Overgrown Collection (page 4)

Overgrown Pagoda, c. 1855-65 (collotype)
497813 Overgrown Pagoda, c.1855-65 (collotype) by Thomson, John (1837-1921); Private Collection; (add.info.: Taken during a 10 year trip to the East including 5 years in China)

Ruins in a landscape (oil on beige laid paper, lined with Japanese tissue)
877329 Ruins in a landscape (oil on beige laid paper, lined with Japanese tissue) by Churchyard, Thomas (1798-1865) (attr.to); 11x15.3 cm; Sterling and Francine Clark Art Institute, Williamstown

A Mausoleum (pen & brown ink on paper)
449360 A Mausoleum (pen & brown ink on paper) by Vrancx, Sebastian (1573-1647); 26.8x31.3 cm; eThe Devonshire Collections

Columniated ruins of the Temple of Minerva, Forum of Nerva
449356 Columniated ruins of the Temple of Minerva, Forum of Nerva, Rome (pen & brown ink with wash on paper) by Vrancx, Sebastian (1573-1647); 27.8x39 cm; eThe Devonshire Collections

The Baths of Diocletian, 1743 (engraving)
478371 The Baths of Diocletian, 1743 (engraving) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info)

A drover urging a team of bullocks to swim the Tiber at the Ponte Milvio Crossing
449355 A drover urging a team of bullocks to swim the Tiber at the Ponte Milvio Crossing (pen & brown ink with brown wash on paper) by Vrancx

The convent courtyard of Petits-Augustins a Paris, c. 1818 (oil on canvas)
MMT386417 The convent courtyard of Petits-Augustins a Paris, c.1818 (oil on canvas) by Bouhot, Etienne (1780-1862); 31x40 cm; Musee Marmottan Monet, Paris

Ruins of Wat Sisampet (litho)
LIT389820 Ruins of Wat Sisampet (litho) by Catenacci, Hercule (1816-84) (after); Private Collection; (add.info.: Illustration of the travels of Henri Mouhot (1826-61)

Ruins of Wat Phra Mongkok Bopit, Ayutthaya (litho)
LIT389814 Ruins of Wat Phra Mongkok Bopit, Ayutthaya (litho) by Catenacci, Hercule (1816-84) (after); Private Collection; (add.info)

Alice in White Rabbits House, illustration from Alice
2657656 Alice in White Rabbits House, illustration from Alices Adventures Under Ground, pub. 1886 (facsimile) by Dodgson, Charles Lutwidge (Lewis Carroll) (1832-98); Private Collection; (add.info)

An Artist Seated in the Ruins of the Colosseum, c. 1759 (red chalk, on ivory laid paper
2968282 An Artist Seated in the Ruins of the Colosseum, c.1759 (red chalk, on ivory laid paper, laid down on cream laid paper) by Robert, Hubert (1733-1808); 41.7x54 cm; The Art Institute of Chicago

Kenilworth Castle (colour photo)
3095404 Kenilworth Castle (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Kenilworth Castle. Postcard, early 20th century.); © Look and Learn

Shrine on Mountain Dieng or Prahu in central Java, from History of Java
TRV228972 Shrine on Mountain Dieng or Prahu in central Java, from History of Java, volume 2, published 1817 (litho) by English School, (19th century); Private Collection; eTravellers Club; English

Women in a Garden, 1873 (oil on canvas)
PNY156308 Women in a Garden, 1873 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 54.6x65.4 cm; Private Collection; Phillips, Fine Art Auctioneers, New York, USA; French, out of copyright

View of the Temples of Paestum (litho)
GIA871723 View of the Temples of Paestum (litho) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info)

Scene from La Dame de Gai-Fredon, by Quatrelles (Ernest L Epine) (litho)
5208375 Scene from La Dame de Gai-Fredon, by Quatrelles (Ernest L Epine) (litho) by Courboin, Eugene (1851-1915) (after); Private Collection; (add.info.: Scene from La Dame de Gai-Fredon)

Moonlit view of the River Tweed with Melrose Abbey in the foreground
473986 Moonlit view of the River Tweed with Melrose Abbey in the foreground and figures on a bridge (oil on canvas) by Pether, Abraham (1756-1812) (attr)

Interior of a grotto with an antique vase and ruins, three pilgrims at the entrance
CH422644 Interior of a grotto with an antique vase and ruins, three pilgrims at the entrance (oil on canvas) by Withoos, Matthias (1627-1703)

Gustave Dores Don Quixote: "An infinite number of overgrown crows and daws came rushing
6008392 Gustave Dores Don Quixote: " An infinite number of overgrown crows and daws came rushing and fluttering out of the cave" (engraving) by Dore

Transept of Tintern Abbey, Monmouthshire, c. 1794 (w / c over graphite with pen & black ink)
3112226 Transept of Tintern Abbey, Monmouthshire, c.1794 (w/c over graphite with pen & black ink on paper) by Turner, Joseph Mallord William (1775-1851); Ashmolean Museum, University of Oxford

Cleobis and Biton, c. 1650 (oil on canvas)
3930921 Cleobis and Biton, c.1650 (oil on canvas) by Blanchet, Thomas (1614-1689); 88x130 cm; National Museum, Stockholm, Sweden; (add.info)

Goodrich Castle, 1875-82 (oil on canvas)
3963800 Goodrich Castle, 1875-82 (oil on canvas) by Baker, Samuel (1821-93); 68.5x109 cm; Newport Museum and Art Gallery, South Wales; eNewport Museum and Art Gallery; English, out of copyright

Landscape (oil on canvas)
XIR386434 Landscape (oil on canvas) by Diaz de la Pena, Narcisse Virgile (1808-76); 32.2x43.5 cm; Musee d Orsay, Paris, France; (add.info.: Landscape; ); French, out of copyright

The Hanging Gardens of Babylon, from a series of the Seven Wonders of the World
CHT171387 The Hanging Gardens of Babylon, from a series of the Seven Wonders of the World published in Munchener Bilderbogen, 1886 (colour litho) by Knab

Doorway of Angkor Thom, illustration from Atlas du voyage d
CHT207774 Doorway of Angkor Thom, illustration from Atlas du voyage d exploration en Indochine, 1866-68 by Doudart de Lagree, published 1873, Paris, Hachette (litho) by French School

The Prince coming into the Princesss bedroom at the enchanted castle
PER190851 The Prince coming into the Princesss bedroom at the enchanted castle, illustration for The Sleeping Beauty by Charles Perrault (1628-1703) (engraving) by Dore

In an Old-World Garden (oil on canvas)
TW429353 In an Old-World Garden (oil on canvas) by Mostyn, Thomas Edwin (1864-1930); 76x102.3 cm; Sunderland Museum & Winter Gardens, Tyne & Wear, UK; eSunderland Museums; English, out of copyright

Landscape with Ruins (w / c on paper)
473864 Landscape with Ruins (w/c on paper) by Callow, William (1812-1908); 24.9x16.9 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English, out of copyright

Washerwomen at the Fountain, c. 1770-75 (oil on canvas)
HEH416433 Washerwomen at the Fountain, c.1770-75 (oil on canvas) by Robert, Hubert (1733-1808); 83.8x119.4 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Bunches of Roses, Ipomoea and Grape-vines, Around an Arcade in a Fanciful Gothic Style
615621 Bunches of Roses, Ipomoea and Grape-vines, Around an Arcade in a Fanciful Gothic Style, Two Birds, Species Unknown, and a Tiger Moth (w/c & bodycolour on paper) by Prevost

Natural bridge formed by fallen and overgrown trees in Canada (chromolitho)
2788895 Natural bridge formed by fallen and overgrown trees in Canada (chromolitho) by European School, (19th century); Private Collection; (add.info)

Banqueting Hall, Kenilworth Castle (colour photo)
3095356 Banqueting Hall, Kenilworth Castle (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Banqueting Hall, Kenilworth Castle)

A Cape Garden (b / w photo)
3092471 A Cape Garden (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: A Cape Garden. Illustration for Picturesque South Africa (Dennis Edwards)

Byland Abbey, Yorkshire, c. 1793 (watercolour touched with black ink over indications in
1216900 Byland Abbey, Yorkshire, c.1793 (watercolour touched with black ink over indications in graphite) by Girtin, Thomas (1775-1802); 21.5x16.9 cm; Ashmolean Museum, University of Oxford

Conway Castle, c. 1793 (watercolour, touched with the reed pen
1216898 Conway Castle, c.1793 (watercolour, touched with the reed pen, over indications in graphite) by Girtin, Thomas (1775-1802); 16.8x21.7 cm; Ashmolean Museum, University of Oxford

Cloister door, Dryburgh Abbey, near Dryburgh, Scotland
Cloister door, Dryburgh Abbey (Premonstratensian Order, or White Canons), near Dryburgh, Scotland, dating back to the 12th century. Date: circa 1900s

Tomb of Caecilia Metella called Capo di Bove, or Ox Head, 1748 (etching)
1071712 Tomb of Caecilia Metella called Capo di Bove, or Ox Head, 1748 (etching) by Piranesi, Giovanni Battista (1720-78); Dallas Museum of Art, Texas

To the front: French cavalry leaving a Breton city on the declaration of war
3245555 To the front: French cavalry leaving a Breton city on the declaration of war, 1888-89 (oil on canvas) by Butler, Lady (Elizabeth Southerden Thompson) (1846-1933)

Roman Ruins Near the Lagoon, c. 1765-1775 (oil on canvas)
3577040 Roman Ruins Near the Lagoon, c.1765-1775 (oil on canvas) by Guardi, Francesco (1712-93); 92.7x67.3 cm; North Carolina Museum of Art, Raleigh

Bolton Castle, Yorkshire (watercolour over indications in graphite)
1216899 Bolton Castle, Yorkshire (watercolour over indications in graphite) by Girtin, Thomas (1775-1802); 16.9x21.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Landscape with Classical Ruins and Figures, c. 1725-30 (oil on canvas)
3545789 Landscape with Classical Ruins and Figures, c.1725-30 (oil on canvas) by Ricci, Marco (1676-1730) & Sebastiano (1659-1734); 123.2x161.3 cm; J

Cottage in the Countryside, 1871 (oil on canvas)
3506305 Cottage in the Countryside, 1871 (oil on canvas) by Harrison, George (19th century); 31x40.5 cm; Herbert Art Gallery & Museum, Coventry, UK; (add.info.: G.?E.? Harrison)

Castle Ruins (pen & ink with wash on paper)
XYC281121 Castle Ruins (pen & ink with wash on paper) by Williams, Hugh William (1773-1829); 43.2x62.9 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Ruined Castle of Frauenstein (engraving with w / c)
BMT407896 Ruined Castle of Frauenstein (engraving with w/c) by Wizani, Friedrich or Johann-Friedrich (1770-1835); 47.9x58.7 cm; BibliothAque Paul-Marmottan, Ville de Boulogne-Billancourt

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"Nature's Embrace: Exploring the Enchanting Overgrown Wonders Across the Globe" Journey to Hobbiton, North Island, New Zealand, where whimsical Hobbit Houses stand amidst lush overgrowth, transporting visitors to a magical realm. Step through the front door of a Hobbit House in Hobbiton and be greeted by nature's embrace as vines and foliage intertwine with architectural charm. A captivating folly in Roundhay Park, England showcases an albumen print capturing the beauty of an overgrown wonder that sparks curiosity and imagination. Venture into Wistmans Wood on Dartmoor, Devon, England - an ancient oak woodland where time seems suspended amidst gnarled branches and moss-covered stones. The Na Pali Coast in Kauai, Hawaii invites adventurers to witness nature's untamed splendor as towering cliffs become adorned with vibrant greenery and cascading waterfalls. Ta Prohm temple in Angkor Wat Cambodia reveals a mesmerizing sight as colossal tree roots entwine with ancient ruins creating a harmonious blend of man-made structures and natural growth. At Windsor Great Park in Berkshire, United Kingdom stands The Copper Horse surrounded by sprawling meadows where wildflowers dance alongside majestic trees that have stood for centuries. Discover Gruyeres Castle overlooking the charming town of Gruyeres in Switzerland; here history merges seamlessly with nature's bounty creating an idyllic scene straight out of a fairytale book. Falkau waterfalls cascade down autumnal hues within Germany's Black Forest region; here vibrant foliage frames rushing waters forming a picturesque symphony between seasons. Witness the spiritual connection between stone Buddha heads and fig tree roots at Wat Mahatat within Ayutthaya Historical Park in Thailand; this UNESCO World Heritage Site captivates hearts with its ethereal allure.