri, avendo la dea instillato nella giovane la gelosia verso il suo amato Cefalo, di cui si era invaghita. Aurora e accompagnata da Titone, principe troiano e musico, rapito e sposato dalla dea, la quale chiese per lui a Giove l'immortalita, dimenticando di chiedere anche l'eterna giovinezza (nell'affresco e infatti raffigurato come un vecchio con una lunga barba bianca). Venere (Espero?) precede in volo il carro, reggendo una stella.); Ghigo Roli

© Ghigo Roli / Bridgeman Images

Vertumnus and Pomona: Vertumnus transformed into a pruner. ca. 1550 (tapestry)
Vertumnus and Pomona: Vertumnus transformed into a pruner. ca. 1550 (tapestry)
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Octavian de Saint Gelais presenting his translation of Ovid (chromolitho)
Octavian de Saint Gelais presenting his translation of Ovid (chromolitho)
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Ovid (engraving)
Ovid (engraving)
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Illustration for Le Rire (colour litho)
Illustration for Le Rire (colour litho)
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Portrait of Ovid (engraving)
Portrait of Ovid (engraving)
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P. Ovidius Naso (engraving)
P. Ovidius Naso (engraving)
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The Fall of Phaeton (litho)
The Fall of Phaeton (litho)
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Triumph of Bacchus and Ariadne, detail from the Farnese Ceiling (fresco)
Triumph of Bacchus and Ariadne, detail from the Farnese Ceiling (fresco)
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Ovid, Roman poet (engraving)
Ovid, Roman poet (engraving)
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Pyramus and Thisbe (colour litho)
Pyramus and Thisbe (colour litho)
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Pyramus and Thisbe (gravure)
Pyramus and Thisbe (gravure)
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L'Echo, painting by A Seifert (litho)
L'Echo, painting by A Seifert (litho)
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Vertumnus and Pomona: Vertumnus transformed into a pruner. ca. 1550 (tapestry) Featured Image

Vertumnus and Pomona: Vertumnus transformed into a pruner. ca. 1550 (tapestry)

CUL4906145 Vertumnus and Pomona: Vertumnus transformed into a pruner. ca. 1550 (tapestry) by Coecke van Aelst, Pieter (1502-50); (add.info.: by COECKE VAN AELST, Pieter (1502-1550)
Manufactured in Brussels in gold, wool and silk. Design and models by the circle of Pieter Coecke Van Aelst and Leonard Thiry. Scene from the Ovid's Metamorphoses (XIV, 647). Detail of the garden with the Three Graces
Work influenced by " The Dream of Poliphilo" whose publication in Venice by the printer Aldus Manutius was accompanied by printings which illustrated marvellous architectural garden settings. Flemish art. Tapestry. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Aranjuez. Royal Palace of Aranjuez); Photo © Maeyaert/AIC

© © Maeyaert/AIC / Bridgeman Images

French women's costumes of the 13th century
French women's costumes of the 13th century
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Iris visiting the House of Sleep, asking Hypnos to send Orpheus at Alcyon, 1517-18 (fresco)
Iris visiting the House of Sleep, asking Hypnos to send Orpheus at Alcyon, 1517-18 (fresco)
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Scene of flood withe the myth of Alcyone and Ceyx, 1517-1518 (fresco)
Scene of flood withe the myth of Alcyone and Ceyx, 1517-1518 (fresco)
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Danae and the Shower of Gold, 1753 (oil on canvas)
Danae and the Shower of Gold, 1753 (oil on canvas)
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Meleager and Atalanta, c.1770 (pen & ink with wash on paper)
Meleager and Atalanta, c.1770 (pen & ink with wash on paper)
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Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy, detail of 2384739
Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy, detail of 2384739
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Spring, 1685-95 (oil on canvas)
Spring, 1685-95 (oil on canvas)
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Portrait of Ovid, 1501-03 (monochrome fresco)
Portrait of Ovid, 1501-03 (monochrome fresco)
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Ovid (fresco)
Ovid (fresco)
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Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy
Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy
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